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#We're cleaning things up for the next week or so - we'll reinvite everyone again. Don't worry!
2023.06.08 09:44 CommonRide8262 Finally got 25 cents in atlas earth
 | submitted by CommonRide8262 to AtlasEarthOfficial [link] [comments] |
2023.06.08 09:20 echodeck Annette (2021): Leos Carax and Sparks’ musical is meta as hell. It’s a movie about its own screenwriting process - the fate of the characters mirror the creative decisions of the filmmakers. It’s about the sacrifices required to make a true tragedy.
OK, so this takes some explaining, but hopefully it’s worth your time. Spoilers, obvs.
In 2021, Leos Carax released his debut English language movie, written by Ron and Russell Mael of Art-Pop legends Sparks and starring Adam Driver, Marion Cotillard and Simon Helberg. It received great acclaim, winning several awards, but also left many cold. It’s such an odd film, but there’s a fantastic explanation as to why it’s such a difficult movie.
There are two stories running in parallel. One is that of the comedian, the opera singer and their gifted child. The other is the story of how the filmmakers wrote this movie. It’s an allegory for its own creative process.
The character Annette is the movie Annette, and her three parents are different elements of the screenwriters’ creativity. Henry McHenry, played by Adam Driver, is Sparks’ humour and pop sensibility. The accompanist, played by Simon Helberg, is their musical talent. Ann Defrasnoux, played by Marion Cotillard, is their genius.
These characters’ fates determine what kind of movie this will be, and it doesn’t end well for any of them.
I’ve made a video that lays out the evidence for this - https://youtu.be/36ExvkMIipU. Part 2 is coming soon.
For those that don’t know, Sparks have made funny and catchy pop music for almost 50 years, influencing artists as wide ranging as Bjork, Beck, Sex Pistols, Erasure and Red Hot Chilli Peppers, making great music to this day yet somehow have remained obscure.
Leos Carax said this about this about his collaboration with Sparks: “We had 80 songs and only kept 42. There were many versions of every song, depending on where the story was going.”
So during the 8 years of development, pieces were added, removed and altered, and this concept is embedded into the movie itself. If you look at the quotations, additional music and archival movie footage used throughout, something interesting connects it: there’s an uncanny number of references to creative works that were changed into something different, moving it beyond from the artist’s initial vision. Just like ‘Annette’.
*‘The Crowd’ by King Vidor This movie from 1928 is used during a montage of Ann’s performances. Its original release was delayed because the movie studio was displeased at the lack of a happy ending. At their insistence, seven alternative happy endings were filmed.
‘Till the clouds roll by’ While Henry is babysitting, the TV shows a musical number from this 1946 Judy Garland movie. The song, ’D’ye love me’, was filmed by a different director (her husband Vincente Minnelli) but then cut from the final movie.
‘Oceans’ Footage is used from this French nature documentary which was distributed by Disney Pictures. The final cut had 20 minutes of violent footage removed to make it palatable to a young audience.
‘Rogue one’ We see this playing at a cinema while Henry rides past on his motorcycle. The Star Wars spin-off had extensive reshoots with new scenes, including a new soundtrack and ending.
‘Snow White and the Seven Dwarfs’ There are several visual parallels between ‘Annette‘ and the first feature-length Disney movie. It was originally conceived as a comedy piece, with a continuous run of jokes from the dwarfs. In later drafts, scenes were removed in order to focus more on Snow White and the Evil Queen, and less on the comic relief.
‘The Night of the Hunter’ The shot of Ann’s body falling to the depths of the ocean calls back to this 1955 American Thriller. The screenplay was by James Agee, based on his own book, but director Charles Laughton rewrote most of the script without credit. This was partly because the story features an evil preacher, highly controversial at the time, so the changes were made so that he would appear unordained.
‘Bluebeards Castle’ This opera was completed in 1911, but not taken seriously because of its single act structure. It was modified in 1912 and a new ending added in 1917.
‘National Brotherhood Week’ by Tom Lehrer This is the song that goes “and the Catholics hate the Muslims, and the Muslims hate the Catholics”. The musical satirist would often update the jokes in his songs at live performances.
‘Symphony No. 2’ by Gustav Mahler This was composed reusing elements of the composer‘s first symphony,
‘Otello’ by Verdi This was written between 1879 and 1887. Many drafts exist between the libretto first being written and its completion, with notes and letter published showing the evolution of the work as the music demanded changes to the text and vice versa.
‘Carmen’ by Bizet This was altered several times during the rehearsal for the first performance. As such, the vocal score from March 1875 shows significant changes from the version of the score sold to the publishers, which is in turn different to the orchestral score. Nobody knows which version was originally performed.
‘Madam Butterfly’ by Puccini First completed in 1904, this was withdrawn after a disastrous premiere. In total Puccini wrote five versions of this opera.
‘Norma’ by Bellini When composing this opera, Bellini wanted it to be performed by star soprano Giuditta Pasta. To entice her, he offered to retouch or even change the character completely to suit her.
‘Symphony No. 4’ by Brahms The debut performance was a scaled-down preview played on two pianos to a small audience of friends. Despite going on to be a classic, it was panned by the audience, with critic Eduard Hanslick describing it as “being given a beating by two incredibly intelligent people”.
‘La traviata’ by Verdi This opera was envisioned in a contemporary setting, but the authorities insisted it be set in the past.
‘Mother Courage and her Children’ by Bertold Bretch This 1941 play includes the quotation “War is like love, it always finds a way”, which likely serves as inspiration for ‘True love always finds a way’. For it’s second production in 1949, Brecht revised the play to make Mother Courage less sympathetic, because despite rave reviews, he felt that critics misunderstood the piece.*
These works aren’t necessarily being evoked because of their stories or themes, but because of how they were changed. Leos Carax and Sparks are showing us that the movie we’re watching is inextricably tied to the method used in creating it. In other words, it’s not just an incidental bit of trivia that ‘Annette’ had several drafts, it’s core to the understanding of the movie.
With the release of the Unlimited Edition of the soundtrack album, Sparks gave some insight into a previous draft, and it helps us to better understand the final movie. It includes a handful of demos and unused songs which show a very different trajectory for Henry McHenry. Instead of destroying his career by offending his audience, he’s instead met with indifference because falling in love and having a child has taken away his edge as a performer. We therefore know that Henry’s comedy routines were rewritten, and this fact can be used to explain a lot.
The title of Henry’s show is The Ape of God. This is a term for Satan that originated from the Middle Ages, meaning that he impersonates (or apes) godly things to make people do evil. Encyclopaedia Britannica describes it as “an evil who attempts to imitate God through spurious, malicious creations that he interpolates for the divine creations”. The word “interpolate” means “to insert something (of a different nature) into something else”, which is what the screenwriters are doing by reworking these scenes. The Henry McHenry that we see isn’t the character as originally envisioned - he’s a rewrite, and this explains the uncomfortable anti-comedy of his routines.
One of Sparks’ defining characteristics is humour, with a distinctive style of wit that’s been a constant presence in their music throughout the decades. Their songs feature colourful characters and clever pop-culture references, but with ‘Annette’ they go in the opposite direction, filling it with sadness at every turn. If you look back through Sparks’ catalogue of songs, finding something without an element of joy or humour is rare. They’re a “fun” band, but that element of fun is mostly missing in ‘Annette’ - this is fundamentally different to the Sparks we’ve seen before.
This was explained by Leos Carax when asked how the movie was reshaped from Sparks’ original screenplay.
“The only changes I made were with the writing. It was only a storyline without characters. The brothers live in this Sparks bubble, which is pop fantasy. There was a lot of irony. Irony in a cinema is a danger, I think. It has a tendency to make everything less crucial, less real. It’s a bit too easy for cinema, especially today. I had to make that irony into something else. We had to really create Henry as a character.”
Here’s the theory: Ron and Russell wrote a comedy that was true to Sparks, then employed Leos Carax to impose restrictions on the rewriting process. These were the changes necessary for the band to achieve their dream of making a true art house tragedy.
I still have lots more to share on this, but in the meantime I’d love your thoughts.
submitted by echodeck to criterion [link] [comments]
In 2021, Leos Carax released his debut English language movie, written by Ron and Russell Mael of Art-Pop legends Sparks and starring Adam Driver, Marion Cotillard and Simon Helberg. It received great acclaim, winning several awards, but also left many cold. It’s such an odd film, but there’s a fantastic explanation as to why it’s such a difficult movie.
There are two stories running in parallel. One is that of the comedian, the opera singer and their gifted child. The other is the story of how the filmmakers wrote this movie. It’s an allegory for its own creative process.
The character Annette is the movie Annette, and her three parents are different elements of the screenwriters’ creativity. Henry McHenry, played by Adam Driver, is Sparks’ humour and pop sensibility. The accompanist, played by Simon Helberg, is their musical talent. Ann Defrasnoux, played by Marion Cotillard, is their genius.
These characters’ fates determine what kind of movie this will be, and it doesn’t end well for any of them.
I’ve made a video that lays out the evidence for this - https://youtu.be/36ExvkMIipU. Part 2 is coming soon.
For those that don’t know, Sparks have made funny and catchy pop music for almost 50 years, influencing artists as wide ranging as Bjork, Beck, Sex Pistols, Erasure and Red Hot Chilli Peppers, making great music to this day yet somehow have remained obscure.
Leos Carax said this about this about his collaboration with Sparks: “We had 80 songs and only kept 42. There were many versions of every song, depending on where the story was going.”
So during the 8 years of development, pieces were added, removed and altered, and this concept is embedded into the movie itself. If you look at the quotations, additional music and archival movie footage used throughout, something interesting connects it: there’s an uncanny number of references to creative works that were changed into something different, moving it beyond from the artist’s initial vision. Just like ‘Annette’.
*‘The Crowd’ by King Vidor This movie from 1928 is used during a montage of Ann’s performances. Its original release was delayed because the movie studio was displeased at the lack of a happy ending. At their insistence, seven alternative happy endings were filmed.
‘Till the clouds roll by’ While Henry is babysitting, the TV shows a musical number from this 1946 Judy Garland movie. The song, ’D’ye love me’, was filmed by a different director (her husband Vincente Minnelli) but then cut from the final movie.
‘Oceans’ Footage is used from this French nature documentary which was distributed by Disney Pictures. The final cut had 20 minutes of violent footage removed to make it palatable to a young audience.
‘Rogue one’ We see this playing at a cinema while Henry rides past on his motorcycle. The Star Wars spin-off had extensive reshoots with new scenes, including a new soundtrack and ending.
