"Nana vs. Quahog: A Rock 'n' Roll Adventure"
Synopsis:
In this special crossover episode, the world of "Family Guy" collides with the iconic manga series "Nana" created by AI Yazawa. The Griffins find themselves in a series of unexpected events as they encounter the characters from "Nana," leading to a rock 'n' roll adventure.
It all begins when Stewie discovers a mysterious book left behind by a relative, which magically transports the entire Griffin family into the world of "Nana." They find themselves in the bustling city of Tokyo, where they come face-to-face with the two Nanas—Nana Komatsu and Nana Osaki—and their entourage.
Curiosity piqued, the Griffins decide to explore the vibrant music scene of Tokyo alongside their newfound friends. Peter is fascinated by Nana Osaki's punk rock band, Blast, and insists on becoming their manager. However, his lack of knowledge about the music industry leads to a series of hilarious misadventures.
Meanwhile, Brian, who is always in pursuit of love and companionship, becomes infatuated with Nana Komatsu. He tries to win her heart with his charm and intelligence but soon discovers that she is torn between her feelings for him and her past love interest, Takumi.
As the story progresses, the Griffins and the Nanas find themselves facing various obstacles. Stewie, who has grown fond of the tough and independent Nana Osaki, uses his genius intellect to help her overcome the challenges of the music industry. Meg and Chris, on the other hand, become entangled in a comical love triangle, vying for the attention of Yasu, the wise and caring member of Blast.
Throughout the episode, the two worlds collide with hilarious consequences. The Griffins' eccentricity and pop-culture references clash with the intense and emotional drama of "Nana." However, they also find common ground, discovering that family, friendship, and pursuing one's dreams are universal themes that resonate in both worlds.
In a heartwarming finale, the Griffins bid farewell to the Nanas and return to their universe, taking with them valuable lessons about love, determination, and the power of music. Though they part ways, the bonds they formed will forever remain, proving that even in the most unexpected circumstances, connections can be made.
"Family Guy" and "Nana" fans alike will be treated to a one-of-a-kind crossover experience filled with laughter, music, and a celebration of the quirks that make these two worlds so unique.

Upon browsing Thunderstore a bit, I realized that there aren’t any Mobile Suit Gundam Mods, so I decided to make a concept for one. I’d like to make this a mod but I lack the knowledge to do so.
Bio: The Earth Federation RX-77-2 Guncannon is a ranged survivor, effective at damage from long range with its twin cannons.
Selected in menu: ending notes of "Tobe, Gundam!" play as the Guncannon falls into frame, carrying the selected weapon.
Movement: Kinda Slow with higher jumps.
Height: A little taller than Loader.
Walking->Sprinting: The thrusters on the unit's back activate, allowing it to fly along the ground.
Initial Spawn: Guncannon flies in and lands from space.
Passive:
Deal more damage depending on how far you are from your target.
Primary(s):
(Default) DXBR-M-79a Beam Rifle:
Slow firing long range weapon with piercing damage and perfect accuracy. 10 shots before needing to recharge.
(Unlockable) YHI YF-MG100 100mm Machine Gun:
Low accuracy automatic rifle. Fair damage output with high fire rate.
This weapon is unlocked by killing a boss in less than 10 shots with the Beam Rifle.
Secondary(s):
(Default) 240mm Cannon Barrage:
Guncannon takes a stationary position and fires 3 volleys with the cannons on its back. launching explosive projectiles with high damage.
(Unlockable) Spray Missile Launcher:
Guncannon takes a stationary position, and fires 24 seeking missiles in front of itself.
This is unlocked by defeating a boss on Monsoon in a single cast from the 240mm Cannon Barrage ability.
(Unlockable) Rock-it Launcher:
Rip a chunk from the ground, and throw it in the direction you are facing.
Unlocked by finding a large interactable boulder hidden in a stage.
Utility(s):
Tackle:
Run forward and tackle the first enemy you hit, launching them helplessly into the air.
Vertical Boost:
Fly upwards with the thrusters on your back, negates fall damage.
Horizontal Boost:
Fly forwards and high speed for a few seconds, knocking enemies aside.
Evading Boost:
Functions like Commando’s Roll. If you bump into an enemy while using this, they will be knocked away.
Special: Mortar Barrage
Guncannon will fire a rain of shells from its back. more shots if many enemies are present.
Alternate Skins:
Guncannon A: (Obliterate yourself.)
Mass Production Type:( Land the finishing blow on Mithrix by tackling him.)

Hello, kpopthoughts! Originally this was posted in twice but one of my friends said I should crosspost it here — so here this album review is.
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Intro

To preface the review, I just need to say that this is going to be a very long read. Going through it myself for the fun of it takes around 30 minutes — it's almost 7k words, including lyrical references. So for the best experience, listen to the album beforehand to understand what the hell I was thinking when I wrote this, play the album while reading, and set a good amount of time aside.
And yes, this is 9 months late 😭 I'm not sorry — when I find an album review online it's always around a paragraph per song or even shorter. It makes sense from a journalistic perspective, but I want to do this album justice, hence taking 7 months to write out all my thoughts.
This shit is comprehensive and definitely overanalyzed, especially in Talk that Talk and Trouble. Each song review will compose of my commentary, noting the details I noticed through months of listening, then a conclusion. Also, mild swearing warning, I like implementing a touch of "French" when I'm very emotional about something. Anyway, onto the review!
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Between 1&2 💞

Album Review
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TELL ME WHAT YOU WANT
TELL ME WHAT YOU NEED
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Talk that Talk 🎙

Producers by collapsedone and MRCH
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One of the most perfect TWICE songs.
I think this is one of TWICE’s best-sounding title tracks. Warm modulated synths, a thrumming bass line, distant bells, shimmering synths — the purpose of this song is to be fun and my god is it excellent at it, like, Sana and Chaeyoung are saying knock-knock-knock and beep-beep-beep as if they’re some kind of car. So much fun.
Further along in the verse, Dahyun’s voice sounds so full and smooth with that layered harmony. Tzuyu coming with the Yes or Yes, Push & Pull, and 1 to 10 references — these are 5 years of song references. And Jeongyeon closes the pre-chorus accompanied by a rising synth to drop into chorus one. Jeongyeon slays pre-choruses.
The drums accelerate, the synths start blasting, and Jihyo opens to that party of a chorus with her godly vocals,
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Tell me what you want
Tell me what you need
A to Z da malhaebwa
But shijageun ireoke have
Talk that Talk ttak han madi
Talk that Talk L-O-V-E
deullyeojweo ooh
Now now now now now yeah~

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During Sana's Talk that Talk~ lines there’s this gentle ascending synth bell that rings with the descending melody and it sounds absolutely gorgeous. And the choreography during that part of the chorus is so so so so fun: the talking hands bit, spelling L-O-V-E, concluding with the deullyeojweo ooh! Oh my Jihyo the deullyeojweo ooh…
Have I mentioned this song is fun?
Speeding through verse 2; Chaeyoung’s part with the cat ears popping in the music video is adorable; Momo her stretching her arms out looks so damn cool; and Dahyun with her replay part sounds so lovely — although I think it sonically sounds a touch random, it makes sense thematically.
And now for this pre-chorus. Mina and Jihyo leading into it sound great BUT JEONGYEON… Now, she is my ult bias, and this pre-chorus sounds almost identical to the first one, but the way she holds that final note, inflecting and holding that now~ for one more beat before the chorus drops sounds so perfect — the song teeters on a cliff edge. Jeongyeon slays pre-choruses.
Dropping into the second chorus and man the way Nayeon delivers it just hits different. She has this indescribable “pop” voice (I promise this wasn't on purpose) that shouts out loud that this is THE chorus. This is especially apparent in how both lead their choruses where Jihyo starts at 120% power while Nayeon waits until [Tell me] WHAT YOU WANT to full-send it. The production also helps with this effect, cutting out during what you to emphasize Nayeon's voice before crashing back down, double the pause at Jihyo's intro.
Another deullyeojweo ooh! Nayeon travels to Narnia, and Mina the engineer strikes again in this heavenly, underwater-esque bridge,
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The simple words “I love you”
That’s all I wanna hear
Without hesitation, I’ll go up to you
I’ll make it simple
And just tell you I love you

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The word “love” is said for the first time in the song. There’s a funky keyboard instrument behind Chaeyoung’s part. Jihyo, Chaeyoung, and Nayeon take the initiative in their lyrics, professing their love before closing the bridge.
And now for the pièce-de-résistance: this final double chorus is exceptional — 40 seconds of crack-laced euphoria; Jihyo switches up the chorus and the choreo, Dahyun chimes in with her fluttery Talk that Talk, Momo comes out of nowhere with oh yeah it sounds so good! — you’re damn right it does, and this is where the song SOARS.
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han beon deo~ haejweo
geurae banggeum geu mal~

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Nayeon outright shouts Tell me what you need and then Jeongyeon sings the above lines in such an ethereal, warm way where the first line ascends while the second descends, causing a lull in the song before the finale with Tzuyu and Nayeon, finishing off the song with the final deullyeojweo ooh!
What a party. What a song.
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THE GOOD

• The synths of all time
• The chimes during Talk-that-talk~
• Jeongyeon’s pre-chorus going into Nayeon’s chorus
• Rich harmonies and fun ad-libs
• The entirety of that magical final chorus and outro

Needs Work

• The opening hook (Tell me what you want) and accompanying choreography could be “catchier”

Core Memory

• Singing (and dancing) my heart out when this song played at a K-pop club

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Lyrics and theme-wise, if this were to have been TWICE’s last comeback, they’ve once again built upon the theme they've been doing since debut: a Bildungsroman, a coming-of-age story.
This song’s chorus is honest yet simple; it asks the listener, in this case, the other half of the relationship, to be more upfront and open with their love (never be scared of love), that before the relationship can continue and flourish, there has to be a foundation and commitment of love between each other.
TWICE debuted with a song about making your crush go ooh ahh. Years later, they started pondering What is Love? and imagining their crush responding with Yes when asking them out — and now concluding with the phrase Talk that Talk, [Talk that] L-O-V-E, being upfront with the relationship, wishing their partner to also be happy, to commit to them, to feel the love that they want to impart on them. From gawking like ooh-ahh to talking out your shared love like adults — to having a true relationship between (one and) two.
And can I just say before finishing off Talk that Talk's review that this is such a fun and repeatable song with many little intricacies hidden in the nonet’s vocals and the song's production. This is the third draft I’m writing about Talk that Talk and its original word count pretty much quadrupled.
Harkening back to TWICE’s roots by combining mature thinking with youthful character, an incredible ending to look forward to, and just simply being a club-banger that’s easy to listen to, TTT is an easy 10/10.
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WATCH ME GO WATCH ME GO
RULE THE WORLD
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Queen of Hearts 👑

Produced by LDN Noise
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If there was one B-side to promote in a live clip, this was a solid choice.
Helmed by LDN Noise going headlong into the Western boy-group rock-band aesthetic, Queen of Hearts is a boom-boom-clap song through and through. The drums are very prominent throughout the song, only giving room to riffs of electric guitar in the chorus to drive and continue the momentum of the music.
And speaking of the chorus, vocal line each got a chorus to flex and they did not fuck around,
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You ain’t ready for it
Watch me go~ watch me go~
Rule the world
Know you never doubted baby
I’mma go run the whole universe~

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Cymbals crashing, drums booming, and 3MIX belting all just so sound so good.
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Baby I was born to rule~~
Yeah I’m the Queen, I’m the Queen
And it’s all because of you~~
That I’m the Queen of Hearts

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These long, held-out notes performed by Jihyo and Nayeon are simply exquisite. Along with the shredding guitar, the drum set coming in full, and the interludes by Dahyun, Momo, and Chaeyoung, this is the part of the song that always, always, gives me goosebumps — it sounds so visceral, so energetic, so fun, so triumphant. Boom-boom-clap songs can be hit or miss with people, but there's no denying the payoff from the first part of the chorus to the second part is worth the wait.
The theme of the song so far has been kind of spread around the song. The chorus alludes to it with the line And it’s all because of you. But Mina shows more sides of it in the second verse, especially with the phrase,
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And now that I’m surrounded by all my girls
We be shining bright like diamonds and pearls

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It sounds really lovely — in a very cheesy and affectionate kind of way, as it rightfully should — the song is about the girls and their fans. But the bridge is where the song indeed shows its colours
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Screaming out my name
See it in the stage lights
Feel so lucky just to have ya
Cause I know deep down I was meant for something bigger! Greater!
I know you’re seeing what I see
Yeah I’ll be everything you need
I know I’m gonna walk the walk
And talk the talk to be~ [the Queen of Hearts]

