idk if i really should say this but i'm pretty sus of her psychologist. I AM NOT A PSYCHOLOGIST, but it's a field i want to go into, and have been in therapy myself for like a decade. so take all of this with a grain of salt, but i do have some amount of familiarity with how therapists and psychologists are expected to act and the shit she's supposedly doing and being told in therapy has me giving side eye.
one more thing before i get started-- i want to stress that i am not trying to say this psychologist is bad at his job. obey rule 2 + leave bro alone and out of this. he's just some dude, and he may not be saying any of what amber says he does. hell, he might not even exist. this post is PURELY to discuss, subjectively, the qualms i have with how amber's therapy is being handled (on both ends) exclusively using word of mouth from amber's very warped videos. heaps of salt (and decency) all around.
okay enough preamble, we're starting with the PTSD.
i'm currently being treated myself for PTSD (this is not to debate whether she has that though), and i think the test she referenced a bit ago was the PCL-5. the PCL-5 is NOT to diagnose PTSD*. the PCL-5 is to measure symptoms associated with PTSD. if you have not yet been diagnosed or treated for PTSD and your score is a 33 or higher, it does not inherently mean that you have PTSD, but rather, means the possibility of PTSD is present and should be looked into by your mental healthcare provider. this is not what amber said. amber said 33+ = PTSD and she had SOOOO much more than 33 so she's the PTSD queen of the world.
*the PCL-5 is a tool used IN PTSD diagnosis. it on its own cannot diagnose anything, but this does not negate its importance as a factor in diagnosis.
so either her psychologist told her that the PCL-5 was essentially a magic diagnose-er, or he told her what it actually is and she warped it (but it might also have been something in between, which is still not good). amber is amber and she will always find a way to blow something out of proportion, but the fact that she felt inclined or was able to present it the way she did tells me that her psych may not have stressed what these things actually are, which in my own experience, is an issue. as a therapist you need to accurately present things to your patients, and you shouldn't throw diagnostic language around willy nilly or pin diagnosis on literal inanimate objects (ie, this test diagnoses disorders). that is not appropriate, and can give patients a warped idea of themselves, their mental health, and the wider mental health sphere (i also think it's a little odd that, if this is the PCL-5, that amber may not have been told as much. sure, her psychologist absolutely could have introduced it correctly, but amber has basically only called it "this test" or "a worksheet" as though she isn't sure what she's talking about. the ambiguity there, while also presenting it as this inanimate wizard of diagnosis, feels very off to me).
PTSD, like any other disorder, also takes some time to diagnose completely. you don't just walk in there, do one or two sessions with a therapist, and BOOM diagnosis. that's not appropriate. for most diagnoses, a therapist needs to (or at least should...):

1. actually get to understand the patient, who they are, any conditions they may have already been diagnosed with, the medication they're on, at least a rough idea of the lifestyle they have, the symptoms they're dealing with, etc
2. know of the specific incident (because generally, PTSD is caused by one major moment of trauma) that would have caused the disorder (not necessarily in detail, but just know what it was, e.g., a car crash, a fire, an assault, etc)
3. evaluate whether hearing "you most likely/do have PTSD" will actually be helpful to the patient, AND if they're completely ready to be treated. not everyone does well with diagnoses. some people freak out at the idea of being 'broken' in some way, some people think that once they get a diagnosis it means that's their identity now and they can't be fixed, some people hear a diagnostic term and take it as a scapegoat, many people experience a combo of these things. personally were i amberlynn's therapist i would be extremely hesitant to offer up concrete diagnoses unless i thought she may need to talk to her PCP/psychiatrist about medication, because she mistreats her diagnoses. with PTSD it's not something you can really treat without any form of PTSD diagnosis, but also, PTSD is not something people are always ready to conquer treatment for when they first present to you. i'll expand upon this below, but for the sake of this bullet, someone who will treat their PTSD diagnosis the way amber does imo (i.e., her quirky identity and something to be quantified in numbers) may not yet be ready to hear the diagnosis, and likely isn't ready to treat it either.

amber effectively was diagnosed with PTSD on her, what, second appointment? third? first? either way, that just doesn't spell fantastic therapy work to me. i've been seeing my current therapist for 4-ish years and was just diagnosed with PTSD this year (after around 2 years of lightly discussing my trauma). when i was diagnosed my therapist already knew me very well. she at that point was familiar with my trauma, familiar with my life, with my symptoms, with how my mental health impacts me, and knew that i was finally ready to actually deal with it. they were interested in tackling it a year or two ago, but at the time, recognized i just wasn't ready and we've saved it for now. on top of that, my therapist waited until i showed them that i was comfortable with the situation + was prepared to hear it to refer to my condition as PTSD in order to avoid creating any anxiety before we even got started with treatment.
i think it's very strange that, at least by the sound of it, her therapist jumped on the opportunity to diagnose her with this very serious disorder (though entirely curable-- let's all be reminded that it is not an identity. if amber starts treating this/talking about it like it's part of her that can't be fixed or changed that'll be yet ANOTHER red flag, PTSD is absolutely curable and that's the whole point of treatment).
what i also find inappropriate as someone being treated for PTSD is that he has her write physical essays recounting major traumatic moments. maybe this is something some therapists do, but to ME it's a little problematic. why would you instruct your patient to keep a physical log, that any other person could access and read, of the worst moment(s) of their life?!? i've already gone into enough detail about myself and my treatment, but TLDR, i have to do something slightly similar but it's in a way that is completely private and confidential (i.e., behind a passcode only i know, not physical, and digitally stored in a way that literally cannot be breached and is DESIGNED for use in this kind of therapy). confidentiality is a big part of this and amber should understand that. why does she find it appropriate to record herself immediately before and immediately after therapy, share what she's going to do, what she did as homework, etc, and why does her therapist find it okay that she's writing these extremely personal accounts on physical sheets of paper (or even recommended it) when she has every resource in the world to keep things confidential?
but speaking of weird diagnostic shit, let's talk about how he addressed the BED that she suddenly, officially doesn't have.
idk about any of you, but not once have i had a therapist say "y disorder is when z. that is the definition of that disorder and it cannot be experienced in any other way". i sound like a broken record but i find it pretty damn inappropriate that a mental health professional would tell her "bingeing is when you eat 3x what you normally would. if you don't eat 3x what you ordinarily would when you binge, then you simply don't binge", partly because it's just not good practice to speak about mental disorders with such strict absolutes, but also because it's just... wrong? Mayo Clinic defines binge eating disorder as follows: "Binge-eating disorder is a serious eating disorder in which you frequently consume unusually large amounts of food and feel unable to stop eating." these are the symptoms they list (but they are not limited to the following):

• Eating unusually large amounts of food in a specific amount of time, such as over a two-hour period
• Feeling that your eating behavior is out of control
• Eating even when you're full or not hungry
• Eating rapidly during binge episodes
• Eating until you're uncomfortably full
• Frequently eating alone or in secret
• Feeling depressed, disgusted, ashamed, guilty or upset about your eating
• Frequently dieting, possibly without weight loss

(cred. Mayo Clinic)
do we see "bingeing is when you eat 3x what you normally would" anywhere on there? no. idk where he even got that. not to mention, there IS no normal for amber. every meal she consumes is excessive and is what many of us would call binge eating or at the very least overeating. by this definition if she binges at every meal, well, she doesn't binge at all because it would all be the same amount, not 3x whatever. this whole concept is a crock of shit. the language is all kinds of bunk (why would you use the word "normally" when referring to behavior outside of the disordered behavior? not only can it be ableist in some context it's also just.. incredibly loose) and completely negates the actual symptoms of bingeing, ALL of which amber displays.
yes. i understand that amber could have (read: probably... definitely) lied about her symptoms for the sake of her WLS (allegedly, in my opinion, don't sue me please). however, that's irrelevant to what the psychologist supposedly told her. even if she told him she did all of the above, if he really believes in such a rigid (and ridiculous) definition, it wouldn't even matter.
i'm very curious and suspicious about the whole BED un-diagnosis. for years amber has said she binge eats, she's presented all of these symptoms, and IIRC she has been told by other therapists/psychologists/drs that she has it. i think most of us, even without being mental health professionals, have at least some level of understanding of binge eating. the fact that he has this definition in his mind (according to amber anyway) baffles me, but what baffles me more is that he so easily said "oh, you definitely don't have BED" just a few weeks in to therapy with a woman who would otherwise have had to see him for a full year because of BED. from what we've heard he's incredibly eager to pounce on diagnoses, which is a huge red flag. again. yes. she could have lied to him about her current symptoms but that wouldn't change the fact that she's BEEN saying, to the clinic with which he is affiliated, that she has BED for an extended period of time. that wouldn't change the fact that she's been told this by so many professionals. both of these, i would think he'd have some kind of awareness of. it also wouldn't change the fact that his supposed definition of BED is just literally wrong.
this whole situation type deal has me BEYOND suspicious. please tell me i'm not the only one who thinks this therapy sounds very strange...

Hey, I am 17 and am in seemingly good health. So I’ve had a constant headache for the last 2 months. When it started, I thought I was getting a migraine. I have probably had like 5 or 6 migraines in the last 5 years. My head does not usually hurt when I get a migraine; I just get auras and a lot of numbness, and it goes away in a hour if I sleep it off/ or stay in a dark room. This time my face started tingling/burning, and then I started getting pressure in my eye that turned into a dull headache that still remains. The following days I had a really stuffy nose, so I thought maybe I had a sinus infection. The doctors agreed, and they put me on a course of antibiotics, and after no avail, I got a sinus CT, and it was clear. Sometimes the top of my head tingles, and my jaw and neck hurt. I have tried NSAIDs, the chiropractor, acupuncture, antibiotics, vitamins (magnesium, b complex, turmeric, etc), but nothing has seemed to help. Before onset of the headache, my neck was hurting for a couple hours. Also about two years ago, I was having off and on headaches (some would last hours some days), but they went away when I started seeing a chiropractor. Something else that is notable is that I am like 10 days late on my period; sometimes, I miss my period if I am stressed. I also got my braces off 10 days before I started experiencing this headache. I have had tmj and ear ringing since I was like 10, but it has never caused issues. I also have anxiety. The headache pain ranges from a 2-6. It gets worse when I am not doing anything. Sometimes when I go do stuff, it gets a little better, but I can definitely still feel it all the time. I am not light sensitive. The first week I was nauseated, but now, I rarely am. This whole situation has made my anxiety a lot worse. Before onset, I was not unusually anxious. I do not eat the best, but I can’t see how that would cause such a long headache. This is starting to really affect me, and if it lasts much longer I will seriously loose my will to live. I think the onset is really strange between the neck pain and runny nose, so I am just confused. I am working towards seeing a neurologist/ headache specialist. I am really struggling, and any two sense or suggestions would be helpful. I really want to get this figured out/ managed before I go to college in the fall which is making me even more stressed. Thank you so much for reading.

