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This is a follow up to my previous analysis here:
https://www.reddit.com/IntoTheSpiderverse/comments/13yomdh/the_worst_thing_beyond_the_spiderverse_could_do/
So there are a couple more incredible story and visual details I wanted to bring up and encourage some discussion on (I've seen the film four times now, I have a problem).
Pavitr:
The film makes sure to note how new Pavitr is to being Spider-Man. He's only six months in and he claims that being Spider-Man is "sooooo easy!" (something we know is absolutely not true). He's given his (implied) first "playbook" Spider-Man challenge when saving civilians from the collapsing Alchemax building. While holding onto a bus filled with people, including his love interest, he sees that Inspector Singh is in mortal danger and tells himself that he "can do both", he can save everyone. This directly mirrors Miles's current situation as well as Miles's current attitude. However, Pavitr isn't the main protagonist of the story, we can see that he can't do both (while reassuring himself he can "do both" he begins to wrap the single thread of web suspending the bus full of people onto one of the small concrete grid rods sticking out of the collapsed bridge he's hanging onto), he can't save everyone, Miles had to intervene for everyone to be saved. Miles's intervention is mirrored by Gwen and her band's intervention in helping Miles in the next film. However, Pavitr's dimension collapsing could foreshadow that the band's help won't actually address and resolve the moral problem presented. To note, Pavitr was spared the pain of losing Inspector Singh, but he was also denied this opportunity to grow, he wasn't challenged to forge ahead in the face of the death of someone close to him.
George Stacy:
Aside all the current analysis on George Stacy's role in proving that canon can be subverted as well as Gwen's "coming out" character arc to her father, there's a parallel between George and Miles that I don't see anyone talking about. One of the core themes of Across the Spider-Verse is responsibilities, specifically conflicting responsibilities (the moral dilemma). George Stacy does not only possess responsibility as a father, but he possesses responsibility as a cop. When Gwen is revealed to be Spider-Woman to him, his two responsibilities are immediately made incompatible with one another. He's forced into a position to choose one responsibility over another, he chooses to be a father over being a cop. This further plays into another theme in the film, "you can't have it all". In George Stacy's little monologue, "police captain" is interchangeable with "Spider-Man", the mask is the badge and vice versa. Miles is in a position now where, with the information given to him and us the audience, his responsibility as Spider-Man is in conflict with his responsibility as a son. He may ultimately have to make a choice to uphold one responsibility and abandon the other. We want Gwen Stacy to come out on top, so having George quit the responsibility of police captain is great for her and for us, but having Miles quite the responsibility of being Spider-Man is a much more morally challenging choice.
Clearing up Jeff Davis's role in Prowler Miles / Miles-42's life:
I've been seeing some debate online on whether Miles-42's dad had been absent from his upbringing or whether he had died recently (similarly to the timeline of Uncle Aaron's death). When the "camera" follows Miles-1610 around his Earth-42 home variant, the family photos only contain him and his mom. When the camera follows Gwen around Miles's Earth-1610 home variant, the family photos contain all three members of the Davis/Morales family. Both characters are used as tour guides to subtly inform the audience that Jeff has been dead for most of Miles-42's life and wasn't a large part of his upbringing (not a recent death).
Peter B. Parker:
I absolutely love Peter's monologue to Miles about "good" things and "bad" things happening. His message to Miles is a much more emotionally touching and charitable version of the current status quo of what it means to be Spider-Man. The message highlights that there will always be bad things that happen, you can't always stop them from happening, you probably often can't stop them from happening, but you have to take the good with the bad, you have to find a reason to keep going (rest in power Uncle Aaron), you have to make a reason to keep going. Struggling and fighting more and more against the bad actively prevents you from finding that good and those reasons, trying to shut down the all the harm and all the pain now furiously and stubbornly creates more harm by shutting down the good you could've fostered in healing and moving on (a much better version of Miguel's point). Peter is a more optimistic and emotionally charitable version of Miguel in reiterating this point and approach on Spider-Man as a character, and this compassion encouraged Miles to begin processing this point of view. However, the watch's beeper prevented us from getting to see Miles begin to seriously consider this approach.