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This is a song CONCEIVED TO BE PERFORMED FOR THE FANS. It’s meant to be loud. It’s meant to be unapologetic. It’s meant to be sappy. And it’s all the more wonderful for it.
This is the TWICEiest shit ever.
Like Talk that Talk, Queen of Hearts also has a killer closer. The production already started to grow from the bridge, but now the guitarist finally went Super Saiyan and instead of supporting the drums, they both take the centre stage in tandem.
Then finally, the closing moments of the song even manage to squeeze in some more sappiness.
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So thank you for the memories
You’re all the ones who made me~
So thank you for the memories
That I’m the Queen of Hearts

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I still can’t believe that this banger is a FAN SONG out of all things. Truly, the TWICEiest shit ever.
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THE GOOD

• Adorable fucking lyrics
• Unrelenting, roaring chorus
• English and vocal flex
• Intoxicating guitar riffs

Needs Work

• Chaeyoung rapping in English in their Korean songs somehow slaps harder than her English rapping in their English songs, nonetheless, in QoH, it fits with the sound of the song

Core Memory

• Walking home from a K-pop festival with this song playing, felt like a Queen of Hearts

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I love these types of rock songs with how grunge and head-bang-able they are, there is just a certain nostalgic and cheesy quality to them that feels so cozy. I don’t love putting them on repeat, because in this case, I do believe there is such a thing as too much of a good thing. Perhaps more shredding, maybe a guitar solo to rock out to, or an accompaniment(!) of ad-libs from 3MIX to support Jihyo’s final chorus? A ONCE can dream of a truly bombastic rock song from TWICE. But then again that distracts from the core of what this song is: a fan song disguised as a rock song.
Queen of Hearts has so much sweetness in its lyrics and message that it's overflowing. The drums, guitar, and vocals can be as loud and intricate as they can, but the theme of this song is what makes it special from TWICE’s other rock songs — it’s a 9/10 for me.
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I WANNA WANNA WANNA
TAKE YOU TO THE BASICS
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Basics 🌈

Lyrics by Chaeyoung
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Quite possibly the jammiest (pun intended) song of the album.
A song written by the Strawberry Princess herself — an event similar in frequency to other artists' releases with her last song being 2020’s silky Handle It — Basics first starts with an understated and dreamy delivery. After the first stanza, however, a bouncy Miami bass line emerges, revealing the true nature of the song: this is a classic summer bop! Especially in the first rap,
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dareun aedeulgwaneun dalla
Ain’t beggin’ for love
nappeun geon anijana ige naraseo
eodiro twilji molla
Like rainbow bubble gum
geureoni nal kkwak butjabadweo

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Syllables are pronounced in a relaxed nature, bars often starting with an "ah" sound, flirty lines in English — this rap features a production full of pop with R&B flourishes and, in my opinion, this is Chaeyoung’s bag. Also, the line rainbow bubblegum is so adorable and so Chaeyoung.
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I wanna wanna wanna take it to the Basics
da weonhae weonhae weonhae? seodureuji ma Baby
ppeonhae ppeonhae malhae mweohae da al tende
Ah yeah ah yeah ah yeah ah yeah

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That chorus is pure pop with a Miami bass backing; you better be bopping your head to the melody, if not booty poppin' to the bassline. Chaeyoung loves rhyming in the first half of the chorus to enhance its catchiness and it's damn incredible: wanna, weonhae, and ppeonhae all create these imperfect rhymes that continue momentum without feeling repetitive.
After the very Boy With Luv-sounding ah yeah ah yeah, ah yeah ah yeah comes an 8-bar split half and half between Chaeyoung and Momo. Coming from the chorus, the production completely cuts out for the first 2 bars. This adds tension; the song yearns to have that bass beat thumping again and all we have in the audio space in those 2 bars is Chaeyoung spittin' and she delivered.
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taneun deut tteugeoun samak wie
yeppeuge pieonan jangmi gata
joshimseure naege dagaol ttae
nado moreuge jjilleobeoril tende

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Translating to:
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Above the hot, burning desert
It’s like a rose that bloomed beautifully
When you come to me slowly
I will prick you unconsciously

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The rap feels slick, effortless, and confident. Her diction remains sharp when enunciating each syllable but she doesn’t let the flow of her rap waver or build as her 4 bars go by, it’s just smooth consistency throughout. Even the lyrics possess an aura of laid-back collectedness that is just so her. The things Chaeyoung can do when given her pen.
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THE GOOD

• That sweet summer vibe of a chorus
• The spaceship post-chorus is killer
• Chaeyoung devoured this song
• Sure-footed, confident lyrics

Needs Work

• Perhaps an alteration of that ah yeah ah yeah line
• The way Jihyo did her pre-chorus line is good, but Mina’s is great

Core Memory

• After donating my hair, walking down the rainbow-coloured areas of downtown Toronto with this song playing was very… fitting

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This song is summer bliss distilled into 2:56. It’s dreamy, the raps are satisfying, and the ending is charming. I will say that although the second half of the song adds the stunning spaceship post-choruses and a floaty bridge with an incredible drumbeat drop into the final chorus, the raps of the song make it feel a bit front-loaded. And in an album stacked with awesome finishers, it feels more apparent.
With that said, it’s an 8/10 bop for me. This song is so easy to put on and it feels exactly what Chaeyoung would make if given the reins to produce a pop song all on her own. The lyrics are nonchalant but full of conviction, the wordplay is intricate, and the production playful but not too bombastic — it's just a nice vibe. Songs like Basics are the standard for good, simple, repeatable pop music and I’m happy that Chaeyoung got to test her pen in this genre.
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BABY WE’RE IN
TROUBLE TROUBLE
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Trouble 💃

Lyrics, vocal direction, and background vocals by Jihyo
Produced by Jihyo and earattack
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One of the most enjoyable songs I’ve heard in a while.
There is an underlying tension within the first 4 bars of the song, Jihyo and Nayeon confidently open it to a nondescript array of synths and then the stanza ends, Momo announces Let’s go, the beat drops and it hits you: this is a club song.
Dahyun's relaxed delivery contrasting with Jeongyeon's staccato flow, the wobbly synth beat mixed with a sprinkle of house piano, Sana dramatically slowing down the song only for Tzuyu to build it back up until the chorus drops,
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• Nayeon opens it using a breathy tone, with vocal chops serving as harmonies
• The blooming of the house piano takes centre stage and the song ascends into euphoria
• A random drum roll capped off by a cymbal crash
• Jeongyeon’s growling pronunciation of the word Trouble
• Chaeyoung slyly admitting I like this Trouble
• The entirety of Tzuyu’s tro~oh~oh~ouble yeah~
• Sana using her deep voice for the na~na~na~na
• Jihyo leading the vocals during the synchronized T W I C E chant

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This chorus is perfect. Toronto’s residential market needs this song injected into its veins because god damn this song has SO much house in it. And then, ANOTHER KILLING PART: this rap fucking slaps.
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gamchweo bwatja geugeon Fake
ppajin hamjeongeun Sweet cake

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During the first 2 bars, Chaeyoung is keeping it calm because that trip of a chorus just ended and the song needs a breather, but I don't think anyone expected her to SNAP this hard afterwards:
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You cannot resist this
Cannot miss this, such a bliss
Ima put it down down
Oh yeah, better kiss kiss

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Below is the structure of her this portion of the rap, I’m not that well versed in this technical aspect of music theory but I digress, this is all in the span of around 5 seconds where it’s:
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Triplet-triplet
Quadruplet-triplet
Quadruplet-doublet
Doublet-quadruplet

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Now, 25/5 = 5 syllables per second isn’t groundbreaking, but goddamn it these 2 bars sound so nice — if there is one part in this album that I always repeat, it’s this. The addition of that first quadruplet for cannot miss this in the midst of the triplets sticks out and accelerates the flow of the rap while the following doublets and quadruplets destabilize and slow the rap down as the verse closes. And can I just point out:
THE MAIN VOCALIST WROTE, DIRECTED, AND COMPOSED THIS SONG ‼
Chaeyoung of course delivered the fuck out of her verse but THIS is what you get when you have a member not only write the words they’re saying but also the melody and flow with which they sing it, when that member knows the others so well that when they write a song they know how to make the group exceed. This is what you get when the artists you stan love doing artist shit.
And. AND. That's not all — with how much I mentioned I love a good outro to close a song, this outro slaps as well:
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Woo wee woo wee woo
I like this Trouble be-be
Woo wee woo wee woo
I like this Trouble bay-be
Woo wee woo wee woo
I like this Trouble bay-beh
Woo wee woo wee woo
I like this Trou-ble

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Like, come on, Nayeon’s imitating a police siren for crying out loud. And this is all after her ad-libs in the final post-chorus; after the pianist going full tilt and playing that piano as if it was their last chance to ever play; after that final T W I C E chant by all the members come these blissful 20 seconds at the very end. What a song.
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THE GOOD

• The theme of relishing in an uncontrolled love
• Sana and Mina’s melody in the pre-chorus
• Whole neighbourhoods full of house
• You cannot resist this, cannot miss this, such a bliss
• Wees and woos

Needs Work

• Mina’s line of falling down, falling down, falling down low in verse 2 feels a bit too abrupt of a change

Core Memory

• While writing Trouble's review I had this song on repeat for my whole subway commute and I must've been so distracting, just head-bopping and being so invested in my enjoyment

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Need I say more, easy 9/10. The only reason I place Talk that Talk above Trouble is because of what that song represents but besides that, this is one of the best “international” sounds they’ve put out. Actually, I haven’t listened to Eyes wide open in a while but this song is up there with one of the most sonically pleasing pieces of work they’ve done.
Clubbing TWICE has always been a thing since TT was birthed in 2016, and has been a staple of their discography since 2019’s Fancy You and Feel Special mini albums, but Trouble unapologetically dives into and fits the house genre so well you’d think that this is TWICE’s bread and butter sound.
Trouble is Jihyo’s magnum opus. What a song.
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BRAVE BRAVE BRAVE
FOR YOU
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Brave 💖

Produced by Slow Rabbit
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I first thought this was just a good song, then I read the lyrics.
Gentle guitar plucks, shimmering synths, a distant keyboard in the right ear, in the left a glockenspiel, the melodic oohs from the members — this song is PRETTY.
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The night that was unusually dark
Above this terrifying world, felt so lonely
The world has grown in the time of wandering
So hard to breathe

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Mina and Chaeyoung open the song with how they feel lonely, that it's hard to breathe and now suddenly the song feels bittersweet — I was not expecting the song to become this emotional. Brave describes a situation where the singer is in a darker place in life and it isn't until another person gives them hope by calling them Brave that they find the drive to keep going.
Once the chorus hits, the melodies pick up, more guitars get added — there’s even an electric guitar hidden in the mix somewhere, and the song drops the emotional front to reveal a mid-tempo pop song to dance to while crying in the club. The song as a whole still carries this melancholy feeling, but now with the added support of the chorus, acting as a light amongst the gloom.
Continuing on in the second verse there's this gorgeous, well-placed break in the song that just lets it settle after that chorus. Only a seasoned producer would risk this much empty space in a song and Slow Rabbit went to fill those shoes.
Back to the chorus, I'll take this moment to once again commend Slow Rabbit with the mixing of the song, because 4MIX undoubtedly sounds good in the chorus, and the interludes from Dahyun, Chaeyoung, and Mina also sound really good, but the clear highlight of the choruses are these lines:
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Oh na na na neon nal naige hae
On and on and on
Brave Brave Brave for ya
Oh na na na neon nal sum shwige hae
On and on and on oh trust me babe

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Momo, Sana, and Tzuyu form this beautiful, surprisingly catchy, second half of the chorus accompanied by a guitar drop. It should not turn out this well with how conflicting the "na"s are with the guitar melody but it creates this gentle bopping ebb and flow that feels so lush and mellow.
Diving into the bridge reveals that the listener of the song is revealed not only capable of supporting the singer through direct words but also through their thoughts and dreams. As can be discerned, this can be a song interpreted to be about ONCEs, about how they push TWICE to be their best selves despite the breathless hardships they face. It's a very sweet and touching song.
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THE GOOD

• Special lyrics
• Pleasant sound to vibe out to
• That gentle break after the first chorus
• 3MIX poppin' off at the end
• Just very pretty vocals throughout

Needs Work

• Potentially hard to comprehend without translating the Korean lyrics

Core Memory

• Form of Therapy’s life motto revolves around the word “brave” — I don’t know where I got that from, but I remembered it right before watching his album reaction (yes, this is very random)