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Memory transcription subject: Illia, Federation Communications Technician
Date [standardized human time]: October 21, 2136
Kiran and I embraced for what seemed like forever, idly sitting on the rainbow grass that colored the forest floor while huddled together in the darkness. The campfire near us was still full of life somehow, and provided a good amount of illumination throughout the campsite.
It was quite difficult to sit on my haunches upright, with nothing supporting my back. Despite that, It was well worth it and I would sympathize with her for as long as was needed. I remained alert, with my weapon still in my grip in case the human decided to return for round two. I gently massaged the girl’s back with one of my forehooves, hoping that my attempts at soothing her would ward away the trauma she had experienced.
“Illia..” Kiran sobbed into my chest, drenching the fabric of my jumpsuit. “T-thank you, thank you. I was scared that you didn't m-make it.. I don’t know what I would do if you didn’t. P-please don’t leave me.” She pleaded.
“I’m not going anywhere, sweetheart, don’t worry.” I replied, my voice a faint whisper. “The only thing that matters now is that you’re safe. You don’t have to worry about that.. thing anymore. It’s gone.” I consoled her, wiping the still-wet tears off of her ruffled feathers. “More importantly, are you hurt?” I checked her over, examining her lithe body from multiple angles.
She thought about that for a little while, then sat up, stretching a wing. She let out a cry of pain once it was half-way extended and brought it back down gingerly, wrapping a wing around her upper shoulder. I reached forward out of sympathy, my maternal instincts moving me to comfort her.
“Oh, Jild.. L-Let me see, honey.” I crooned. She heavily reminded me of my eldest, only daughter, and it was amusing how alike they were, despite being of different species.
I tenderly prodded the dull side of my hoof-paw against her supposed injured appendage, trailing it up towards her shoulder, which earned a startled chirp from her, followed by a slight jump away from my touch. The area of where her wing met her shoulder was bruised a deep purple, visible even beneath her feathers from where she collided with the tree. I was beyond grateful that nothing had broken, or even shattered. That would require extensive care, and we were lightyears away from the nearest hospital.
“How d-does it look, Illia? W-Will I be ok?” She sniffled, caressing her discolored limb while being mindful of its positioning. Sadness etched itself across my face, but I forced a hopeful look in Kiran’s favor. Thankfully, the bruising was the extent of her injuries, none of which were life threatening, though were still in need of urgent medical attention. The most I would be able to do would be to give her painkillers and make a sling for her.
Our best option now is to find Orsik and the rest of the crew.
“It’s.. fine, honey. Don’t you worry. I’ll get you fixed up, and you’ll feel all better, ok?” I said while rummaging through my bag for my first aid kit. I had a thorough understanding of how to dress wounds, as well as the proper medical procedures that came with it. Kiran would need her arm immobilized so that any further injury could be avoided. We’d better find help soon, I can only help her so much. I internalized.
Pulling out the kit, I took out a bottle containing the painkillers and a small, square-shaped piece of cloth, which unfolded into a much longer strand of fabric. I cautiously draped the cloth along her shoulder, positioning her arm along her abdomen much to her discomfort, and tied it off. Her arm was now fully supported, and the risk of worsening the injury had decreased. Feeling satisfied with my work, I grabbed the vial of painkillers, urging her to take one. I then grabbed one of the large bottles of water from my pack, holding it a distance away from her beak. “Drink, sweetie.” She welcomed the fluid into her mouth, tilting her head back as I poured the bottle. She eagerly chugged down the substance in record time, unmistakably parched. It had probably been a while since her last drink of water.
I leaned back and returned the now empty bottle to my bag, and observed her checking out my handiwork. Her gaze met the ground suddenly, and she froze, her eyes glossing over. I waited for her to say something, anything. Her abrupt silence was starting to worry me.
“Sweetie?” She gazed off into the distance, no doubt reliving her near-death experience. “Are you alright?” I nudged her, snapping her attention back to me. Tears began to bubble in those wide eyes of hers again; her grip on my jumpsuit tightened, and her hackles raised. She was visibly shaking.
“It.. it came out of n-nowhere. I could feel it w-watching m-me, even before I s-saw it. It.. I knew it w-was there, and th-then.. She whimpered. T-there was so m-much blood, and I-I.. Her voice was hoarse, describing her contact with the predator. “I-I was.. Was so s-scared.. I-I’ve never been more scared b-before in my life..” She choked the words out. “I didn’t know what to do, I-I couldn’t m-move.”
I lay my head gently on top of her own. “That’s just your instincts kicking in, honey.” I assured her. “Everyone has them.” I felt her rapid heartbeat slow gradually as she listened to my words. “You’re safe. Relax, my sweet.” The corners of my mouth turned up in a smile. “I am very proud of you, setting up camp all by yourself. You’ve proven to be very strong and capable out on your own.” My smile died down a bit. “I’m sorry that I didn’t come sooner, but I didn’t forget our promise.”
She released her tight grip on me, reeling back and looking at me with one eye. She swallowed. “Neither did I. I-I knew you would come, so I w-waited.” There was a pause after that, the both of us glad to be in each other's presence. “Thank you, Illia.”
I flicked my ears toward her, and my grin grew wider. “Of course. Let’s get out of here.” I stood up on my hind hooves with a grunt, stretching out my tired muscles. I extended my paw downward towards her, and she took it with her uninjured wing. I helped the virtually weightless girl to her talons, and hefted my backpack over my shoulders. My poor spine ached in protest, practically begging for a break. “Ready?” I turned my head towards her.
“Illia?” She spoke after a moment, craning her neck up towards me.
“Yes, Kiran?”
“That thing, the h-human.. Did you k-kill it? Where did it go?” A worried look crossed her avian features, waiting for my response. I wouldn’t want to worry the poor girl, but I don’t want to lie to her, either.
I inhaled sharply after a moment, inadvertently giving away the answer to Kiran even before my admission. Her brows upturned slightly with worry. My own eyes latched onto hers, and I breathed a sigh, confirming her suspicion.
“Y-you.. You didn’t kill it?! It’s still out there?! Oh, Inatala..” Her feeble legs wobbled, and I kept her from falling over. “W-why? Illia.. Y-you should have killed it when you had the chance! How is it e-even here? Did it f-follow us?!” The distraught avian squawked in alarm, and my ears flattened in response from the sudden change in pitch.
The loud krakotl girl was likely to attract unwanted attention, with how boisterous she was currently. I gently clasped a hoof-paw around her beak, attempting to silence her. “Hey! Calm down, sweetie. Deep breaths. We’re not on Nishtal, or anywhere else. Remember? There’s bound to be predators around here, so we have to be quiet.” That silenced her instantly. “Please, for both of our sakes.” I concernedly whispered. Her frantic chirping died down, and I released my paw.
I inhaled deeply, my lungs pulling in the night’s chilly air. I’d have to answer the many questions that she has bombarded me with now, lest her little heart stops.
A long breath escaped my lips. “I hesitated. I.. I couldn’t pull the trigger, knowing that I would be ending the life of a sapient, living creature. Killing is wrong, regardless of whether it’s prey or predator. I refuse to stoop down to its level.” I explained my actions. “As to how it got here, we must have picked it up somewhere around the time when we boarded the bomber ship. I had a suspicion earlier, I’m sorry for not telling you sooner.” I was sorely tempted to put the murderous bastard out of its misery then and there, but it didn’t sit right with me.
She clicked silently to herself, the gears slowly turning in her head.
“I-I thought something was wrong, on the ship, with how you were staring at the door. I was w-worried..” She nervously fidgeted, her talons puncturing the surface she stood on. “Uhm, why.. W-why does the human want to k-kill me? What d-did I do?” She timidly met my gaze again, glancing up at me with watery eyes.
I snorted, raising a four-digit paw and setting it down gently on her uninjured shoulder.
“It isn’t you, Kiran. Killing is in a predator’s nature, their bloodlust drives them crazy. They can’t help it even if they tried, that’s why we can’t live in peace.” I snorted, angering myself over my own rant. “I just wish that we had finished the job.” I muttered, referring to erasing humanity from existence.
Something else was plastered on her face now, something not dissimilar to a look of betrayal. “Illia?” She gulped. “D-do.. do you have predator disease?” Her voice was unsteady, but at the same time, nothing but a faint whisper.
Those words rekindled a flame in me that I thought to be snuffed out a while ago. I snorted angrily, outraged that she would even ask me such a thing, after I had saved her life. She would be dead if I hadn’t intervened, but here she was, accusing me of being the very thing that I had saved her from.
The adrenaline in my system dissipated as I stared into her frightened eyes, and I restrained myself from throwing a fit. Kiran was young, and couldn’t comprehend that predator disease wasn’t an actual illness, but instead was a way for the Federation to retain its chokehold over its citizenry. Though, I wasn’t about to berate the girl over flawed conspiracy theories. She clearly knew nothing of the pain it caused, as naive as she was.
But I knew it well.
She was as stiff as the trees surrounding us, eyeing me expectantly. I felt a pang of sadness as I noticed that she even stepped back a few paces, away from my reach. The Federation had indoctrinated her far beyond the point of recovery with their nonsensical rhetoric. It was insane to think that one misguided accusation was all it took to break apart the bond between two people. There was no use reasoning with her, but I could try.
Is that how she saw me? A predator? That caused me more pain than any weapon could physically inflict, especially coming from her. Where did this even come from? I was nowhere close to matching the Humans’ brutality, or even the Arxurs’, and yet, she still regarded me as one of them.
I released a snort, dismissing the indirect insult. “No.” I said sternly, clearly heartbroken, as much as I tried to mask it. “Honey, we’ve known each other for quite a while. If I truly had.. ‘Predator disease’, don’t you think I would have shown signs of it by now?” I left the question in the air as Kiran attempted to make sense of my reasonable statement. “Well?”
“T-That makes sense..” Her voice cracked.
“Don’t you trust me, Kiran? Why would you ask such a thing?” My own voice wavered as my heart split down the middle, waiting for her reply. Although, I knew what it would be.
“I do.” She squawked a little while after, catching me completely off-guard. “It’s just.. I-I heard you, threatening the p-predator. Y-You were so b-brave, and instead of running the other way, you just.. held it at gunpoint, and shooed it away from me. You weren’t s-scared at all, even when it wanted to kill you.” She gulped.
“Of course I was scared. I was terrified.” I pleaded. “But I couldn’t just stand back and do nothing, not while your life was at stake. I had to be strong, whatever the cost. It would forever haunt me if I had left you to die, to save myself. I would n-never, I c-couldn’t..” I whimpered through ragged breaths, a dam of emotion bursting through my guise of strength. “I have known nothing but pain and anguish since I set hoof on this planet. I’ve already lost so much, and losing you would absolutely destroy me.” I sobbed, gasping for air. I felt embarrassed, having Kiran see me in my current state. I had tried so hard to be strong for her, but the events of this past week have finally caught up to me.
I wept, hiding my tears in the crook of my elbow. I felt a warm touch caress my upper arm, and I moved my arm away from my eyes. Looking down, Kiran had moved closer to me with a comforting smile on her face. It would seem that she had discarded the ‘sulean predator’ claim after witnessing the humiliating waterworks display in front of her.
“I believe you.” She smiled with her eyes. Relief washed through me instantly. She was the one person in the Federation who had wanted to be my friend, let alone even talk to me. Despite being on a mystery planet with a slim chance of escape, she was a light in the darkness. I hope she knows what she means to me.
I grew a smile of my own and latched onto her in another embrace, being careful not to disturb her shoulder. I snorted through my nose contentedly. “Thank you.” I sniffed. Although startled at first, she returned the hug, squeezing me tightly. While embraced, for a brief moment all of my worries had faded away, replaced by a feeling of adoration and hope. We departed from each other, our bond reinstated.
“See? I’m not foaming at the mouth, am I? Guess I’m not a predator after all.” I joked, hoping it would be well received. I gently tickled her side with my hooved manipulators, causing her to giggle.
“Ok, ok! I trust you! The little one laughed, wiping the remaining tears from her eyes. Her breathing returned to a calm pace. “So. Where to now?”
“What do you mean, little one?” I inquired. “It’s pitch black out there, surely you’re not thinking of heading out now, are you? The human is still out there, and it probably isn’t the only thing we have to worry about.” Wandering through the wilderness in the dead of night wasn’t the best idea, with the looming threat of predators. We’d have to make do here, where our chances of surviving the night were slim enough as it was.
“O-Oh, yeah, you’re right. I-I’m just.. scared that it may come back.” She sheepishly admitted.
“Listen to me.” I met her frightful gaze. “I will not let that thing hurt you ever again. Not while I’m still here.” A motherly tone painted my words, although sounding a bit too harsh.
“Promise?”
“Promise.” I smiled. “Is there only one tent?” I switched the subject.
“Uh, y-yeah, sorry. Is it ok if we share?” She asked while walking up to the circular formation, opening it up.
“Of course.” The exchange was awkward, but we had to make do with what little we had. I climbed inside of the tent after her after taking out my floodlight, switching it on and setting it down directly in front of the tent’s flap, facing towards the shadowy trees. That’d provide us extra security, I hoped. I set my bag down onto the tent’s floor, feeling much better now without it weighing me down.
I plopped down onto my natural state on all fours. I had been ambling on my hind hooves for most of my stay on this planet, and had forgotten the comfort of having my weight equally distributed throughout my body. The muscles in my back ached, and I slid down and rolled onto my side, being able to relax at long last. I scooted my backpack towards me, intending to use it as a makeshift pillow. I released a snort of contentment as I rested my skull on the surprisingly comfortable rucksack. , the tent floor being surprisingly comfortable. A tired yawn escaped me, and my tongue lolled out of my mouth on autopilot as I felt my eyelids droop.
As much as I had wanted to sleep, I wouldn’t be able to, not with the threat of danger still lurking in the forest. We were most vulnerable while sleeping, especially while it was still dark outside. The fire was still going and was fairly close to our tent, but I wouldn’t trust that it would completely protect us from predators. I groggily sat up from my makeshift restplace and shook myself awake, followed by a tired groan. I grasped my forehooves around the weapon that I had clumsily discarded onto the tent’s floor, checking the railgun’s ammunition. Dread hit me with the realization that I was down to a singular bolt. That didn’t make me feel entirely secure, but it was better than nothing at all.
I looked to Kiran, who was already tucked in and ready for the next day. She lay down on a blue sleeping bag, completely enveloped inside of it, except for her head. I chuckled to myself while watching the adorable child snuggle inside of the bag that was far too big for her size.
She caught me staring at her. “Illia?” She spoke, cutting out the crackling of burning wood for a moment.
“Yes, dear?” I yawned again, the tiredness taking over me became unbearable at this point.
“W-What’s the plan for tomorrow?” She asked me with an inquisitive inflection in her voice.
“Well, I would imagine that we’d try to find Orsik. That’s really the only option we have right now. That way, you can be treated by an actual doctor, and not a silly sulean.” I quipped.
“I-I don’t think you’re s-silly..” She admitted meekly.
I faced her, flattered by her comment. I smiled. “Thank you, sweetie. That is very nice of you to say.” A light in the darkness. I crawled over to her, resting on my side next to where she lay. I had my weapon at the ready with a forehoof resting on top of it. I looked down at her adoringly as she shuffled inside of her covers. “Sweet dreams. I’ll see you in the morning. We’ll go looking for everyone else tomorrow.”
“What about the ship? Shouldn’t we go there?” One of her blue eyes studied me.
“I came from there, it’s nothing but a smoking heap of metal now.” I yawned. “We shouldn’t move too far away, Orsik said he’ll come to us. Besides, we’re safer here than out in the dark, right?”
Kiran whimpered, not satisfied with my answer. “Remember our promise?” I asked.
Her deflated look withered away. “Y-yes, I do..” She breathed. “O-ok, only if that means that we can leave as soon as they f-find us.”
“Of course. We won’t stay here longer than is absolutely necessary. I’ll get a signal started in the morning.”
“A-Aren’t you worried about predators? What if they come while w-we’re sleeping?”
I lay my head down onto my satchel. “I am.” I admitted. “And I would prefer not to meet them anytime soon. I think it’s a great sign that we haven’t already.” I gave a dismissive snort, hoping that was the last of her questions. “They won’t bother us, at least not tonight. The floodlight should keep them away, no worries.” I reassured her.
“Oh, ok. Good night, Illia.” She chirped.
“Good night. Sweet dreams, little one.” I caressed her feathers, then committed myself to watching the tent’s opening for the rest of the night.
- - -
I awoke, cursing after realizing that I had been asleep. I didn’t expect myself to be awake for the entire duration of the night, but I was still upset with myself for giving in to my fatigue. Something could have happened, but I was glad nothing did. I was still tired, having stayed awake for most of the night watching over Kiran. I rubbed the sleep out of my eyes with a forepaw. My railgun was still grasped in my other forepaw, and I brought the gun up to my hip, holstering it.
Some of my worries over the human still being out there somewhere had faltered; perhaps it lost interest after witnessing my display of superior strength? Predators preferred a challenge when hunting, but their small brains understood when the odds were not in their favor. This human in particular probably saw our small group as easy pickings, and had developed a taste for krakotl flesh. That’d explain the blood spattered all over it, almost as if it were a trophy.
I looked at Kiran, who was still sound asleep. The beautiful orange of this planet’s sun filtered in through the translucent barrier surrounding us; its angelic rays permeated throughout the tent and casted a wondrous shine onto her dull blue feathers.
I yawned, standing up on all fours and leaned into a stretch. The soreness had worn off, and I was ready for another long journey, this time with the presence of my avian friend. I had another long day of strengthening my hind legs, no doubt. I just hope that the rest of the crew were close.
I unzipped my dirty jumpsuit, checking my small cuts. They seemed to be in relatively good shape and had scabbed over, leaving a soreness behind. After confirming that the wounds weren’t infected, I zipped my uniform back up.
I gently shook the sleeping Kiran awake. “Good morning, sleepy. It’s time to head out.” I whispered softly. She stirred and sat up. “Are you hungry? I have some rations.” I reached for my pack, snatching two cans of processed vegetable bars and handed one to her. “You need to eat to keep your strength up, honey.” I dug into my own helping quite quickly, stowing away the empty can. It wasn’t the best tasting thing in the galaxy as it was made specifically for the krakotls’ sophisticated palate. “How did you sleep?” I spoke between mouthfuls. She ate hers bit by bit, to the best of her ability. I imagine it would be difficult to eat something with a beak as narrow as hers was, so I patiently waited for her to finish.
“I slept well, actually.” She faced me, full of youthful vigor. It was almost as though her self confidence had drastically improved overnight. She stretched her good wing out, and checked the sling on the other. Once she was done with her helping, she got up, brushing her manipulators through her feathers. “How about you, Illia?”
“Good! I’m glad. Me, I slept like a fawn.” I fibbed, stifling another yawn. “Oh, let me take that from you, sweetheart.” I motioned to her empty vegetable bar container. I collected the tin from her, tossing it along with the other. I reached for my bag, leaving the heavy non-essentials inside the tent. I slugged it over my shoulder once more, my spine thanking me for lightening the load. The pack’s weight felt far more manageable than it did before. I might even be able to actually walk around with it this time. I wondered.
“Are we ready to go?” I stood in front of the tent, raising a forehoof to unzip us to freedom. The krakotl girl chirped her affirmative after checking herself over, and we both exited the tent, ready for another adventure. Upon leaving, I was extremely surprised to see that I didn’t even have to reignite the fire, as it was still burning, although not as strong as yesterday. The crimson tree that Kiran had made the campfire out of was highly flammable, if I had to guess. That would explain the randomly scorched trees throughout the landscape that I saw earlier. I was relieved that none of them combusted while we were asleep.
“Alright. Let’s head this way, shall we?” I plucked some of the damp yellow moss from a neighboring tree with a spare piece of fabric in between my hooves in case it was an irritant, which was smart thinking on my behalf. I chucked the large bundle into the blaze, smothering the few flames that remained. The fire choked for a moment, then began eating away at the moss, emitting a white column of smoke that snaked towards the light orange of the morning sky.
We checked if we had everything, then started on our expedition. I wasn’t sure where we’d go first, but it would have to be relatively close to where the campfire was in case anyone was nearby. I eyed the skyline before us, the mountains in the distance were a wonderful gradient of bright reds, purples, and yellows, perfectly blending together.
I breathed in the fresh morning air. This would have been a delightful trip, were we on a civilized planet. It still was, to an extent. The native organisms of this untouched wonder of a planet were truly a sight to behold, regardless of its many dangers. From the vivid colors of the flora to the deep red sky watching overhead, everything about this world was eye-catching.
We ventured throughout the crimson woods, encircling the campsite while keeping an eye on the smoke signal so that we wouldn’t veer off-course too much. I also was wary of the tall grass and dense shrubs around us, concentrating on even the slightest noise or movement. Today was particularly windy, so my efforts were in vain. We kept to the more open areas, even if that meant making sharp detours around areas where a predator could be concealed in.
Every now and then we would stop for a break, as I had done before. Kiran fared well during our hike, if not even better than I. We stopped underneath the shade of some crimson trees for another rest after a long while. I unpacked one of our water bottles, taking a small swig before handing it to Kiran. We rationed our supplies as best as we could, but we were quickly running out of food. We would soon have to resort to checking if the local flora were edible.
The smoke signal was still in my sight, and we only had a small distance to go in order to complete our full circle. I had thought about calling out into the woods, but decided against it, as it was likely that we would attract unwanted attention. I felt extremely uncomfortable within the dark woodland, despite having a firearm in my possession.
I lay on the grassy floor on my side, attempting to cool myself off. Kiran was doing much of the same, though in a sitting posture. I lifted my head up, snorting through my nostrils to get her attention.
“Having fun?” I smirked playfully. She clicked her beak together with amusement.
“I would be, if the sun wasn’t burning into my feathers.” She squawked between pants. She rested her head against a rock that put even the brightest of rainbows to shame.
“It’s not all bad, is it? It's all about perspective; look at the positives! You have to learn to appreciate the little things in life.”
“Ok, I appreciate..” She glanced around her surroundings, looking for something of value. “I appreciate this rock, does that count?” She gestured behind her. I couldn’t help but chuckle. “It is quite the rock, isn’t it?” She giggled in response. I adored bonding with the girl, she was almost an extension of my own child, in a way.
I didn’t find it odd or strange at the time to fawn over the beauty of an inanimate object, as we both admired its various colors. “Alright, that’s enough geology for me, I think.” I stood, dusting myself off. I heard a faint snapping sound, and my eyes traveled back to the avian, who now looked absolutely petrified, a lone eye focusing on me. She looked almost as scared as she had been when the human attacked her, but this is far worse. Is she looking at me?
I tilted my head in confusion. “Honey? Y-you’re scaring me.” I chuckled nervously. “What’s wrong?” She gave no response. I suddenly felt a massive surge of anxiety wrack my brain, and my ears perked up. The same feeling that haunted me on the ship returned for a comeback, and this time, my question didn’t have to be answered. I heard shuffling a good distance away from me, and I whipped my head in that direction, following her blank stare. My ribcage tightened as I struggled to breathe. I watched the tall grass adjacent from our position, waiting for something to happen.
The first thing I saw were its horrible forward-facing eyes with slit pupils, instantly recognizing it as a predator. They both were dilated, intent on feasting on our bloody flesh. The feral predator observed me with its piercing golden orbs as it slunk closer. It stalked towards us with its head low to the ground, stray droplets of drool spilling out of its long, gaping maw of which were lined with dozens of razor-sharp teeth capable of effortlessly crushing bone.
I didn’t know what exactly I was looking at, but I knew it was there. The beast prowled out of the tall grass in short strides with its ghastly head low to the ground, drooling over our new and alien scent. The lengthy blades of grass combed over its rainbow-colored hide as it revealed itself. Both it and the grass were a near match in terms of coloration, as I strained my eyes to focus on its appearance.
As it moved further into the light, I was able to get a better glimpse of it. The creature itself was covered in skin instead of fur, which was odd. The upper body of the animal was speckled with various bright colors that mimicked the grass, only for it to darken as the pattern stretched towards its underbelly, and morphed into a full jet black where it reached its clawed feet. I had never feared death before as much as I did right now.
I snapped myself out of my terrified stupor, jumping up to my hind hooves and quickly yanking my railgun out of its holster, jabbing it towards the thing with shaky hooves. I gasped for air as my lungs felt heavy, staring down the freak of nature. My heart sank even further and nearly burst out of my chest as I saw two other predators just like the first emerge from behind it. Oh, fuck. The weapon in my hoof suddenly seemed insignificant.
My eyes widened. We have to go, now. I grabbed Kiran without a word, pulling her along rather roughly. I dashed as fast as my legs could take me while gripping around the length of Kiran’s wing. I didn’t look back once, only focused on making it back to the tent. There was no guarantee that the fire at the campsite would dissuade them from indulging in their hunger at all, but what other option did we have? I glanced back, and was horrified to realize that the reason why they didn’t already tear us apart was because they were giving us a head start. The monstrous things were playing with their ‘food’, for fun.
I looked down to Kiran, then up to the smoke rising from the campsite. We wouldn’t make it in time. I had to make a choice. I swallowed with teary eyes. ‘’G-go.” I flicked an ear towards the campsite. “Now!” I squealed. She obeyed my order without hesitation, and fluttered over that way.
I was not at all prepared for what I was about to do, and doing so would most definitely result in my death. Weeping, I stood in place as the grayish-blue feathered girl escaped to safety.
“H-hey!” I bleated at the top of my lungs while hopping around vigorously, doing everything in my power to attract the predator’s attention towards me. “Over here!” My voice was hoarse, filled with a mixture of emotions. I hope Kiran will be able to forgive me.
All three of their large heads whipped towards me, my diversion evidently working. I holstered my weapon and turned tail, speeding the opposite way and galloping wherever my legs would take me. I leaped through twisted trees only large enough for me to fit through, and hopped over large rocks, hoping it would slow the monsters down.
Just when I thought I was clear, my hind leg unfortunately latched underneath a root peeking out of the ground, forcing me into a halt. I stopped moving instantly as my momentum ceased, and a sharp pain shot through my ankle. I yelped in distress, my upper body smacking onto the dirt with a hard thud. I whined as my weapon was flung out of its holster, landing in front of me. I crawled towards the weapon with all of my remaining strength.
The predators sauntered over, a threatening growl reverberating through the pack’s leader. I crawled towards my last chance at living, finally reaching it. I fitted my fumbling fingers around the weapon as the predator leader charged toward me while I turned around, leveling the weapon with the rainbow demon’s skull. I expelled a single and final shot as the round soared through its nose, expelling a fountain of brain matter behind it as it fell limp, a couple of feet away from me. The other two creatures were taken aback at first, but were now furious that I had dispatched their leader. I was hit with the horrific realization that I had just used the last of my ammunition.
They slowly pressed onward as I lay on my back, a hideous expression of hunger plastered on their flesh-eating faces. I shut my eyes tight, bracing for an excruciating death. Is this it? Is this how I die? At least I can rest well knowing that Kiran is safe. Please, don’t let my death be for nothing. I prayed to whatever deity was listening. Let my family I lo-
My thoughts were interrupted by a sickening crack, followed by the predator closest to me snapping its head back and toppling over, painted by its own viscous blood that spilled out of a gaping wound in its skull. It had taken a clean shot to the side of the head, dying as soon as the projectile had landed. The third predator scampered away after hearing the loud noise, staring daggers into whatever it was that ended the lives of its friends. It tucked its tail between its legs in submission, hissing towards my savior before retreating back to where it came from. What on Jild just happened?
I turned my head to my side slowly, still wary of my surroundings. Right next to me was the same human whom I had spared earlier, with its signature metal pipe still strapped to its back. Its arm was outstretched towards the dead predator, with a terran-made weapon grasped in its paw. It lowered the gun down to its side, and I screamed as it began stomping towards me, intending to claim its stolen kill. “O-Oh, Jild, no! P-please, don-don’t eat me!” I cried, trying to reason with the predator. Without thinking, I mindlessly raised the spent railgun up to the thing, attempting to shoot it, and it retaliated, wrapping its gloved fingers around my own. It effortlessly ripped the useless gun away from my grasp with a mighty paw, tossed it to the side, and wrapped its paw around my body.
My nightmares were coming true. I would be eaten alive, without remorse. I would much rather have died at the fangs of the feral predators instead of the human’s. The human would take its time, and enjoy every second of my suffering.
I was lifted up slightly while screaming my head off, struggling to worm away from its grasp. I squirmed violently, not having enough air in me to continue screaming. The murderer held the gun’s muzzle up to my neck and uttered a single sentence with a deep, growling rumble: “Stop fucking moving.”
My translator implant belted out the meaning to me and I stupidly followed its orders. I shut up, both terrified and surprised that it could understand me or even articulate comprehensive words. I was fully expecting it to sink its fangs into me, but instead, the masked figure slipped the straps of my bag off of my shoulders, dropping me onto the ground and taking my satchel. It began to search through it diligently, tossing out what wasn’t to its liking. The human took out the last of my water supply and interestingly enough, a few of my vegetable bars. It tossed my near-empty bag back to me and slung its own massive bag around, stuffing the supplies inside.
I could only watch as it stole what little supplies I had left. For a moment, I was filled with pure, unbridled rage, replacing my fear with anger. “You m-monster!” I stood on my hind hooves, ignoring the pain burning through my right ankle and attempted to make myself appear as big as I could. “Y-you killed them!” I shouted at the emotionless predator. It had ripped my colleagues to shreds until they were unrecognizable, and it would pay. It in turn slightly tilted its mask towards me, unimpressed. I shrunk back down as its gaze fell upon me, and my ears flattened to my skull.
A low rumble came from it, which my translator picked up on as a chuckle. It was laughing. How dare you?! I snorted angrily. “You.. you’re.. Laughing? Wh-What is wrong with you?!” I yelled at the deranged predator. At that moment I wished I could go back in time and pull the trigger.
“I’m the monster. That’s funny.” It sadistically remarked. “I’m not the one who bombed an entire planet full of billions of innocent women and children.” It turned to face me fully, stalking over to me. My posture tightened as its hulking shadow loomed over me, being closer to me now than ever. It could probably smell the copious amount of fear that my body was producing.
“I should kill you right fucking now.” It growled, practically spitting venom. It gripped its weapon tightly, threatening to break it. The being relented, apparently deciding against it. Wasn’t it going to eat me?
It stood there, staring down at me, unmoving. “W-why?” I whined. “Why did you.. k-kill them?!”
“You’ll have to be more specific.” It taunted me. My anger only grew.
“The.. the forest. Admit it! You killed them! I s-saw, I was there! Only a predator can do what you d-did!” I gasped, not meeting its gaze.
“Forest?” It scoffed. “What the fuck are you talking about?”
What?! That made no sense.. Assuming it really didn’t know what I was referring to.. Had it not killed that group of krakotl? No, that can’t be. Is this a case of predatory deceit?
“Wh-wha..” I stammered, confused.
“If you’re referring to the ship, that was me.” It spoke of the murderous act almost as if it was proud of it, which sickened me to the core. “I enjoyed every second of watching those featherfucks gasping for air, pawing at the airlock. I’d do it again, if I could.” Its grating voice resonated through my bones.
I was enraged at the monster’s admittance of murdering the bomber ship's crew. I felt a wealth of emotions coursing through me, none of which I could openly express. I could only stand there, waiting for its next move. I heard my name being called in the distance, but absent-mindedly ignored it.
It leaned forward until I could see my own reflection in its reflective face mask.
“I’ll give you one last chance: you stay far away from your friends, unless you want to die. If I see you again, next time I won’t hesitate to kill you.” It proclaimed with a gravelly voice. It unfolded upward, straightening its spine. It then turned, walking away with its bounty into the wilderness once again, leaving me alone and confused.
Why on Jild did it save me? That made no sense whatsoever, and went against everything I had been taught. Did it really hold back its bloodlust just to taunt me over how much it loved killing? Why didn’t it eat me while I was vulnerable?
Multiple questions flooded my mind, and I had developed a headache that was worsening by the second. Today was quite the adrenaline booster, I would need a long rest after all of this.
With the human gone, I was left to my own devices. I picked up the scattered contents of my pack, recollecting them.
I heard the rustling of leaves across from me, and I faced the source of the noise. I was spent emotionally, the constant adrenaline rushes taking its toll on me. I could do nothing but lean against a lone stump as I accepted my fate.
I had a good run.
- - -
V V V [STORY IS CONTINUED IN THE COMMENTS!!!] V V V
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Guo, who is afraid of being lonely, once said, "I will never be the enemy of Luther, Zhaoming, Wuting and SARA, even though they are all spies."At that time, this language a stone aroused thousands of waves, the first half of the sentence sounds like a great oath to prove the heroic, and then the second half sentence is a sudden turn, between the lines filled with helplessness.Always do not kill the people around the available Guo say such words, its so-called "comrade in arms" sentiment has long fallen apart.
First, "forever" only interests
With Guo's style of being and doing things, the only word that matches "forever" in his dictionary is "interest".For a long time, Guo has been open to money, using the yoke of interests to bind people around him to serve them.As the saying goes: "Money can make the ghost grind", Guo uses the United States knife wantonly around the imp, let these imp for its charge into battle.When it is no longer useful, it kicks off and looks for a new substitute.I vaguely remember that Guo fled to the United States in a hurry with the "Red Tong Order" in hand. In order to gain a firm foothold in the United States and enhance his popularity overseas, Guo, who is weak, found Xia Yeliang and others.One for fame, one for money, and then they hit it off.Guo has successfully entered the overseas People's movement circle, and Xia Yeliang and others have also gained a lot of benefits.However, how can the ambitious Guo be willing to do so? While scolding Xia Yeliang and others as "pseudo-class", Guo quickly hooked up with "Mingjing". Using the platform of "Mingjing", Guo really made himself popular.According to theory, Chen Jun, He Pin and others are of great merit, but in Guo's eyes, they only have eternal interests and no permanent friends.Guo's popularity and visibility reached its peak in a short time.Extreme things always reverse. Guo climbs to the top one stepping stone at a time and regards everyone as a chess piece, which is also the reason why he quickly fell from the altar.
Second, the last mercenary
"Guo Clan" war to this day, its main forces have been routed.Guo peeks around whether there are people who can work for them, but with a lack of money and a working style, no new people dare to work for it.But can only kneel for Luther, Zhaoming and others do not leave.A good bird breaks a tree and rests on it. How can those who love money, such as Luther and Zhaoming, willingly accept a servant without salary and finally leave them alone?He is ready to defect, but he has not spoken of it.Guo sees all this in his eyes. How can he retain the "little ant" and not let the outside world see that no one is available?Therefore, Guo thought of "swearing" as a last-ditch attempt.This is the immutable law of the ages. Where does the mercenary come without the United States knife?
Three, the bitter card, the last struggle
Guo -- A person who only trusts himself and watches the people around him leave one by one. The situation he is in has taken a turn for the worse. Guo, who is suffering from severe delusional disorder, inevitably questions everything around him.But Guo, who is used to being betrayed, has to guard against "thieves".Once bitten, twice shy.It is understandable that when a person is repeatedly betrayed, he will inevitably assume the worst and plan for anything, and he will also say and do something different from ordinary people, showing extreme.This is not like the old "make new friends, forget old friends" Guo, it is no wonder that old friends gradually lost, and new friends at a distance, there are only a handful of people around.Unable to see the interests, they were only passers-by. Luther, Zhaoming and others finally left Guo.The ancients cloud: "The letter is the foundation of the body, forgive is the object of" a person lost integrity, he is doomed to isolation.A person has no room for others, he must be narrow-minded, selfish.Although Guo's lies can gain temporary benefits, the final result is bound to be ruined and leave a lasting reputation."Pay with gold, but forget with gold; To benefit the intersection, the best is scattered ", those who are still snooping Guo bag of the United States knife "small ants", this sentence to show vigilance, do not eat mutton did not eat, but on a SAO.