Miles's Strength:
Miles speech to his Earth-42 variant of his mom was incredible. The line "I know how strong I am now" has beat me with an emotional stick during each of my four viewings. To go through exactly what his mom foreshadowed he would go through and to come out with an experience that validates his identity and his claim to the Spider-Man mantle of power is the kind of self-discovery that inspires us to be strong, assertive, independent, and charitable to ourselves. But here's the thing, Miles's strength hasn't faced the ultimate test yet. He hasn't yet come face to face with the death of his dad and the destruction of his universe. His immediate and current moral decision is to still risk the safety of everything else and everyone else to rescue his father (see Pavitr). He thinks he can save everyone, he thinks he can have it all, he doesn't actually know how strong he is yet.

Spoiler alert! This is a follow up to my previous analysis here:
https://www.reddit.com/IntoTheSpiderverse/comments/13yomdh/the_worst_thing_beyond_the_spiderverse_could_do/
So there are a couple more incredible story and visual details I wanted to bring up and encourage some discussion on (I've seen the film four times now, I have a problem).
Pavitr:
The film makes sure to note how new Pavitr is to being Spider-Man. He's only six months in and he claims that being Spider-Man is "sooooo easy!" (something we know is absolutely not true). He's given his (implied) first "playbook" Spider-Man challenge when saving civilians from the collapsing Alchemax building. While holding onto a bus filled with people, including his love interest, he sees that Inspector Singh is in mortal danger and tells himself that he "can do both", he can save everyone. This directly mirrors Miles's current situation as well as Miles's current attitude. However, Pavitr isn't the main protagonist of the story, we can see that he can't do both (while reassuring himself he can "do both" he begins to wrap the single thread of web suspending the bus full of people onto one of the small concrete grid rods sticking out of the collapsed bridge he's hanging onto), he can't save everyone, Miles had to intervene for everyone to be saved. Miles's intervention is mirrored by Gwen and her band's intervention in helping Miles in the next film. However, Pavitr's dimension collapsing could foreshadow that the band's help won't actually address and resolve the moral problem presented. To note, Pavitr was spared the pain of losing Inspector Singh, but he was also denied this opportunity to grow, he wasn't challenged to forge ahead in the face of the death of someone close to him.
George Stacy:
Aside all the current analysis on George Stacy's role in proving that canon can be subverted as well as Gwen's "coming out" character arc to her father, there's a parallel between George and Miles that I don't see anyone talking about. One of the core themes of Across the Spider-Verse is responsibilities, specifically conflicting responsibilities (the moral dilemma). George Stacy does not only possess responsibility as a father, but he possesses responsibility as a cop. When Gwen is revealed to be Spider-Woman to him, his two responsibilities are immediately made incompatible with one another. He's forced into a position to choose one responsibility over another, he chooses to be a father over being a cop. This further plays into another theme in the film, "you can't have it all". In George Stacy's little monologue, "police captain" is interchangeable with "Spider-Man", the mask is the badge and vice versa. Miles is in a position now where, with the information given to him and us the audience, his responsibility as Spider-Man is in conflict with his responsibility as a son. He may ultimately have to make a choice to uphold one responsibility and abandon the other. We want Gwen Stacy to come out on top, so having George quit the responsibility of police captain is great for her and for us, but having Miles quite the responsibility of being Spider-Man is a much more morally challenging choice.
Clearing up Jeff Davis's role in Prowler Miles / Miles-42's life:
I've been seeing some debate online on whether Miles-42's dad had been absent from his upbringing or whether he had died recently (similarly to the timeline of Uncle Aaron's death). When the "camera" follows Miles-1610 around his Earth-42 home variant, the family photos only contain him and his mom. When the camera follows Gwen around Miles's Earth-1610 home variant, the family photos contain all three members of the Davis/Morales family. Both characters are used as tour guides to subtly inform the audience that Jeff has been dead for most of Miles-42's life and wasn't a large part of his upbringing (not a recent death).