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I’m actually spoiled with the TWICE members’ easy-to-understand songwriting that when a song like this pops up where it's not written by a member and the thematic bits are mostly in Korean, I tend to put it aside in favour of the other songs on the album. And, especially for a song focusing on a theme like this where the English phrases don’t do the Korean lyrics enough justice, it does place a bit of a barrier on the listening experience, dropping it down to a 7/10 from an 8/10.
With that anecdote out of the way, this song is just such a vibe, man. I know that sounds super hippy to say but Brave is so mellow and smooth that I can’t help but sway a little when that chorus hits. And then I remember what the lyrics say and I tear up a bit on the inside. This song is so pure, raw, and full of heart — we need more songs like these where they just reminisce about life while putting up an upbeat front. Don't mind me just crying while dancing the night away.
With that said, this isn't the first time this theme has been sung by TWICE either, they've long trodden this path of supportive, confiding, up-lifting songs with Young & Wild, Rainbow, Queen, Go Hard, Depend on You, even this album's Queen of Hearts, and, of course, Feel Special. Brave just adds another on top of an already stacked lineup, unique with its mellow somberness.
Also now feels like a good time to get into my rating system:

• 7/10s are songs are ones that are simply good throughout or great songs with apparent flaws
• 8/10s are great songs with distinct killing parts
• 9/10s are borderline perfect songs where I sometimes can't comprehend how great they are
• And 10/10s are the best of an artist's discography, songs that encapsulate their ethos perfectly or expand upon them in a meaningful way

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I SEE THE LIES
ON THE TIP OF YOUR TONGUE
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Gone 💨

Lyrics by Dahyun
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Who the fuck pissed off Dubu this time??
It’s getting quite rare to see TWICE pull off brand new sounds because, with now 190 original songs under their belt as of this review, they’ve done so many genres and sub-genres varying from hyper pop, to bossa nova, to whatever 2020’s Go Hard is. So it’s surprising to see they’ve still got tricks up their sleeves and Gone is one of them.
The song starts with strings swinging back and forth and vocal chops dancing from ear to ear, teasing what’s yet to come. Jihyo enters the song with a whisper and the song sets its pace. A stagnant drum pad moves the song along and typical song progression would have Mina continue the build, but — it doesn’t. The song simmers, adding a hint of high hat to the pot. And then Sana and Tzuyu come on and surely the buildup must boil over right?
Silence, until…
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I see the LIES on the top of your tongue

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The strings emerge again on full blast, the simmer rolls to a boil, and the anger of the song is revealed,
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All the fate I had towards you
Fades like a fog, Gone, Gone
Your flipping mind of doing this and that
I’m tired of it, it’s meaningless
In the beginning, it was hard to believe
With that, hatred increases

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The singer is so scorned and burned from this relationship that they reminisce about all the effort they’ve put in since the beginning, but their “partner” is so unconcerned that they’ve just about had enough of the relationship altogether.
This has been Dahyun’s thing since 2020’s Bring It Back, 2021’s Cruel, 2022’s That’s all I’m saying, and even 2023's Don't Blame It On Me — emotionally charged breakup songs that make you feel as if she’s survived through a dozen bad relationships. Dispatch, do try to do your job better.
Another highlight of the song is the post-chorus going into the bridge. This segment reiterates the structure from the first post-chorus — a barrage of drums supported by the rhythmic strumming of a bass guitar along with a consistent synth filling out the soundscape. But this time, it’s Dahyun and Chaeyoung on the rap:
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I can’t stand it anymore
My patience, invisible
I can’t find it, it’s all Gone
Even if I try to turn back, it’s too late
There’s no use anymore
It has left, it’s long Gone
You, with flipping mind, you are out
I know that you know what I’m talking about
Nothing you could say that could turn this around
I’m Gone

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Building upon the disrespected theme of the song, Dahyun notes that she’s finally had enough with Chaeyoung adding that there’s no point salvaging what love was once there. Momo and Dahyun round it off by telling the listener that there’s no point trying to reason with them or playing naive, they fucked up and there’s no coming back.
Can I just say, it's a bit of a shame that Chaeyoung’s rapping popped off in this album while Dahyun only has this one verse that she shares with Chaeyoung, but it just sounds so good how Dahyun eases in after the chorus with her light rapping tone transitioning into her singing. She even holds the Gone in a little crescendo for some added pizzazz.
And, there’s no way I’m not going to talk about Momo’s vocals in this bridge. Damned if she only got 1 line to use it in, her lower register is incredible. She sounds so smooth singing in this tone. All of TWICE do in particular and there is nary a weak vocal performance in this album.
To close the song off, a wash of synths gets to have their shine in the spotlight, showered with Nayeon’s belting, signifying the dramatic and drawn-out conclusion of this partnership.
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THE GOOD

• They’ve still got their surprises
• Thundering chorus
• 2nd rap and bridge combo
• A bitter, crumbling relationship theme

Needs Work

• I’m not a huge fan of the mixing during the first post-chorus, where Momo's vocals were fighting with the production, which is disappointing because Momo is capable of an insane flow
• The post-chorus in general, specifically the first one, can be a bit tiring on repeat listens

Core Memory

• Actually, I think this song sounds like a mix between GOT7's Not By The Moon, BLACKPINK’s Love To Hate Me, and Dahyun’s Bring It Back. I don’t know where I got this thought came from, but it stuck

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Going back to that point about the first post-chorus as a whole; songs that have the production continue unchanged into the post-chorus/2nd verse are very hit or miss for me — see TWICE's Don't Call Me Again for an overbearing example. The post-chorus going into the bridge contrasts Dahyun’s light tone nicely with the hard-hitting production, continuing the energy until it slowly fades into silence at the end of the bridge.
Back to the song as a whole, as much as TWICE has been experimenting with their sound for the past 4 years now, I’m happy they’re still finding new ways to explore what they’re capable of. And for that alone, even though I’m not a big fan of songs like these where they rely on sounding “big”, Dahyun’s lyricism and the thrill I receive every time I indulge myself in this song elevates it to an 8/10. Keep on breaking hearts, Dubu.
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INVINCIBLE
SUPERHEROES
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When We Were Kids 🧸

Lyrics by Dahyun
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Press play to reminisce, pull up lyrics to cry.
This song is so beautiful. I’m totally not writing this song review, crying on the bus reminiscing about my childhood, while just having turned 21. I don’t know if these are happy or sad tears but this song is so beautiful either way.
Warm synths, muted piano, a gentle high hat, the younger members starting off the song — this has to be up there for one of the softest TWICE songs ever. And as it should, it’s one of the TWICEiest songs ever. And then Nayeon comes in:
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Invincible superheroes, we wanted to be adults
To the higher, clearer world

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The chords start swelling, the high hat keeps pace, and the harmonies pour in.
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Remember When We Were Kids
When We Were Kids, we didn’t know
If we could go back
I will love it even more
Remember When We Were Kids

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Jihyo takes up the second half of the chorus as it drops, trading the strings for an almost R&B synth production — if choir R&B takes off, this song started it. The song relishes in this cacophony of warm sounds until returning to its sparse and peaceful verses.
This time, the hints of piano are louder, little twinkling synths begin to shimmer, the drum buildup comes and Jeongyeon drives the song straight into the chorus. No time for the strings to build like in Nayeon’s — this song loves its chorus so much.
And I'll just take this time to appreciate the amount and range of Jeongyeon vocals in this album. Her voice is so textured, stable, and projected — but also more tender and soft compared to the more pronounced tones of Nayeon and Jihyo.
The bridge comes in, repeating the phrase:
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I wish that I could meet
Could meet the younger me

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Giving the song time to rest, before building back up to the last chorus — this time led by Jihyo, completing the 3MIX trifecta. And interestingly enough, Chaeyoung follows up in the second half of the chorus, rather than another member of the vocal line. She really did pop off in this album.
As the last chorus begins to close, the percussion at its strongest, the harmonies on blast, the background vocals cranked up to their Sunday best, is the song going to end? Of course not! This is an album full of banger endings as if the songs don’t want to end, and When We Were Kids being the album closer very much indulges in that feeling.
After a brief refrain, accented by Nayeon’s high note with a touch of vibrato, the song almost dives back into a fourth chorus. Nayeon and Jeongyeon harmonize — a rare and heavenly moment. And the song repeats the bridge, reiterating that they want to meet their younger selves, this time with the lush chorus production before closing with silence, a few piano notes, and Tzuyu singing the last line of the song:
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Oh, we were kids

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Reflection, acceptance, hope. What a song.
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THE GOOD

• Heavenly vocals throughout
• Relatable, heartfelt lyrics
• Euphoric chorus
• Great closer to the album

Needs Work

• Refrain after the last chorus, Back When We Were Kids, could’ve been executed better

Core Memory

• For an album titled Between 1&2, I don’t think anything hits harder than finishing the song reviews, with this song in particular, during your 21st birthday

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I wrote the first part of this review in November 2022. Then university, life, and other things got in the way of my headspace for me to feel confident about wrapping all of this up. In a way, I felt like I just didn’t want this review to end because of the joy that writing gives me — I didn’t want the happiness to end. And then it hit me, after watching a YouTuber rank animated movies and them placing Spirited Away at the top and explaining 'why' reminded me of just how important growing up is, and by extension this song.
This theme is important for both the rookie TWICE members in 2015 and the teenagers who would follow their journey and grow up with them, facing life’s obstacles along the way. Hardships that used to only involve family, crushes, and social media, evolve into work, commitments and all the struggles that adult life brings. Being a kid and enjoying the simple things in life is one of the most sought-after moments we want to relive because we took growing up for granted. The only thing we can do now is look back on ourselves with fondness and rose-tinted lenses.
TWICE’s original meaning was to resonate with people through their senses and their hearts. That was during their debut, and I think it still holds up today. In my opinion, touching people through their emotions is what TWICE does best and makes them one of K-pop’s all-time greats. It was never about having the best numbers — it was about being the best idols. And to think that this journey of maturation and growth would occur from 2015 all the way to this song, being a fitting nod to TWICE’s 7th anniversary, I don’t think anyone at the company nor the group would ever imagine that they would get this far. It’s these nine women or none — 9/10.
This song honestly deserves a 10/10 with how much I noticed other people reminiscing their childhoods after I heard this song, it is such a widely-relatable message, but I am determined to limit myself to one 10/10 song per album and if I were to pick between TTT and WWWK, I'd give it to the one's that's more repeatable — Talk that Talk just has this electric energy about it.
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Epilogue

And finally here is the end. If you made it in one sitting then I commend you, because I could not write this mess in one sitting. As alluded to, I started writing this album review sometime in October, after a series of edits the first draft was finished in March, and now here's the final draft in June.
I love this album. It got me through some important parts of my life, both good and bad, and it's just a wonderful listen throughout. Reliving this album again before finally completing the review has been an exciting journey. Brave hit me harder this time, after being overshadowed by the other gems of this album, and WWWK finally got me to tear up and not just be emotionally satisfied.
I feel like there's something for everyone on this album. From the exhilarating thrills of TTT to the anthemic euphoria of QoH, the clubbing dichotomy of Trouble and Brave to the blissful glee of Basics, and the sweet reminiscence of WWWK to the thundering anger that is Gone. Like Eyes wide open, I liken Between 1&2 to a pop music taste platter — there's such an eclectic mix of pop music in this album that there's bound to be a song that someone will love, like, and dislike.
Is this album perfect? I don't think so, but it's close — it was certainly my 2022 AOTY. Was this review biased? Absolutely. I've been a fan since 2019 and with the themes in this album, I also feel like it was biased towards me as a ONCE. And how would I rank the album in TWICE's catalogue? It's honestly at the top, at least with EPs — I also felt that way towards Feel Special but then this album was birthed so I'm excited for TWICE's future.
Ready To Be was also a stunning album and Eyes wide open frankly also deserved the spotlight that Formula of Love received so I might hit those next but no promises; this album took long enough to bake.
As for the performances, I've only seen Twitter clips (no fancams to not spoil myself) and I am SO EXCITED to finally see them in July. QoH was as glorious as expected, Brave was a delightful surprise, and WWWK, while not being the concert closer everyone expected it to be, paired up nicely with Crazy Stupid Love. And of course the bombastic addition of the dance break to TTT. But, this is not a concert review, and here is where this album review ends.
Feel free to comment with any thoughts regarding the album, other TWICE albums, and any suggestions for my writing in general. Congrats again on making it this far!
God, I love this album.