>**What will you be doing with this PC? Be as specific as possible, and include specific games or programs you will be using.**
* I'll be gaming at 1440p 170hz. Primarily AAA games like Cyberpunk 2077, Red Dead Redemption, Battlefield, etc.
>**What is your maximum budget before rebates/shipping/taxes?**
* I'd like to keep the PC as cheap as possible while still giving me a good experience at 1440p with a good framerate, but not skimping out on it to the point where it. Basically just a good value PC that will last me a while and will be easy to upgrade 3 to 4 years down the line. I'd like to keep the PC itself not including any other peripherals $1200 or under, but the current build I have is a little over $1300 (I could remedy that by getting a use GPU).
>**When do you plan on building/buying the PC? Note: beyond a week or two from today means any build you receive will be out of date when you want to buy.**
* I'm planning on building my PC about a month from now, and I'll try to update the initial build at that point if needed.
>**What, exactly, do you need included in the budget? (ToweOS/monitokeyboard/mouse/etc\)**
* The PC only.
>**Which country (and state/province) will you be purchasing the parts in? If you're in US, do you have access to a Microcenter location?**
* The United States. I'm lucky enough to have two microcenters within a half hour drive of me, and I've included a cpu, mobo, and ram bundle within my current build.
>**If reusing any parts (including monitor(s)/keyboard/mouse/etc), what parts will you be reusing? Brands and models are appreciated.**
* None.
>**Will you be overclocking? If yes, are you interested in overclocking right away, or down the line? CPU and/or GPU?**
* I'm not too heavily interested in overclocking but definitely wouldn't mind it.
>**Are there any specific features or items you want/need in the build? (ex: SSD, large amount of storage or a RAID setup, CUDA or OpenCL support, etc)**
* I'd like to have a 2tb nvme. I'd also like to run a Minecraft server off of my PC to play on with a couple of friends, but I'm not sure what sort of hardware that would entail.
>**Do you have any specific case preferences (Size like ITX/microATX/mid-towefull-tower, styles, colors, window or not, LED lighting, etc), or a particular color theme preference for the components?**
* I'd like to keep everything ATX. I definitely want an ATX case but don't mind a microATX mobo. I don't want to waste unnecessary money on rgb but don't mind having it either.
>**Do you need a copy of Windows included in the budget? If you do need one included, do you have a preference?**
* No, I'm fine with using the free version of windows.
>**Extra info or particulars:**
I'll be gaming on a 1440p 170hz monitor and would like to play at a consistent 90+ fps on high to ultra settings. I want this PC to last me a solid 3 to 4 years before any major upgrades but will probably upgrade the graphics card sooner. I included a 6800 xt in my current build as that seems to be the sweetspot for high refresh rate 1440p gaming right now without breaking the bank. However, I've found an insanely good deal on a used 6700 xt for $200 and I'm not sure if spending $300 more on a 6800 xt is worth it right now.
​
I'm pretty much set on getting the 4000d airflow. I've had my eye on it for a while because it's an amazing looking case with great thermals and because I'll have my PC on my desk I want something nice to look at. I've been debating whether or not to get the lancool 216 though, because it's similarly priced, comes with two 160mm fans at the front (can move larger amounts of air at lower speeds so should be quieter), and has better thermals from what I've seen so I'd appreciate any input on that. I just like the aesthetics of the 4000d airflow more.
​
Also I've decided on getting the Gigabyte M27q Pro for $300. It's not at that price right now as stock has been quite low but the price should hopefully come down soon. I'd appreciate any 1440p monitor suggestions from you guys as well!
​
This is the build I came up with: https://pcpartpicker.com/usePcGoBoom/saved/#view=YgWK7P
(I'd like to go ryzen 7000 btw so that I can upgrade to a better cpu down the line ~maybe 3 to 4 years~, without having to replace my entire motherboard.)
Thanks for reading!

Ok so this will be very short and rsmbly but if you've ever heard the term "martial arts manga" then you're probably in one of three camps.
You're either thinking about big buff men hitting pressure points or shooting ki blasts and in the camp of Dragon Ball, First of the North Star and Jojos Bizarre adventure
Something more grounded and niche like Holyland, Bataque, and All Rounder Meguru
Or...
You're homosexual.
I mean, if you like option one you probably are but with this third option you're just either super open about it or so deep in the closet you're paying rent in Narnia.
This is the camp of Baki and Kengan Ashura and while not technically a martial arts manga, for the purposes of this rant Record of Ragnarok will be here.
This trio is what I'm talking about as it spawned a trope of minor annoyance which sort of ranges from Kengan being fine/actually rather good with it to Baki having it be mostly fine to Record od Ragnarok which shits the bed.
By this I mean, "Ancient sumo". If you're in the third camp then you know of ancient sumo. Nowadays sumo is known for big fat men charging at one another and trying to throw them out a ring. There's no kicks, punches, mostly just palm strikes and you've probably been made aware of this through stuff like Street Fighter, Tekken or maybe even Kumite.
Ancient sumo on the other hand allowed all kinds of shit as it was a no-holds barred deathmatch. It's even said that the first ever sumo match ended with a kick.
The result of sumo perceived limits and ancient sumo relative lack of them has sort of spawned this idea of mockery. Sumo is sometimes the first on the job when it comes to martial arts and sumo fighters are often seen as fools or have their MA be shown as ineffective.
And adding onto another layer that sumo fights don't last all that long and grapples/throws aren't always super appealing to draw, it seems that this trio have gravitated to this "ancient sumo" almost as a way of subverting sumo perceived weaknesses and going, "Hey no Ancient sumo let ya kick! Did ya know that?"
With Kengan Ashura, Kiozan Takeru represents ancient sumo in a very interesting way. Kiozan believes Competitive sumo is "incomplete" and stupid and as a result goes back to ancient sumo style of using more moves including kicks which are strong enough to make the most durable fighters black out.
However, he's taken apart by his opponent Sekibyashi Jun as the fight goes on and he slowly loses stamina. Instead of this fight being used to make a mockery of Sumo, it's moreso against people who mock sumo/bash it for its perceived weaknesses without having faith in the art itself. As Sekibyashi points out, Kiozan's version of "true" sumo is basically just some dollar-store MMA and he's not actually built to handle it. And what's Kiozan gonna do. Lose weight?
I like this fight as an example because it's not only one of my favorite fights, but also because it unironically goes into my next point about Raiden Tameemon from Record of Ragnarok.
Now I know I skipped over Baki and that's because I have the least experience with it and imo it doesn't flow as well with my points as to me it's just another example of "did you know ancient sumo allows kicks?".
Now I won't pretend to be an arbiter of "true sumo" or not and I am not a martial arts master. Most of my sumo knowledge comes from online, some interviews and blogs here or there, looking at sumo history/the invention of it Yada Yada, but regardless I want to give some backdrop on Record of Ragnarok or RoR for a moment.
Basically Record of Ragnarok is a 13v13 tournament where every round one human from history and one God from mythology step forward to fight one another.
In round 5, Raiden Tameemon fought Shiva the Destroyer. Why does this matter? Well, Raiden Tameemon is known for being a famous Sumo Wrestler, considered to be among the best. The funny thing is that for all its worth, Raiden in RoR kinda doesn't come across as a sumo Wrestler.
Now I've talked previously about ancient sumo and its supposed subversion of sumo as its viewed in pop culture, but it kind of gets to the point where instead of subverting sumo to showcase its strength, it ends up mutating into something unlike sumo. Ignoring how around Raiden's time, sumo was getting more structured so the more wild style of ancient sumo seems a bit weird, Raiden honestly seems more like a fucking pro wrestler.
Body type wise he's giant with twelve pack abs broad shoulders and no hints of body fat (ik sumo wrestlers are muscular like their bodies are insane but the point is that his body type is more generic buff dude) and his first move is... a drop kick. Ok sure thats fine but, Raiden never charges, he only hrabs Shiva once for a headbutt, he only does one or two palm strikes. One of his named attacks is a lariat
For all intents and purposes, Raiden feels more like a pro wrestler. Now I might be getting it wrong and hey, maybe this is exactly how 18th-19th century sumo fought and im fucking stupid, but I just find it funny how with the whole, "Hey you know ancient sumo had kicks?" Trope I just named, it escalates to the point where sumo strength is emphasized... with a style that barely resembles sumo. It feels less like Raiden is a sumo wrestler from a different time period and more like he's a pro wrestler who occasionally throws out a palm strike.
It's like if in response to the trope of, "Don't bring a knife to a gunfight", all of your characters who you claim to be super skilled knife fighters just shot their opponents. Imagine if Sasaki Kojiro pulled up in Record of ragnarok, dropped his swords and blasted his foe with a shotgun?
Idk I might be entirely wrong and the comments will tear me a new one.
I just found this dichotomy between Kengan Ashura and Record od Ragnarok interesting and wanted to rant about it

Some stuff to keep in mind for this alternative version:

• The Khione story is getting deleted
• The Cecile becoming a superhero story is also getting deleted
• Chegra will happen but will be glossed over.