‘Snow White and the Seven Dwarfs’ There are several visual parallels between ‘Annette‘ and the first feature-length Disney movie. It was originally conceived as a comedy piece, with a continuous run of jokes from the dwarfs. In later drafts, scenes were removed in order to focus more on Snow White and the Evil Queen, and less on the comic relief.
‘The Night of the Hunter’ The shot of Ann’s body falling to the depths of the ocean calls back to this 1955 American Thriller. The screenplay was by James Agee, based on his own book, but director Charles Laughton rewrote most of the script without credit. This was partly because the story features an evil preacher, highly controversial at the time, so the changes were made so that he would appear unordained.
‘Bluebeards Castle’ This opera was completed in 1911, but not taken seriously because of its single act structure. It was modified in 1912 and a new ending added in 1917.
‘National Brotherhood Week’ by Tom Lehrer This is the song that goes “and the Catholics hate the Muslims, and the Muslims hate the Catholics”. The musical satirist would often update the jokes in his songs at live performances.
‘Symphony No. 2’ by Gustav Mahler This was composed reusing elements of the composer‘s first symphony,
‘Otello’ by Verdi This was written between 1879 and 1887. Many drafts exist between the libretto first being written and its completion, with notes and letter published showing the evolution of the work as the music demanded changes to the text and vice versa.
‘Carmen’ by Bizet This was altered several times during the rehearsal for the first performance. As such, the vocal score from March 1875 shows significant changes from the version of the score sold to the publishers, which is in turn different to the orchestral score. Nobody knows which version was originally performed.
‘Madam Butterfly’ by Puccini First completed in 1904, this was withdrawn after a disastrous premiere. In total Puccini wrote five versions of this opera.
‘Norma’ by Bellini When composing this opera, Bellini wanted it to be performed by star soprano Giuditta Pasta. To entice her, he offered to retouch or even change the character completely to suit her.
‘Symphony No. 4’ by Brahms The debut performance was a scaled-down preview played on two pianos to a small audience of friends. Despite going on to be a classic, it was panned by the audience, with critic Eduard Hanslick describing it as “being given a beating by two incredibly intelligent people”.
‘La traviata’ by Verdi This opera was envisioned in a contemporary setting, but the authorities insisted it be set in the past.
‘Mother Courage and her Children’ by Bertold Bretch This 1941 play includes the quotation “War is like love, it always finds a way”, which likely serves as inspiration for ‘True love always finds a way’. For it’s second production in 1949, Brecht revised the play to make Mother Courage less sympathetic, because despite rave reviews, he felt that critics misunderstood the piece.*
These works aren’t necessarily being evoked because of their stories or themes, but because of how they were changed. Leos Carax and Sparks are showing us that the movie we’re watching is inextricably tied to the method used in creating it. In other words, it’s not just an incidental bit of trivia that ‘Annette’ had several drafts, it’s core to the understanding of the movie.
With the release of the Unlimited Edition of the soundtrack album, Sparks gave some insight into a previous draft, and it helps us to better understand the final movie. It includes a handful of demos and unused songs which show a very different trajectory for Henry McHenry. Instead of destroying his career by offending his audience, he’s instead met with indifference because falling in love and having a child has taken away his edge as a performer. We therefore know that Henry’s comedy routines were rewritten, and this fact can be used to explain a lot.
The title of Henry’s show is The Ape of God. This is a term for Satan that originated from the Middle Ages, meaning that he impersonates (or apes) godly things to make people do evil. Encyclopaedia Britannica describes it as “an evil who attempts to imitate God through spurious, malicious creations that he interpolates for the divine creations”. The word “interpolate” means “to insert something (of a different nature) into something else”, which is what the screenwriters are doing by reworking these scenes. The Henry McHenry that we see isn’t the character as originally envisioned - he’s a rewrite, and this explains the uncomfortable anti-comedy of his routines.
One of Sparks’ defining characteristics is humour, with a distinctive style of wit that’s been a constant presence in their music throughout the decades. Their songs feature colourful characters and clever pop-culture references, but with ‘Annette’ they go in the opposite direction, filling it with sadness at every turn. If you look back through Sparks’ catalogue of songs, finding something without an element of joy or humour is rare. They’re a “fun” band, but that element of fun is mostly missing in ‘Annette’ - this is fundamentally different to the Sparks we’ve seen before.
This was explained by Leos Carax when asked how the movie was reshaped from Sparks’ original screenplay.
“The only changes I made were with the writing. It was only a storyline without characters. The brothers live in this Sparks bubble, which is pop fantasy. There was a lot of irony. Irony in a cinema is a danger, I think. It has a tendency to make everything less crucial, less real. It’s a bit too easy for cinema, especially today. I had to make that irony into something else. We had to really create Henry as a character.”
Here’s the theory: Ron and Russell wrote a comedy that was true to Sparks, then employed Leos Carax to impose restrictions on the rewriting process. These were the changes necessary for the band to achieve their dream of making a true art house tragedy.
I still have lots more to share on this, but in the meantime I’d love your thoughts.
2023.06.08 08:28 Intelligent_Living23 is it OK for me (35f) to date one of my ex's good friends (37m) almost 10yrs after our breakup?
I (35f) recently started chatting again with an old friend (37m, let's call him Sir) after moving back to NY. He was really good friends with my ex (36m, let's call him Messy) and they do still hang out occasionally, but they had a small falling out about a year ago.
For some context, my ex is currently married, but we had a very messy relationship and the break up was pretty shitty. We started dating the summer before I turned 20, and broke up a month after I turned 26. There was a lot of lying, manipulation, and cheating on his end, and after 6 years I got an out and zoomed the eff outta there.
So...About 2 years into my relationship with Messy I met Sir, and I immediately clicked. We had a lot of the same interests, our personalities meshed well, and our banter was A++. I think Messey was jealous, who knows, but he was most definitely controlling. He quickly started spreading rumors about Sir within our friend groups, unbeknownst to me. He told some that Sir was trying to sleep with me, others were told that Sir sent me nudes, and a few people got the rumor that Sir and I were sleeeping with each other. I just found out about these rumors 2 months ago and apparently Sir was bullied on FB and IG. And everyone knew about all of this madness except for me,p so...yeah. For clarity, the most Sir and I ever did was hug when we saw each other, but because of these rumors Sir began distancing himself to the point he would sit on the opposite end of the room from me.
Another thing about Messy is he would talk to me about which of my friends he'd sleep with, why, and what positions he'd do. Idk why, but that's something he seriously enjoyed talking about almost the entirety of the relationship. In response, I only mentioned that if we weren't dating I would like to date (not sleep with) Sir. Mind you, this would've been about 1 1/2 years after Messey had been telling me his fantasies about my friends.
Fast forward to the break up...about a week later I asked Sir out to Taco Bell for a little chat. He didn't talk much in the store, but once we got in the car he explained why we couldn't date. It boiled down to his loyalty to Messy and his friendship with him. Even tho he knew how Messy treated me, he still chose his long time friendship and cut me off.
He tried to, at least. I said some reckless shit (basically that I was gonna go sleep with a bunch of guys cause I'm single af), and Sir actually called me the next day to make sure I was OK. I essentially yelled at him, angry, telling him that we weren't friends and there was no reason to call me anymore. I hung up, cried, and that was the last time we spoke.
I thought about him on and off throughout the past almost 10 years. Most of time I'd be upset about losing a potential life partner and also an amazing friend all because of the timing. And of course I also blame my ex for basically cockblocking (love-blocking?) our connection.
Now to present day...I have been reconnecting with Sir for the past 2 months or so. We talk practically everyday, and text several times a day. We click, we're on the same page with almost everything, werr in sync with each other's emotions and banter, we just...fit. It's a much better and more mature feeling than in our 20s, and we are free to explore as single adults.
We have danced around the topic of dating these past 2 weeks, and he's driving me crazy with not clarifying his intent. Although I'm also to blame as I go with the flow a lot, and I also trust his judgment. I just need him to define the relationship lol.
My dilemma comes down to me possibly putting him in a tight spot yet again. On the one hand I feel like Sir is perfect for me and I for him, and this would be an amazing opportunity to explore this connection as adults. My close friends and family all think we should get together already because "we clearly are in love with each other." On the other hand, Sir is still in contact with Messy and I do not want to be in the same vicinity as that manipulative asshole, and I may need to be present at certain events.
How can I make a relationship with Sir work this time around?
submitted by Intelligent_Living23 to relationship_advice [link] [comments]
For some context, my ex is currently married, but we had a very messy relationship and the break up was pretty shitty. We started dating the summer before I turned 20, and broke up a month after I turned 26. There was a lot of lying, manipulation, and cheating on his end, and after 6 years I got an out and zoomed the eff outta there.
So...About 2 years into my relationship with Messy I met Sir, and I immediately clicked. We had a lot of the same interests, our personalities meshed well, and our banter was A++. I think Messey was jealous, who knows, but he was most definitely controlling. He quickly started spreading rumors about Sir within our friend groups, unbeknownst to me. He told some that Sir was trying to sleep with me, others were told that Sir sent me nudes, and a few people got the rumor that Sir and I were sleeeping with each other. I just found out about these rumors 2 months ago and apparently Sir was bullied on FB and IG. And everyone knew about all of this madness except for me,p so...yeah. For clarity, the most Sir and I ever did was hug when we saw each other, but because of these rumors Sir began distancing himself to the point he would sit on the opposite end of the room from me.
Another thing about Messy is he would talk to me about which of my friends he'd sleep with, why, and what positions he'd do. Idk why, but that's something he seriously enjoyed talking about almost the entirety of the relationship. In response, I only mentioned that if we weren't dating I would like to date (not sleep with) Sir. Mind you, this would've been about 1 1/2 years after Messey had been telling me his fantasies about my friends.
Fast forward to the break up...about a week later I asked Sir out to Taco Bell for a little chat. He didn't talk much in the store, but once we got in the car he explained why we couldn't date. It boiled down to his loyalty to Messy and his friendship with him. Even tho he knew how Messy treated me, he still chose his long time friendship and cut me off.
He tried to, at least. I said some reckless shit (basically that I was gonna go sleep with a bunch of guys cause I'm single af), and Sir actually called me the next day to make sure I was OK. I essentially yelled at him, angry, telling him that we weren't friends and there was no reason to call me anymore. I hung up, cried, and that was the last time we spoke.
I thought about him on and off throughout the past almost 10 years. Most of time I'd be upset about losing a potential life partner and also an amazing friend all because of the timing. And of course I also blame my ex for basically cockblocking (love-blocking?) our connection.