Part 4
Day 14

**Chloe and Fred stood guard by the doorway to the stairs, their guns trained on it. Multiple screeches could be heard upstairs and slowly carefully they both started going up. SCREECH! One of the hounds appeared** **Fred looked like he was going to argue but he lowered his head and nodded.** **“Wait, where's mom?” I asked the worry heavy in my voice.** **Fred looked down somberly and Gretchen started sobbing.** **“N… no sh… she’s… she can’t be dead.” I stammered out.** **“I’m sorry Joey, if I could’ve done something I would’ve.” He apologized.** **I looked down in despair beginning to fill my very soul. My mom, the person who’d raised me, was gone. She was gone forever. I felt the tears begin to pool in my eyes and Chloe gave me another tight hug.** **SLAM! The pile of junk against the door rattled and one of the boys screamed. Chloe let out a small yelp and then we all stood there in silence. SLAM! This time it was followed by a cracking sound.** **“They’re going to get in,” Fred growled, “We all need to be quiet.”** **We all sat there for a moment as the things tried, again and again, to break through, but finally, they stopped. Fred turned back to us and his eyes went wide.** **“Y’all need to get patched up real quick.” He said.** **The next few minutes were a stress-filled roller coaster. Chloe sat me down on the couch and ran to the bathroom to get the medical supplies, and she also got the sewing kit. I thought getting my back and leg stitched up while still conscious was painful, but what I felt that day I never want to feel again. I felt the needle go in and out of my face. I felt my face slowly begin to pull back together, and it was all excruciating. While Fred did his work Chloe had to sit there and cover my mouth to hold back my screams. Even through the pain and the tears in my eyes, I could see she was also crying. Finally, after what seemed like an eon he finished the last stitch and was done.** **Then he started with Chloe. I was too weak to sit up, but I held her hand as he quickly stitched up her shoulder. With each stroke of the needle, I saw the pain in her face. Tears rolled down her cheeks as he finished his work. We were all patched up, but oh I wish that could’ve fixed the sorrow we felt.** **Chloe helped me walk to our bedroom to finally get some shut-eye. My whole body hurt and ached and it all felt broken. She sat me down on the bed and gave me a grim look. She looked tired and worn. Her normally straight hair was a curly mess and little specks of dried blood were about her face.** **“I suppose you need to get changed.” She said, looking at me.** **I looked down at my still blood-soaked clothes and then back at her.** **“I suppose I do,” I said, a little embarrassed that she would have to help me.** **Once we were both settled I finally laid down with Chloe crawling into bed next to me.** **“I’m so happy you’re ok,” I said, leaning forward and kissing her.** **She smiled but it quickly faded, “Joey I’m scared.”** **“I know, I’m too, we just have…” I started but she interrupted me.** **“It just… I don’t know what’s going on. It shouldn’t be snowing still. It's almost May.” She said, her eyes tearing up, “I’ve been trying to stay strong, but I just can’t anymore. I'm scared.”** **“Chloe, it’s ok to be scared. I’m terrified.” I told her.** 

“I… I have to be the brave one,” She said.
“No, you don’t, you can just be the wonderful person I love. I don’t care if you’re scared or afraid I love you.” I said, pulling her into a tight hug.
She started crying, totally sobbing is probably a better word.
“I don’t want to lose you,” She sobbed.
“I’ll be ok, I promise.” I tried to say but she wasn’t hearing me so I just held her tightly while she sobbed.
Finally, after a long while of crying, she pulled away and looked at me.
“Can I tell you what happened?” She asked shyly.
“Yes of course,” I said, knowing that venting always helped.
And so she finally told me what had happened that day in the Garrison’s house. Every little detail. When she finally finished I felt a shiver go down my spine.
“I’m sorry,” Was all I could manage to say.
She didn’t say anything else, she just cuddled up next to me and cried softly into my shoulder. I gently ran my hand through her hair and slowly drifted off to sleep.
Day 15

**We spent the early morning preparing supplies and everything we needed then finally around noon we loaded the jeep.** **“Chloe, I’m going to get the snowplow you stay here and keep everyone safe.” He said quietly.** **“Ok, be careful,” She said, all too happy that the man wasn’t expecting her to come with him.** **Fred slowly made his way upstairs quietly and carefully creeping one step at a time. Each step he took felt like a marathon. His heart was beating so fast he thought it might burst. One step, then another, then another still, and despite his fear he finally made it upstairs.** **It looked just the way he’d seen it the evening before. Thrown around with the creeper’s large body lying near him. The massive amounts of blood around it had frozen making a large icy sheet on the carpet.** **He couldn’t help but look at the body. Its black exoskeleton reminded him of beetles. It was smooth with no color variation. There were small gaps around the joints and the legs had more exposed flesh than the exoskeleton. He looked at the small gap where the back met the thighs. He drove his fingers into the gap and started peeling the section of the exoskeleton off. It peeled nicely until he got to a certain point where it wouldn’t budge. Annoyed, he walked away and towards the front door. A frozen trail of Gretchen’s blood was still visible and partially buried in snow was my mom’s body. Fred grimaced at the sight and hurriedly continued onward. The quickest route to the snowplow lot was through a few backyards.** 

The fences were mostly buried and at this point only stood 6 inches or so out of the snow. Stepping over them was easy, and they hardly hindered his path. What did begin to hinder his path was the storm. It howled and screamed at him throwing all the snow and wind it could at him. It reminded him of an angry toddler throwing their food at you. It was odd but that was the best way to put the storm. It was angry, very angry, and he didn’t know why.
Crunch! Crunch! Crunch! Fred stopped and slowly scanned his surroundings to see where the sound had come from but he saw nothing. He wasn’t sure why he looked; he could barely see his hand if he held it out. He guessed it was out of instinct but he wasn’t sure. He stood there listening but whatever had made the sound seemed to have also stopped. He was somewhat confused because that wasn’t really what the creatures sounded like on snow. Nor did it sound like other animals he knew. Suddenly a thought crept into his head, and in a either very dumb or very intelligent move, he spoke.
“Who’s there?” He asked in as loud and as stern of a voice as he could muster.
There was a small pause of silence and right as Fred began to worry he’d made a mistake he heard something on four legs sprint off in the other direction. Must’ve been a deer he thought a little annoyed that he’d thought even for a moment that it was a person. He continued onward with even more caution. He kept the shotgun up constantly now worrying something would sneak up on him. He couldn’t control his now-shaking body despite how much he tried to calm himself.
He stopped walking and started taking deep breaths. In and out. In and out. He said to himself as he did the breathing exercises. After a minute he pulled himself together enough to continue. He walked on and on for what seemed like an eon before finally he arrived. He saw the large building ahead of him. It was a large warehouse-type building with multiple massive garage doors on the sides.
He saw a normal-sized door the size of the building and pulled at the handle. Locked! Of course, it was locked. Slam! The first kick shook the door. Slam! The second it started to cave slightly. Slam! Crash! The door toppled onto the ground and Fred walked into the building, gun raised and ready for a fight.
Chloe sat on the couch eyeing the stairs to the first floor. The responsibility to keep everyone safe was now on her, and she was determined to do that. All she could think about was the monsters outside and likely right upstairs. For all, she knew they were right upstairs conspiring to kill them. She didn’t know how right she was.
CRASH! The window in the window well next to her burst open sending shards of glass all around.
“What’s going on?” Gretchen asked from the other room.
“Babe?” I asked in a worried frenzy.
She pulled herself from the ground in a daze. She felt odd then she felt a wetness begin trickling down her face. She’d been cut up pretty well in a few places on her face. Before she could think of anything else SCREECH!
She looked over and saw a hound crawling in through the now-shattered window. Shoot where’s the gun? She thought scanning the room. Her eyes scanned until they met the semi-automatic. She’d set it on the couch right where the hound was crawling through. She dove for the gun but its large clawed foot slammed onto the gun pinning it under the beast. Darn, it! Slowly she eyed the creature as it pulled itself in. It was just standing there watching her, it seemed very odd and not normal behavior. Then a faint ticking sound came from outside. SCREECH! It charged for her and she pulled her knife. BANG! The blast threw the hound off balance slamming it into the ground. She found herself looking over to see Gretchen wielding the smoking shotgun.
Chloe was about to thank her when the thing got back up changing its course for Gretchen. BANG! The second shot hit the thing square in the face and it screeched in anger and pain. Chloe took the opportunity and jumped atop the thing plunging the knife deep into one of the eye sockets. It screeched again and jumped up, throwing Chloe off with the knife still wedged in its eye. In the meantime, Gretchen reloaded the shotgun BANG! She shot it in the face again, but it only seemed to anger the thing.
“LEGS!” Chloe screamed, pulling herself off the floor.
At the same moment, Gretchen pulled the trigger and two more hounds started their way through the window.
The shot hit the first hound square in one of the back legs, shattering it, and the two hounds were already halfway through the window.
Fred walked into the building relieved to see it was nothing more than dark and empty. He scanned the room he’d entered. It was a small office area. His eyes fell on the small cupboard near the door. Each drawer was small and numbered 1 to 4. He pulled one open and saw keys on a hook. His heart leaped with excitement and he took his eyes and turned around. There was a small door that looked like it would be to the garage so he popped it open. Inside the garage were four large snow plows with big numbers painted on the side of them. He checked to see he had 4 so he ran to the other side of the garage to snowplow 4. Fred climbed up the door and tried to pull it open. Locked. He put the keys in and unlocked the door then hopped in and started the vehicle. It roared to life sounding like he’d woken a large sleeping lion. On the dashboard were a few bobbleheads and a small remote. He grabbed the remote and pressed button 4. Slowly with the sound of breaking ice accompanying it the garage door in front of the plow began to lurch open.
He scanned around the mess of levers and buttons until he found the truck's lights. He switched them on and then slowly put pressure on the gas. The massive plow immediately began to roll forward. He’d have to be slow as even with its powerful lights it was still extremely hard to see. So with much caution, the plow pulled out of the garage pushing the snow out of its way and making its way for the road.
The two hounds hissed and growled as they both pulled themselves fully through the window. Then in a quick move one made for Gretchen while the other charged for Chloe. Gretchen finished putting in the new bullets. BANG! The shot was aimed at its leg but hit it on the side. Chloe looked around and realized they’d kicked the semi-auto onto the floor. She reached for the gun, grabbed it just in time, and turned around. RAT-A-TATATATA!! Its two front legs were instantly shattered, toppling it over, causing the rest of the shots to hit it square in the face. BANG! Gretchen's second shot broke one of its front legs, but the creature unfolded its mantis arms and continued on those. Chloe didn’t even think she saw the hound going for Gretchen and pulled the trigger. RAT-A-TATATATA!! She nailed perfect shots. She hit all six limbs right at the joints causing them to collapse to the ground.
They both looked around at the three broken hounds. All three still growled in pain and tried to get up, but each attempt just seemed to break them more. Chloe walked over to the first one and pulled the knife out of its eye. SCREECH! It continued letting out progressively weaker screeches until as blood poured from its eye finally, it was silent. Silently and efficiently, Chloe opened the mouths of both the others and stabbed upward piercing the brain instantly killing them.
The plow soured through the snow pushing all of it aside leaving mountains of snow on both sides of the road. Suddenly there was a loud metal scraping sound and something big was thrown over and to the side. Fred stopped the plow and looked out the rearview mirror to see a now-destroyed car lying in one of the snow piles. He couldn’t help but be impressed; he didn't think the plow would be so powerful that it could hurl a car like that.
He continued on and then he slowly turned onto the street the house was on. He now drove down the road and noticed as he got close to the house a large creeper standing outside. It stood there menacingly, looking down into the window wells. Worry shot through him and in an instant, he turned the plow toward the creature and rammed straight into it. He pulled forward pinning the creeper between the plow and the brick wall of the house. It lay there pinned screeching its lungs out in pain. Slowly and nervously Fred stepped out of the plow shotgun gripped tightly. SCROAr! Its call becomes much weaker. Its body was a twisted broken mess and its head only barely poked out above the plow. He walked over to the creature looking into its eyes.
Jess. He thought staring into the brown eyes he’d once loved. BANG!!! The bullet tore through its already broken exoskeleton and its head exploded onto the brick wall next to it. Tears rolled down his face and he fell to his knees.
“I love you, honey,” He said to the dead creature. “I’m sorry.”
He hoped in his mind that she was free now, or better yet that she was already dead. Although, those eyes, those eyes, it seemed that until the moment he’d shot her she was still inside there somewhere. He started sobbing, dropping the shotgun and collapsing onto the snow.
The flow of snow finally stopped and Chloe pulled herself off the ground. She looked around to see the entire basement had been partially flooded with snow. She helped me up and Gretchen hurried her kids and the dogs out of the basement. Slowly and patiently she helped me up the stairs and onto the first floor. My eyes landed on the corpse of the creeper; it was covered in icy crystals made of its own blood. I looked out the window and saw the snowplow right next to the house except it was missing a driver. Chloe sat me on the couch and hurried outside.
After Fred collected himself we all packed the jeep and snow plow. Me and Fred got in the plow while the others got in the jeep. Slowly the plow lurched forward and the jeep pulled out of the driveway and followed.