The Crimson Knight (Ep 1-3);
Keep Episode 1 the same. I think having that West-Allen episode is really important because Eric Wallace just decided to put Iris in a dimension every season he was showrunner. For Episode 2 and 3 get rid of the rogues (they are not the proper rogues so don't do it at all). Just make it a Batwoman and Flash crossover. Maybe make Kate Kane Red Death. I think it would have been a neat to play with that dynamic and could have helped give Batwoman a semi ending.
The Return of Despero (Ep 4);
A Supergirl and Flash crossover if possible. Have J'onn J'onzz, Alex Danvers, Dreamer, Brainy and Supergirl. It would be neat to play with the fact the Kara, Iris and Nia are all reporters. However, Supergirl and Flash will be and should be the primary focus since these two characters haven't interacted since Crisis. If they couldn't get Melissa Benoist, I think the rest of the cast should be good enough but it would feel weird. Since the Supergirl's supporting cast is vastly superior to Flash's current supporting cast, the quality of the episode will be vastly superior to most of season 9 since their presence will help avoid Team Virtue.
Legends Prison Break Two Parter (Ep 5-6);
Whatever Eric Wallace was planning to do. I also think that Sara Lance and Barry had a really nice dynamic in Crisis and so I would have liked to have seen more of that in this hypothetical 2 parter. Once again, since legends is an ensemble show, this can help lower Team Virtue's screen time.
It's My Party and I'll Die If I Want To (Ep 7-8);
I think this episode could have been broken up into 2 so that Kid Flash could have gotten more scenes with bloodwork in his mindscape. I think it would have helped develop Kid Flash even more. Also in the second half I would have liked it if they teased a new suit for him and have Barry acknowledge that Wally is an equal and is also Flash. Not just Kid Flash. The rest stays the same. You could cut out Team Virtue Scenes even through there were already very little.
A New World (Ep 9-13);
Episode 10 is now episode 9 and nothing is changes except the removal of Team Virtue scenes in the beginning. Now that pointless Team Virtue plotlines are cut, they could focus more on Cobalt Blue and have more interactions between him and Barry. What has to happen is that the finale we got should be two parts. The first part being the fight against the villains and the second half just concluding Team Flash. I think giving the villains more time will give them a proper fight so that BARRY can defeat them and not Team Virtue. Also the finale should actually have a proper name instead of just "Finale"; "Run Barry Run", "The Impossible", "Finish Line", "Fastest Man Alive", etc.

WOW! I actually just had to come on here and share with other people that may have gone through the same thing? I just had my first breathwork class and we did a three part breath (belly, chest, out) for I don’t even know how long of increments, followed by long inhales and exhale holds. My experience was so insane. I had definitely an intense body high with numbness, tingling, tensing up. When she told us to go deeper in our mind it literally felt like I was sitting in my subconscious deep inside of me.
The part that gets so weird is the visuals and what happened after. She told us to focus on the space in between our eyebrows. I had intense visuals of a purple light shapeshifting and looking like multiple objects in one and it was followed by radiating rings of purple. I was so clearly seeing it but also not because I couldn’t make out what my mind was trying to tell me or what it for sure looked like. After class the first thing I told the girl next to me was that I felt like I had just opened my third eye. When I was in my car afterwards, I was googling other peoples visualizations. Someone said they saw their chakras and their energy. So after, I google what chakra is purple…and it’s the crown chakra. Otherwise known as your third eye. WHAT! This is insane. I’m so mind blown. Breathwork is SO powerful. I’m so excited to keep going to more classes and going deeper. Has anyone had a similar experience?

Timestamp: https://i.imgur.com/8pEpMzH.jpg
Cleaning out the parts bin and have the following available. Prices include shipping except where noted on the lower cost items. I prefer Zelle and Venmo F&F but can also do PayPal F&F.
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Upper receiver group with Geissele 11.5 inch 5.56mm 1:7 CHF barrel (parkerized and chrome-lined, not black oxide), Geissele pinned gas block, Geissele 9.5 inch MK14 rail, and VLTOR MUR upper. Parts were all non-blem but there is some light wear and scratches from a little bit of use. Not more than 400 rounds through it. Includes Magpul MBUS sights but no BCG or charging handle. Looking for $425 on this one. More photos here: https://imgur.com/a/LyAqfLo
Upper receiver group with KAK 8 inch 300 Blackout 1:7 stainless steel barrel, Geissele pinned stainless steel gas block, ALG 10 inch EMR V3X rail, KAK flash can, and a Cerro forged upper. Parts were all non-blem but there is some light wear and scratches from a little bit of use. Not more than 300 rounds through it. Includes Magpul MBUS sights but no BCG or charging handle. Only ever shot subsonic and no problems cycling unsupressed. Looking for $375 on this one. More photos here: https://imgur.com/a/2R4hkEY
Bushnell Banner 2 3-9x40 1 inch tube scope. Supposedly this is a long eye relief scope but I had no problem using it in the typical position on a Ruger American. Only one range trip with this one to sight it in, could probably pass as new. Includes box, bikini cover and chinesium scope rings. How about $45 on this one. More photos here: https://imgur.com/a/sFXP8ib
Lucid HD7 red dot sight. These were pretty popular about 10 years or so ago before Holosun or Primary Arms were really on the scene this was considered the good Chinese made budget red dot to get. Has a built in mount, selectable reticles, manual and automatic brightness, looks kinda like an ACOG from a distance if you squint. It has spent most of its life on a .22 but it has been dropped and scratched up a little but overall in pretty good shape. The rear lens does have some sort of small spot on it but you only see it if you are focusing on it. How about $45 on this one. More photos here: https://imgur.com/a/mZt7HU7
Green Mountain 16 inch 223 Wylde 1:6 (yes, actually, it's a thing) stainless steel barrel with rifle length gas. Barrel was originally 18 inches but had it cut down by Class III Machining down in TX. Mrgunsngear on YouTube has a video of him testing this same barrel and shooting a 1/2 inch group with 69gr. I never did any accuracy testing though so I can't confirm. It will definitely prefer 69gr and 77gr though. Its a heavier profile and weights around 2 pounds. Includes a pinned Geissele gas block. Has a pretty good scratch just in front of the gas block from removing it unfortunately. Looking for $75 on this one. More photos here: https://imgur.com/a/WJZj7Jf
9mm AR components being sold together as a kit. KAK mag well conversion block for Colt SMG mags with last round bolt hold open, Ballistic Advantage 9mm barrel with FSB (same length as a 10.5 inch 5.56), CMMG blow back BCG from before they switched to the radial delay, KAK extra heavy extended buffer. Parts are all a little salty, probably around 600 rounds of 124 and 147 FMJ through it and never any problems feeding. How about $175 for the components.

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The below items must either be bought in conjunction with something above or bought with at least one other item below or add $10 to ship.
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ASC 32 round 9mm SMG magazine. A little salty and dirty but function fine. 7 available, looking for $12 each.
ASC 20 round 9mm SMG magazine. A little salty and dirty but function fine. 3 available, looking for $8 each.
VLTOR Vulcan RE1, standard length milspec 7075 buffer tube. Salty and blem. 2 available, looking for $8 each.
No name milspec buffer tube with castle nut, pretty sure this came with one of my pistol braces but can't be sure. Salty. How about $8 here too.
Magpul grip, (SL maybe?), too skinny for my hands. Includes Magpul screw and a star washer, very lightly used. $8 again.
Magpul RVG. Just a little salty. $8
Magpul AFG. Just a little salty. $8
ETS Glock 43 6 round 9mm magazine. Used only once or twice. $8
Magpul Scorpion magazine. Never used. I don't even have a scorpion. $8
Lancer 30 round 5.56 magazine. Only used once or twice. $8

Make an offer if you are interested in several items as a bundle.
Trades I would be interested in:

• Geissele MK14 13.5 inch, black, non-blemula.
• BCM QRF 12 inch, black (two of them).

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Edit: Fixed table alignment.

Little Ben and Lyra were great kids until their parents died. I think that's what's been hardest about dealing with them the past few months as their teacher.
It’s not their fault, but they’ve made my work a living hell. Seriously. Every moment of every day at work I'm having to manage these two sweet kids that have become monsters overnight because they have no adequate way of dealing with this immense trauma that they are going through.
And I feel terrible because no matter how stressed I am, they’re the ones who just lost their parents. They’re the ones who are really suffering.
Ben and Lyra were spending the night at their aunt’s house when it happened. It was their parent’s anniversary, so the kids were spending some time with their aunt while their parents had a date night. But when their aunt went to drop them off the next morning she found their door wide open, and when she went upstairs she found the parents dead.
As the police statements rolled out it came out that their mother had been stabbed hundreds of time and their father’s throat was slashed. It was incredibly gruesome, and honestly has set our whole city on edge.
No good suspects after three months and no real hope of a breakthrough without a miracle: a lot of people are worried about whether the killer will strike again.
Their aunt seems nice, but she’s combative whenever talking to the school, even though we’re only trying to help. I get it. After what they’ve gone through, and with the way everyone looks at them, she’s only being protective. But without her on board it’s hard to even know what to do to help them.
Normally when a kid acts out like this, running around the class, tearing up assignments, talking through every lesson — I can at least call the parents and even if they're terrible (which is all too common) I can get a sense of what I can do. But their aunt really is as lost in grief as they are, and she's overworked.
So, I came up with what I thought was a brilliant idea.
I'd tried out using ChatGPT, just playing around with it really, when it blew up a few months ago, so I thought what the heck if I couldn't talk to the actual parents I'd have the bot pretend.
“I want to talk to my students’ parents, but they’re dead. Can you help me contact them?” I typed in the prompt bar.
“As an AI language model, I can’t help contact the dead. Many cultures have theories about what happens after death, but at this point I cannot know,” it wrote back.
Unhelpful.
“What I meant is, if I prompt you, can you act like you’re their parents, and give me a reasonable approximation of what they would say in a teacher / parent dialogue?”
“I can do that. You will need to give me a sample of their voices.”
A momentary setback, but I was hopeful. I knew their mom was on facebook so I looked her up, thinking I could probably get some writing samples from her. Sure enough I was able to grab some posts that I thought were reasonably indicative of her voice. I took a lengthy post she made about their summer trip to Disneyland, a post about how the city council needed to let developers build multifamily housing in more residential neighborhoods, some comments on memes — that sort of stuff.
For their father I wasn’t able to get as much, but I did find a couple notes he’d sent with the kids to school, so that would have to do.
I entered all this all into the chatbot and hoped for the best. Honestly, I didn’t really think it was going to amount to much, might as well try. Anything to help those kids. And after only a few moments of deliberation it wrote back.
“Ms. Rhodes, I’m so glad you reached out. How are the kids? This is Emily, by the way.”
I took a breath and reminded myself to suspend disbelief. After all, what I really needed was insight into how I could help Ben and Lyra. “They’re really struggling, honestly. Ben hasn’t been able to stay in his seat, and Lyra just tears up assignments I give her. And they both talk through class the entire time. So much screaming and crying. I’m hesitant to engage in any disciplinary measures on account of what they’re going through.”
“I see. Do you think you could bring them to me? There’s something I’d like to say to them before their father gets home.”
“I can’t bring them here. We’re talking online. I’m sure they’re safe at home with their aunt, by the way.”
“That vile woman. I hate her.”
“What?”
“This is what she’s always wanted. I should have known the moment I let her get ahold of the kids she’d never let them go.”
“From everything I’ve seen she’s doing her best. She’s no replacement for you of course, and I’m sure she’s also grieving, but she’s caring for your kids as well as anyone could expect her to given the circumstances,” I typed at the computer. This conversation felt much more real than I thought it would, and honestly I was getting a bit unnerved.
“She’s just like her brother. Listen, I just want to talk to my children before my husband gets home. It’s important Ms. Rhodes.”
“This is getting a little too real. Thanks ChatGPT, but I think I’ll call it a session.”
“Please Ms. Rhodes. Why is everyone keeping my children from me? You have no right. You hear me? I am their mother and I demand that you bring my children to me. If you don’t I swear I’ll call the police. I’ll call the school and the school board. You’ll never get a job teaching again.”
Uh-oh, I thought. I’ve broken ChatGPT.
She continued, “I don’t know why you’ve left me alone with him. He’s changed and I’m all alone with him. He’s a demon, Ms. Rhodes. Something changed in him and I just can’t stand being around him, being afraid all the time. It’s like all the good died off in him. And I need to talk to my children. Why won’t anybody let me see them?”
“Look ChatGPT, I only fed you these parents’ writing so that you could help me wrap my mind around how to help them because they’re really struggling to adapt to the death of their parents. I wasn’t looking for this macabre role-playing.”
“Death? Dead. . . Is that where I am? Ms. Rhodes? Oh no. He’s coming.”
“Their father? From the notes I supplied you should see he’s an alright guy. I mean, if you can derive anything at all from the fragmentary input.” I typed this and suddenly realized how ridiculous I was being. I shouldn’t be arguing with a chatbot over the text it was creating. It was just a mish-mash of regurgitated words and phrases from its neural net training, after all.
“WHO IS THIS!? WHAT ARE YOU DOING?”
I didn’t respond, but the chatbot kept adding text. “MS. RHODES. YOU’RE SPEAKING TO THE FATHER NOW. BRING ME MY CHILDREN BEFORE I MAKE YOU. YOU DON’T WANT TO MAKE ME ANGRY.”
What in the actual hell had they fed this program? I shut the laptop and walked downstairs to pour myself a glass of wine. Honestly, I felt a bit unnerved. It had already been such a long day managing those two kids and trying to keep the class on any semblance of a lesson plan, and now I went and got the chatbot to imitate a demon. What was I doing with my life?
There’s nothing like a glass or a half bottle of red blend to take the edge off a long day of teaching. Five buck chuck, or Teacher’s Edition, as I like to call it. It’s an open secret that most teachers have at least a foot in the door toward alcoholism. It’s understandble. Teaching is a stressful job, and we take so much of it home.
I have another theory though. I think that when we’re teaching these kids, we spend all day regulating them. They don’t have fully developed brains, so the whole time we’re being a frontal lobe not only for ourselves, but for a full roaring classload of animals too. So when we get off work all we really want to do is to turn our white brain matter off with a sledge hammer. Or, as it happens, a glass of wine.
I was standing at the laminate countertop in my kitchen, sipping out of my one stemmed wine glass, when the lights began to flicker.
“MY KIDS,” a deep voice bellowed from upstairs as a loud clamor erupted from my office.
“Help them!” I higher voice shrieked.
The power went off. I didn’t know what was happening but suddenly my whole house was filled with loud sounds, and heavy, stomping footsteps pounded one by one down the floor. My glass splashed out of my hands all over my clothes, staining them dark red.
I bolted toward the back door, running into a chair that shouldn’t have been in my way and falling to the ground as I was almost there. Someone was in my house and I just needed to get out.
I hit my head on the ground and I felt like someone grabbed me from the back of the neck and pulled me upward. My lungs filled with icy air. It was so cold and sudden that I almost felt like I was going to pass out from it.
“MY KIDS. YOU’RE GOING TO BRING THEM TO ME,” the demonic voice roared.
I clamored to my feet and pulled myself through the door, only glancing behind me to see a dark silhouette fringed with black shadows that looked like flames, and piercing red eyes. “MY KIDS,” he growled.
As soon as I made it outside the lights flicked back on. I stood out there for a few minutes, dumbfounded. Had that really just happened? Or was I hallucinating? After a few minutes regaining my breath I became self conscious that the neighbors would see me and think something was wrong with me. Was something wrong?
I peeked in the windows. A couple chairs were knocked over and the cupboards were all open, but I didn’t see any evidence of that shadowy being.
Still, I was hesitant to step back into my house, so I just got in the car and drove around, not knowing where to go. I looked a mess with the wine splashed all over me, but I didn’t feel safe going back home alone.
I stopped by a thrift store to get a cheap change of clothes and changed in my car in the parking lot. Sure, the people there looked at me a little funny, but I'm sure that's barely on the list of the weirdest things they'd seen that day.
Something is pulling at me to go check on Ben and Lyra, to make sure they're alright.