Now to present day...I have been reconnecting with Sir for the past 2 months or so. We talk practically everyday, and text several times a day. We click, we're on the same page with almost everything, werr in sync with each other's emotions and banter, we just...fit. It's a much better and more mature feeling than in our 20s, and we are free to explore as single adults.
We have danced around the topic of dating these past 2 weeks, and he's driving me crazy with not clarifying his intent. Although I'm also to blame as I go with the flow a lot, and I also trust his judgment. I just need him to define the relationship lol.
My dilemma comes down to me possibly putting him in a tight spot yet again. On the one hand I feel like Sir is perfect for me and I for him, and this would be an amazing opportunity to explore this connection as adults. My close friends and family all think we should get together already because "we clearly are in love with each other." On the other hand, Sir is still in contact with Messy and I do not want to be in the same vicinity as that manipulative asshole, and I may need to be present at certain events.
How can I make a relationship with Sir work this time around?
2023.06.08 08:25 Ok_Performance_3697 How worried should we be of the air quality this year? 😬
 | With all the news from NYC’s air because of the Canadian Wildfires today, it had me worried about the dust in combination with the smog. It looks like it’s all headed south so Im hoping it can clear up in a week :( not look so great rn. submitted by Ok_Performance_3697 to bonnaroo [link] [comments] On a positive and ambitious side note: What do we think the probabilities would be for J Cole to pop out for Stick with JID 😂 I feel like it isnt out of the realm of possibility |
2023.06.08 08:12 _Triple_ [STORE] 900+ KNIVES/GLOVES/SKINS, 50.000$+ INVENTORY. M9 Fade, M4 Poseidon, BFK Freehand, Crimson Kimono, Nomad Fade, Skeleton, Kara Lore, Bayo Autotronic, AWP Fade, Kara Damas, BFK Ultra, Kara Freehand, Kara Bright, M9 Damas, Omega, Tiger Strike, Flip MF, Bayo Tiger, Deagle Blaze, Talon & More
Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory
Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.
All Buyouts are listed in cash value.
KNIVES
★ Butterfly Knife Freehand FN #1, B/O: $2500
★ Butterfly Knife Ultraviolet FT, B/O: $822
★ Butterfly Knife Scorched FT, B/O: $616
⎯★ Bayonet Tiger Tooth MW #1, B/O: $1300
★ Bayonet Autotronic FN, B/O: $1050
★ Bayonet Tiger Tooth MW, B/O: $629
★ Bayonet Bright Water FT, B/O: $326
★ Bayonet Safari Mesh BS, B/O: $233
⎯★ Karambit Lore FT, B/O: $1110
★ Karambit Damascus Steel FT, B/O: $840
★ Karambit Freehand MW, B/O: $784
★ Karambit Bright Water MW, B/O: $759
⎯★ M9 Bayonet Fade FN, B/O: $1801
★ M9 Bayonet Fade FN, B/O: $1801
★ M9 Bayonet Damascus Steel FN, B/O: $751
⎯★ Nomad Knife Fade FN, B/O: $1156
★ Nomad Knife Slaughter MW, B/O: $544
★ Nomad Knife Blue Steel WW, B/O: $318
⎯★ Flip Knife Marble Fade FN, B/O: $646
★ Flip Knife Doppler (Phase 4) FN, B/O: $574
★ Flip Knife Gamma Doppler (Phase 1) MW, B/O: $552
★ Flip Knife Case Hardened FT, B/O: $257
★ Flip Knife Freehand FT, B/O: $255
★ StatTrak™ Flip Knife Bright Water FN, B/O: $287
⎯★ Huntsman Knife Lore FN, B/O: $461
★ Huntsman Knife Gamma Doppler (Phase 4) FN, B/O: $436
★ Huntsman Knife Doppler (Phase 3) FN, B/O: $353
★ Huntsman Knife Autotronic FT, B/O: $212
★ Huntsman Knife Bright Water FT, B/O: $129
★ Huntsman Knife Forest DDPAT MW, B/O: $129
★ Huntsman Knife Forest DDPAT BS, B/O: $123
★ StatTrak™ Huntsman Knife Rust Coat BS, B/O: $127
⎯★ Bowie Knife Gamma Doppler (Phase 2) FN, B/O: $375
★ Bowie Knife Gamma Doppler (Phase 1) FN, B/O: $363
★ Bowie Knife Tiger Tooth FN, B/O: $269
★ Bowie Knife Crimson Web WW, B/O: $192
★ Bowie Knife Bright Water FN, B/O: $159
★ Bowie Knife Ultraviolet FT, B/O: $126
⎯★ Stiletto Knife Slaughter FN, B/O: $616
★ Stiletto Knife Crimson Web FT, B/O: $412
★ StatTrak™ Stiletto Knife Night Stripe FT, B/O: $227
⎯★ Falchion Knife Lore FT, B/O: $214
★ Falchion Knife Autotronic FT, B/O: $192
★ Falchion Knife Scorched WW, B/O: $105
⎯★ Survival Knife Crimson Web BS, B/O: $216
★ Survival Knife Case Hardened FT, B/O: $198
★ Survival Knife Scorched FT, B/O: $111
⎯★ Shadow Daggers Fade FN, B/O: $368
★ Shadow Daggers Doppler (Phase 3) FN, B/O: $228
★ Shadow Daggers, B/O: $201
★ Shadow Daggers Damascus Steel FT, B/O: $108
★ Shadow Daggers Ultraviolet FT, B/O: $105
★ Shadow Daggers Black Laminate FT, B/O: $99
★ Shadow Daggers Forest DDPAT FT, B/O: $85
⎯★ Gut Knife Doppler (Sapphire) MW #1, B/O: $1700
★ Gut Knife Gamma Doppler (Phase 1) FN, B/O: $223
★ Gut Knife Marble Fade FN, B/O: $203
★ Gut Knife Doppler (Phase 2) FN, B/O: $191
★ Gut Knife Case Hardened BS, B/O: $127
⎯★ Navaja Knife Doppler (Phase 4) FN, B/O: $199
★ Navaja Knife Doppler (Phase 4) FN, B/O: $199
★ Navaja Knife, B/O: $138
★ Navaja Knife Damascus Steel FN, B/O: $111
⎯★ Classic Knife Urban Masked FT, B/O: $146
★ StatTrak™ Classic Knife Stained BS, B/O: $168
⎯★ Ursus Knife Doppler (Phase 3) FN, B/O: $476
★ Ursus Knife, B/O: $375
⎯★ Skeleton Knife, B/O: $1137
★ Talon Knife, B/O: $608
★ Paracord Knife, B/O: $305
★ Survival Knife Forest DDPAT FT, B/O: $97
GLOVES
★ Moto Gloves Transport MW, B/O: $204
★ Moto Gloves Polygon BS, B/O: $142
★ Moto Gloves Blood Pressure BS, B/O: $84
★ Moto Gloves Blood Pressure BS, B/O: $84
★ Moto Gloves 3rd Commando Company BS, B/O: $63
★ Moto Gloves 3rd Commando Company BS, B/O: $63
⎯★ Specialist Gloves Crimson Kimono WW, B/O: $1215
★ Specialist Gloves Tiger Strike FT, B/O: $672
★ Specialist Gloves Lt. Commander FT, B/O: $305
★ Specialist Gloves Lt. Commander BS, B/O: $140
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AK-47 Fuel Injector BS, B/O: $76
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AK-47 Bloodsport FT, B/O: $70
AK-47 Neon Rider MW, B/O: $60
StatTrak™ AK-47 Aquamarine Revenge FT, B/O: $72
⎯AWP Fade FN, B/O: $1039
AWP Asiimov FT, B/O: $139
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2023.06.08 07:34 MrSmellysmell [Poem] unappreciative by Rupi Kaur
submitted by MrSmellysmell to Poetry [link] [comments]
2023.06.08 07:16 wsppan Today In Phishstory - June 8th
# Today In Phishstory - June 8th Brought to you by tiph-bot. Beep.
All data extracted via The Phishnet API.
Phish, Friday 06/08/2012 (11 years ago) DCU Center, Worcester, MA, USA
Gap Chart, Tour: 2012 Early Summer Tour
Set 1 : Free , Kill Devil Falls , Roses Are Free > Theme From the Bottom > Axilla > Julius , Bouncing Around the Room , Maze , Bathtub Gin
Set 2 : Down with Disease 1 > Sand -> Nellie Kane , Mike's Song > Makisupa Policeman 2 > Weekapaug Groove , Wading in the Velvet Sea , Also Sprach Zarathustra , Character Zero
Encore : The Oh Kee Pa Ceremony > Suzy Greenberg
1 Unfinished. 2 Keyword was "Sour Diesel."
Jamchart Notes:
Roses Are Free - A very nice melodic jam that turns dark develops as "Roses" proper is winding down.
Julius - Proving again that less is more (at least for "Julius"), Trey's nimble, amped-down playing provides interesting texture, and creates better suspension awaiting the inevitable re-build.
Bathtub Gin - In a bit of a nod to the old, pre-August '93 days, the jam begins with decelerating tempo and downward sloping melodies. At 7:30, the jam shifts into the more familiar, uptempo "modern" "Gin" jam. Cool version. Check out 11/16/91 if you doubt.
Also Sprach Zarathustra - Stellar 3.0 version. Trey's delicate soloing is inspired and fresh and Page fills in all the right gaps. Simply gorgeous.
Show Notes:
Mike teased Sundown in Bathtub Gin. Down with Disease was unfinished. Makisupa's keyword was "Sour Diesel." 2001 contained Sand teases from Fish and Get Up (I Feel Like Being a) Sex Machine and Mike's Song teases from Trey.
Listen now at Phish.in!
Phish, Wednesday 06/08/2011 (12 years ago) Darien Lake, Darien Center, NY, USA
Gap Chart, Tour: 2011 Early Summer Tour
Set 1 : Nellie Kane , Mellow Mood , Buffalo Bill , Kill Devil Falls , Wolfman's Brother , Rift , Undermind , Ride Captain Ride , It's Ice > Dog Faced Boy , Brian and Robert > 46 Days , Limb By Limb , Character Zero
Set 2 : Golden Age > Mike's Song > Fast Enough for You > Weekapaug Groove , What's the Use? > Theme From the Bottom > Backwards Down the Number Line > Also Sprach Zarathustra > Harry Hood
Encore : Good Times Bad Times
Jamchart Notes:
Weekapaug Groove - "Golden Age" teases are followed by a nice funky breakdown jam with great Page and Mike. At the end, Trey sustains a note which carries into "What's The Use."