Part 4
Day 14
Chloe and Fred stood guard by the doorway to the stairs, their guns trained on it. Multiple screeches could be heard upstairs and slowly carefully they both started going up. SCREECH! One of the hounds appeared
Fred looked like he was going to argue but he lowered his head and nodded.
“Wait, where's mom?” I asked the worry heavy in my voice.
Fred looked down somberly and Gretchen started sobbing.
“N… no sh… she’s… she can’t be dead.” I stammered out.
“I’m sorry Joey, if I could’ve done something I would’ve.” He apologized.
I looked down in despair beginning to fill my very soul. My mom, the person who’d raised me, was gone. She was gone forever. I felt the tears begin to pool in my eyes and Chloe gave me another tight hug.
SLAM! The pile of junk against the door rattled and one of the boys screamed. Chloe let out a small yelp and then we all stood there in silence. SLAM! This time it was followed by a cracking sound.
“They’re going to get in,” Fred growled, “We all need to be quiet.”
We all sat there for a moment as the things tried, again and again, to break through, but finally, they stopped. Fred turned back to us and his eyes went wide.
“Y’all need to get patched up real quick.” He said.
The next few minutes were a stress-filled roller coaster. Chloe sat me down on the couch and ran to the bathroom to get the medical supplies, and she also got the sewing kit. I thought getting my back and leg stitched up while still conscious was painful, but what I felt that day I never want to feel again. I felt the needle go in and out of my face. I felt my face slowly begin to pull back together, and it was all excruciating. While Fred did his work Chloe had to sit there and cover my mouth to hold back my screams. Even through the pain and the tears in my eyes, I could see she was also crying. Finally, after what seemed like an eon he finished the last stitch and was done.
Then he started with Chloe. I was too weak to sit up, but I held her hand as he quickly stitched up her shoulder. With each stroke of the needle, I saw the pain in her face. Tears rolled down her cheeks as he finished his work. We were all patched up, but oh I wish that could’ve fixed the sorrow we felt.
Chloe helped me walk to our bedroom to finally get some shut-eye. My whole body hurt and ached and it all felt broken. She sat me down on the bed and gave me a grim look. She looked tired and worn. Her normally straight hair was a curly mess and little specks of dried blood were about her face.
“I suppose you need to get changed.” She said, looking at me.
I looked down at my still blood-soaked clothes and then back at her.
“I suppose I do,” I said, a little embarrassed that she would have to help me.
Once we were both settled I finally laid down with Chloe crawling into bed next to me.
“I’m so happy you’re ok,” I said, leaning forward and kissing her.
She smiled but it quickly faded, “Joey I’m scared.”
“I know, I’m too, we just have…” I started but she interrupted me.
“It just… I don’t know what’s going on. It shouldn’t be snowing still. It's almost May.” She said, her eyes tearing up, “I’ve been trying to stay strong, but I just can’t anymore. I'm scared.”
“Chloe, it’s ok to be scared. I’m terrified.” I told her.
“I… I have to be the brave one,” She said.
“No, you don’t, you can just be the wonderful person I love. I don’t care if you’re scared or afraid I love you.” I said, pulling her into a tight hug.
She started crying, totally sobbing is probably a better word.
“I don’t want to lose you,” She sobbed.
“I’ll be ok, I promise.” I tried to say but she wasn’t hearing me so I just held her tightly while she sobbed.
Finally, after a long while of crying, she pulled away and looked at me.
“Can I tell you what happened?” She asked shyly.
“Yes of course,” I said, knowing that venting always helped.
And so she finally told me what had happened that day in the Garrison’s house. Every little detail. When she finally finished I felt a shiver go down my spine.
“I’m sorry,” Was all I could manage to say.
She didn’t say anything else, she just cuddled up next to me and cried softly into my shoulder. I gently ran my hand through her hair and slowly drifted off to sleep.
Day 15
We spent the early morning preparing supplies and everything we needed then finally around noon we loaded the jeep.
“Chloe, I’m going to get the snowplow you stay here and keep everyone safe.” He said quietly.
“Ok, be careful,” She said, all too happy that the man wasn’t expecting her to come with him.
Fred slowly made his way upstairs quietly and carefully creeping one step at a time. Each step he took felt like a marathon. His heart was beating so fast he thought it might burst. One step, then another, then another still, and despite his fear he finally made it upstairs.
It looked just the way he’d seen it the evening before. Thrown around with the creeper’s large body lying near him. The massive amounts of blood around it had frozen making a large icy sheet on the carpet.
He couldn’t help but look at the body. Its black exoskeleton reminded him of beetles. It was smooth with no color variation. There were small gaps around the joints and the legs had more exposed flesh than the exoskeleton. He looked at the small gap where the back met the thighs. He drove his fingers into the gap and started peeling the section of the exoskeleton off. It peeled nicely until he got to a certain point where it wouldn’t budge. Annoyed, he walked away and towards the front door. A frozen trail of Gretchen’s blood was still visible and partially buried in snow was my mom’s body. Fred grimaced at the sight and hurriedly continued onward. The quickest route to the snowplow lot was through a few backyards.
The fences were mostly buried and at this point only stood 6 inches or so out of the snow. Stepping over them was easy, and they hardly hindered his path. What did begin to hinder his path was the storm. It howled and screamed at him throwing all the snow and wind it could at him. It reminded him of an angry toddler throwing their food at you. It was odd but that was the best way to put the storm. It was angry, very angry, and he didn’t know why.
Crunch! Crunch! Crunch! Fred stopped and slowly scanned his surroundings to see where the sound had come from but he saw nothing. He wasn’t sure why he looked; he could barely see his hand if he held it out. He guessed it was out of instinct but he wasn’t sure. He stood there listening but whatever had made the sound seemed to have also stopped. He was somewhat confused because that wasn’t really what the creatures sounded like on snow. Nor did it sound like other animals he knew. Suddenly a thought crept into his head, and in a either very dumb or very intelligent move, he spoke.
“Who’s there?” He asked in as loud and as stern of a voice as he could muster.
There was a small pause of silence and right as Fred began to worry he’d made a mistake he heard something on four legs sprint off in the other direction. Must’ve been a deer he thought a little annoyed that he’d thought even for a moment that it was a person. He continued onward with even more caution. He kept the shotgun up constantly now worrying something would sneak up on him. He couldn’t control his now-shaking body despite how much he tried to calm himself.
He stopped walking and started taking deep breaths. In and out. In and out. He said to himself as he did the breathing exercises. After a minute he pulled himself together enough to continue. He walked on and on for what seemed like an eon before finally he arrived. He saw the large building ahead of him. It was a large warehouse-type building with multiple massive garage doors on the sides.
He saw a normal-sized door the size of the building and pulled at the handle. Locked! Of course, it was locked. Slam! The first kick shook the door. Slam! The second it started to cave slightly. Slam! Crash! The door toppled onto the ground and Fred walked into the building, gun raised and ready for a fight.
Chloe sat on the couch eyeing the stairs to the first floor. The responsibility to keep everyone safe was now on her, and she was determined to do that. All she could think about was the monsters outside and likely right upstairs. For all, she knew they were right upstairs conspiring to kill them. She didn’t know how right she was.
CRASH! The window in the window well next to her burst open sending shards of glass all around.
“What’s going on?” Gretchen asked from the other room.
“Babe?” I asked in a worried frenzy.
She pulled herself from the ground in a daze. She felt odd then she felt a wetness begin trickling down her face. She’d been cut up pretty well in a few places on her face. Before she could think of anything else SCREECH!
She looked over and saw a hound crawling in through the now-shattered window. Shoot where’s the gun? She thought scanning the room. Her eyes scanned until they met the semi-automatic. She’d set it on the couch right where the hound was crawling through. She dove for the gun but its large clawed foot slammed onto the gun pinning it under the beast. Darn, it! Slowly she eyed the creature as it pulled itself in. It was just standing there watching her, it seemed very odd and not normal behavior. Then a faint ticking sound came from outside. SCREECH! It charged for her and she pulled her knife. BANG! The blast threw the hound off balance slamming it into the ground. She found herself looking over to see Gretchen wielding the smoking shotgun.
Chloe was about to thank her when the thing got back up changing its course for Gretchen. BANG! The second shot hit the thing square in the face and it screeched in anger and pain. Chloe took the opportunity and jumped atop the thing plunging the knife deep into one of the eye sockets. It screeched again and jumped up, throwing Chloe off with the knife still wedged in its eye. In the meantime, Gretchen reloaded the shotgun BANG! She shot it in the face again, but it only seemed to anger the thing.
“LEGS!” Chloe screamed, pulling herself off the floor.
At the same moment, Gretchen pulled the trigger and two more hounds started their way through the window.
The shot hit the first hound square in one of the back legs, shattering it, and the two hounds were already halfway through the window.
Fred walked into the building relieved to see it was nothing more than dark and empty. He scanned the room he’d entered. It was a small office area. His eyes fell on the small cupboard near the door. Each drawer was small and numbered 1 to 4. He pulled one open and saw keys on a hook. His heart leaped with excitement and he took his eyes and turned around. There was a small door that looked like it would be to the garage so he popped it open. Inside the garage were four large snow plows with big numbers painted on the side of them. He checked to see he had 4 so he ran to the other side of the garage to snowplow 4. Fred climbed up the door and tried to pull it open. Locked. He put the keys in and unlocked the door then hopped in and started the vehicle. It roared to life sounding like he’d woken a large sleeping lion. On the dashboard were a few bobbleheads and a small remote. He grabbed the remote and pressed button 4. Slowly with the sound of breaking ice accompanying it the garage door in front of the plow began to lurch open.
He scanned around the mess of levers and buttons until he found the truck's lights. He switched them on and then slowly put pressure on the gas. The massive plow immediately began to roll forward. He’d have to be slow as even with its powerful lights it was still extremely hard to see. So with much caution, the plow pulled out of the garage pushing the snow out of its way and making its way for the road.
The two hounds hissed and growled as they both pulled themselves fully through the window. Then in a quick move one made for Gretchen while the other charged for Chloe. Gretchen finished putting in the new bullets. BANG! The shot was aimed at its leg but hit it on the side. Chloe looked around and realized they’d kicked the semi-auto onto the floor. She reached for the gun, grabbed it just in time, and turned around. RAT-A-TATATATA!! Its two front legs were instantly shattered, toppling it over, causing the rest of the shots to hit it square in the face. BANG! Gretchen's second shot broke one of its front legs, but the creature unfolded its mantis arms and continued on those. Chloe didn’t even think she saw the hound going for Gretchen and pulled the trigger. RAT-A-TATATATA!! She nailed perfect shots. She hit all six limbs right at the joints causing them to collapse to the ground.
They both looked around at the three broken hounds. All three still growled in pain and tried to get up, but each attempt just seemed to break them more. Chloe walked over to the first one and pulled the knife out of its eye. SCREECH! It continued letting out progressively weaker screeches until as blood poured from its eye finally, it was silent. Silently and efficiently, Chloe opened the mouths of both the others and stabbed upward piercing the brain instantly killing them.
The plow soured through the snow pushing all of it aside leaving mountains of snow on both sides of the road. Suddenly there was a loud metal scraping sound and something big was thrown over and to the side. Fred stopped the plow and looked out the rearview mirror to see a now-destroyed car lying in one of the snow piles. He couldn’t help but be impressed; he didn't think the plow would be so powerful that it could hurl a car like that.
He continued on and then he slowly turned onto the street the house was on. He now drove down the road and noticed as he got close to the house a large creeper standing outside. It stood there menacingly, looking down into the window wells. Worry shot through him and in an instant, he turned the plow toward the creature and rammed straight into it. He pulled forward pinning the creeper between the plow and the brick wall of the house. It lay there pinned screeching its lungs out in pain. Slowly and nervously Fred stepped out of the plow shotgun gripped tightly. SCROAr! Its call becomes much weaker. Its body was a twisted broken mess and its head only barely poked out above the plow. He walked over to the creature looking into its eyes.
Jess. He thought staring into the brown eyes he’d once loved. BANG!!! The bullet tore through its already broken exoskeleton and its head exploded onto the brick wall next to it. Tears rolled down his face and he fell to his knees.
“I love you, honey,” He said to the dead creature. “I’m sorry.”
He hoped in his mind that she was free now, or better yet that she was already dead. Although, those eyes, those eyes, it seemed that until the moment he’d shot her she was still inside there somewhere. He started sobbing, dropping the shotgun and collapsing onto the snow.
The flow of snow finally stopped and Chloe pulled herself off the ground. She looked around to see the entire basement had been partially flooded with snow. She helped me up and Gretchen hurried her kids and the dogs out of the basement. Slowly and patiently she helped me up the stairs and onto the first floor. My eyes landed on the corpse of the creeper; it was covered in icy crystals made of its own blood. I looked out the window and saw the snowplow right next to the house except it was missing a driver. Chloe sat me on the couch and hurried outside.
After Fred collected himself we all packed the jeep and snow plow. Me and Fred got in the plow while the others got in the jeep. Slowly the plow lurched forward and the jeep pulled out of the driveway and followed.