Peter B. Parker:
I absolutely love Peter's monologue to Miles about "good" things and "bad" things happening. His message to Miles is a much more emotionally touching and charitable version of the current status quo of what it means to be Spider-Man. The message highlights that there will always be bad things that happen, you can't always stop them from happening, you probably often can't stop them from happening, but you have to take the good with the bad, you have to find a reason to keep going (rest in power Uncle Aaron), you have to make a reason to keep going. Struggling and fighting more and more against the bad actively prevents you from finding that good and those reasons, trying to shut down the all the harm and all the pain now furiously and stubbornly creates more harm by shutting down the good you could've fostered in healing and moving on (a much better version of Miguel's point). Peter is a more optimistic and emotionally charitable version of Miguel in reiterating this point and approach on Spider-Man as a character, and this compassion encouraged Miles to begin processing this point of view. However, the watch's beeper prevented us from getting to see Miles begin to seriously consider this approach.
Miles's Strength:
Miles speech to his Earth-42 variant of his mom was incredible. The line "I know how strong I am now" has beat me with an emotional stick during each of my four viewings. To go through exactly what his mom foreshadowed he would go through and to come out with an experience that validates his identity and his claim to the Spider-Man mantle of power is the kind of self-discovery and self-actualization that inspires us to be strong, assertive, independent, and charitable to ourselves. But here's the thing, Miles's strength hasn't faced the ultimate test yet. He hasn't yet come face to face with the death of his dad and the destruction of his universe. His immediate and current moral decision is to still risk the safety of everything else and everyone else to rescue his father (see Pavitr). He thinks he can save everyone, he thinks he can have it all, he doesn't actually know how strong he is yet.

This may be a bit of a controversial take but I honestly wasn’t a fan of the story in The Legend Of Zelda: Tears Of The Kingdom. I honestly was a bit excited for this game coming out because it is the first game in a long time that Ganondorf made a re-entry in the series and one criticism I actually gave the Zelda franchise was that I believe that Ganondorf isn’t in enough Zelda games but now after actually beating the game and after 6 years of waiting after Breath Of The Wild, I feel like there was potential for the story to be really good and interesting but instead the game just felt undercooked with half baked ideas and the story is a convoluted mess with the most cookie cutter, bare bones plot structure you could imagine.
I feel like the characters weren’t utilized well to their full potential and the story overall just felt shallow and paper thin with it’s presentation. It was lazy and it was crafted with no direction of creativity. I just think the biggest problem with the story as a whole is that it feels so generically crafted and there’s just not much too it.
I think the biggest issue that exposes this is the way they handled Zelda in this game. I think her lack of agency in the story creates plot holes and many things that actually happen in the game are just left vague with very little detail explaining how things are so the story can be pieced together.
Even right in the beginning of the game I kind of question the motivation of why Zelda and Link decided to go down into a cave and explore Hyrule’s past without really much thought given. I know this is a minor complaint but it kind of bothers me how the whole story in this game is set up just from this happening alone and then they just happen to find Ganondorf just chilling beneath Hyrule Castle and he is somehow powerful enough now to literally disintegrate the master sword with barely any trouble.
I mean, I think it’s cool how he can actually do that now and I love Ganondorf as he’s always been one of my favorite characters of all time and don’t get me wrong but isn’t the master sword like Ganondorf’s one weakness? I think I wouldn’t have a problem that he could do this at all if they at least just bothered to give a bit more solid context as to how Ganondorf can now just overpower Link so easily in the beginning of the game.
The only logic you can come up for why and how Ganondorf can do this is because he acquired Sonia’s stone on his forehead but the game never clearly states this so all you can do is speculate.
This is what I mean about the story being vague because nothing is ever articulated well enough that you actually see an explanation so you can understand what the hell is happening in this game.
Another issue with the games story is how much this game just dumps the same exposition in your face like as if you couldn’t understand simple things that the story tells you meanwhile not being able to focus on anything that could be more subtle like with Zelda being a puppet of Ganondorf throughout 2 thirds of the entire game but doesn’t utilize to it’s fullest potential.
This could’ve been honestly one of the darkest games of all time if they just fixed how they handled Link, Zelda, and Ganondorf. I don’t really like how the characters barely turn against Zelda when they can clearly see that Zelda is doing some really terrible things like how she used Yunobo to turn all his people into slaves that reject work and eat rocks all day, and how she was literally responsible for causing all of Rito Village to suffer a blizzard harshly.