Also Sprach Zarathustra - "Golden Age," "Happy Birthday," and "WTU?" teases worked in perfectly, along with a serious syncopated throwdown, make this one a must hear. Play this to impress others.
Harry Hood - A very solid jam, building from start to end, and thus in good company with 5/6/90, 11/30/95, 2/18/97, 8/8/98, and 11/27/09.
Show Notes:
Weekapaug contained Golden Age teases. Also Sprach Zarathustra contained Golden Age, Happy Birthday and What's the Use? teases. In the soundcheck (which was played on Kevin Shapiro's From the Archives #15(b) show on 7/1/11 from SBIX ), Funky Bitch contained alternate lyrics, Dream On contained a brief Stairway to Heaven tease and "Old Zealand" alternate lyrics, and The Pendulum had Two Princes quotes.
Listen now at Phish.in!
Phish, Thursday 06/08/1995 (28 years ago) The Delta Center, Salt Lake City, UT, USA
Gap Chart, Tour: 1995 Summer Tour
Set 1 : Don't You Want To Go? , Ha Ha Ha > Runaway Jim > Guelah Papyrus , Mound , Fast Enough for You , Reba 1 , Prince Caspian 2 , Chalk Dust Torture
Set 2 : Simple > Rift > Free > Bouncing Around the Room > Tweezer -> Lifeboy > Poor Heart > Julius
Encore : Good Times Bad Times
1 No whistling. 2 Debut.
Jamchart Notes:
Runaway Jim - After some "Third Stone From The Sun" (Hendrix) teases from Trey, this one gets out beyond the norm.
Prince Caspian - Debut includes a short instrumental bridge. The ending jam section and closing chords were added in 1996.
Tweezer - Another wacky "type II" version that is worth hearing if you're an aficionado of Phish improv.
Show Notes:
Runaway Jim contained Third Stone from the Sun teases. Reba did not have the whistling ending. This show marked the debut of Prince Caspian. Page teased The Sabre Dance in Tweezer. This gig was originally scheduled for the outdoor Wolf Mountain Amphitheatre in Park City; due to a late spring snowstorm, the day before the show took place it was moved to the indoor Delta Center.
Listen now at Phish.in!
Phish, Friday 06/08/1990 (33 years ago) 23 East Cabaret, Ardmore, PA, USA
Gap Chart, Tour: 1990 Tour
Set 1 : Foam > Bouncing Around the Room > You Enjoy Myself > Divided Sky , Uncle Pen , The Oh Kee Pa Ceremony > Suzy Greenberg > Run Like an Antelope
Set 2 : Possum , My Sweet One > Bathtub Gin > Tweezer , I Didn't Know 1 , Mike's Song > I Am Hydrogen > Weekapaug Groove
1 Fish on trombone.
Show Notes:
I Didn't Know featured Fish on trombone.
Listen now at Phish.in!
Phish, 1989-06-08 The Quad, Hobart College, Geneva, NY, USA
Setlist: https://phish.net/setlists/phish-june-08-1989-the-quad-hobart-college-geneva-ny-usa.html
Tour: 1989 Tour
Show Notes: Phish played an outdoor party, complete with a beer moat. One fan in attendance recalls hearing Peaches en Regalia, as well as a Zeppelin cover (possibly Good Times Bad Times).
Trey Anastasio Band, 2003-06-08 Memorial Auditorium, Burlington, VT, USA
Setlist: https://phish.net/setlists/trey-anastasio-june-08-2003-memorial-auditorium-burlington-vt-usa.html
Tour: TAB - The Dectet Summer 2003 Tour
Show Notes: This was a headlining performance of the Burlington Discover Jazz Festival. The Unknown Blues Band opened, with special guest Joey Sommerville.
Trey Anastasio Band, 2002-06-08 Deer Creek, Noblesville, IN, USA
Setlist: https://phish.net/setlists/trey-anastasio-june-08-2002-deer-creek-music-center-noblesville-in-usa.html
Tour: TAB - The Dectet Summer 2002 Tour
Show Notes:
Vermont Jazz All-Stars, 1999-06-08 Higher Ground, Winooski, VT, USA
Setlist: https://phish.net/setlists/trey-anastasio-june-08-1999-higher-ground-winooski-vt-usa.html
Tour: Not Part of a Tour
Show Notes:
Jazz Mandolin Project, 2004-06-08 The Fox Theatre, Boulder, CO, USA
Setlist: https://phish.net/setlists/jon-fishman-june-08-2004-the-fox-theatre-boulder-co-usa.html
Tour: Fish - Jazz Mandolin Project Summer 2004 Tour
Show Notes:
Page McConnell, 2007-06-08 The Orange Peel, Asheville, NC, USA
Setlist: https://phish.net/setlists/page-mcconnell-june-08-2007-the-orange-peel-asheville-nc-usa.html
Tour: Page McConnell Spring & Summer 2007 Tour
Show Notes: After "Maid Marian," Page gave a shout out to the people at the Moog Factory and then followed up with a short demonstration of his Moog.
Anastasio, Gordon & Masefield, 1993-06-08 WVPS Studios, Burlington, VT, USA
Setlist: https://phish.net/setlists/guest-appearance-june-08-1993-wvps-studios-burlington-vt-usa.html
Tour: Not Part of a Tour
Show Notes: This performance for Vermont Public Radio featured Trey on guitar, Mike on bass and Jamie Masefield on mandolins. There is no known setlist or circulating recording.
submitted by wsppan to phish [link] [comments]
All data extracted via The Phishnet API.
Phish
Gap Chart, Tour: 2012 Early Summer Tour
Set 1 : Free , Kill Devil Falls , Roses Are Free > Theme From the Bottom > Axilla > Julius , Bouncing Around the Room , Maze , Bathtub Gin
Set 2 : Down with Disease 1 > Sand -> Nellie Kane , Mike's Song > Makisupa Policeman 2 > Weekapaug Groove , Wading in the Velvet Sea , Also Sprach Zarathustra , Character Zero
Encore : The Oh Kee Pa Ceremony > Suzy Greenberg
1 Unfinished. 2 Keyword was "Sour Diesel."
Jamchart Notes:
Roses Are Free - A very nice melodic jam that turns dark develops as "Roses" proper is winding down.
Julius - Proving again that less is more (at least for "Julius"), Trey's nimble, amped-down playing provides interesting texture, and creates better suspension awaiting the inevitable re-build.
Bathtub Gin - In a bit of a nod to the old, pre-August '93 days, the jam begins with decelerating tempo and downward sloping melodies. At 7:30, the jam shifts into the more familiar, uptempo "modern" "Gin" jam. Cool version. Check out 11/16/91 if you doubt.
Also Sprach Zarathustra - Stellar 3.0 version. Trey's delicate soloing is inspired and fresh and Page fills in all the right gaps. Simply gorgeous.
Show Notes:
Mike teased Sundown in Bathtub Gin. Down with Disease was unfinished. Makisupa's keyword was "Sour Diesel." 2001 contained Sand teases from Fish and Get Up (I Feel Like Being a) Sex Machine and Mike's Song teases from Trey.
Listen now at Phish.in!
Gap Chart, Tour: 2011 Early Summer Tour
Set 1 : Nellie Kane , Mellow Mood , Buffalo Bill , Kill Devil Falls , Wolfman's Brother , Rift , Undermind , Ride Captain Ride , It's Ice > Dog Faced Boy , Brian and Robert > 46 Days , Limb By Limb , Character Zero
Set 2 : Golden Age > Mike's Song > Fast Enough for You > Weekapaug Groove , What's the Use? > Theme From the Bottom > Backwards Down the Number Line > Also Sprach Zarathustra > Harry Hood
Encore : Good Times Bad Times
Jamchart Notes:
Weekapaug Groove - "Golden Age" teases are followed by a nice funky breakdown jam with great Page and Mike. At the end, Trey sustains a note which carries into "What's The Use."
Also Sprach Zarathustra - "Golden Age," "Happy Birthday," and "WTU?" teases worked in perfectly, along with a serious syncopated throwdown, make this one a must hear. Play this to impress others.
Harry Hood - A very solid jam, building from start to end, and thus in good company with 5/6/90, 11/30/95, 2/18/97, 8/8/98, and 11/27/09.
Show Notes:
Weekapaug contained Golden Age teases. Also Sprach Zarathustra contained Golden Age, Happy Birthday and What's the Use? teases. In the soundcheck (which was played on Kevin Shapiro's From the Archives #15(b) show on 7/1/11 from SBIX ), Funky Bitch contained alternate lyrics, Dream On contained a brief Stairway to Heaven tease and "Old Zealand" alternate lyrics, and The Pendulum had Two Princes quotes.
Listen now at Phish.in!
Gap Chart, Tour: 1995 Summer Tour
Set 1 : Don't You Want To Go? , Ha Ha Ha > Runaway Jim > Guelah Papyrus , Mound , Fast Enough for You , Reba 1 , Prince Caspian 2 , Chalk Dust Torture
Set 2 : Simple > Rift > Free > Bouncing Around the Room > Tweezer -> Lifeboy > Poor Heart > Julius
Encore : Good Times Bad Times
1 No whistling. 2 Debut.
Jamchart Notes:
Runaway Jim - After some "Third Stone From The Sun" (Hendrix) teases from Trey, this one gets out beyond the norm.
Prince Caspian - Debut includes a short instrumental bridge. The ending jam section and closing chords were added in 1996.
Tweezer - Another wacky "type II" version that is worth hearing if you're an aficionado of Phish improv.
Show Notes:
Runaway Jim contained Third Stone from the Sun teases. Reba did not have the whistling ending. This show marked the debut of Prince Caspian. Page teased The Sabre Dance in Tweezer. This gig was originally scheduled for the outdoor Wolf Mountain Amphitheatre in Park City; due to a late spring snowstorm, the day before the show took place it was moved to the indoor Delta Center.
Listen now at Phish.in!
Gap Chart, Tour: 1990 Tour
Set 1 : Foam > Bouncing Around the Room > You Enjoy Myself > Divided Sky , Uncle Pen , The Oh Kee Pa Ceremony > Suzy Greenberg > Run Like an Antelope
Set 2 : Possum , My Sweet One > Bathtub Gin > Tweezer , I Didn't Know 1 , Mike's Song > I Am Hydrogen > Weekapaug Groove
1 Fish on trombone.
Show Notes:
I Didn't Know featured Fish on trombone.
Listen now at Phish.in!