For gods sake help, I woke up this morning and have two lyrics playing on repeat in my head, even listening to baby Shark and aggadoo didn't shift them.
I think its a 70s or 80s song set in a 60s style, and used the names of a number of 60s rock and roll songs in it the Lyrics in my head are
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"roll over beethoven and leave the rock and rolling to meeeEEEEEEE"
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"its sure to make you twist and shout"
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And yes i have Googled it, but all I get is Chuck Berry and ELOs or the old L & P ad
Update---------------------------------
Thanks to the rigel_seven who replied "Good Morning Mr Rock and Roll" by Head band. That is the one
https://www.youtube.com/watch?v=9XGW1T44QTw
sorry I can't thankyou by name but reddit seems to be hiding your reply
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Proof Picture
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Howdy! The semester is over, finally graduated so it's time for a small sale.
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Gold
1881 $5 Gold Liberty - $550
2009 1/10 Gold Eagle MS 69 - $260
2014 1/2 Gram Gold Kookaburra - $49 Each (5 available)
2022 1/10th Gold Proof Libertad with Copper Spots - $290
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Fractional Silver
1 Gram Silver Bars - $1.85 Each (500 Available)
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Queens Beast 2 Oz Silver Rounds in Capsules
SOLD 2 Oz Completer (Milky) - $70
2 Oz White Horse of Hanover - $72
2 Oz White Lion of Mortimer - $75
2 Oz Black Bull of Clarence - $75
2 Oz Falcon of The Plantagenets - $78
PENDING 2 Oz White Greyhound Of Richmond - $69
2 Oz Yale of Beaufort - $69
2 Oz Lion of England - $72
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Slabs
1921 MS 63 Morgan NGC - $55
1878 S Morgan AU 58 PCGS - $75
1885 O MS 62 Morgan PCGS - $60
2012 Struck at West Point Silver Eagle MS 69 PCGS - $39
2009 MS 69 Silver Eagle Early Release NGC - $42
SOLD 2005 MS 69 Silver Eagle NGC - $36
2015 W Struck At Wes Point Silver Eagle MS 69 NGC - $40
2010 MS 69 Silver Eagle NGC - $40
Milky Silver Eagles MS 69 NGC - $36 Each (4 available)
2017 MS 69 First Strike Silver Eagle PCGS - $45
2013 MS 69 Silver Eagle Mercanti Signed - $43 Each (3 available)(Some are toned)
SOLD 1986 Silver Eagle ANACS MS 69 - $54 Each (2 available)
SOLD 1996 Silver Eagle ANACS MS 69 - $49
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Government/Sovereign Minted Silver 1 Oz Rounds
PENDING 2015 Reverse Proof Maple Leaf, E=MC^2 Privy - $40 (1 available)(Slight Milk)
SOLD 1986 Proof Libertad - $65 Each (2 available)(Velvet Box only)
1 Oz Kangaroo Imperfect - $26.75 Each
SOLD 2014 1 Oz Proof Libertad (Imperfect) - $88
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Premium 1 Oz Rounds
SOLD Circulated Libertads - $31.50 Each (8 available)(Imperfect)(Random Pick)
2014 1 Oz Koala - $31
2008 1 Oz Koala - $ (Scruffy Capsule, the coin is BU)Prices are all over the place, not sure on pricing. Open to hearing offers.
2019 1 Oz Marlin - $33
2005 1 Oz Kookaburra Aries Privy - $50
2021 1 Oz Kookaburra - $32
2018 Birds Of Paradise - $31
PENDING 1 Oz Rounds - $26.50 Each (5 Available)
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Bullion Silver
9 Fine Mint 1 Troy Pound = 12 Troy Ounces - $312 each, 2 available. ($26/Ozt)
5 Oz Silvertowne Silver Buffalo - $133
PAMP Love Always 1 Oz - $55
5 Oz Golden State Mint Vintage Bar - $195
SOLD 2022 1 Oz Silver Dragon Bar - $32 (Toned)
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Silver Dollars
1904 O Morgan Silver Dollar - $35
1889 P Morgan Silver Dollar - $37
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90% Silver
2 ROLLS SOLD$5 FV Roosevelt Dime Roll - $104 Each (4 Rolls available)
ALL SOLD Washington Silver Quarter Rolls - $208 Per Roll (4 rolls available)
SOLD 1930's Silver Quarter Roll - $220 (Roll has 40 silver quarters all from the 1930's only)
ALL SOLD 90% Kennedys (Good Looking) - $11 Each (45 available)
Franklin Half Dollars - $11.25 Each (15 available)
SOLD Walking Liberty Half Dollar Roll - $11.25 Each (12 available)
1999 S Silver Proof Kennedy - $13
1960 Silver Proof Set in Holder - $22
Silver Proof Quarters - $5.75 Each (1 available)
$3.35 Fv Mixed Lot - $74
$5 FV Mixed Dimes - $110
War Nickels - Spot (17 available) $1.33 Each
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Burnished Silver Eagles (All with Box and COA)
2007 W Burnished Silver Eagle - $37 (Scratched Capsule)
Burnished Silver Eagles
2007 - $39
2008 - $39
2021 Type 2 - $50
2007 W Burnished Silver Eagle - $40 (With Box and COA)
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Silver Proof Sets
Premier Silver Proof Sets - $22 Each (1994,1993,1992 available)
2012 Silver Proof Set - $105
1992-1998 Silver Proof Sets - Complete Sets from 1992-1998. - $150
-7 Silver Proof Sets.
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World Silver
Philippines/USA 10 Centavos Silver - $2 Each (A lot available)
1951 5 Pesos - $17
1959 50 Shillings - $15 Each (2 Available)(Melts at $13.72 Each)
Greece 30 Drachmai - $8.50 Each (2 Available)(Melts at $7.63 Each)
1969 Israel 10 Lirot - $20 (Melts at $17.83)
1967 Israel 10 Lirot - $20 (Melts at $17.83)
Various Years 50 Shillings - $16 Each (Melts at $13.72)
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Silver Slabs
2021 Reverse Proof Silver Set NGC 35th Anniversary Slab - $215 for the pair (PF 69 and 66)
1883 CC GSA Morgan NGC MS 63 - $330 (Only Box and Coin, no COA)
1964 Silver Kennedys PCGS - $12 Each (3 available)(Random Pick)
PENDING 1945 S Mercury Dime ANACS SoapBox MS 63 - $25
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Sterling Silver
Sterling Silver Round - SPOT- $46 Each (65.7 Grams)(2 Available)
The Sterling Rounds Below are Gold Plated, Some with Toned Spots.
All Prices at SPOT Plus $5
The Virgin of the Rocks Sterling Silver - $51 (65.6 Grams)
Marcus Aurelius Sterling Silver - $51 (66.4 Grams)
Queen Nefertiti Sterling Silver - $51 (66 Grams)
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Absolutely Random Silver
Stone Mountain Half Dollar - $34 Each (3 available)(Imperfect)
Reckless Metals 1/10 Oz Every Saint/Sinner - $7 Each (4 available)
20th Century Type Set in Capital Holder - $95
-Comes. with Peace Dollar, Silver proof dime, quarter, Kennedy and Franklin. Also a Proof 40% Ike.
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Shipping
Shipping ranges from $5-$6.50 for first class. It can be either a small box or a bubble mailer. $9 for Priority Mail. Insurance can be added upon buyers request and its cost is dependent on the amount. I pack securely with bubble wrap and other packing materials. Packages go out within two days, Monday through Sunday. It usually takes 1-2 days for USPS to scan packages. No Snail Mail at the moment.
Payment
I accept Zelle is preferred but PPFF, Venmo, and Cash App are all accepted.
Miscellaneous
Also, feel free to message me with any questions.

Here are the final results of the latest poll after 2 full years of weekly voting, followed by all-time statistics for all 3 years of polls including the Atari Era:

The Best Games of the NES/Master System Era:

1. Super Mario Bros. 3
2. Contra
3. Castlevania III: Dracula's Curse
4. Ninja Gaiden
5. Bubble Bobble
6. Mega Man 3
7. Phantasy Star
8. Final Fantasy
9. Battletoads
10. Batman: The Video Game
11. Blaster Master
12. Shinobi
13. Zelda II: The Adventure of Link
14. Dragon Quest III: The Seeds of Salvation / Dragon Warrior III
15. Tecmo Super Bowl
16. Mike Tyson's Punch-Out!!
17. Rygar
18. Wonder Boy III: The Dragon's Trap
19. Dr. Mario
20. Mother / EarthBound Beginnings
21. Journey to Silius
22. Metroid
23. Super Mario Bros. 2 / Super Mario USA
24. Space Harrier
25. The Legend of Zelda
26. River City Ransom / Street Gangs
27. Jackal / Top Gunner
28. Rampage
29. Super Spike V'Ball / U.S. Championship V'Ball
30. Little Samson
31. The Guardian Legend
32. Gargoyle's Quest II
33. Chip 'n Dale Rescue Rangers
34. Sid Meier's Pirates!
35. DuckTales
36. California Games
37. Alex Kidd in Miracle World
38. Alex Kidd: The Lost Stars
39. Jaws
40. Gun-Nac
41. OutRun
42. Mega Man 2
43. Kid Icarus
44. R.C. Pro-Am
45. Faxanadu
46. Double Dragon II: The Revenge
47. Kirby's Adventure
48. Snake Rattle 'n' Roll
49. The Battle of Olympus
50. R-Type
51. Maniac Mansion
52. Kid Niki: Radical Ninja
53. Golden Axe Warrior
54. Psycho Fox
55. Crystalis
56. Gimmick! / Mr. Gimmick
57. Battletoads & Double Dragon: The Ultimate Team
58. Dragon Quest / Dragon Warrior
59. Bionic Commando
60. Gain Ground
61. Conquest of the Crystal Palace
62. Ninja Gaiden III: The Ancient Ship of Doom
63. Teenage Mutant Ninja Turtles III: The Manhattan Project
64. Excitebike
65. Teenage Mutant Ninja Turtles (NES)
66. Captain Skyhawk
67. Alex Kidd in Shinobi World
68. Digital Devil Story: Megami Tensei II
69. Zanac
70. Black Tiger / Black Dragon
71. NES Open Tournament Golf
72. Golvellius: Valley of Doom
73. Bucky O'Hare (NES)
74. International Karate + / IK+ / Chop N' Drop
75. Ghosts 'n Goblins
76. Rolling Thunder
77. Renegade / Nekketsu Kōha Kunio-kun
78. Rambo: First Blood Part II (SMS) / Secret Command
79. Baseball Stars
80. P.O.W.: Prisoners of War
81. Blades of Steel
82. Ice Hockey
83. Fantasy Zone
84. Micro Machines
85. Super Mario Bros.
86. Castlevania
87. 1943: The Battle of Midway
88. Vice: Project Doom
89. The NewZealand Story / Kiwi Kraze
90. Mega Man 4
91. StarTropics
92. Paperboy
93. Gradius / Nemesis
94. Formula One: Built to Win
95. Dragon Quest IV: Chapters of the Chosen / Dragon Warrior IV
96. Super Sprint
97. Mega Man
98. Ys: The Vanished Omens / Ys I: Ancient Ys Vanished
99. Batman: Return of the Joker
100. Super C / Super Contra

"Super C / Super Contra" won last week's poll with nearly twice as many votes as all 5 other games in the poll combined, and becomes the 64th NES game to join the list! Last round 100 people voted in the poll.

Earliest and Latest NES/Master System Era Games:

6 games were the earliest in the poll from 1985.
3 games were the latest in the poll from 1993.

Platforms of the NES/Master System Era by Number of Games:

64 - NES 23 - Arcade 9 - Master System 4 - Computer
The percentage of arcade games fell from 66% in the Atari Era to 23% in the NES Era.
The percentage of console games rose from 20% in the Atari Era to 73% in the NES Era.

Genres of the NES/Master System Era by Number of Games:

38 - Platformer 13 - Action Adventure 9 - Shooter 8 - Sports 7 - Beat 'em Up 7 - RPG 7 - Run and Gun 6 - Racing 4 - Action 1 - Puzzle 1 - Adventure 1 - Fighter
The percentage of shooter games fell from 40% in the Atari Era to 9% in the NES Era.
The percentage of platformer games rose from 20% in the Atari Era to 38% in the NES Era.
A new genre to the polls, the Action Adventure, was suddenly the 2nd-most popular genre.
3 other new genres also did well: Sports, Beat 'em Up, and Run and Gun games.