I understand why Queen Sonia didn’t turn against Zelda because she was able to see how she was a fake Zelda right before her eyes but during the entire game where you play as Link, nobody see’s the real Zelda and they’re just left to speculate what the hell is happening.
What we actually got was disappointing as answers. What really happened to Zelda was that it’s revealed that she turned herself into a light dragon after she was told by Mineru that it was forbidden because she wouldn’t be able to turn back and she decides to swallow a stone and turns into a dragon.
Not only does the game not make clear how she travelled back in time to begin with but then it all leads down to a disappointing plot twist that also gets resolved in an instant at the very end of the game but we’ll talk about that more down below.
The reason I state that the game repeats exposition and throws it down your face is because there’s also this one cutscene that gets repeated being shown 4 times as if we didn’t already have a grasp about that Rauru imprisoned Ganondorf after the Imprisoning War. We don’t need to watch the same exact thing happen over and over again after we beat an area and dungeon in the game.
The game has no real sense of progression and instead formulaically copies the same cutscene watered down every time.
I also don’t like a lot of the new characters they make up in the game that are newly introduced. Either they feel like filler characters or their entire existence is contrived to begin with.
Personally I'm going to be honest with you. I'm not a big fan of Rauru as a character. I find it pretty hard to actually believe that he himself is actually the first king of Hyrule mainly because it doesn't actually make any sense from a biological standpoint.
If you're telling me some weird goat dude was the first king of Hyrule and if the Zonai were really responsible for building the kingdom to begin with, then this creates a massive question. How do you explain how the Hylian's rose to power when the Zonai are the creators?
In theory, you could probably argue that Rauru's spirit maybe met some random dude and told him he could be king but the game never hints how that could be the case as like with Ganondorf now having power to destroy the master sword or the situation where Zelda is turned into a dragon is left very vague with nothing deeper than just simply go with whatever nonsense is happening in the plot of this game.
It's not even that I think Rauru is annoying. I just think he's a really boring, uninteresting character who also just has no personally. I think the people honestly making this game didn't bother putting two seconds of thought into how this would work that a goat looking freak of nature is the original king of Hyrule.
I don't actually care about him or the ancestor's which by the way are just bootleg versions of the champions from Breath Of The Wild because the story does nothing developing it's characters past the cookie cutter and basic storyline of good guys must defeat evil demon bad guy that you see recycled a million times.
I actually kind of wonder how if he's actually the king of Hyrule how it never crosses Zelda's mind to wonder if they're somehow biologically related somehow but you know, who'd wonder anything about that right? Nah, let's just go with it right?
A lot of the new side characters are also extremely boring generic archetypes like Tulin who's just some brat who thinks he's tough and then for some reason, Teba who's actually his father just decides to allow Tulin to fight with Link anyways because you gotta have some little kid fighting to relate to babies playing this game and Sona who's extremely aggravating because the writers just thought it would be smart to just add some new forced in love interest who's in love with Sidon even though they've never even been together shown in Breath Of The Wild and have the amount of chemistry as two planks of wood and showing a paper bag being blown beneath your legs.
Not even much to say beyond that regarding these "Characters" if you could even call them that.
Going back to Zelda though, I think the biggest problem with her character arc is that she's utilized about as subtle as raw paper throughout the entire story. I think the biggest problem with her becoming a dragon is that it kind of removes any tension or real stakes of what goes on with her.
I just feel like it would've been a lot cooler in the story if there was more intriguing mystery surrounding why Zelda was acting so strange throughout the entire game because on paper, it is a good concept. I'll give Tears Of The Kingdom credit with that.
It would've been better if the game had you first meet Zelda and then emotionally tries to break Link and hurt all of her friends and then everybody turns against her meanwhile the real Zelda hides in the shadows trying to prove there was an imposter and nobody believes her. That seems like a much better outline for a really dark and gritty story and personally if I was writing this games plot, that would be what it'd be focused on.
Dragon Zelda shouldn't even exist in this game. I thought it was stupid because it took away all the tension that evil Zelda was doing and it wasn't like it wasn't so obvious that Ganondorf was pulling the strings behind Zelda this whole time.