Setlist: https://phish.net/setlists/phish-june-08-1989-the-quad-hobart-college-geneva-ny-usa.html
Tour: 1989 Tour
Show Notes: Phish played an outdoor party, complete with a beer moat. One fan in attendance recalls hearing Peaches en Regalia, as well as a Zeppelin cover (possibly Good Times Bad Times).
Trey Anastasio
Setlist: https://phish.net/setlists/trey-anastasio-june-08-2003-memorial-auditorium-burlington-vt-usa.html
Tour: TAB - The Dectet Summer 2003 Tour
Show Notes: This was a headlining performance of the Burlington Discover Jazz Festival. The Unknown Blues Band opened, with special guest Joey Sommerville.
Setlist: https://phish.net/setlists/trey-anastasio-june-08-2002-deer-creek-music-center-noblesville-in-usa.html
Tour: TAB - The Dectet Summer 2002 Tour
Show Notes:
Setlist: https://phish.net/setlists/trey-anastasio-june-08-1999-higher-ground-winooski-vt-usa.html
Tour: Not Part of a Tour
Show Notes:
John Fishman
Setlist: https://phish.net/setlists/jon-fishman-june-08-2004-the-fox-theatre-boulder-co-usa.html
Tour: Fish - Jazz Mandolin Project Summer 2004 Tour
Show Notes:
Page McConnell
Setlist: https://phish.net/setlists/page-mcconnell-june-08-2007-the-orange-peel-asheville-nc-usa.html
Tour: Page McConnell Spring & Summer 2007 Tour
Show Notes: After "Maid Marian," Page gave a shout out to the people at the Moog Factory and then followed up with a short demonstration of his Moog.
Other
Setlist: https://phish.net/setlists/guest-appearance-june-08-1993-wvps-studios-burlington-vt-usa.html
Tour: Not Part of a Tour
Show Notes: This performance for Vermont Public Radio featured Trey on guitar, Mike on bass and Jamie Masefield on mandolins. There is no known setlist or circulating recording.
2023.06.08 06:53 hideouszondarg Hubris, Boston, and Everything After
Race Information
- Name: Boston Marathon
- Distance: 26.2 miles
- Time: 2:40:XX
Goals
| Goal | Description | Completed? |
|---|---|---|
| A | Under 2:42 (PR) | Yes |
| B | Under 2:45 | Yes |
| C | Finish strong | Yes |
Prologue
I started running during the pandemic, transitioning away from my long-time sport of Ultimate Frisbee to try to run a sub-5 mile (report here). I did it, and it was good. And I had caught the running bug. Ready to extend my distances, I declared to my coach that my next goal (after a short hiatus to play one more season of frisbee) was to qualify for Boston. Boston was, in fact, the only marathon I had ever spectated: I remember sitting at Coolidge Corner in 2009, watching runners speed by. I was young and springy then, and had no desire to run farther than 3 miles continuously. But now it was 2021, and time had run out on my fast-twitch abilities: it was time to go long. I wanted to run Boston, which meant I had to run something else - and hopefully just one “something else” - first.We decided to target Eugene for 2022, to qualify for Boston in 2023. I began building up my base in the fall, testing my weekly mileage limits. I remember a “long run” of 70 minutes the first Sunday after I returned to regular running. I nearly gave up and walked 60 minutes in. But the next Sunday I did 80 minutes, and it was better. By the end of the fall, I was comfortably hitting 50 mpw and 2 hour runs. By the time Eugene came around, I had sixteen weeks of generally healthy training and six 20+ mile runs in my legs. felt ready, and I was: I ran a 2:42. I was a freshly minted 36 at the time, so with the BQ time for my age group and gender at 3:05, I was firmly in the clear.
I'll pause here to say that although I am far from an elite runner, I am also keenly aware that many people work their asses off for years to qualify for Boston, and that some never do. I worked hard, too, and my history of sports can’t have hurt, but at the end of the day I know I have some (unearned) talent for running that made my path to Hopkinton easier than it is for many. I will leave it here in saying that I have immense respect for everyone who laces up and puts in the work, regardless of their pace and outcome.
The Build
After Eugene, I had turned my attention away from the roads for about six months. I put the bank of fitness I had developed to work on trails and on mountains. I got to cover (and bonk on) a few of the many thrilling backcountry objectives in British Columbia, and even ran a 50k in Washington. (It went about as well as most people’s first 50k, which is to say that I ran out of food, water, fully supermanned down a trail, cramped every muscle in my lower body, and shuffled it in. Huge success.) But when December came around, it was time to get back to the roads.Working with the same coach, my road fitness came back surprisingly quickly. I was hitting high-water marks for volume, pushing my average up to the high 60s/low 70s. I felt, well, not good, but I did feel fast. I remember hammering out a 30 minute tempo on the track at 5:41/mi, a workout I never would have been capable of during the Eugene build. I was tired after, but confident and elated. I got compliments from the youngsters rolling 600 repeats around the track, and their coach. I felt like I was on track for a new PR, and not just a PR but a crushingly fast time, maybe somewhere in the mid 2:30s. But somewhere, offscreen, ominous music played. I had my wings on, and I was headed towards the sun.
The sun took the form of a work trip to Bozeman. I flew over Thursday, found a gym to do a tough 60 minute “mountain fitness” workout that evening, ran for an hour Friday morning in the snow, and skate skied 2.5 hours hard on Saturday. Sunday morning, I took on a treadmill workout that was something like 7x(7 min @ 5:41/mi, 2 min off). After two intervals, I knew I didn’t have it. I stepped off the treadmill. I’ve failed workouts in the past, and I’ve been able to move on, but for some reason this one stuck. It stuck, as they say in the South in my craw. Annoyed, I went back to my hotel room and tried to regroup. With my muscles already starting to tighten up with the effort, I resolved to partially salvage the day with an easy run around town. But it didn’t feel like I had salvaged anything. So, after an 8-hour, two hopper flight home, I made another attempt to soothe my bruised ego. With night falling, I hit the pavement, starting out easy but picking up speed. Tired, tight, and without any food or water, I hammered away, deep in the no-man’s land of Zone 3. I had heard the warnings. I paid no heed. I was invincible, and I was going to reclaim the fitness I had missed out on that morning. I ran the distance of a half marathon and got home after dark, and you know what? It felt good, at the time. It felt
The Injury
The next morning, I woke up in a pile of melted wings. My left leg couldn’t take any weight without shooting pain and was tender to the touch around my mid-shin. I felt the dubious benefit of immediate and regretful clarity on what had gone wrong. My ego had let me believe that I could or should try nail a workout on a foreign treadmill at altitude (Bozeman!) after an exhausting couple of days. Failing that, it had convinced me that I should make up the workout with a long, unfueled run. Ego is a hell of drug.It took several days for me to accept that I was injured. Looking back on my training log, it seems insane, but I ran the next few days on my program, including a track workout. My leg would throb and ache, but I would get through it, only to wake up in more pain that would abate just enough for me to try it out again that afternoon. Eventually, I fessed up to my coach and she immediately sent me to a PT and had me stop running for a week. I thought this was excessive at the time, but in retrospect I think it might have saved the build. The PT I saw said I had a stress reaction, probably brought on by a combination of weak glutes (it’s always the glutes) changing my push off and some good old-fashioned overdoing it.
For the next month, I cross trained with uphill biking, skate skiing, and water jogging. We re-introduced running gradually, starting with once every three days, then every other day, then two out of three days. The shin seemed to get better slowly, and we gradually reached a kind of homeostasis: I knew how far I could push it, and as long as I didn’t overdo it, it seemed to recover slightly faster every time. But the injury had come at a bad time, and missing most of February meant that I couldn’t race the local half marathon I had planned on or a local trail race (though I still participated in them as long runs).
By mid-March, I was feeling mostly better. In addition to Boston, I had also signed up for Chuckanut 50k, a trail ultra renowned for its smooth runnable trails and its timing: it often drew some of the elites of US trail running as an early season opener. I didn’t feel quite ready to hammer the downhills, but if anything, limiting myself kept my quads intact almost through the end of the race. I didn’t tear the roof off, but I ran most of the way and felt pretty good doing it. When I woke up the next day with the usual soreness, but no acute pain in my shin, I knew I was going to finish the build and run an honest race at Boston.
The only problem was that a week’s recovery brought me to March 24: only about three weeks before Boston. With a weeklong taper, shorter than usual by necessity, we really only had two weeks to get into Boston shape. My coach put on a masterclass in programming: she designed workouts that required exactly as much as I could give at the time, while preparing me for the unique qualities of the Boston experience and course. One in particular stands out: 4x(15 min MP effort, 8 min T effort, 4 min jog), but on a route that included a 300-foot hill, which I ended up going up and down 3 times. The key was to maintain effort going uphill, but to not go any faster than 6:10/mile downhill. That and another long run gave me two 20+ milers in the books. That was it.
Going into Boston, I knew I didn’t have the sharpness I had even three months ago. I had started the cycle hoping to PR, maybe by a lot, but before the marathon I set more conservative goals: my C goal was to get to 20 miles (where my mom would be) feeling strong; my B goal was to get under 2:45. My A goal was to PR. I wasn’t feeling brave: I wanted to minimize the possibility of blowing up, while still giving myself a fighting chance at a one-second PR if I was having a really good day.
The Marathon
There’s not much to say about Boston (the marathon) that readers here haven’t read before. The logistics are impeccable, but overwhelming for a first-timer, the fanfare and the fans are legendary, and the course is the running world’s version of the Strait of Messina: athletes must navigate Scylla’s ego-tempting downhills and Charybdis’ ill-timed uphills to survive. While it is literally impossible to make it to the Boston marathon start line without having at least one hundred people tell you to not hammer the downhill at the start, people still do it every single year.In a way, I was lucky have reckoned with (and lost to) my ego early in the build. I came to Boston healthy but wary of too much self-belief. We set a target and hard limit on the pace I would set through the first 15k: 6:15s would be ideal, but at most 6:10s: I wouldn’t run faster than I had down my training hill. At the start line, a small inspiration struck. Boston sets bib numbers by qualifying time, and my 2:42 at Eugene gave me something in the 1100s. Within my corral, I found the people around my number and then walked about 30 meters back, placing myself closer to folks wearing 1500s. I reasoned that if most people overcooked the start, then I wanted to be with the folks overcooking it at a pace I could be comfortable with.