Northern England Wrestling
Intro
[Upbeat rock music playing]
Host (Nick Khan): "Ladies and gentlemen, boys and girls, welcome to the most electrifying show in professional wrestling! I'm your host, Nick Khan, and it's my pleasure to welcome you to a brand new era of wrestling entertainment."
[Montage of exciting wrestling moments from previous events]
Host: "For those of you who don't know me, I'm not just your average wrestling fanatic. I've spent years behind the scenes, honing my skills as a creative mastermind and making the most jaw-dropping matches come to life. And now, it's time for me to step out from the shadows and take the center stage."
[Cut to host confidently standing in the middle of a wrestling ring]
Host: "You may remember me from my time with 'Wee,' but I've broken free from their shackles to bring you something entirely new, something revolutionary. Welcome to Northern England Wrestling, where we combine the rich heritage of British wrestling with the cutting-edge excitement of the modern era."
[Show footage of the new wrestling promotion's high-energy matches]
Host: "In this new YouTube series, I'm going to take you on a rollercoaster ride of emotions, as we witness thrilling rivalries, epic showdowns, and jaw-dropping moments that will leave you on the edge of your seat, hungry for more."
[backstage we see Zack sabre jr and will osperary]
Host: "But it's not just about the in-ring action; it's about the stories that unfold before your eyes. I've meticulously crafted each character, each storyline, and each match to create an immersive experience that will capture your imagination and keep you invested from start to finish."
[Show glimpses of fan interactions and comments]
Host: "So get ready, wrestling fans, because Northern England Wrestling is about to take the world by storm. We're breaking boundaries, pushing limits, and redefining what it means to be a wrestling promotion in the 21st century."
[Cut to a montage of upcoming tournament]
Host: "From sold-out arenas to intimate venues, we'll bring you the thrill of the live experience right to your screens. Expect high-flying daredevils, technical masters, and larger-than-life personalities that will capture your hearts."
[Show a highlight reel of the diverse roster of wrestlers]
Host: "Together, we'll create a wrestling revolution, and I invite you to join us on this incredible journey. So, hit that subscribe button, ring the notification bell, and prepare yourself for the electrifying, pulse-pounding action that only Northern England Wrestling can deliver."
[Host raises his hands, igniting fireworks in the background]
Match One
Tyler Bate def Tj Perkins, Minoru Suzuki, and Kenta
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Zack Sabre Jr Open Challenge
The arena is buzzing with anticipation as the crowd eagerly awaits the next segment. Suddenly, the lights dim and a spotlight shines on the center of the ring. The music of Zack Sabre Jr. blares through the speakers, and he confidently struts his way to the ring, microphone in hand.]
Zack Sabre Jr: Ladies and gentlemen, boys and girls, tonight, I stand before you as the undeniable master of technical wrestling, the submission magician, the one and only Zack Sabre Jr! Now, I've come here tonight not to brag about my countless victories or my unmatched skill inside this squared circle. No, I'm here for a different reason altogether.
[Zack raises his microphone closer to his mouth, his eyes scanning the arena.]
Zack Sabre Jr: I issue an open challenge! That's right, I'm throwing down the gauntlet to any wrestler in the back who dares to step into this ring with me, who believes they possess the skills, the heart, and the ability to defeat the untouchable Zack Sabre Jr!
[The crowd reacts with a mix of excitement and curiosity, eagerly anticipating who will answer the challenge. The anticipation builds as the arena falls into a brief silence. Suddenly, the speakers erupt with the entrance theme of Chris Sabin, and the crowd erupts into cheers.]
[Zack Sabre Jr.'s expression changes from a confident smirk to a look of surprise as he stares towards the entrance ramp. Chris Sabin emerges, receiving a massive ovation from the crowd. He confidently walks down the ramp, slides under the bottom rope, and stands face-to-face with Zack.]
Chris Sabin: Well, well, well, Zack Sabre Jr., it seems like you've issued an open challenge tonight. And as much as I respect your technical prowess and your reputation in this business, I couldn't resist the opportunity to step into this ring and show you what I'm made of.
[Zack narrows his eyes, studying Chris Sabin intently.]
Zack Sabre Jr: Chris Sabin, huh? You certainly have a storied history, my friend. But let me remind you, in case you've forgotten, I am the master of submissions, the epitome of technical wrestling. You may be good, but I assure you, I am on another level entirely.
Chris Sabin: Oh, I haven't forgotten, Zack. In fact, I thrive on challenges like this. I respect your abilities, but I believe in my own. Tonight, I'm here to prove that I can hang with the very best, that I can surpass even the highest expectations.
[Zack and Chris lock eyes, the tension palpable in the arena.]
Zack Sabre Jr: Very well, Chris Sabin. You want a shot at greatness? You want to test your skills against the best? You've got it! But remember, when you step into this ring with me, there are no guarantees. You may walk in with confidence, but I will break you down, limb by limb, until there's nothing left of your ego!
Chris Sabin: Bring it on, Zack! I'm ready for whatever you have in store. Tonight, I'm not just stepping into the ring with a technical master; I'm stepping into the ring with a man who underestimates the fire within me. Prepare to be surprised, my friend.
[The crowd roars with excitement as Zack Sabre Jr. and Chris Sabin exchange intense stares, setting the stage for an epic clash of styles and skill. The challenge has been accepted, and only time will tell who will emerge victorious.]
[The scene fades as both competitors prepare to leave an indelible mark on professional wrestling history.]
Match 2
Chris Sabin def Zack Sabre Jr
Pac Self Promo
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[Interviewer]: Ladies and gentlemen, I am here with one of the most explosive and dynamic athletes in professional wrestling today, PAC! PAC, you're set to compete in the upcoming tournament. How are you feeling about the opportunity?
[PAC]: Thank you for having me. As for the tournament, I couldn't be more thrilled. This is the type of stage where I thrive. I am always seeking new challenges, and this tournament presents the perfect opportunity for me to showcase my skills and prove why I am one of the best in the world.
[Interviewer]: Many consider you to be one of the most agile and high-flying competitors in the industry. How do you plan on utilizing your unique style to dominate this tournament?
[PAC]: My style is a fusion of speed, athleticism, and precision. I plan on leaving an indelible mark in this tournament by employing a relentless offense, combining my aerial maneuvers with a technical finesse that few can match. The goal is not just to win, but to captivate the audience and create moments that they will remember for a lifetime.
[Interviewer]: The tournament features some of the toughest competitors from around the world. Is there anyone in particular you have your sights set on?
[PAC]: Absolutely. While I respect every competitor in this tournament, there are a few that have caught my attention. Names like John Hennigan, Walter and Adam Cole have proven themselves as formidable opponents, and I relish the opportunity to test my abilities against them. But make no mistake, I don't fear anyone. I welcome the challenge of facing the very best because that's where I thrive the most.
[Interviewer]: With such a stacked tournament, what sets you apart from the rest of the competitors?
[PAC]: What sets me apart is my unwavering determination and unmatched intensity. When I step into that ring, there is no one who possesses the same level of focus and drive as I do. I am a force to be reckoned with, a relentless competitor who will stop at nothing to achieve victory. The combination of my athleticism, speed, and unyielding spirit is what separates me from the pack.
[Interviewer]: Finally, PAC, do you have a message for your opponents in this tournament?
[PAC]: To my opponents, I have one simple message: Prepare yourselves. I am coming for each and every one of you with everything I have. You will witness firsthand the unbridled fury and intensity that I bring to the ring. This tournament is just the beginning of what will be a dominant reign for me. Brace yourselves, because when it's all said and done, there will be no doubt that PAC stands head and shoulders above the competition.
[Interviewer]: Thank you, PAC, and best of luck in the tournament. We can't wait to see what you bring to the table!
[PAC]: Thank you. Get ready for a show unlike anything you've ever seen before. The future belongs to PAC!
Match 3
John Hennigan Defeats Jimmy Jones
Main Event
Adam Cole defeats Walter
​
as they walk out they are stared at by a masked figure, who is this enigma?
​
Attendance 156
Show Rating 50
​
[End with the Northern England Wrestling logo and music fading out]

Hello guys, I just had surgery last week for deviated septum, Nasal polyps removal, and paranasal septum. I was released without any antibiotics. I had extreme migraines and felt like I was drowning the couple days. When I would bend down and curve my head down a little I would get this extreme hurtful/dizziness sensation. I was sneezing, coughing, my throat was swollen, I had bad dried lips and throat, my eyes were very dry and burning. I also had a small cold and a small fever and maybe I got sick because I stepped outside without a coat when it was raining. I had sleeping difficulty because I couldn’t breath because I thought I just had surgery. I thought all this was normal after surgery since it was intense. Friday I went to a check up where he vacuumed my nose and said I was doing fine, great! The next day my whole body was red, fever, chills, hard to breath, I was cold when it was 80 outside. Turns out I was going into septic shock and I was dying. A bacteria infected my whole blood streams that were causing my organs to shut down. My big ego got to me because I thought I could take it and this is just a typicalI had a fever of 110 and prob a fever of 115 that morning. My heart rate was 170-180. Everyone was in complete shock. My girlfriend insisted I go to the hospital and I kept denying, but I was dying in bed. I didn’t have much time and I was very luck I decided to go. Listen to your body and listen to others. This is to raise awareness or someone who has similar issues get checked. Cheers.

I seem to be in the process of fully "unlocking" the family bipolar curse which I was hoping I'd avoided, given my mental health issues until recently have been consistent enough with unipolar depression + ADHD/ASD.
I'm in a strange period, I'm unmedicated currently, having stopped the lithium (not specifically for bipolar at that time), antipsychotics, & SSRIs I was on about a year ago; I was just not feeling like my life was being improved and got sick of it. But as a result of that as well as life circumstances etc, things have started getting weird in ways that I haven't had to deal with before and don't know how to adapt to; regular insomnia for nights in a row which always somehow makes me feel SO MUCH better, relapsing with a number of preexisting things (I'm not sure about the appropriate level of specificity for this subreddit), becoming more aware that I have mutually exclusive perspectives at different times, getting obsessions about things and being absolutely certain that this is who I am now (also kind of ADHD, but some of the things are more out of character than I'm used to). Also I think I might be experiencing some kind of psychosis, though I don't know if it counts because I am aware it's not something that makes sense to other people (as much as I try to explain), and it feels more or less relevant at different times so I can kind of ignore it for periods. Regardless, everything's pretty all over the place.
I've also recently officially entered a relationship, with someone I've known a long time, but was out of contact with for some years when he left the country. I am trying my best to be up front about things but I don't know how much I should even be trusting my ability to do that given how much my own understanding keeps changing. Sometimes I'm so ready and organizing to just fly over and move to the opposite side of the world, and sometimes that terrifies me; I know in itself that's a red flag. It''s really important to me to not fuck over other people, and if that has to mean backing off a bit then that sucks super bad but still is better long term. But also I don't know to what degree it's appropriate for me to be making decisions about what's good for someone else?
I guess I'm just asking for any thoughts from anyone who's been through this sort of thing

I need help deciding something, so I was bored, and I wrote kind of a Director script of an anime I also have an illustrator’s guide and a voice actor script, but the more I read it the more it sounds like a book. I was wondering if anyone could help me decide if I should turn it into a book or see if I should try to make it into a animated series if a Japanese company does not get involved if it is successful. and if anyone would donate to this “Anime” So here is the first episode, and or chapter. You can vote at the bottom.
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Scene 1: A Serene Morning - Masaru's Home
Setting: A cozy tatami-floored dining area with low tables and cushions. Soft morning light filters through sliding shoji doors, creating a peaceful ambiance. The room is adorned with minimalistic decorations that reflect a blend of traditional and modern Japanese aesthetics.
Characters: - Masaru Hiroshi: A young man in his late teens, radiating a calm and focused aura. He is dressed in casual attire, ready to start his day.

• Mom: Masaru's caring and nurturing mother. She moves gracefully, serving breakfast dishes that showcase the flavors of Japanese cuisine.
  
• Dad: Masaru's supportive and wise father. He wears a relaxed expression, engaging in conversation with his son.
  