Developers of the NES/Master System Era by Number of Games:

13 - Nintendo 11 - Sega 11 - Capcom 10 - Konami 5 - Rare 5 - Sunsoft 4 - Tecmo 4 - Compile 4 - Technos 3 - SNK 3 - Chunsoft 2 - Westone 2 - Irem 2 - Taito 2 - Atari 1 - Square 1 - Ape 1 - Bally Midway 1 - Takeru 1 - MicroProse 1 - Epyx 1 - Hudson Soft 1 - HAL Laboratory 1 - Infinity 1 - Lucasfilm Games 1 - Vic Tokai 1 - Quest 1 - Atlus 1 - System 3 1 - Namco 1 - Codemasters 1 - Aicom 1 - Winkysoft 1 - Nihon Falcom
Atari fell from developing 20% of top games in the Atari Era to only 2% in the NES Era.
Activision similarly fell from 10% of top games in the Atari Era to none in the NES Era.
Namco as well fell from 10% of top games to only 1% in the NES Era.
Capcom, a new developer not in the Atari Era poll, ended up tied for 2nd-most games in the NES Era.
Nintendo and Sega rose to dominate this Era, developing 13% and 11% of games, up from 6% and 2% last era.

Platforms on the All-Time List (Atari & NES Era Combined):

83 - Console 56 - Arcade 11 - Computer

Genres on the All-Time List (Atari & NES Era Combined)

48 - Platformer 29 - Shooter 13 - Action Adventure 11 - Action 9 - RPG 8 - Sports 8 - Racing 7 - Beat 'em Up 7 - Run and Gun 4 - Maze 3 - Adventure 2 - Paddle 1 - Interactive Film 1 - Puzzle 1 - Fighter

Developers on the All-Time List (Atari Era & NES Era Combined):

16 - Nintendo 12 - Atari 12 - Konami 12 - Sega 11 - Capcom 6 - Namco 5 - Activision 5 - Rare 5 - Sunsoft 4 - Bally Midway 4 - Taito 4 - Tecmo 4 - Compile 4 - Technos 3 - SNK 3 - Chunsoft 2 - Williams 2 - Lucasfilm Games 2 - Westone 2 - Irem
(only developers with multiple games listed)

The 50 Best Video Games of the Atari Era

Want to see the best games before this era? Check out this list which was compiled by Reddit users' nominations and votes over an entire year:
https://www.reddit.com/retrogaming/comments/o4drau/best_video_games_of_the_atari_era_poll_final/

What Was Eligible To Be Nominated:

• Any Arcade coin-op game from 1985-1988.
• Any Computer game (any PC system) from 1985-1988.
• Any Home Console game from the 3rd Generation (regardless of year published unless it is a port): https://en.wikipedia.org/wiki/Third_generation_of_video_game_consoles
• NO SNES games, NO Sega Genesis/Mega Drive games. Those systems aren't retro enough for this poll.
• NO Sonic. NO Streets of Rage, NO A Link to the Past, NO Super Mario World. Those games aren't retro enough for this poll.

Exceptions:

In general, the original year published takes precedence. No games that played betteare more iconic/are more remembered in an earlier or later era.
"Sonic the Hedgehog" was released for Sega Master System, but as a port, it was made for the Sega Genesis, so it is not eligible for this poll.
"Tetris" made its biggest impact with 35 million copies sold for the Game Boy, in the next era, so it is not eligible for this poll.
Arcade ports like the original "Mario Bros.", which hit arcades in 1983 are not eligible for this poll, even though they were ported to home consoles from the next generation.
1984's coin-op “Punch-Out!!”, was more iconic/more remembered as 1987's “Mike Tyson's Punch-Out!!” on the NES, which is now eligible for this poll.
Instances like this can be debated. I think it's best to allow all games from a console to be designated to one era, and for games to appear in one era poll only.

The Idea:

Comparing, say, Pong and Call of Duty: Modern Warfare, is not useful. It's like arguing which is better: the Ford Model T or the Space Shuttle? But comparing games of their era is interesting and fun! Usually, best game polls are limited to a single system. This poll is unique because it includes all platforms from the era together. How will the best arcade, computer and Master System games compete with the best that Nintendo had to offer? It will be interesting!

Why Only Arcade and Computer Games from 1985-1988?

The 3rd Generation of home consoles launched in the West with the NES in 1985 and changed everything. The Sega Genesis/Mega Drive launched in 1989, began the 4th generation of home consoles which will begin the era for the next series of polls after this concludes.

The Criteria:

I'll leave it up to the individual to decide. Innovation, quality, influence, iconic status, how much fun it was then, how it holds up today, are all valid. Whatever games you love, whatever games you want to see named as the greatest of the era.

What Happens Next:

Next week we will move on from the NES/Master System Era to the SNES/Genesis/TG-16 Era, for a new set of polls.
Thank you to everyone who took the time to vote in the polls and nominate games in the comments section.
This will be a series of polls I hope to hold every week for a long time! Have fun everyone!

English is the native language of rock roll and pop music (et al). Rock and pop are virtually English language western folk music.
Other languages are not optimally suited to modern western English pop/rock/punk/ grunge/rap/c&w or whatever...
The creative versatility of (US, English, Irish, Australian) English for rock (etc) is unique and appropriate. The slang and colloquialisms of English and its ability to “bend” & adapt words as required gives it a huge lyrically and musical advantage.
Sure, some odd foreign pop songs might sound great (ca plan por moi/sukiyaki/ ti amo) but they are merely the rare novelty exceptions.
It’s just like Italian opera translated to or written in English isn’t as good....or any country’s folk songs sung in English just aren’t “right.” - Merely an appropriation, which is what pop and rock (etc) in languages other than English are... just pretend imitations.

asking for $400 since thats what i paid for my payment plan but im definitely open to lower offers loll :) bad pic but i can verify if needed

Good day!
(I started this ramble as a feedback e-mail, but before finishing it found this sub-reddit where I heard the devs are active? Current game version as of writing: 1.5.4.)
A big thank you to everyone involved in developing and delivering Pickle Pete! It is easily in my top 10 most fun mobile games and I very nearly consider it a masterpiece of the genre. I've put in dozens of hours of playtime at the least.
I'll lead with critical bullet points, follow them up with elaboration and my experience, then end with praise bullet points for those that care to read it.
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Opportunities for Improvement:

1. There is no in-game method to replay the intro sequence.
2. Each playable character should have their own, even if very short, intro animation.
3. Intro animations / bestiary for enemies.
4. Add more bang for more bucks.
5. Honor those that spent gems on chests before additional rewards for cumulative openings was added.
6. No in game text tips.
7. Narrow preferable choices for mutations and equip-able active skill.
8. Weapon attachments
9. Farming the last available boss could be more rewarding.
10. "Blessings" is an awesome system, but isn't congruent with the game thematically.
11. Long animation delay on skill selection cards. Not an issue for new players.
12. Add weapon trade-in vendor.
13. Possible bug: when swapping apps and returning to Pickle Pete while playing Endless game play will continue, but pickles will refrain from dropping making points no longer acquirable until the run is terminated. Possibly intentional to reduce cheating.

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I've been playing Pickle Pete over the last few weeks and it's clearly a step above most mobile games on the market now. I had completed all main campaign levels and additional game modes just before the level twelve update. This was of course followed closely by multiple other updates which kept resetting my endless rank. ::MadNotMad:: After 3 committed attempts I've broken into the top one-hundred twice and top ten once. I did all of this without purchasing anything...yet, nearly acquiring all of the bonus blessing stats, and working up to a purple SMG for a starter weapon. I still have no legendary gear...yet.
I've loved video games since my grandparents let me load up games I can't completely recall on their MS-DOS computer. I don't always have as much time as I'd like to game, but I have been mashing buttons for nearly three decades. I believe there is some overlap between what makes a game fun and what makes a game well designed. What people find fun will vary, but I see good design as a more objective truth. Even though I'm no professional it's clear to me that Pickle Pete had/has at least a rock star or two infusing good design principles.
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1. First things first. The intro animation may have been added after I started playing for a bit. I can't recollect. In any event I skipped some of it. Sure I can and have viewed it on youtube, but it's still taking up space on my phone right? Can we get an in-game button to replay it?
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2. Speaking of intro animations.. each character should get one! Even if just a short one that plays when acquiring one. (And maybe also a replay button.) It could highlight or hint at the different bonuses that apply at the end of their roll moves.
**Mr. Peely** \- Running, slips into a back flip, beginning of slip flip face is surprised/worried, midway through flip face is determined/smug, animation becomes a blur, lands while doing a split and swinging upward with an axe cleaving an enemy in two.
**Corny McCob** \- A yellow cylinder is rapidly spinning on two squares of butter, butter drops are being flung away at various directions, the cylinder launches away, three point hero landing, camera panning up from feet reveals a maniacal cob of corn holding a pipe bomb, glancing left and right, I don't like that look in his eyes or that blinking red light.
**Willy the Wiener** \- Is that a rapidly disassembled picnic table riddled with bullet holes flying through the air? Camera pans down to a beach front while cinders and charcoal pieces are jettisoned from a barbecue grill. Willy is tanning hides with a quickness holding dual uzis. Arms and uzis are a blur until they snap into clarity between each volley.
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3. It's only fair that the enemies of the game get a little love. They're getting slaughtered out there! Something has to raise morale. Why not a little intro sequence highlighting their attack? And/or a bestiary somewhere in the menus. Descriptions with similar tone to what is found in the game Plants vs. Zombies would be fitting.
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4. I find the current monetization models most prevalent, specifically in the mobile market, shameful. If I could go back in time and kill baby Hitler - I wouldn't. I'd smoke the mofo that thought it was a good idea to make Candy Crush monstrously profitable. Just kidding. Ninety-Nine dollars is a big chunk towards the latest gen console or a kick ass graphics card. Or... a pile of in game currency that shaves off some time and possibly puts you ahead of fellow gamers... I know it's just the way of things currently, but the cliche gem crates for various prices including one for ninety-nine dollars is personally a huge annoyance. It is one of the first things I look for in a game and determines along with the obvious passion that was put into the games creation that determines whether I will spend any money within it.
Money is part of what makes life unfun for many, and now more than ever it's detracting from a core reason gaming is fun. In my opinion games should be as level as a playing field as they can be outside of 'real life'. Paying to win robs fledgling gamers of skill ceiling, feelings of accomplishment, and the bragging rights that come with leveling up without swiping a credit card.
So dump the uninspired gem boxes for money or at least throw in some extra cosmetics, alternate soundtracks, or the option for players to add their own content. Something to move the needle in the other direction and show appreciation to those who help fund access and development for those that can't. The move would ideally garner more appreciation and wind up netting more money anyway. Or I might need to see an optimismoptomitrist about adjusting the shade of my glasses.
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5. I haven't yet, but I will be spending some money on this game. It's too good not to. I'd like to at least craft a legendary starter weapon beforehand though. Just so I can say I did. It makes me wince a little inside knowing that if I had saved my marshmallows I would have spent enough gems on large chests by now to acquire a guaranteed legendary item. I opened three before the update was released that added the cumulative reward. Any chance a catch-up / credit can be implemented for all in the same boat?
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6. I must have missed the message that explains the way the uncollected pickles and the pickle jar interacts. It took me longer than I'd like to admit to figure out what the jar was all about. Could we get this and other such game tips added? Maybe incoming update teaser message as well. They could be auto-cycling fade in/out text messages in the empty space underneath the boss picture on the stage selection screen.
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7. I've read some google reviews of the game suggesting that melee weapons need adjusting. I think they're just fine. They receive strong bonuses from the viking four-set. They're best used to supplement range damage as the timing of damage between melee and low fire rate range is staggered. If you want to up the difficulty of the game, try going for full melee builds. It's like a hidden difficulty slider. An active skill equip could be added to enable the player to throw their melee weapons for a duration, turning such builds into a challenging wave clearer, but a monstrous boss killer. If nothing else throw in some Lightsab...I mean... Laser Swords.
What I find simultaneously the most easily fixed and largest flaw of the game is the narrow preferable choice in mutations and equip-able active skills. Similar to my perspective concerning melee weapons this system could be viewed as a difficulty slider. I think it would instead be more fun to modify them to make them more compelling. The damage bonus to enemies on fire would be more viable if the active skill that set the enemies on screen on fire was on a shorter cooldown. Now that I'm thinking about it though this combo may be just fine if you want to build up larger health enemies first or do more damage to bosses. The cooldown and fire duration still seem kind of dissatisfying. Maybe add hidden bonuses that increase the draw rate of things like the fire mace while either or both are equipped.
The knock back skill is more underwhelming than the fire. The most viable use I can think of for this one is securing supply crates. The cd could be shortened on the skill or turn the skill into a time warping bubble that begins with a knock back. While the bubble is active increase player attack speed and damage taken, but any enemies or projectiles entering the bubble will have drastically reduced movement speed.
Maybe more diverse enemies could then be added so that occasionally what once was an optional item is near mandatory for a time. Urging players to try out new builds for success while making more items feel like they've earned their place in the game.
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8. One last item modification idea. Weapon attachments! Scopes, Stocks, Barrels, Carbon Fiber Axe Handles, stuff like that to modify 'Own' weapon stats. Maybe you have to collect pieces for them from specific bosses. Late game players would have a reason to return to earlier levels and in turn see the progress they've made as they rack up way more pickles than their first time through. This would also give a bit of a push/pull mechanic to the energy system. The energy system I suspect is just there to prevent supply crate farming abuse. I've rarely run out of energy while still wanting to play which I like. All attachments could be lost upon upgrading or resetting the weapon to keep the hamster wheel spinning, make the efforts toward building them more meaningful, and delay the realization of weapons full capabilities.
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9. The above change would make farming the last available boss more rewarding as well. The latest boss being the most difficult to kill and dropping the latest released weapons attachments would give successive runs more meaning.
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10. Another change that I feel should be done quickly is 86ing the blessing system. Not entirely. It is a win-win addition that makes watching nearly pointless ads more satisfying. But it just doesn't mesh with the Pickle Pete theme. Idea: 'Condiments' may not make sense for all of the characters, but thinking 'Hot Sauce' for the +25% damage boost. Visual effects for each can be added to the character to cement the system in the player's mind. "Aww crap my character isn't throwing off glitter sparks. I forgot to grab the the gold gain bonus."
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11. This change suggestion is more for experienced players that have earned their stripes. When doing long endless runs especially the animation delay after picking skill cards is slightly annoying. It's not major, but I wanna go fast! Make this delay toggleable after the player has cleared all the extra game mode levels or killed the final available boss or meeting both requirements. Let's gooooo!
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12. A change that would be good for players of all experience levels would be a weapon trader. Maybe you can set up a trade-in shop preference before level select. Should you find the merc vendor in a level you can trade one of your currently equipped weapons for an equal grade preferred weapon. Even if at an additional cost...gotta make pickles somehow.
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13. Possible bug: when swapping apps and returning to Pickle Pete while playing Endless game play will continue, but pickles will refrain from dropping making points no longer acquirable until the run is terminated. Possibly intentional to reduce cheating.
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Things that make you go 'Awesome!':