Once the race started, it was virtually impossible, for the first couple miles or so, to shift my pace much above or below what the people around me wanted to run. If thought at first that I had let myself sit too far back: I ran a 6:35 first mile down the two-lane streets of Hopkinton. But as the crowds thinned a bit, I found a rhythm, and clicked off my first 5k at around 19:14, around a 6:12/mile pace. The next 5k, still downhill but slightly less, was a 19:12. The third was 19:13. Rolling through the small towns that make up the western side of the Boston metro area, I didn’t feel good, exactly, but I also didn’t feel bad. I wasn’t sure what kind of day I was having. That’s the odd thing about the marathon, so far as I can tell: you might know you’re having a bad day early on, but deciding that you’re having a good day is inviting disaster.
A quick aside: it can’t be overstated how impressive the Boston crowds are. There was no point on the course that I can remember where we were without support for more than 25 meters. Wellesley and Boston University are extreme even in that context, though: you actually feel the roar at those points in the course before you hear or see it. Bless you, you drunk and joyful undergraduates.
By 25k, we were through half and quickly approaching the Newton Hills. After a long downhill, we turned at the fire station and started to charge up. I shortened my stride and began to pump my arms, lifting my effort from a 6 to a 7 but no higher. I didn’t look at my watch until the end of the first hill, so you can imagine my shock when I saw that the last mile had been a 6:06. I cruised the lengthy downhill after the first hill (nobody really tells you about those) and regained my composure. The second hill was punchier, and brought me down to a 6:10, but I still felt good, and was starting to pass quite a few people. The third hill was mostly forgettable, which left only Heartbreak. While not objectively a big hill, it’s big enough for that point in a marathon, and you definitely see it coming. I was determined to hold my early race pace through it, though, and pushed the effort up again. I was breathing hard, but I got to the top still holding a 6:11 pace.
Even at the top of Heartbreak, I wasn’t fully ready to believe that this was going to be a really good day. I’m told that much better runners have lost entire races in the so-called “haunted” mile following Heartbreak, and I wasn’t sure what my quads had left in the tank. But while it still didn’t feel good, I kept pouring in gas and they kept responding. The last few miles of the race are a bit of a blur: I remember pushing the pace down to 6:06, then 6:00, then even below 6:00 for a mile or so. There are a couple very short and punchy climbs just before the last turns that took something out of me, but by the time I turned left on Boylston I knew I had more than the balance left over. I started sprinting at the turn, only to realize that the 600 meter long stretch was a bit more than I had bargained for. Still, I closed respectably: I ran last mile was a 5:41, exactly what I had worked on maintaining in that early tempo workout.
I finished in 2:40:XX and negative split by about 2 minutes. It poured like crazy 15 minutes after, while I huddled under a restaurant awning. I watched other runners come in. Some, like me, had the elation of a good day to soothe their tired muscles and joints. Some had no such balm, and were left to untangle the end of a long, challenging cycle from a disappointing final result. I was reminded, too, that it’s all relative: as I sat under the awning, I heard a runner near me lament his 2:35, while another came in over the moon with his 3:15. Kipchoge had a bad day, and he finished more than half an hour before I did. We are comparison machines, and expectations versus reality is the oldest routine we know.
Epilogue
The marathon is a harsh race, and I feel genuinely lucky to have had good experiences on my attempts so far. Two months on though, my body still feels beat up: I’m struggling to recover, my knees ache, and my workouts seem to be going the wrong direction. I don’t think I gave my recovery the respect it deserved, so I am once again tangling with my own hubris.Assuming I can rest enough to properly recover, I also find myself in the position of figuring out what’s next. Boston was a big goal for me, and I didn’t set any real running objectives after it. All I have on my schedule this summer is a couple of local trail and road races. I thought Boston would be my last marathon before I moved entirely to the more forgiving pastures of trail running, but I’m also tempted to see how far I can push the needle on my road running before age claws my aerobic fitness back from me. I’m 37 now, and well aware that at some point the PRs will no longer be on the table, but I think that day is still a few years off. If you were me, what would you aim for next?
2023.06.08 06:36 Drogo_King Downtown Buffalo, NY - a6400 85mm F1.8
 | submitted by Drogo_King to SonyAlpha [link] [comments] |
2023.06.08 06:18 ODB95 Should I stick with a July visit? Or just wait til the fall (October-ish)
My and my friends are planning a trip to NY soon and a lot of us were onboard for July, but I heard it’s hotter than a mf in July here. Now we’re from TX so I’m sure the heat won’t be comparable but I’m definitely curious about this aspect.
The fall was a another idea since we heard it’s more pleasant and one of the best times to go (we’ll likely try close to Halloween) but some of us will be in school at the time. If we plan it right we’d probably miss a class or 2 max and make up the work.
My question is is this a worthy sacrifice for visiting NY during a more pleasant time of the year and to save more money in that time or should we just stick with July?
submitted by ODB95 to AskNYC [link] [comments]
The fall was a another idea since we heard it’s more pleasant and one of the best times to go (we’ll likely try close to Halloween) but some of us will be in school at the time. If we plan it right we’d probably miss a class or 2 max and make up the work.
My question is is this a worthy sacrifice for visiting NY during a more pleasant time of the year and to save more money in that time or should we just stick with July?
2023.06.08 05:52 Zesnowpea A new adventure begins (pt. 3)
our hero awakens back at 2fort
Snow: (sits up) god my spleen hurts… (takes a look around) hey, how did I get back here?
Engineer: ah, glad to see you’re awake (sticks his head out the door) hey boys, He’s awake
the rest of RED, along with Sonia, MS, and a white unicorn with purple shades walk in
MS: glad to see you’re awake buddy
Snow: glad to be awake, but on to more pressing matters, what actually happened?
Sonia: well long story short epic flashback transition we had scrapped the last of the robots, but unfortunately the elements of harmony were taken captive by the robots, and they were already making their leave
MS: (cutting in) I figured the best way to catch up to them would be by trying that conveniently labeled “plane” button on your sandwhich car thing, but someone (glares at Sonia) suggested using a giant catapult to launch you at them, which you both agreed on even though there was only a 25% chance of success
Sonia: and that meant there was a 25% chance of something interesting happening, and it worked mind you
MS: if by work, you mean he misses, bounces off a trampoline, and gets his head stuck in the ship’s hull, then yeah, I’d say it is worked
Sonia: you know-
Scout: Hey chucklenuts, can you stop bickering like an old married couple and finish the story?
(They both sigh and say fine begrudgingly)
MS: after that had happened, you managed to pull your head out and tried to cut your way inside
Sonia: unfortunately, they had defenses on those ships, so they transferred all the power of their hull shocks, which caused you to go haywire and fall at least 5 miles
MS: then they fired a type-9 laser cannon at you (as an internal monologue, a single shot can wipe out a multiverse, and the stickonians aren’t to keen on sharing their weapons, so I wonder how they got their hands on them in the first place) at least 10 times (pauses for a moment), I lost count to be honest
Sonia: then they dropped the ship on you, several times might I add, then they chucked your body off the nearby cliff
Snow: wait wait wait, you both saw all of thisand chose to just stand there and watch me get obliterated?
MS: yes and no, we could’ve done something, but then the plot would become a lot more dull
Sonia: plus we’d have to give the mane 6 speaking roles, which would’ve destroyed our budget
Snow: I guess that’s fair…
(The white unicorn objects) um… excuse me, what’s all this talk about a “plot” and a “budget?”
Snow: oh yeah, that reminds me, who exactly are you?
To be continued, but again
submitted by Zesnowpea to Dbmlore [link] [comments]
Snow: (sits up) god my spleen hurts… (takes a look around) hey, how did I get back here?
Engineer: ah, glad to see you’re awake (sticks his head out the door) hey boys, He’s awake
the rest of RED, along with Sonia, MS, and a white unicorn with purple shades walk in
MS: glad to see you’re awake buddy
Snow: glad to be awake, but on to more pressing matters, what actually happened?
Sonia: well long story short epic flashback transition we had scrapped the last of the robots, but unfortunately the elements of harmony were taken captive by the robots, and they were already making their leave
MS: (cutting in) I figured the best way to catch up to them would be by trying that conveniently labeled “plane” button on your sandwhich car thing, but someone (glares at Sonia) suggested using a giant catapult to launch you at them, which you both agreed on even though there was only a 25% chance of success
Sonia: and that meant there was a 25% chance of something interesting happening, and it worked mind you
MS: if by work, you mean he misses, bounces off a trampoline, and gets his head stuck in the ship’s hull, then yeah, I’d say it is worked
Sonia: you know-
Scout: Hey chucklenuts, can you stop bickering like an old married couple and finish the story?
(They both sigh and say fine begrudgingly)
MS: after that had happened, you managed to pull your head out and tried to cut your way inside
Sonia: unfortunately, they had defenses on those ships, so they transferred all the power of their hull shocks, which caused you to go haywire and fall at least 5 miles
MS: then they fired a type-9 laser cannon at you (as an internal monologue, a single shot can wipe out a multiverse, and the stickonians aren’t to keen on sharing their weapons, so I wonder how they got their hands on them in the first place) at least 10 times (pauses for a moment), I lost count to be honest
Sonia: then they dropped the ship on you, several times might I add, then they chucked your body off the nearby cliff
Snow: wait wait wait, you both saw all of thisand chose to just stand there and watch me get obliterated?
MS: yes and no, we could’ve done something, but then the plot would become a lot more dull
Sonia: plus we’d have to give the mane 6 speaking roles, which would’ve destroyed our budget
Snow: I guess that’s fair…
(The white unicorn objects) um… excuse me, what’s all this talk about a “plot” and a “budget?”
Snow: oh yeah, that reminds me, who exactly are you?
To be continued, but again
2023.06.08 05:42 youcannotrelate Writing a show inspired by SnowFall
What are some qualities from snowfall you think i should add from Snowfall to my writing to make sure its quality?
submitted by youcannotrelate to SnowFall [link] [comments]
2023.06.08 05:21 throwaway20k4215 Oh my dear
I sit tonight With your memory in my head, And I hope to dream of you Tonight when I go to bed. And though I hate to say it I miss your smile, just a bit. I wish you could see me now, Hear my voice, and perhaps allow Me to apologize, one last time. Oh, my dear. I miss you so
I wake each morning From dreams so loud, Of thoughts of you, My head in the clouds. I’d never thought that I’d so very much miss our chats, And your lovely room And sweet smelling perfume. And I wish to see you again But I can’t. For those times went missing so ever long ago. Oh my dear, I miss you so.
I thought I’d saw your face passing by, And the idea of seeing you made me cry. Because I knew that I was no longer The person you trusted to make you stronger. My time has gone, My heart refuses to move on. Your smile haunts my dreams I wish I could have forgot what you mean When you said “I love you” Those times, however are through. And to you, one final kiss I blow. My dear, I miss you so.