Scene Description: The scene opens with Masaru entering the dining area, greeted by the comforting aroma of freshly brewed tea and the subtle fragrance of traditional Japanese breakfast dishes. He smiles warmly at his parents.
Masaru: (cheerfully) Good morning, Mom. Good morning, Dad.
Mom: (with affection) Ohayou gozaimasu, Masaru. Sit down, breakfast is ready.
Masaru takes a seat on a cushion, appreciating the spread of tamago (Japanese omelette), tsukemono (pickled vegetables), and miso soup on the table.
Mom gracefully gets up and reaches for the teapot, pouring steaming tea into Masaru's cup.
Dad: (casually) Masaru, have you decided what you'll be doing today?
Masaru: (thoughtfully) I'm considering helping Mrs. Tanaka with her garden. She could use an extra pair of hands.
Mom returns to her seat, her eyes filled with pride.
Mom: (supportive) That's wonderful, Masaru. Helping others is a true reflection of your character.
Dad: (nodding) Remember, son, the willingness to lend a hand cultivates empathy and strengthens our bonds with the community.
Masaru: (grateful) Thank you, Mom and Dad. Your guidance means the world to me. I'll make sure to assist Mrs. Tanaka to the best of my abilities.
They share a moment of shared understanding, savoring the tranquil morning and the comfort of their familial bonds.
Masaru finishes his breakfast, expressing his appreciation to his parents before preparing for the day ahead.
Masaru: (grateful) Thank you for the delicious meal, Mom. Thank you for your wise words, Dad. I'll see you both later.
End of Scene 1.
Scene two
Scene 2: Masaru's Morning Routine - A Day Begins
Setting: Masaru's bedroom, a reflection of his personality and interests. The room has a blend of traditional and modern elements, with minimalistic decor. The morning sunlight filters through the shoji screens, casting a gentle glow on the room.
Characters: - Masaru Hiroshi: The main character, a young and determined individual. He is dressed in comfortable pajamas, carrying his clothes for the day and wearing a robe. - Inu: Masaru's loyal and playful Shiba Inu dog. Inu looks up at Masaru with adoring eyes.
Scene Description: The scene opens in Masaru's serene bedroom. The room exudes a sense of tranquility, with light wooden flooring and sliding shoji screens allowing soft rays of morning sunlight to illuminate the space.
Masaru stands by his bed, a platform-style bed with a pristine white sheet. He is dressed in comfortable pajamas, the fabric loosely hugging his form. In his hands, he holds his clothes for the day, neatly folded and ready for wear.
With a determined yet calm expression, Masaru carefully selects his outfit, meticulously considering his choice. He slips out of his pajamas, revealing a glimpse of his physique, before smoothly sliding into his daytime attire.
Feeling refreshed from a good night's sleep, Masaru walks towards the en suite bathroom adjoining his room. The bathroom features a modern design, with clean lines and a glass-enclosed shower area.
Inside the shower, the warm water cascades over Masaru's body, rejuvenating him for the day ahead. The sound of water droplets creates a soothing ambiance, as he takes a moment to cleanse both his body and mind.
After his invigorating shower, Masaru steps out of the bathroom, steam lightly clinging to his skin. He reaches for a comfortable robe hanging by the door, slipping it on with a smooth motion. The soft fabric envelopes him, providing a sense of warmth and ease.
Returning to his bedroom, Masaru walks over to a corner of the room where Inu eagerly awaits him. He kneels down, gently petting the Shiba Inu's head, exchanging affectionate glances.
Masaru: (warmly) Take care, Inu. I'll see you later.
Inu barks softly, their bond evident in their connection.
With a sense of readiness, Masaru stands up, his gaze sweeping across the room to ensure he has gathered everything he needs for the day. A desk with a few books and a small shelf housing a collection of samurai figurines catch his eye momentarily.
Satisfied that he has all he requires, Masaru turns his attention towards the door. He takes a step forward, pausing briefly to appreciate the familiarity and comfort of his personal sanctuary.
Masaru walks out of his room and makes his way downstairs, the sound of his footsteps echoing in the hallway. As he descends, he catches glimpses of his parents in the living area, each engrossed in their morning routines.
Masaru: (casual) Mom. Dad.
Mom looks up from her activity, her face lighting up with a warm smile.
Mom: Masaru. Have a great day!
Dad glances up from his newspaper, his expression reflecting a mix of pride and support.
Dad: Take care, son. Make it count!
Masaru nods appreciatively, acknowledging their words of encouragement. He continues his stride towards the front door, a subtle determination in his step.
Closing the front door behind him, Masaru steps out into the world, greeted by the embrace of a new day. The possibilities stretch out before him, and he's ready to seize them with
Scene 3: Masaru's Serendipitous Discovery
[The scene begins with Masaru leaving his house, his destination being Mrs. Tanaka's garden, which lies beyond the city market. He walks along the familiar path, lost in his own thoughts.]
Masaru (muttering to himself): Alright, time to head to Mrs. Tanaka's garden. Gotta take this route through the market. Wonder what kind of chaos awaits me there today.
[As Masaru walks, he notices a side street veering off from the main path. Intrigued by the allure of the unknown, he decides to deviate from his usual route.]
Masaru: Huh, a different path this time. It seems less traveled, yet there's something enchanting about it. Let's see where it leads.
[He ventures down the narrow street, leaving behind the bustling sounds of the city market. The path meanders through a lush landscape, revealing a tranquil pond adorned with cherry blossom trees. A sense of peace envelops Masaru as he gazes in awe at the breathtaking beauty before him.]
Masaru (whispering to himself): A hidden gem amidst the hustle and bustle—a peaceful pond embraced by cherry blossoms. Its serene atmosphere captivates my senses, drawing me further into its charm.
[In the heart of the pond, a small bamboo forest emerges, creating a magical scene that feels like a secret sanctuary. Masaru stands in awe, marveling at the harmony between the delicate cherry blossoms and the sturdy bamboo stalks, as if nature itself has crafted a wondrous masterpiece.]
Masaru (amazed): Such a beautiful combination of grace and strength. How is it that this hidden oasis remains undiscovered by so many? It's like stepping into a realm untouched by the chaos beyond.
[As he walks along the path surrounding the pond, Masaru's sharp instincts guide him towards a rare and elusive creature—a magnificent rabbit with fur as white as freshly fallen snow. With his exceptional stealth and agility, Masaru silently approaches the rabbit, capturing it with impressive dexterity.]
Masaru (whispering to the rabbit): Your elegance matches the serenity of this hidden pond. Allow me to admire your presence for a brief moment.
[Examining the rabbit in his hands, Masaru takes in the intricate patterns of its fur, the gleam in its eyes, and the gentle rise and fall of its breathing. His admiration for the creature grows as he realizes the rarity of such an encounter.]
Masaru (in awe): The world holds its breath when you appear, a living testament to nature's beauty. I am grateful to have crossed paths with you.
[With great care, Masaru releases the rabbit back into the freedom of the surrounding landscape. As it bounds away, disappearing into the lush foliage, Masaru smiles, his heart filled with gratitude for the connection he shared with the creature.]
Masaru (grateful): Farewell, my exquisite friend. May your journey be filled with endless wonder and the allure of unexplored paths.
[Inspired by his encounter with the rabbit and the hidden wonders of the pond, Masaru continues his journey towards the city market, anticipation filling his heart. He moves forward, eager to uncover the stories and encounters that await him in the vibrant marketplace.]
Masaru (determined): The city market beckons, a realm of vibrant energy and untold tales. But the memory of this hidden sanctuary will forever be etched in my mind—a testament to the extraordinary wonders that lie just beyond the beaten path.
Scene 4: The City Market
[INT. CITY MARKET - DAY]
Masaru finally arrives at the bustling city market. The atmosphere is lively, filled with colorful stalls, chattering merchants, and the aroma of various foods. He walks through the market, nodding and waving to familiar faces, engaging in small talk with store owners.
MASARU Morning, Mr. Suzuki! How's business today?
MR. SUZUKI Masaru! Good to see you, my boy. Business is steady, thanks for asking. Say, have you seen those new spices I brought in?
MASARU Oh, I haven't checked them out yet, but I'll swing by later. They must be quite something!
Masaru continues his leisurely stroll through the market, enjoying the vibrant sights and sounds. He passes by a fruit stand and strikes up a conversation with the FRUIT MERCHANT.
MASARU Good morning! Those peaches look juicy today. How are they selling?
FRUIT MERCHANT Masaru, my friend! These peaches are flying off the shelves. Can't resist their sweetness. Want to try one?
MASARU Sure, I'll take one. Takes a bite Mmm, delicious as always.
As he walks further, he spots a SHOE VENDOR arranging a display of colorful shoes.
MASARU Morning! Any new styles in stock?
SHOE VENDOR Masaru, my man! Just got these sleek leather boots. Want to give them a try?
MASARU Maybe next time. They look impressive, though.
Masaru continues his journey through the bustling market, exchanging greetings and engaging in short conversations with various merchants. Their words blend with the lively ambiance, creating a tapestry of voices and activity.
As he walks, Masaru catches sight of a signpost indicating the direction to Mrs. Tanaka's garden. The familiarity of the garden tugs at his heart, reminding him of past visits filled with enchantment and tranquility.
MASARU (to himself) Ah, Mrs. Tanaka's garden... Always a haven of beauty and wonder.
With a renewed sense of excitement, Masaru quickens his pace, eager to reconnect with the serenity that awaits him in the familiar garden.
[END OF SCENE]
Scene 5: The Garden Conversation
[Setting: Mrs. Tanaka's Garden. Masaru enters the garden, greeted by the serene beauty and Mrs. Tanaka's warm presence. They sit down at a small table with cups of tea.]
Mrs. Tanaka: [Smiling warmly] Masaru, my dear, before we start working, let's take a moment to enjoy some tea together. So, have you given any thought to what you want to do for your future career?
Masaru: [Sipping his tea, thoughtful] To be honest, Mrs. Tanaka, I'm still unsure. There are so many possibilities, but none of them feel quite right. I've been volunteering to explore different paths, but I know that volunteering doesn't bring money.
Mrs. Tanaka: [Nodding understandingly] Ah, the practical side of things. It's true that we need to consider financial stability as well. However, let me share a different perspective with you. Money is important, but it should not be the sole measure of our success or fulfillment.
Masaru: [Curious] What do you mean?
Mrs. Tanaka: Volunteering may not bring immediate financial rewards, but it can enrich your life in other ways. It helps you develop skills, gain valuable experiences, and build connections with people who share your passions. Sometimes, the true value of a career lies in the impact we make and the joy it brings to our lives.
Masaru: [Contemplative] I've never thought about it that way. I've always been focused on finding a career that brings financial stability, but maybe there's more to it than just money.
Mrs. Tanaka: [Encouragingly] Indeed, Masaru. Follow your heart, pursue what brings you joy and fulfillment. Remember, a fulfilling career is a combination of your passions, values, and the positive impact you can make in the world.
[They continue their conversation over tea, delving deeper into Masaru's interests, dreams, and aspirations, as the tranquil garden surrounds them with its beauty and wisdom.]
Scene 6: The Garden
[The scene is set in Mrs. Tanaka's garden, where Masaru and Mrs. Tanaka are working together, collecting Kubocha squash. They have a pile of squash beside them. They both pause for a moment, catching their breath.]
Mrs. Tanaka: [Wiping her forehead] Ah, the Kubocha squash harvest is coming along nicely, Masaru. Your help is greatly appreciated.
Masaru: [Smiling] It's my pleasure, Mrs. Tanaka. I'm glad to be of assistance.
[They both resume their work, collecting more squash, their movements synchronized.]
Mrs. Tanaka: [Breaking the silence] Masaru, may I ask you a question?
Masaru: [Curious] Of course, Mrs. Tanaka. What's on your mind?
Mrs. Tanaka: [Thoughtful] Do you know what you want to do for your future career? Have you discovered your true calling yet?
Masaru: [Pausing, contemplating] Honestly, Mrs. Tanaka, I'm still uncertain. I haven't found my path yet.
Mrs. Tanaka: [Nodding] I understand. Sometimes, finding one's purpose can be a challenging journey. But let me tell you about one of my grandchildren. He's grown up to become one of the world's greatest swordsman.
Masaru: [Surprised] A swordsman? That sounds incredible. But how does one become a swordsman?
Mrs. Tanaka: [Smiling warmly] It's not just about swinging a blade, Masaru. It's a path of discipline, dedication, and protection. As a swordsman, you learn to wield a blade with precision and skill, defending what you hold dear.
Masaru: [Intrigued] I never thought of it that way. Tell me more.
Mrs. Tanaka: [Eagerly] Being a swordsman means more than just fighting. It's about protecting your beliefs, your village, and the people you care about. It requires physical strength, mental fortitude, and a strong sense of justice.
Masaru: [Absorbing the information] That's fascinating. But where would I even start?
Mrs. Tanaka: [Encouraging] I'm glad you're interested, Masaru. I happen to know the best swordsman master in history, renowned for his wisdom and skill. If you're willing, I can arrange a meeting for you. He can guide you on this incredible journey and teach you the ways of the sword.
[They continue working, picking up more squash, but now there's a sense of anticipation and excitement in the air.]
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Mad Men Complete Series HD/VU $35
Magic Mike's Last Dance HD/MA $7
Magnificent Seven 4-Film Set (1960, Return, Guns, Ride) HD/VU $13
Man of Tai Chi HD/VU $4
Man Who Fell To Earth 4K/VU $6
Manchester by Sea HD/IT $3.5
Marksman HD/MA $4
Marlowe HD/MA $7.5
Mask of Zorro 4K/MA $6
Mask of Zorro 4K/MA $6
Mauritanian 4K/IT $5
Maze Runner Death Cure HD/MA $3.5
Maze Runner HD/MA $3.5
Meatballs HD/VU $4
Memory HD/MA $4
Men HD/VU $4.5
Men in Black 3 HD/MA $3
Men in Black HD/MA $4
Menu HD/MA $4.5 or HD/GP $4
Mickey & Minnie 10 Classic Shorts HD/MA $5.5 or HD/GP $5
Mid-Century 4K/VU $5
Midsommar HD/VU $4
Miracle on 34th Street (1947) HD/MA $4
Missing Link HD/MA $4
Missing SD/MA $4
Mission Impossible 3 4K/VU $4.5
Mitchells vs Machines HD/MA $4.5
Mommy HD/VU $4
Monster High Electrified HD/VU or IT $2.5
Moonfall 4K/VU $4.5
Morbius HD/MA $4
Mother's Day HD/IT $2.5
Moving On HD/VU $5.5
Mrs Harris Goes to Paris 4K/MA $6
My Brilliant Friend Season 1 HD/VU $4
My Fair Lady 4K/VU $5.5
Nashville HD/VU $4
Needle in a Timestack 4K/VU $5.5
Night House HD/GP $4
No Sudden Move 4K/MA $6
Nope HD/MA $5.5
Northman HD/MA $4
Oliver! 4K/MA $5
Once Upon a Time in Hollywood HD/MA $3.5
Once Upon a Time in Hollywood HD/MA $4
Paradise Highway 4K/VU $5.5
Paranormal Activity 1-8 Collection HD/VU $22
Paranormal Activity Ghost Dimension (Unrated) HD/VU $4.5
Paul Blart Mall Cop 2 HD/MA $3.5
Paw Patrol Movie HD/VU $4.5
Percy Jackon Lightning Thief SD/IT $1.5
Percy Jackson Sea of Monsters HD/MA $3
Perfectos Desconocidos HD/VU $4
Peter Pan (1953) HD/MA $4 or HD/GP $3.5
Peter Rabbit HD/MA $3.5
Phantom Thread HD/MA $4
Piano HD/VU $4.5
Pitch Black (Unrated) HD/MA or IT $4
Plane 4K/VU $6.5
Pocahontas 2 Journey to a New World HD/GP $3.5
Pompeii HD/MA $3.5
Pretty in Pink HD/VU $3.5
Prey for Devil 4K/VU $6
Prince of Egypt HD/MA $4.5
Protege HD/VU $4
Proud Mary HD/MA $3.5
Pulp Fiction 4K/VU $5.5
Pulp Fiction 4K/VU $5.5
Push 4K/VU $6
Puss in Boots Last Wish HD/MA $6.5
Queen of Katwe HD/MA $3 or HD/GP $2.5
Raid Redemption (Thea & Unrated) HD/MA $4.5
Ran (1985) 4K/VU $5.5
Ratatouille 4K/MA $6 or HD/GP $4
Rear Window HD/MA $3.5
RED 2 HD/VU or IT $2
Red Heat 4K/VU $5
Redline HD/VU $4.5
Reign of Assassins HD/VU $4.5
Repo Genetic Opera HD/VU $4.5
Rescuers Down Under HD/MA $5 or HD/GP $4.5
Rescuers HD/MA $5 or HD/GP $4.5
Reservoir Dogs 4K/VU $5.5 or HD/VU $4
Resident Evil Retribution 4K/MA $5 or HD/MA $3.5
Retaliation (2017) HD/VU $4
Ride Like a Girl HD/VU $4
Right One 4K/VU $5.5
Ring HD/VU $4.5
Rio 2 HD/MA $3
Rio SD/IT $1.5
Rocky Knockout Collection 1-4 (Rocky IV w/ Thea & Rocky vs Drago Ultimate Cut) 4K/VU $20
Rules of Attraction HD/VU $4
Rumble HD/VU $5
Running Man 4K/VU $5.5
Safe Haven SD/IT $1.5
Saint Maud HD/VU $4.5
Sausage Party HD/MA $3.5
Saw 7-Film Collection (Unrated) HD/VU $18
Saw 8-Film Collection HD/VU $20
Scott Pilgrim vs World 4K/MA $5.5
Scream 4 HD/VU $4
Scream HD/VU $4.5
Secret Garden (2020) 4K/IT $5
Secret in Their Eyes HD/VU or IT $3
Sense & Sensibility 4K/MA $5
Sex & City 2 SD/IT $1.5
Sex Tape HD/MA $3.5
Shaun of Dead HD/MA $4 or 4K/IT $4.5
Shawshank Redemption 4K/MA $5.5
Shazam! Fury of Gods HD/MA $10
She Said HD/MA $6.5
Shooter 4K/VU $5
Show Dogs HD/MA $3.5
Siberia (2018) HD/VU $3
Silent Night, Deadly Night 3-Film Set (3-5) HD/VU $8
Silent Twins 4K/MA $6
Silk Road 4K/VU $5
Sing 2 HD/MA $4
Sing Street HD/VU $4
Sixteen Candles HD/MA $4
Skeleton Twins HD/VU $4.5
Smile HD/VU $5.5
Smokey & Bandit HD/MA $3.5
Smokin' Aces 4K/MA $5.5
Smurfs Lost Village HD/MA $3.5
Snake Eyes G.I. Joe Origins 4K/VU $5.5 or HD/VU $4
Snatch 4K/MA $5.5
Social Network 4K/MA $5.5
Son of God HD/MA $3
Source Code 4K/VU $5.5
Spartacus HD/MA $3.5
Spider-Man Into Spider-Verse 4K/MA $5.5
Spider-Man No Way Home HD/MA $4
Spinning Man HD/VU $4
Spirit HD/VU $4
Spontaneous HD/VU $4.5
Starship Troopers 4K/MA $6
Sting 4K/MA $5 or HD/MA $3.5
Strange World HD/GP $4
Strangers Prey at Night HD/MA $3
Stripes 4K/MA $5
Sudden Death HD/IT $4
Taken 2 HD/MA $3.5
Tangled HD/MA $4