• Pickle Pete! is not another copy and paste code cash grab. ...I'm imagining a darty eyed programmer hesitantly grinning 'right' while slowly nodding. :D
• Viability of numerous gear and skill selections.
• Excellent sound design. I especially love the long battle track that only reveals itself as you progress to long lasting waves.
• Animations and weapon targeting is on point.
• UI and loading screen design.
• Creative additional game modes.
• Competitive Endless!?! This is a massive boon to replay-ability, keeps the game off the 'eh I may as well uninstall' list, and takes me back to playing Diablo 2. Yeah you beat the game, but how many people have you beaten that have beat the game? I love it. The only improvement I would consider for endless is implementation of a wave skip feature. You'll get more points faster, but only be able to skip as far as progress you've earned minus X amount. Skip too much and you might not be able to crush the wave with your relatively diminished gear. Maybe wave skip is only available once a day too.
• I'm Pickle Pete!

Part 1: https://www.reddit.com/fantasybooking/comments/140vxxe/rebooking_wwe_survivor_series_part_1_from/
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Survivor Series '92 (November 25, 1992 at the Richfield Coliseum in Richfield Township, Ohio):
Jake Roberts def. Tatanka
The Headshrinkers (Fatu and Samu) (w/Afa) def. Owen Hart and The British Bulldog (w/Jim Neidhart)
Big Boss Man def. Repo Man
Team Santana (Tito Santana, The Natural Disasters (Earthquake and Typhoon), and The Legion of Doom (Animal and Hawk)) (w/Paul Ellering) def. Team Martel (Rick Martel, Money Inc. (Ted DiBiase and Irwin R. Schyster), and The Beverly Brothers (Beau and Blake Beverly)) (w/The Genius) (The Legion of Doom (Animal and Hawk) are the Sole Survivors)
Yokozuna (w/Mr. Fuji) def. Crush
Team Hogan (Hulk Hogan, Randy Savage, The Ultimate Warrior, Roddy Piper, and Mr. Perfect) (w/Jimmy Hart) def. Team Flair (Ric Flair, Sid Justice, Papa Shango, The Mountie, and Razor Ramon) (w/Bobby Heenan and Harvey Wippleman) - 5-on-5 Survivor Series Elimination Match (Randy Savage and Mr. Perfect are the Sole Survivors)
"The Narcissist" Lex Luger def. Kerry Von Erich
The Undertaker (w/Paul Bearer) def. Kamala (w/Kim Chee and Harvey Wippleman) - Casket Match
Bret Hart (c) def. Shawn Michaels (w/Sensational Sherri) by Submission - WWE Championship Match
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Survivor Series '93 (November 24, 1993 at Boston Garden in Boston, Massachusetts):
Team Razor (Razor Ramon, Marty Jannetty, The 1-2-3 Kid, Mr. Perfect, and Randy Savage) (w/Miss Elizabeth) def. Team Money Inc. (Adam Bomb, Rick Martel, Shawn Michaels, and Money Inc. (Ted DiBiase and Irwin R. Schyster)) (w/Diesel and Harvey Wippleman) - 5-on-5 Survivor Series Elimination Match (The 1-2-3 Kid and Marty Jannetty are the Sole Survivors)
Sid Justice (w/Harvey Wippleman) def. Jim Duggan
Team Bret (Bret Hart, Owen Hart, and Men on a Mission (Mabel and Mo)) (w/Oscar and Jim Neidhart) vs. Team Lawler (Jerry Lawler, Bam Bam Bigelow, and The Headshrinkers (Fatu and Samu)) (w/Luna Vachon and Afa) - 4-on-4 Survivor Series Elimination Match (Bret Hart is a Sole Survivor)
Diesel (w/Shawn Michaels) def. Tatanka
The Heavenly Bodies (Jimmy Del Ray and Tom Prichard) (w/Jim Cornette) def. The Rock 'n' Roll Express (Ricky Morton and Robert Gibson) (c) - SMW Tag Team Championship Match (TITLES CHANGE)
Alundra Blayze and Wendi Ritcher def. Luna Vachon and Leilani Kai
The All-Americans (Lex Luger, The Undertaker, Hulk Hogan, and The Steiner Brothers (Rick and Scott Steiner)) (w/Jimmy Hart) def. The Foreign Fanatics (Yokozuna, Crush, Ludvig Borga, The Quebecers (Jacques and Pierre)) (w/Mr. Fuji, Johnny Polo, and Harley Wippleman) - 5-on-5 Survivor Series Elimination Match (Hulk Hogan and Lex Luger are the Sole Survivors)
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Survivor Series '94 (November 23, 1994 at the Freeman Coliseum in San Antonio, Texas):
The Bad Guys (Razor Ramon, The 1-2-3 Kid, The British Bulldog, Mabel, and Doink the Clown) (w/Mo, Oscar, and Dink the Clown) def. The Teamsters (Shawn Michaels, Diesel, Crush, Jim Neidhart, and Jerry Lawler) (w/Mr. Fuji) by Countout - 5-on-5 Survivor Series Elimination Match (Razor Ramon is a Sole Survivor)
Team Jarrett (Jeff Jarrett, The Quebecers (Jacques and Pierre) and The Heavenly Bodies (Jimmy Del Ray and Tom Pritchard)) (w/Jim Cornette and Johnny Polo) def. Team Savage (Randy Savage, The Steiner Brothers (Rick and Scott Steiner), and The Headshrinkers (Fatu and Samu)) (w/Afa, Lou Albano, Mr. Perfect, and Miss Elizabeth) - 5-on-5 Survivor Series Elimination Match (Jeff Jarrett and The Heavenly Bodies are the Sole Survivors)
Bret Hart def. Owen Hart (c) by Submission - Submission Match for the WWE Championship (with Bob Backlund as Special Guest Referee)
The Million Dollar Team (Bam Bam Bigelow, Tatanka, Irwin R. Schyster, Sycho Sid, and King Kong Bundy) (w/Ted DiBiase) def. Guts and Glory (Lex Luger, Adam Bomb, Bob Holly, and The Smoking Gunns (Billy and Bart Gunn)) - 5-on-5 Survivor Series Elimination Match (Bam Bam Bigelow and King Kong Bundy are the Sole Survivors)
Team Blayze (Alundra Blayze, Akira Hokuto, Mayumi Ozaki, and Cutie Suzuki) def. Team Nakano (Bull Nakano, Luna Vachon, Leilani Kai, and Heidi Lee Morgan) - 4-on-4 Survivor Series Elimination Match (Team Blayze clean sweep)
The Undertaker (w/Paul Bearer) def. Yokozuna (w/Mr. Fuji and Jim Cornette) - Casket Match (with Chuck Norris as a Special Guest Referee)
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Survivor Series '95 (November 19, 1995 at the USAir Arena in Landover, Maryland):
The BodyDonnas (Skip, Rad Radford, The 1-2-3 Kid, Tom Pritchard, and Goldust) (w/Sunny, Ted DiBiase, and Marlena) def. The Underdogs (Marty Jannetty, Hakushi, Barry Horowitz, Bob Holly, and Bam Bam Bigelow) - 5-on-5 Survivor Series Elimination Match (The 1-2-3 Kid is a Sole Survivor)
Team Faye (Bertha Faye, Luna Vachon, Aja Kong, Tomoko Watanabe, and Lioness Asuka) (w/Ted DiBiase and Harvey Wippleman) def. Team Blayze (Alundra Blayze, Manami Toyota, Kyoko Inoue, Sakie Hasegawa, and Chaparita Asari) - 5-on-5 Survivor Series Elimination Match (Aja Kong is a Sole Survivor)
The Smoking Gunns (Billy and Bart Gunn) (c) def. Jeff Jarrett and The Roadie - WWE Tag Team Championship Match
The Darkside (The Undertaker, Savio Vega, Fatu, Adam Bomb, and Henry O. Godwinn) (w/Paul Bearer and Hillbilly Jim) def. The Royals (Jerry Lawler, Isaac Yankem DDS, Hunter Hearst Helmsley, and Men on a Mission (Mabel and Mo)) (w/Harvey Wippleman) - 5-on-5 Survivor Series Elimination Match (Undertaker, Fatu, Savio, and Godwinn are the Sole Survivors)
Team Michaels (Shawn Michaels, Ahmed Johnson, The British Bulldog, Tatanka, and Sycho Sid) (w/Ted DiBiase) def. Team Razor (Razor Ramon, Yokozuna, Jean-Pierre Lafitte, Owen Hart, and Jim Neidhart) (w/Mr. Fuji, Jim Cornette, Dean Douglas) - 5-on-5 "Wild Card" Survivor Series Elimination Match (Ahmed, Bulldog, and HBK are the Sole Survivors)
Bret Hart def. Diesel (c) - No Disqualification Match for the WWE Championship (TITLE CHANGE)
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Survivor Series '96 (November 17, 1996 at the Madison Square Garden in New York City, New York):
Mark Henry def. Jerry Lawler by Countout
Team Bart (Bart Gunn, Phil LaFon, Doug Furnas, and The Godwinns (Henry O. and Phineas I. Godwinn)) def. Team Billy (Billy Gunn, Owen Hart, The British Bulldog, and The New Rockers (Marty Jannetty and Leif Cassidy)) - 5-on-5 Survivor Series Elimination Match (Doug Furnas and Phil LaFon are the Sole Survivors)
Bob Holly def. Justin Bradshaw (w/Uncle Zebekiah)
The Undertaker def. Mankind (Paul Bearer was suspended above the ring in a shark cage)
Faarooq (w/Clarence Mason) def. Ahmed Johnson (c) by Disqualification - WWE Intercontinental Championship Match
Team Wildman (Marc Mero, Jake Roberts, The Ultimate Warrior, Rocky Maivia, and Savio Vega) (w/Sable) def. Team Austin (Stone Cold Steve Austin, Hunter Hearst Helmsley, Goldust, Crush, and Sycho Sid) (w/Clerence Mason, Chyna and Marlena) - 5-on-5 Survivor Series Elimination Match (Rocky Maivia is a Sole Survivor)
Bret Hart def. Shawn Michaels and Vader (c) - Three-Way Dance Match for the WWE Championship (TITLE CHANGE)
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Part 3 is coming soon (Survivor Series 1997 to Survivor Series 2001).

I found this one randomly in the song radio playlist for Alors on Danse, and it’s been on repeat for the past couple of days. I misinterpreted it at first, cause my French isn’t too great, but after a few listens, I started to really relate to it. Maybe a bit too much. 😅
I found the English version afterwards, and I thought it was really cool how closely the lyrics and the meaning match the original.
What do y’all think? It seems like there are a lot of folks who have grown up with Mika and Elle me Dit, so that rocks too.