As I move about my day, Whether it be work or play I see your face in everything. I see your eyes in the clouds, I hear your laugh, In that of children on swings. For they know the love I once felt for you And find it in the simple morning dew. I still feel your warmth in the quilt you gifted And when your voice had lifted Me From darkness Fear And insecurity. If only then I’d know, That the kisses you gave me, Would only last as long as snow. Oh my dear, I miss you so.
I wish you could see me now. Be with me now. For how much I’ve grown, And for all the things, I wish I could’ve shown. For you were my heart, And I yours. But forever never knocked on our doors, And now I must sit and rest. Alone at night, Wishing your smile could bring me light. My dear, you’ve done so much. And I’m sorry for making you my crutch. I wish our time could’ve been better, And that I would’ve written one last letter. I’m sorry I wasn’t stronger, And couldn’t hold you any longer, And let you drop, Only for you to rise to the top. My dear, you were my best friend, But like all other things our time had to end. Oh my dear, I’m so sorry.
To my dear, I’m sorry so, For I knew I had to let go. I will remember us always. And as I wander my heart’s empty hallways And look at our memories, Both great and small, I wish I could do it all Again. For this is the pain of love: It takes you to your peak, Only for it to fall beneath your feet. And as you suffocate under the rubble, And think of all the toil and trouble, I hope you too thought of our hugs. And I hope you too prayed to God above For one more chance to do it again, Even if it would drown us both in sin. My dear, I loved you so. I’m so sorry that I let you go.
submitted by throwaway20k4215 to justpoetry [link] [comments]
I wake each morning From dreams so loud, Of thoughts of you, My head in the clouds. I’d never thought that I’d so very much miss our chats, And your lovely room And sweet smelling perfume. And I wish to see you again But I can’t. For those times went missing so ever long ago. Oh my dear, I miss you so.
I thought I’d saw your face passing by, And the idea of seeing you made me cry. Because I knew that I was no longer The person you trusted to make you stronger. My time has gone, My heart refuses to move on. Your smile haunts my dreams I wish I could have forgot what you mean When you said “I love you” Those times, however are through. And to you, one final kiss I blow. My dear, I miss you so.
As I move about my day, Whether it be work or play I see your face in everything. I see your eyes in the clouds, I hear your laugh, In that of children on swings. For they know the love I once felt for you And find it in the simple morning dew. I still feel your warmth in the quilt you gifted And when your voice had lifted Me From darkness Fear And insecurity. If only then I’d know, That the kisses you gave me, Would only last as long as snow. Oh my dear, I miss you so.
I wish you could see me now. Be with me now. For how much I’ve grown, And for all the things, I wish I could’ve shown. For you were my heart, And I yours. But forever never knocked on our doors, And now I must sit and rest. Alone at night, Wishing your smile could bring me light. My dear, you’ve done so much. And I’m sorry for making you my crutch. I wish our time could’ve been better, And that I would’ve written one last letter. I’m sorry I wasn’t stronger, And couldn’t hold you any longer, And let you drop, Only for you to rise to the top. My dear, you were my best friend, But like all other things our time had to end. Oh my dear, I’m so sorry.
To my dear, I’m sorry so, For I knew I had to let go. I will remember us always. And as I wander my heart’s empty hallways And look at our memories, Both great and small, I wish I could do it all Again. For this is the pain of love: It takes you to your peak, Only for it to fall beneath your feet. And as you suffocate under the rubble, And think of all the toil and trouble, I hope you too thought of our hugs. And I hope you too prayed to God above For one more chance to do it again, Even if it would drown us both in sin. My dear, I loved you so. I’m so sorry that I let you go.
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Page Lacey Laid Lacy Lotus Lady In The Streets Lana Rain Lana Rhoades Lauren Alexis Lauren Compton Lauren Dascalo Lauren Summer Layna Boo Leah Wilde Leicht Perlig Lela Sohna Lena Paul Lena The Plug Lety Does Stuff Lexi Griswold Libra ASMR Lilahanne Lilcanadiangirl Lilith Cavaliere LillieNue Lilmochidoll Lily Kawaii Lily Olsen Lily Rose Lina Belfiore Lindsey Pelas Linsey Donovan Little Reislin Littlmisfit Livstixs Livvalittle Liz Katz Lizzy Wurst Lola Valentine Louisa Khovanski Love Lilah Loverlaci Lucie Jaid Lucy Alexandra Luna Benna Lupuwellness Luxiboo Luxury Girl Lydiagh0st Lyna Perez Mackzjones Mad ASMR Maddy Belle Madi Anger Madiiitay Madison Ivy Mady Gio Maeurn Smiles Maimy ASMR Makoshake Malinkaa98 Malu Trevejo Marina Mui Marta Maria Santos Maru Karv Mary Moody Mati Marroni Meg Turney Megnutt02 Mei Minato MelRose Mia Khalifa Mia Malkova Mia Melano Mia Monroe Michelle Moonsugar Mikaela Pascal Mikailadancer Mikaylah Mikomi Hokina Mila Azul Mila Malenkov MilaKittenX Miss Alice Miss Bell ASMR Miss Cassi ASMR Miss Lexa Miss_dxxx MissionIceCream Misskenzieanne MissMaiko MissyPwns Molly Bennett MollyRedWolf Momokun Monica Corgan Morgpie Mrs Poindexter Ms Puiyi MsFiiire Naked Bakers Nala Fitness NamiMamiLune Nancy Ace Naomi Soraya Nastya Nass Natalie Roush Nataliexking Natasha Nice Neonpuddles Nicky Gile Nicole Aniston Nika Parker Noturhoneybb Octokuro Okichloeo Olivia Casta Olivia Eden Olivia Mae OliviaMaeBae Olya Seteykina Orenda ASMR Paige Vanzant Pam Grzeskowiak PeachJars Peachtot Pelin ASMR Penny Petite Penny Underbust Phoebe Yvette PinupPixie Piper Perri Pixei Planesgirl Poonam Pandey Princess Miki Princess Violette Puffin ASMR Pureruby87 Purple Bitch Queen_Egirl27 Rachel Cook Rae Lil Black Railey Diesel Rara Knupps Raven Rose Rayofshinexo Rea Rays RedHeadWinter Reislin Reya Sunshine Riley Reid Rileyfans RocketBabey Rose Fit Rose Kelly Roxy Delani Ruby Red Rylie Rowan Sabrina Banks Sabrina Lynn Sabrina Nichole Sabrina Nicole Sabrina Vaz Sammy Braddy Sara Underwood ScarlettKissesXO Secretcrush Seltin_Sweety Serinide Sia Siberia Sierra Lisabeth Sierra Skye Sinfuldeeds Sky Bri Skyiiah Skylarmaexo SkylerLo SolaZola SooGSX Soph Stardust ASMR Sophia Blake Sophia Leone Sophie Lauren Sophie Mudd Sophie Rose Sophie Vanmeter Spencer Nicks Stefanie Knight Steffy Moreno Stella Barey Stepfamily Stephinspace Stormi Maya STPeach StrawberryMilk_xoxo Sunny Ray Sweetie Fox Sybil A Tana Mongeau Tanababyxo Tanya Bahtina Tara Babcock Tati Evans Taylor Gallo Tessa Fowler Tessa Winters TheGorillaGrip Therealbrittfit Tniwe Touki00 Trisha Paytas Tru Kait Utahjaz Valentina Victoria Valeriya ASMR Vanessa Vailatti Veronica Perasso Vicky Aisha Vicky Stark Victoria SG VictoryaXO Vietbunny Viking Barbie Violet Kolesnik Violet Myers Violet Summers Vita Celestine Waifumiia WettMelons Woffee Wokies ASMR Xenia Crushova Xev Bellringer xoSarahx Yanet Garcia Your_Submissive_Doll Yvonne Bar Zara Jordan Zara Yazmin Zoey Luna Zoie Burgher2023.06.08 05:15 hpmoo100 What do you think were some of the most brutal 10th Hunger Games tributes deaths?
In my opinion, this would be the top 5 (not in order): Sol (5), Teslee (3), Jessup (12), Mizzen (4) and Circ (3).
Btw every death if you don't remember some:
submitted by hpmoo100 to Hungergames [link] [comments]
Btw every death if you don't remember some:
- Facet and Velvereen (1) (Shot by peacekeepers while trying to escape the arena)
- Sabyn (2) (Leaped over a wall to die due to fall impact while trying to escape the arena)
- Marcus (2) (Lamina drived her axe 3 times to his neck)
- Teslee (3) (Treech pierced her head with an axe)
- Circ (3) (Bitten and poisoned to death by several snakes)
- Coral (4) (Bitten to death whilst trying to escape the snakes)
- Mizzen (4) (Pushed by Teslee's dron which cause him to break his neck)
- Sol (5) (Coral speared her trident through her throat)
- Hy (5) (Died from an asthma attack)
- Otto and Ginnee (6) (DIed from the explosion)
- Lamina (7) (Coral plunged her trident into her stomach, she then fell and died due to the fall)
- Treech (7) (Lucy Gray got a snake into his shirt which killed him)
- Wovey (8) (Drank Lucy Gray's poisoned (rat) bottles)
- Bobbin (8)(Snow beat him several times with a board in the head which deformed and killedhim)
- Panlo and Sheaf (9) (Died due to explosion injuries)
- Brandy (10) (Shot several times by the peacekeepers after cutting Arachne Crane's throat)
- Tanner (10) (stabbed in the back by Coral and then got a knife to his neck by Mizzen)
- Dill (11) (Died due to tuberculosis)
- Reaper (11) (Poisoned by Lucy Gray with rat venom)
- Jessup (12) (Broke several bones after trying to escape from the water bottles due to his rabies)
2023.06.08 05:10 hiacbanks Cleveland to Buffalo NY to Princeton unibersity to Washinton DC, 7/1 to 7/6.
Is it too much drive? Where should i stop for sightseeing?
submitted by hiacbanks to roadtrip [link] [comments]
2023.06.08 04:55 julicorn_ I just finished ABOSBAS...