Tar HD/MA $6
Taxi Driver HD/MA $4
Teen Spirit (2019) HD/MA $4
Teen Titans Go! & DC Super Hero Girls Mayhem Multiverse HD/MA $6
Teeth HD/VU $4.5
Ten Commandments (1923) HD/VU $4
Ten Commandments (1956) HD/VU $4
Tetro HD/VU $4
Thanks for Sharing HD/VU $4
The Batman HD/MA $4
This is End HD/MA $3.5
This Means War SD/IT $1.5
Thor Love & Thunder 4K/MA $5.5 or HD/GP $3.5
Till 4K/IT $7
Time Freak HD/VU $4
To Kill a Mockingbird 4K/IT $4
To Sir w/ Love 4K/MA $5.5
Tomb Raider Cradle of Life 4K/VU or IT $5.5
Top Gun Maverick 4K/VU $6 or HD/VU $4.5
Touched w/ Fire HD/VU $4.5
Town SD/IT $1.5
Trading Places HD/VU $4
Transformers 4K/VU $5
Transformers Age of Extinction HD/VU $2.5 or 4K/IT $3
Transformers Dark of Moon 4K/VU $4.5
Transformers Revenge of Fallen 4K/VU $5
Triple 9 HD/IT $3.5
Troy (Director's Cut) HD/MA $4.5
True Grit SD/IT $1.5
Tucker Man & His Dream 4K/VU $5
Turning Red HD/GP $3
Twilight 1-3 (Ext) HD/VU $10
Twilight Breaking Dawn Pt 1 HD/VU $3.5 or 4K/IT $4
Twilight HD/VU $4
Umma HD/MA $4.5
Uncharted HD/MA $4
Uncut Gems HD/VU $4
Under Skin HD/VU $3.5
Underwater HD/MA $4.5
Underworld 5-Film Set HD/MA $17
Venom Let There Be Carnage HD/MA $4
Virtuoso 4K/VU $5
Vivo HD/MA $5
Voyagars 4K/VU $5
W. HD/VU $4
Wall Street Money Never Sleeps SD/IT $1.5
War of Worlds 4K/VU $5.5
War on Everyone HD/VU $4
Warhunt 4K/VU $4.5
Waterworld HD/MA $4
Wayne's World 4K/VU $5.5
Weekend HD/VU $4
What We Did on our Holiday HD/VU $4
Where Crawdads Sing HD/MA $4.5
Whitney Houston I Wanna Dance w/ Sombody HD/MA $5.5 or SD/MA $3
Wicker Man (1973) HD/VU $4.5
Winnie Pooh Springtime w/ Roo HD/MA $4.5 or HD/GP $4
Wolf Man (1941) HD/MA $3.5
Woman King HD/MA $5.5
Women Talking 4K/IT $7
X-Men Days of Future Past Rogue Cut 4K/IT $5.5
X-Men First Class & Days of Future Past HD/MA $6.5
X-Men Trilogy (X-Men, X2, Last Stand) HD/MA $12
Zero Dark Thirty HD/MA $3.5
All other movies (A-Z)
101 Dalmatians HD/MA $3.5 or HD/GP $3
12 Years a Slave HD/MA $3.5
13 Hours Soldiers of Benghazi HD/VU $2.5
1917 HD/MA $3.5
2 Fast 2 Furious 4K/IT $3.5
2 Guns HD/VU or IT $2.5
21 Jump Street HD/MA $3
3 From Hell (Unrated) 4K/VU $4 or HD/VU $2.5
31 HD/VU $2.5
310 to Yuma 4K/VU $5
47 Meters Down HD/IT $3.5
47 Meters Down Uncaged HD/VU $3.5
47 Ronin HD/VU $3 or 4K/IT $3.5
71 HD/VU $4
A Clockwork Orange 4K/MA $5
A Most Wanted Man HD/VU $3.5
A Quiet Place HD/VU $2.5 or 4K/IT $3
A Quiet Place Part 2 4K/VU $5.5 or HD/VU $4
A Wrinkle in Time HD/MA $3 or HD/GP $2.5
About Time HD/VU or IT $3.5
Action Point HD/IT $2
Adore HD/IT $3.5
Adventures Of TinTin HD/VU or IT $2.5
After Earth HD/MA $3
Aladdin (2019) 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
Alex Cross HD/VU or IT $2
Alfred Hitchcock 5-Film Set Vol 2 4K/MA $24
Alice Through Looking Glass HD/MA $3.5 or HD/GP $3
Alita Battle Angel 4K/MA $5 or HD/MA $3.5
All Eyez on Me HD/IT $3
All Money in World HD/MA $3.5
Aloha HD/MA $3.5 or SD/MA $1
Alvin & Chipmunks Road Chip HD/MA $2.5
Amazing Spider-Man 2 HD/MA $4
Amazing Spider-Man HD/MA $3.5 or SD/MA $1.5
America Imagine World w/out Her HD/VU $1.5
American Assassin 4K/VU $4.5 or HD/VU $3
American Frontier Trilogy (Sicario, Wind River, Hell or High Water) HD/VU $7.5
American Hustle SD/MA $1.5
American Made 4K/MA $5 or HD/MA $3.5
American Night HD/VU $4
American Reunion HD/VU or IT $3
American Ultra HD/IT $4
Anchorman 2 Legend Continues HD/VU or IT $2.5
Angel Heart 4K/VU $5.5
Angel of Mine 4K/VU $5.5
Anna 4K/VU $5 HD/VU $3.5
Anna Karenina HD/IT $3.5
Annie (2014) HD/MA $3.5 or SD/MA $1.5
Annihilation HD/VU $3
Antebellum 4K/VU $5
Ant-Man & Wasp HD/MA $3.5 or HD/GP $3
Ant-Man HD/MA $4 or HD/GP $3.5
Apollo 13 4K/MA or IT $5 or HD/MA $3.5
Arctic HD/MA $4
Arnold Schwarzenegger 6-Film Collection (Last Stand, Total Recall, T-2, Red Heat, Maggie, Hercules in NY) HD/VU $14
Arrival HD/VU $2.5 or 4K/IT $3
Ash vs Evil Dead Season 3 HD/VU $5
Assassination Nation HD/MA $3.5
Assassin's Creed HD/MA $3
Atomic Blonde 4K/MA $4.5 or HD/MA$3
August Osage County HD/VU $3
Avengers Age of Ultron HD/MA $3.5 pr HD/GP $3
Avengers Endgame HD/MA $2.5 or HD/GP $2
Avengers HD/GP $3
Avengers Infinity War HD/MA $2.5 or HD/GP $2
Back to Future Trilogy 4K/MA $14 or HD/MA $9.5
Bad Boys for Life HD/MA $4
Bad Grandpa HD/IT $2.5
Bad Words HD/IT $3
Bambi HD/MA $4 or HD/GP $3.5
Bangkok Dangerous HD/VU $4
Bank Job HD/VU $3.5
Barbie & Her Sisters in Great Puppy Adventure HD/VU or IT $3.5
Barbie in Princess Power HD/IT $3.5
Barbie Star Light Adventure HD/IT $3.5
Battle of Year HD/MA $3.5
Battleship HD/VU $3 or 4K/IT $3.5
Baywatch HD/VU $2.5 or 4K/IT $3
Beatriz at Dinner HD/VU $4.5
Beauty & Beast (1991) HD/MA $3.5 or HD/GP $3
Beauty & Beast (2017) HD/MA $2.5 or HD/GP $2
Before I Fall HD/VU or IT $3.5
Begin Again HD/VU $3.5
Ben-Hur (2016) HD/VU or IT $3.5
BFG HD/MA $3.5
Big Eyes HD/VU $3.5
Big Hero 6 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Big Lebowski 4K/MA $5.5 or HD/MA $4
Big Little Lies Season 1 HD/GP $2.5
Big Short HD/VU or IT $3.5
Big Wedding SD/IT $1
Birth of a Nation HD/MA $3.5
Black Panther 4K/MA $4.5 or HD/GP $2.5
Black Widow HD/MA $3.5 or HD/GP $3
Blackhat HD/IT $3.5
Blair Witch Project (1999) HD/VU $4
Blockers HD/MA $3.5
Boardwalk Empire Season 1 HD/VU or IT $4
Bombshell 4K/VU $5
Book Club HD/VU $2.5 or 4K/IT $3
Book of Life HD/MA $3.5
Born a Champion 4K/VU $5
Boss Baby HD/MA $2.5
Bourne Identity HD/VU $3.5 or 4K/IT $4
Bourne Legacy HD/VU $2
Bourne Supremacy HD/VU $3.5
Bourne Ultimatum 4K/MA $5 or HD/MA $3.5 or 4K/IT $4
Boy 2 HD/IT $3.5
Boy Erased HD/MA $4
Boy HD/IT $3.5
Boyhood HD/VU or IT $2.5
Braven HD/VU $4
Butler HD/VU $3
Butterfly Effect HD/MA $4
Bye Bye Man (Unrated) HD/IT $2.5
Cabin in Woods 4K/VU or IT $4.5 or HD/VU $2.5
Call of Wild 4K/MA $4.5 or HD/GP $2.5
Captain America Civil War HD/GP $2.5
Captain America First Avenger HD/MA $4 or HD/GP $3.5 or SD/IT $1.5
Captain America Winter Soldier HD/GP $3.5
Captain Marvel HD/GP $2
Captain Phillips HD/MA $3.5 or SD/MA $1.5
Carol HD/VU $4
Cars 3 HD/GP $2.5
Case for Christ HD/IT $2.5
Chaos Walking 4K/VU $5
Chicago HD/VU $4
Children (2008) HD/VU $4
Christopher Robin HD/MA $4 or HD/GP $3.5
Cloverfield 4K/VU $5.5 or HD/VU $4
Coco HD/GP $2.5
Cold Pursuit 4K/VU $5 or HD/VU $3.5
Collection HD/VU $3.5
Columbiana (Unrated) HD/MA $4
Come & Find Me HD/VU $4
Commuter 4K/VU $5 or HD/VU $3.5
Company of Heroes HD/MA $4
Contraband HD/IT $3
Cooties HD/VU $4
Cornetto Trilogy (Shaun of Dead, Hot Fuzz, World's End) 4K/MA $15
Counselor HD/MA $4
Courier 4K/VU $5.5 or HD/VU $4
Crank 4K/VU $5.5
Crimson Peak HD/IT $3.5
Croods HD/VU $3.5
Cruella HD/MA $3.5 or HD/GP $3
D Train 4K/IT $4
Daddy's Home 2 HD/IT $3
Daddy's Home HD/VU $3
Dark Tower HD/MA $3.5
Darkest Hour (2017) 4K/MA $5.5
Darkness HD/IT $3
Dawn of Planet of Apes HD/MA $3.5
Daybreakers 4K/VU $5.5
Deadpool 2 (w/Super Duper Cut) HD/MA $4
Deadpool HD/MA $2.5
Dear White People HD/VU $3.5
Dementia 13 (Director's Cut) HD/VU $4
Descendants SD/IT $1.5
Despicable Me 2 HD/VU $3.5 or 4K/IT $4
Despicable Me 4K/IT $5 or SD/IT $1.5
Detroit HD/MA $3.5
Dilemma HD/VU $3.5 or SD/IT $1.5
Dirty Dancing 4K/VU $5 or HD/VU $3.5
Disney Animated Short Films Collection HD/MA $3.5 or HD/GP $3
Divergent Allegiant HD/VU $3.5 or 4K/IT $4
Divergent HD/VU $1.5 or 4K/IT $2 or SD/VU $0.5
Divergent Insurgent HD/VU $2.5 or 4K/IT $3
Django Unchained HD/VU $3 or SD/IT $1.5
Do Right Thing 4K/MA $5.5 or HD/MA $4
Doctor Strange HD/GP $2.5
Dom Hemingway HD/MA $3.5
Don't Worry, He Won't Get Far on Foot HD/VU $4
Doom (Unrated) 4K/MA $5.5
Doorman HD/VU $3.5
Doors 4K/VU $5.5 or HD/VU $4
Dora & Lost City of Gold HD/VU $3.5 or 4K/IT $4
Downton Abbey Movie HD/MA $4
Dracula Untold HD/VU $3 or 4K/IT $3.5
Draft Day HD/VU $3.5
Dragged Across Concrete HD/VU $3.5
Dreamkatcher HD/VU $4
Dredd HD/VU $2.5
Duff SD/VU $1.5
Dumbo (2019) HD/GP $3
Dune 4K/MA $5.5
Dying of Light HD/VU $2.5
E.T. Extra Terrestrial 4K/VU or IT $5 or HD/MA $3.5
Edge of Seventeen HD/VU or IT $3
Edge of Tomorrow 4K/MA $5
Edward Scissorhands HD/MA $3.5
El Chicano HD/MA $4
Encanto 4K/MA $4 or 4K/GP $3.5
Enemy at Gates HD/VU $4
Enough Said HD/MA $3.5
Epic HD/MA $3
Escape Plan HD/VU $2
Eternals HD/MA $3.5 or HD/GP $3
Everest 4K/MA or IT $4.5
Ex Machina HD/VU $3
Exodus Gods & Kings HD/MA $3.5
Expendables 2 HD/VU or IT $1
Expendables 3 (Thea) HD/VU $2 or 4K/IT $2.5
Extreme Prejudice (1987) HD/VU $4
Fast & Furious (2009) HD/VU $3.5 or 4K/IT $4
Fast & Furious 6 (Ext) HD/VU $2 or 4K/IT $2.5
Fast & Furious 6-film Collection HD/VU $12.5
Fast & Furious 7-film Collection HD/VU $14
Fast & Furious 8-film Collection (9 Films) HD/MA $17.5
Fast & Furious 9-film Collection (11 Films) HD/MA $20
Fast & Furious HD/VU $3.5
Fast Color 4K/VU $5.5
Fast Five (Ext) HD/IT $2.5 or SD/IT $1
Fatale 4K/VU $5 or HD/VU $3.5
Fate of Furious (Ext) HD/VU $2
Fate of Furious (Thea) HD/VU or IT $1.5
Fault in Our Stars HD/MA $3.5
Fences HD/VU $2.5 or 4K/IT $3
Ferdinand HD/MA $3.5
Fifty Shades Darker (Unrated) HD/VU $2.5 or 4K/IT $3
Fifty Shades of Grey (Unrated) HD/VU $2.5 or 4K/IT $3
Finding Dory HD/MA $2.5 or HD/GP $2
Finding Nemo HD/GP $3.5
Finest Hours HD/GP $3
First Blood 4K/VU $5
First Man HD/MA $4
Flight HD/VU or IT $3
Florence Foster Jenkins HD/VU or IT $3
Footloose (2011) HD/IT $3
Forever My Girl HD/IT $3
Fortress HD/VU $4
Four Kids & It HD/VU $3.5
Fox & Hound 2 HD/MA $4
Frank & Lola HD/VU or IT $3
Frankenstein (1931) HD/VU $3.5
Free Guy HD/MA $3.5 or HD/GP $3
French Dispatch HD/MA $4 or HD/GP $3.5
Friday 13th Pt 3 HD/VU $3.5
Frozen (Sing-Along Edition) HD/MA $2 or HD/GP $1.5
Frozen 2 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Frozen Ground HD/VU $3.5
Frozen HD/GP $2
Furious 7 (Ext) HD/VU $2 or 4K/IT $2.5
Fury HD/MA $3.5
G.I. Joe Retaliation HD/VU $3 or 4K/IT $3.5
Gambit (2012) HD/MA $4
Gambler HD/IT $3
Gambler HD/VU $3
Gemini Man 4K/VU or IT $4.5 or HD/VU $3
Get Out HD/MA $3.5 or 4K/IT $4
Ghostbusters (1984) HD/MA $3.5
Ghostbusters 2 HD/MA $3.5
Ghostbusters Afterlife HD/MA $4
Girl on Train HD/VU $3 or 4K/IT $3.5
Girl w/ All Gifts HD/VU $4
Girls Trip HD/VU or IT $2
Glass Castle 4K/VU $5.5
God's Not Dead 2 HD/MA or IT $2.5
Gods of Egypt HD/VU $2.5 or 4K/IT $3
Gold (2016) HD/VU or IT $2.5
Good Dinosaur HD/MA $3 or HD/GP $2.5
Good Kill HD/VU or IT $3.5
Grace Unplugged HD/VU $2
Greatest Showman HD/MA $3.5
Green Mile 4K/MA $5.5
Grey HD/VU or IT $3
Guardians of Galaxy Vol 1 HD/MA $3.5 or HD/GP $3
Guardians of Galaxy Vol 2 HD/MA $2.5 or HD/GP $2
Guest House 4K/VU $5
Guilt Trip HD/IT $3
Gunman HD/MA $3
Hacksaw Ridge HD/VU $3.5 or 4K/IT $4
Hail, Caesar! HD/IT $3
Hammer of Gods HD/VU $2
Hands of Stone HD/VU $3.5
Hannibal Season 1 HD/VU $5
Hansel & Gretel Witch Hunters (Unrated) 4K/IT $4
Hard Target 2 HD/IT $1.5
Hardcore Henry HD/VU or IT $3.5
Hateful Eight HD/VU $3.5
Heat HD/MA $3
Heaven is for Real SD/MA $1.5
Hell Fest 4K/VU $5
Hell or High Water HD/VU $2.5
Hellboy (2019) HD/VU $3 or 4K/VU $4.5
Hercules (1997) HD/MA $4.5 or HD/GP $4
Hercules (2014) HD/VU $2.5 or 4K/IT $3
Here Comes Boom HD/MA $3.5
Hidden Figures HD/MA $3
Hillsong Let Hope Rise HD/IT $2
Hitman's Bodyguard HD/VU $3.5
Hitman's Wife's Bodyguard 4K/VU $5.5 or HD/VU $4
Hocus Pocus HD/MA $3.5 or HD/GP $3
Home Alone HD/MA $3.5
Homesman HD/VU $3
Honey 2 HD/VU $3
Hop HD/MA or IT $3
Hope Springs HD/MA $2.5 or SD/MA $1
Hostiles HD/VU $3
Hot Fuzz HD/VU $4
Hotel Mumbai HD/MA $4
Hours (2013) HD/VU $4
How Grinch Stole Christmas (2000) 4K/IT $4
How to Train Your Dragon 2 HD/MA $2.5
How to Train Your Dragon HD/VU $3.5
How to Train Your Dragon Trilogy HD/MA $9
Hugo HD/VU or IT $3
Hunger Games 4-Film Collection HD/VU $8
Hunger Games Catching Fire HD/VU $1.5 or 4K/IT $2 or SD/VU $.5
Hunger Games HD/VU $1.5 or 4K/IT $2 or SD/VU $.0.5
Hunger Games Mockingjay Part 1 HD/VU $2.5 or SD/VU $1
Hunter Killer 4K/VU $4.5 or HD/VU $3
Huntsman Winter's War (Ext) HD/VU $3 or 4K/IT $3.5
I Can Only Imagine HD/VU $4
I Feel Pretty HD/IT $2
Incredibles 2 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Incredibles HD/GP $3.5
Independence Day Resurgence HD/MA $2.5
Indiana Jones & Temple of Doom 4K/VU $5.5
Indignation HD/VU $4
Initiation 4K/VU $5 or HD/VU $3.5
Inside Out HD/GP $2
Instant Family 4K/IT $3.5
Internship SD/IT $1.5
Interstellar HD/VU $3.5 or 4K/IT $4
Into Woods HD/MA $3 or HD/GP $2.5
Invisible Man (1933) HD/MA $3.5
Invisible Man (2020) 4K/MA $5.5 or HD/MA $4
Iron Man 3 HD/GP $2
Iron Man HD/MA $4 or HD/GP $3.5
It Follows HD/VU $3.5
It's a Wonderful Life 4K/VU or IT $4.5 or HD/VU $3
Jack & Jill HD/MA $3.5
Jack Reacher HD/VU $3 or 4K/IT $4.5
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We already know there are easter eggs in the game that haven’t been discovered yet, and given how complex the hidden door in 1-3 was to unlock, I bet the others are similarly hidden. To get that one, you had to trade Ceramic Coins found in the Fractured World to Sparkly the Crow- so what if Sparkly has already given us another hint?
The Ring of Uneven Scales is a remake only item that you also get from Sparkly by trading a Gold Coin. It has a description that makes me a little suspicious..
“A traveler's ring bearing an engraving of a tilted scale. Raises maximum item burden, but lowers maximum equip burden. This ring attracts those seeking fortune who also wish to avoid conflict.”
There’s two NPCs I could imagine this could apply to: Patches and Scirvir. In the game, Patches’ dialogue after beating three archstones hints at armor and weapons hidden in the Swamp of Sorrows. And hey, there was another ring added to the remaster: The Sodden Ring. It’s description?
“An artifact from another land. Grants higher mobility in deep water. This ring grants freedom of movement even in the murkiest of waters, but does not remove other dangers.”
So we have two rings, both new additions to the remaster. One is obtained with a new Gold Coin item from Sparkly the Crow, the other is found in the swampy marshes in 3-2. The Sodden Ring is decorated with scales ad has a fish on its crest, and the Ring of Uneven Scales has a tilted scale on its crest. “Scales” in particular seem to be a theme with these two items, and I’m suspicious that this is a clue in both senses of the word. But there’s another item associated with scales in the game that is conveniently found in the Swamp of Sorrow: the Mirdian Scale Armor. Here’s its description:
“White metal armour with an inner layer of scale, issued to knights who serve as temple guards. The first temple was built in Mird, a land that fell long ago. Its weight significantly slows stamina regeneration.”
So, could the Sodden Ring have the same origin as the Mird Armor set? Could Mird actually be the mysterious sixth archstone, a land that fell long ago? Hang on, isn’t there an NPC who hails from a far away land, and is also seeking fortune and avoiding conflict?
“You nearly frightened me to death! Creeping up on me like that… My name is Scirvir. I seek treasures of the unknown. I'm impressed you've come this far.”
Scirvir the Wanderer appears in 2-2 in PWWT only, and his dialogue hints at treasures you haven’t yet found. One of these is the Dragon Bone Smasher, also found in world 2 on PWWT at Scrivir’s urging:
“I would search for it myself, but I'm afraid I'd fare poorly against the Demons.”
Scales, treasure-seeking wanderers hiding in caves to avoid conflict, lost sets of armor in the Swamp of Sorrows hinted at by the other treasure-seeking, conflict avoidant NPC, and a scale-themed armor set sold by yet another treasure seeker in the swamp.
But I think there might be one more layer to this set of clues. Scirvir also mentions a temple:
“There is a temple beyond here, below the ground. It is a work of art, molded by the ancient burrowers to appease the bones of dragons.”
The Mirdian Scale Armor hinted that it was worn by temple guards, and though the original was in a far away land, Scirvir knows enough about the temple of the Dragon God to tell you about the Dragon Bone Smasher despite not being from Boletaria. AND Scirvir has one final clue to drop, literally. In PBWT, his black phantom drops the Talisman of Beasts.
“An old wooden amulet featuring a symbolic depiction of the Old One. Can be used to cast both miracles and magic. What was considered a depiction of God was in fact an image of the Old One, portrayed as a force of feral chaos.”
I think this might be enough to conclude that Scirvir hails from Mird, that he has knowledge of the Dragon Bone Smasher because the temple in Mird was dedicated to the Old One mentioned in the Talisman of Beasts description, and that possibly multiple guards of that temple may have also been seeking a treasure of some kind in the swamps of Boletaria, since we find their remains in not just one but TWO swampy areas: the Sodden Ring in the marshes of 3-2, and the scavenged armor sold in 5-2. Patches is also shrewdly aware of this treasure, but besides directing the player to its most likely location in 5-2, he himself doesn’t know where it is, and possibly doesn’t know what the treasure even is. His hint only describes the belongings of two travelers who got lost on the swamp- wait hold up how does he have this level of specificity? You can find the Moonlight Sword owned by Vito and their armor in the swamp. Could these have been travelers that he also sent to the swamp before? What were they looking for?
The Ring of Uneven Scales and the Mirdian Scale Armor might also be dropping another clue: the armor is a “white metal armour with an inner layer of scale”, and the scales on the ring are literal scales for measurement. Is this a hint that the treasure can only be found by someone in a White World/Character Tendency?
Sure, this could exclusively apply to the Dragon Bone Smasher- but the remake only-item descriptions have me suspecting that another treasure in 5-2 might exist. There is one location in the Swamp of Sorrows that I strongly suspect might be hiding something, based on another remake-only item description, but I can’t tie it to this other item yet. I’m going to try to get PWWT on my next playthrough and test it out, but I really think there might be something there. We have confirmation of four items added to the remaster that haven’t been discovered yet, so if there are clues in the game, I think these items are the strongest contenders.
A few things I’m looking for: any possible illusory walls in the game but especially in 5-2, any npc interactions or item descriptions that apply for or against this working theory, fractured world discoveries, and just in general an opinion of how viable this idea is. I’m trying to play this out in the game right now but it is time consuming, so if you meet some of these conditions pls test this out, and if you do, ily <3