...and Oh My God. Oh. My. God. Normally, I am a fast reader and it only takes 2-3 days for me to finish a book. This time was different, because there were so many moments that I had to digest first before continuing. For example, I haven't touched the book in 2 weeks although I only had 100 pages left, since I knew there was going to be a painful plot twist... knowing the character Snow turned out to be. And oh, what a painful plot twist it was. Honestly, I don't think I've ever felt this involved as a reader – here's why:
First, I had a really hard time to continue reading once I started. It was so hard to sympathize with Snow, to tolerate his way of thinking. Only as the time went by, I slowly found myself starting to snap into empathizing with him – just to snap out of it a moment later, when his inner monologe showed how cold and calculated he was and that his actions did not represent his intentions at all. It was mind blowing to me how someone could be so smart and good at manipulating other people, while being so incredibly naive and brain washed himself. Or, and this is something I normally do not believe in, while actually being truly evil.
Then, in the second part of the book, I started to feel oddly comfortable with "Coryo". He showed some 'human' emotions, fell in love with Lucy Gray, was concerned about his closer classmates. As I started empathizing with him more and more, my own moral compass and inner monologue started to shift as well. Justifying him was easier. Justifying his decisions – he was just a young, traumatized boy. A pawn in a game. Hell, when he thought The Games were boring, I was wishing for some more action as well. I felt as if I was watching him through the lens of Capitol citizens. Him, a charming, elegant boy, falling in love with a girl representing the polar opposite of his beliefs.
That's why the ending hit me so hard.
Because although we all had access to his thoughts, I still at some point believed he cared more for Sejanus or Lucy Gray than for power – or at least cared more than he wanted to admit to himself. Because it felt like he was so close to make a decision most of us would've made instead of condemning his "Best Friend" to death. Although that wasn't even the most shocking part. For me, it was how he reacted to those extreme situations. He didn't feel any remorse towards Mayfair, for him it was totally logical and reasonable to kill her. He didn't cry for Sejanus, he cried because of the absolute loss of control over his own situation. The same loss of control that made him go ballistic in the end.
Honestly, just thinking about the predatory survival paranoia he directed towards Lucy Gray gives me chills. Of course, he never fully could've controlled her (and I think that's why he was so compelled and obsessed by her, since he still wanted to), but seeing him switch so extremely at that realization in such a short time was shocking. And that's an understatement, I literally wanted to throw up lol. Since I just finished, I don't have a headcannon yet on how to deal with the mystery of her death (?). But I'd like to think it was his own obsession with control that overshadowed how much control he had over Lucy Gray already, with her trusting and loving him, ultimately causing for him to lose her.
Those are just some thoughts on my side, feel free to comment yours! Also, I apologize if anything is incomprehensible, English is not my first language and it's 5am where I'm from, but I just had to share :) Might probably edit this and write a conclusion tomorrow.
submitted by julicorn_ to Hungergames [link] [comments]
First, I had a really hard time to continue reading once I started. It was so hard to sympathize with Snow, to tolerate his way of thinking. Only as the time went by, I slowly found myself starting to snap into empathizing with him – just to snap out of it a moment later, when his inner monologe showed how cold and calculated he was and that his actions did not represent his intentions at all. It was mind blowing to me how someone could be so smart and good at manipulating other people, while being so incredibly naive and brain washed himself. Or, and this is something I normally do not believe in, while actually being truly evil.
Then, in the second part of the book, I started to feel oddly comfortable with "Coryo". He showed some 'human' emotions, fell in love with Lucy Gray, was concerned about his closer classmates. As I started empathizing with him more and more, my own moral compass and inner monologue started to shift as well. Justifying him was easier. Justifying his decisions – he was just a young, traumatized boy. A pawn in a game. Hell, when he thought The Games were boring, I was wishing for some more action as well. I felt as if I was watching him through the lens of Capitol citizens. Him, a charming, elegant boy, falling in love with a girl representing the polar opposite of his beliefs.
That's why the ending hit me so hard.
Because although we all had access to his thoughts, I still at some point believed he cared more for Sejanus or Lucy Gray than for power – or at least cared more than he wanted to admit to himself. Because it felt like he was so close to make a decision most of us would've made instead of condemning his "Best Friend" to death. Although that wasn't even the most shocking part. For me, it was how he reacted to those extreme situations. He didn't feel any remorse towards Mayfair, for him it was totally logical and reasonable to kill her. He didn't cry for Sejanus, he cried because of the absolute loss of control over his own situation. The same loss of control that made him go ballistic in the end.
Honestly, just thinking about the predatory survival paranoia he directed towards Lucy Gray gives me chills. Of course, he never fully could've controlled her (and I think that's why he was so compelled and obsessed by her, since he still wanted to), but seeing him switch so extremely at that realization in such a short time was shocking. And that's an understatement, I literally wanted to throw up lol. Since I just finished, I don't have a headcannon yet on how to deal with the mystery of her death (?). But I'd like to think it was his own obsession with control that overshadowed how much control he had over Lucy Gray already, with her trusting and loving him, ultimately causing for him to lose her.
Those are just some thoughts on my side, feel free to comment yours! Also, I apologize if anything is incomprehensible, English is not my first language and it's 5am where I'm from, but I just had to share :) Might probably edit this and write a conclusion tomorrow.
2023.06.08 04:43 Capital_Pea RIP Commander Tom (those from Buffalo and southern Ontario will know)
 | Anyone that grew up in the southern Ontario or Western NY/Buffalo area will remember this legend. submitted by Capital_Pea to GenX [link] [comments] |
2023.06.08 04:38 singdancerunlife Fiancee (F27) and I (F32) disagree on a big life decision about where to move for school. I made a simple request and she won’t budge on her decision. What options do we have?
My fiancée is finishing up her masters in teaching special education, and is saying that she wants to do a PhD program in Buffalo NY, because apparently Buffalo State has one that looks good to her (special education, autism spectrum disorder stuff).
I asked her to look for programs in other states because of the following:
She has ties to NY still (her entire family lives there, and, her dad has said if we moved there he would buy us a house), however, I don’t.
Also factored in there is that I wanted to leave the state ever since I was like 12 as well, so when we moved to MN, I finally felt like I had made it in life.
This seems like an impossible situation…what options do we have?
submitted by singdancerunlife to relationship_advice [link] [comments]
I asked her to look for programs in other states because of the following:
- I don’t want to move back to NY (where we are both from, but we live in MN now).
- Don’t want to do long distance and
- Don’t want to break up.
- Come to NY with her, even though I’d be unhappy.
- Stay in MN and do long distance, even though I’d be unhappy.
She has ties to NY still (her entire family lives there, and, her dad has said if we moved there he would buy us a house), however, I don’t.
Also factored in there is that I wanted to leave the state ever since I was like 12 as well, so when we moved to MN, I finally felt like I had made it in life.
This seems like an impossible situation…what options do we have?
2023.06.08 04:34 thr0awayint0oblivi0n FAFSA Eligibility
NY.
I received an email about how I could be eligible for SNAP benefits because my EFC is 0.
I want to apply but I’m confused about what to put on my application.
I was going to community college (living at home) and working on the weekends. I’m currently taking a summer class to graduate this summer. (With my Associates) Im on a leave of absence from my previous job because I am currently living on another school campus on a paid internship for around a month and a half.
For fall of 2023 I will be renting a room with other students at a house. I will be paying rent and helping with utilities/internet. I will not have a job while going to school (will be taking a 18 credit course load) but I will most likely be working during winter break/summer breaks in my hometown.
I expect to be buying food and sharing meals with my roommates (2 other people) while at college.
My soon to be roommates currently don’t have jobs so I’m sure their source of income will come from their parents but one of them is currently applying for jobs on campus for the school year.
(My parents may also help me pay for rent but I also am planning on using the money I’m earning from this internship because they can’t contribute that much)
Any advice is welcome.
submitted by thr0awayint0oblivi0n to foodstamps [link] [comments]
I received an email about how I could be eligible for SNAP benefits because my EFC is 0.
I want to apply but I’m confused about what to put on my application.
I was going to community college (living at home) and working on the weekends. I’m currently taking a summer class to graduate this summer. (With my Associates) Im on a leave of absence from my previous job because I am currently living on another school campus on a paid internship for around a month and a half.
For fall of 2023 I will be renting a room with other students at a house. I will be paying rent and helping with utilities/internet. I will not have a job while going to school (will be taking a 18 credit course load) but I will most likely be working during winter break/summer breaks in my hometown.
I expect to be buying food and sharing meals with my roommates (2 other people) while at college.
My soon to be roommates currently don’t have jobs so I’m sure their source of income will come from their parents but one of them is currently applying for jobs on campus for the school year.
(My parents may also help me pay for rent but I also am planning on using the money I’m earning from this internship because they can’t contribute that much)
Any advice is welcome.
2023.06.08 04:30 coffeemug0124 I want to travel with my kids but I can't bring myself to get on a plane with them
I've been afraid of planes since I was a kid. I grew up on Long Island, NY, and was in first grade on 9/11/01. All of us kids in school were hearing things but our little brains couldn't make sense of it. We thought planes were just falling from the sky or something.
To this day, I still get intense anxiety when I hear a loud plane flying over me.. I need to go outside or look out a window to make sure it's not falling. It never is, and I KNOW that...but I can't relax until I make sure.
I've been on several planes, though. I even went skydiving once.. (I was more afraid on the plane ride up than the jump, but I did it!) I'm very good at forcing myself to do things despite my anxiety... except for when it comes to my kids.
I want to travel with them so bad but I feel like putting them on a plane is putting them in unnecessary danger 😫 I can't bring myself to do it! I know it's more dangerous driving in a car than flying on a plane..I was a statistics minor and understand the risk is so small... but I just can't do it. I can't even come close to it. The thought of bringing them on an airplane makes me so anxious.
How do I get over this?
submitted by coffeemug0124 to fearofflying [link] [comments]
To this day, I still get intense anxiety when I hear a loud plane flying over me.. I need to go outside or look out a window to make sure it's not falling. It never is, and I KNOW that...but I can't relax until I make sure.
I've been on several planes, though. I even went skydiving once.. (I was more afraid on the plane ride up than the jump, but I did it!) I'm very good at forcing myself to do things despite my anxiety... except for when it comes to my kids.
I want to travel with them so bad but I feel like putting them on a plane is putting them in unnecessary danger 😫 I can't bring myself to do it! I know it's more dangerous driving in a car than flying on a plane..I was a statistics minor and understand the risk is so small... but I just can't do it. I can't even come close to it. The thought of bringing them on an airplane makes me so anxious.
How do I get over this?
2023.06.08 04:30 FearTheBomb3r Recreational
I'm going to be in NY for a little road trip between Buffalo to Long Island . Is there any dispensaries that I could stop by? Most of what I'm finding online is medical only and I only have a medical card from FL. Any shops would be nice .
submitted by FearTheBomb3r to trees [link] [comments]