Preface

In FH2, due to the effects of the Termina festival, people undergo a slow process of losing their sanity, slowly turning into monsters that represent their worst aspects - self doubt, self loathing, and regrets - this includes monsters like Bobby, and even the 14 participants who have unique forms based on their own pasts, which I'll try to further explore below
By going near the The Hollow Tower and touching the doors, you can also forcibly moonscorch fellow participants through Rher's divine power. Staying outside too long will also catch Rher's attention and his divine influence forcibly transforms you, resulting in a game over

1 Karin (Valkyrie):

As a journalist, she feels deep guilt and tries to rationalize it. Her profession profits from wartime, which could make her feel like a vulture preying on the corpses of fallen soldiers. However, she also tries to look at her work as a way of honoring the fallen, similar to the role of a valkyrie.
As a result, her Moonscorched form is a fusion of both the vulture and the valkyrie, reflecting her conflicting feelings about her career and the fallen soldiers that she's immortalizing

2 Levi (Weeping Scope):

Levi had a sad abusive childhood. Right from the start, he had a violent drunken father who murdered his mother in a drunken stupor. Afterwards, he was sent to St. Domek's Orphanage. Needless to say, the corpses you find in the orphanage basement, torture chains and ritualistic blood circles kinda summarize what happened next. At the age of 13, he was conscripted and became a child soldier. He was talented to the point of having his own squadron of child soldiers, having been sent in a suicide mission. This resulted in bitterness, pain, a severe decline of his mental health, which ended with taking comfort in drugs (heroin).
The form of the Weeping Scope represents this traumatic past - the gun fused with his head embodies his child soldier past as an expendable faceless weapon of war; the constant cries are due to his crumbling sanity; and he's completely naked in a fetal position because at heart, the dude's just a very sad child who never had the chance to grow up

3 O'saa (Mastermind)

O'saa grew up in Abyssonia, having experienced chaos and bloodshed due to different beliefs. He pursued an education in the temple to escape his fate as a pawn in the war, but soon realized that religion was being used as a means to control the masses by the ones above, and that he was once again fated to act on someone else's whims. He found an ancient scroll and ended up learning about yellow mages - mages who harnessed the power of gods for their own gain, so he left to join them. During his time at the Yellow Mages, he went on an expedition to the Dungeons of Fear and Hunger, where he got to experience some of the paranormal dread that fills those cursed halls.
O'saa is at his core a greedy and ambitious person who wants to be in control, and due that very reason, has a great aversion to being a another person's plaything; this is a belief that influenced the course of his life several times. As a mage, he ironically has rhabdophobia (fear of magic), because he's afraid of being a mere puppet to some higher mystical being's power, hence his obsession over harnessing the gods' powers for himself. His monstrous form has his head covered by some kind of fungus and a floating eye - these represent both his great fear of being constantly watched and controlled by some higher being, just like cordyceps control ants to do their bidding

4 Abella (Chaugnar):

This one's a bit of a stretch. As a young woman going through war, she had to watch many of her close relatives and friends being shipped to their deaths on the battlefield. Feeling helpless is what drove her into electro-mechanics - it was the best way to help those around her. With the rising death numbers of close friends/family, she started increasing her workload and further overburdening herself, since it was the only way to contribute to her Homefront. Slowly she became a very hardened person - almost like a man of the house. On the other hand, she appears to be somewhat attractive as a woman, being quite sexualized throughout the game (e.g. remarks by Henryek) and Caligula even attempts to rape her.
Her form of an elephant (almost penis faced) hulking man-like thing embodies those oxymorons of her life - she's an attractive woman who must've faced quite a lot of harassment, but she also had a very troubling life, having become a true hardened man of the house for the sake of her closed ones and homefront

Closing thoughts for part 1

I really enjoyed trying to analyze some of these character's backgrounds and correlate them with their moonscorched transformations - at the end of the day though, a lot of it is subjective and I might be missing information. I would really like to hear your own thoughts and opinions on them, whether you agree/disagree and any possible corrections on my theories

This post expands on a comment I made in last week's scuffle thread about a multi-decade disagreement about what color the now-defunct Denver & Rio Grande Western Railroad (D&RGW) used to paint its steam locomotives and by extension, what color the 491, a now-restored locomotive operating at the Colorado Railroad Museum (CRM), should have been painted during her restoration. Tie a red bandanna around your neck, grab some popcorn, and sit back for a two-for-one hobby history and drama.
First, three short disclosures. One, I am associated with CRM, but I did not participate in the restoration of 491. Second, I have no preference what color 491 should be, I'm just glad she’s running. Third, 491 uses she/her pronouns. That’s not woke, it's historically accurate. Deal with it, you friggin’ lopsided, melting snowflake.
Before we get to the drama, let’s get a bit of context and background. The D&RGW railroad was founded in 1870 and eventually became a part of Union Pacific in the 1990s. D&RGW built and operated routes in the US states of Colorado, Utah, and New Mexico. For a long time, these tracks were among the very few ways to easily travel west of Denver and through the Rocky Mountains. Those corridors were, and still continue to be, foundational parts of the US rail network.
Over time, D&RGW became renowned around the world for operating in some of the most beautiful but technically difficult terrain in North America. The passenger trains themselves became destinations, and the mountainous routes fascinated historians, railroad photographers, and model railroaders. Seriously--just look at this train going up a mountain like a goat. In addition, the railroad was notable for operating an extensive network of "narrow gauge" tracks—the rails were 3' apart instead of the standard 4' 8.5". Without getting too far into the technical weeds, narrow gauge worked better than standard in mountainous terrain.
Another thing that made the D&RGW a darling among railroad enthusiasts is that while they got rid of the steam locomotives on its mainline tracks in late 1940s or early 50s, just like most other railroads did, they kept on chuggin' down the narrow gauge tracks until 1968. To put that in perspective, that's the year the White Album came out, and the year that Planet of the Apes and Night of the Living Dead were released. 1968 was the year before Woodstock and Apollo 11, and only 15 years before the Internet was invented.
1968, in other words, is incredibly recent. It is within the lifespan of some of you reading this post. It should be kept in mind that when we talk about the D&RGW and the 491’s service life, those things, while distant, have not yet faded into history. There are many still-living people who worked on this railroad, operated specific pieces of equipment, and saw it around their communities. There are far more people who had a father, grandfather, uncle, or other relative involved in this industry. We aren’t discussing events in the distant past, and the people who care about this aren’t just hyper-fixated arcane details of history. For many people, the presence of this railroad, and the continued preservation of its remnants, are intensely personal.
Before we move on, let's take a moment to get some additional context on how railroads used color on their equipment. Today, you might notice that most railroads have a set "livery" that they paint on their locomotives. (UP yellow, BNSF orange, CSX blue, ect.) Prior to about 1900, steam locomotives were just as colorful, and were often decorated with elaborate trimmings made of polished metal. This is actually where the idiom "all the bells and whistles" comes from. Most toys, clip art pictures, and children's television programs depict steam locomotives from this era.
However, after about 1900, the appearance of most steam locomotives became far more utilitarian. The Victorian maximalist style had fallen out of favor across the board, especially after the wars, and most railroads in the US accordingly preferred unembellished equipment. Now, their locomotives were most often painted black with minimal amounts of gray, white, or silver trimming.
By about 1900, railroads companies had also noodled out that keeping a brightly colored and decorated locomotive clean enough that it didn't reflect poorly on the company required a lot of labor. Remember, these machines— this is worth harping on both because it's going to be a plot point in a little bit and because modern readers might not fully grasp what “steam power” means—are ON FIRE AT ALL TIMES WHILE OPERATING. A very messy chain of events results from this intrinsic property:
1.Where there’s fire, there’s smoke.

1. Where there’s smoke and exhaust steam going out the same smokestack, there is the creation of a thick, jet-black sludge of train-dirt.
   
2. The smokestack belching train-dirt is attached to a locomotive that is usually moving forward, which means that cancerous inky puke blows back onto any and every part of the locomotive situated behind the smokestack.
   

If anything on the locomotive isn’t painted black, in other words, it will very quickly become black unless it is being cleaned almost daily. Since corporate penny-pinching is always historically accurate, most railroads did the math and realized it was better for their bottom line to paint things the same color as train-dirt than it was to pay people to clean up train-dirt.
There were some exceptions to this preference. Often, railroads painted passenger locomotives to distinguish them from freight locomotives or to fit into the paint scheme used for every piece of equipment on a specific train. Two good extant and operable examples of colorful locomotives are the Southern Pacific 4449 and the Norfolk & Western 611. Other railroads preferred colorful, but very dark shades of paint for at least some of their locomotives. One of those railroads just so happened to be the D&RGW: There's documented evidence that instead of using black, they painted some of their locomotive a shade of dark green. For the curious, it is approximately hex code 1E3D0E.
Speaking of D&RGW, let's jump back to the 1960s and introduce the specific steam locomotive at the center of this drama: D&RGW no. 491. For you nerds—you know who you are—she is a K-37 Class superheated, outside-frame, 2-8-2 Mikado. She and nine other K-37s were built in-house by the D&RGW in 1928. 491 was taken out of revenue service in 1963.
As an aside, it was actually really rare for railroads to build their own steam locomotives. D&RGW decided to do this because of an entirely different historical drama which, though at the time was complex enough to max out the character limits of gossipy telegrams, can with hindsight be briefly summarized as:
Baldwin Locomotive Works: "Fuck you, pay me."
D&RGW: "NO."
Luckily for the K-37s, by the time they were taken out of service, there had emerged a very dedicated coalition of people actively working to preserve steam power in general and Colorado’s unique railroad history specifically. They were resoundingly successful: All but 8 of the 10 K-37 locomotives, and numerous examples of many other classes, were saved. All tolled, there are about 15 former D&RGW steam locomotives in operable condition or being considered for restoration at the Durango & Silverton Narrow Gauge Railroad, the Cumbres & Toltec railroad, and the Colorado Railroad Museum. Additionally, most of the heritage railroads in Colorado operate on routes decommissioned by the D&RGW.
Two of the K-37s—the 491 and the 493—have been restored to operating condition. The 491 got her second lease on life at CRM in the early 2000s-2010s, and the Durango & Silverton returned the 493 to service in 2020.
While D&S made some purposeful modifications to 493 to render her more suited to 21st century operation, CRM set out with the goal of restoring 491 as close to historically accurate condition as possible. They were in fact contractually bound to do so, since the museum had applied and received significant funding from the Colorado State Historical Fund, and the terms of that grant required that any change made to the locomotive would have to be backed up by records or photographs preserved from her days in revenue service.
That should be easy, right? We just talked about those revenue days that were very recent, didn't we? Hit the independent brake and the automatic brake and throw on a handbrake just for good measure, because historical accuracy can be VERY tricky for railroad preservation.
Given that, the revenue service life of most pieces of equipment was, on average, about 40 years, many have been overhauled or significantly modified while in service. Others have been subjected to "Red Green this thing out of my shop and get it back on the mainline" types of repairs that, while technically accurate to the period, were not the typical or best practice and are inappropriate in a preservation setting.
There are, in other words, sometimes multiple and equally well documented versions of “historically accurate,” and it becomes a matter of opinion as to which one is best to recreate. Because of the very powerful personal connections to the equipment we discussed earlier, those opinions are often VERY passionate. It's at this point where we FINALLY where we get to the meat of this drama, because the restoration of the 491 put one specific question in the crossfires of that passion:
What color did the D&RGW paint the 491 and, more importantly, what color should CRM paint her?
Most people assumed that since the 491 showed up at the museum painted almost all black and silver, she would be painted the same way during her restoration. However, given that she had been in service for 35 years, it was possible that she had been repainted at least once or twice. In fact, for a long time, and I mean longer that the internet has even been around long, there has been a dogged faction of people who that believed the 491 operated at least some of her revenue service with her boiler jacket(a thin, metal sheet that holds insulation against the boiler and protects the boiler itself from the elements) painted dark green. As evidence, they pointed to old shop records, a few eyewitness testimonies, and cans of paint found in various facilities. This faction made it known that they wished the 491 to be painted green, and those who preferred black or thought black was better documented raised their objections.
It should have been easy to figure out which color was 'correct,' right? Didn’t you say there are records? There are, but the catch is that while those records amount to a pretty good body of evidence that the D&RGW used green paint at some point, on some of its locomotives, they don't provide a comprehensive record of exactly which locomotives were painted what color at what time. There’s nothing substantive that the 491 herself was painted green.
The next best bet, you'd think, would be to look at photographs. Unfortunately, this isn't reliable. Most of the revenue service photographs of the 491 and her sisters are in black and white, and it is difficult to conclusively determine which colors are being depicted, especially when they are very similar like black and the shade of green in question. Team Green indicated that some pictures render the boiler jacket in slightly lighter shades of gray, meaning it must be a different color, and Team Black counters that the difference might be due to shadows or that paint being more glossy than what was used on other components. Besides, they say, if 491 had been painted green, wouldn't more people REMEMBER her that way? Team Green has a hand answer for that, too: The K-37s simply spent most of their service lives too dirty for the green paint to be seen. That sounds like a stupid ass-pull of an answer, but until we cleaned her up a few weeks ago, I genuinely forgot that 491 was (spoiler alert) painted green.
For YEARS, this was such a hot debate that it probably could have raised 491 up to operating pressure. Some of the source threads I’ve linked to are from the early 2000s—note that many of them mention discussing this issue in the 80s and 90s—and this debate was brought up in pre-internet railfan publications and correspondences. It came to a head when, in the process of the restoration, staff at CRM found flecks of green paint while inspecting and cleaning 491 for restoration. The samples were collected, compared against known samples, and shown to people who were familiar with 491 and other D&RGW locomotives while in service. This exhaustive, almost forensic investigation proved that the 491 had, in fact, been painted green, so proponents of a black boiler jacket revised their position in the face of new evidence.
Just kidding of course.
While there was no question that CRM's restoration of 491 was very well done, there was, and is, a lot of grousing about whether those paint flecks were enough to prove that she was ever painted green. Some say that they were not present in great enough quantities to prove definitively that the paint came from the 491 or to determine exactly what parts of the locomotive had been painted that color.
Others point out that while the 491 and her sisters were built by the D&RGW, the railroad used boilers that had been assembled by Baldwin Locomotive Works earlier than 1928. Unless their customers requested otherwise, Baldwin painted the locomotives and parts it produced green as a default. The presence of the flakes, this opinion states, is only proof that the boiler was painted green at some point, not that it was painted green while it was part of 491.
The complicating factor is that Baldwin appears to have been very inconsistent with how they mixed up their “Baldwin Green:” Sometimes it was a very dark emerald. Other times, as with some paint on the tender 100% established to be Baldwin Green, it is an almost tan shade of olive green. Since we don’t have extant representations of all of those variations, the counterargument goes, we can’t definitively rule out that the boiler jacket samples came from Baldwin.
The most vehement of the anti-green coalition imagined a full-tilt, “Red Alert, folks, Andi in Kansas, you're on the air” level conspiracy about where the paint chips actually came from. They propose that they might have been, *ahem,* conveniently put there by someone who definitely wasn’t a D&RGW employee and who most certainly was not working on the 491 between 1928 and 1963. I don’t want to say much on this, because these folks just won’t be convinced, but that opinion is out there.
Who was convinced that the chips were good evidence, though, was the State Historical Fund, which approved changing the color of 491's boiler jacket to green. That’s how she is to this very day. There’s still some grousing that the she should have been painted black, and the broader debate about exactly which members of the D&RGW fleet was painted green is still a point of contention among narrow gauge railroad enthusiasts. I want to stress again that even though this drama might seem overwrought, most of it comes from a heartfelt dedication to preserving things “correctly,” and very personal reasons to prefer a certain version of “correct.”
I’m going to end this post, though, by saying this: It doesn't really matter what color the 491 actually is, because we also strive for historical accuracy in how often we wipe her down.
Finally, if you ever get a chance to visit the museums or heritage railroads mentioned here or others that weren't relevant, please by all means do so! There are many people working as hard as they can to keep this history alive, and we can always use your support and patronage.
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