The reason why this is such a terrible plot twist is because it ruins the darker tone this game was trying to aim for with Ganondorf's admittedly cool and dark plan of ruining the belief that Zelda is such a pure and innocent soul as a way to get revenge on the fact he was imprisoned. Breaking people from the inside is a lot darker than breaking them from the outside and that's something I think this game doesn't understand.
Personally I think they also ruined this part of the story because they needed to aim it towards kids and not both kids and adults and I see this as an issue because there's absolutely nothing wrong with an adult having his nostalgia for a video game so that argument would be ridiculous.
It's just a shame that the game's plot isn't as dark as it could've been and would've been a lot more interesting this way.
Now I was maybe just a little bit hard on Ganondorf in this game but to be fair, I don't actually think he was done poorly in this game. I think the final boss in this game minus the part where Ganondorf turns into a dragon was a pretty cool fight and I also think that he does look pretty cool in this game too.
My only real issue with Ganondorf in this game is that I do feel like his characterization is kind of lacking in this game. All of his dialogue is just generic comically evil one liners and it kind of just takes me a bit out of it when I'm just trying to have fun watching Ganondorf kick everybody's ass on screen. Him talking about how he just wants to erase light from this world feels a bit cheesy and I think they could've done a better job making him a bit more serious as a character and really going an extra mile ruining Zelda's reputation as a hero.
I say this not ever because I hate Ganondorf. I say this because I know when things have more potential and they could be done better and I feel like Ganondorf's presentation with his character writing was a bit lacking in this game. I feel like Wind Waker actually did a better job making him feel more human inside but that's because we saw him care about something more than just enslaving Hyrule for once.
I feel like if Ganondorf was given a bit more human emotion, it would've made more since that he was actually born as the demon king instead of just becoming the demon king stealing some jewel from some ancient people. Wasn't Ganondorf already the reincarnation of Demise or is that just not the case anymore somehow? It's not like we ever learn what motivated Ganondorf to steal it to begin with other than simply obtaining power.
Lastly we must talk about the games ending. I know there's a few parts that I haven't brought up yet like anything about Mineru, or literally questioning how the hell guardians don't exist anymore which is a whole thing into itself but to prevent this post from being too long, I'm just talking about what's really most relevant in the games story.
I find it to be a ridiculous asspull that Zelda turns back into a human simply because Link gave Rauru the channeled power to do some magic garbage on her. I find it rather baffling that she was turned into a dragon and was told she wouldn't be able to turn back but the story retcons this anyways without logically piecing together what could be a cure for Zelda that could work.
Instead they just use magic out of their ass because Link is apparently God in this game. I find it to be really annoying that he also has no real chemistry with Zelda because he's so emotionless and hollow with how he presents feelings towards her. Link in this game just feels like a blank slate of a character.
He's already overpowered when the game first starts and then he's able to fight Ganondorf later by having way less trouble than before. What kind of character progression is that? At least in Twilight Princess or Wind Waker, he starts off weak and grows stronger overtime but in this game, Link just feels like cardboard designed as a plot device for himself and the other character.
There's no sense of scale for his power level and he can just save people from curses and overpower a literal dark lord because the game demands it for the sake of the plot. Not because any of these characters actually feel like people.
Look, this game isn't a bad game and to be fair, I still think it has a lot of good qualities and the game is fun sometimes. Although, it struggles as a whole game mainly because it's nothing really that original as a game and that concerns me. It just feels like Breath Of The Wild with a bit of minor tweak's to it.
Breath Of The Wild despite being a really fun game for me was only a 7/10 because while it was a very fun game, it was lacking with it's story and I also thought the game had issues with weapons breaking all the time and the open world just feeling lifeless sometimes because there were no characters that really felt like they touched my soul.
Tears Of The Kingdom is honestly overall a 6/10 game for me which may be controversial but I'm not afraid to say this game honestly has a lot more problems than some of these other critics are making this game out to be.
I haven't even talked about the actual "Game" part of it yet but there's honestly a lot I could say about this game. If this truly is game of the year this year, than gaming truly is dying and that's literally sad.
Overall, I think the biggest problem with the story in this game is the fact that it's not willing to create or write anything that doesn't have a basic and more complex story structure and that hurts it overall because I see that the game has good ideas but it's not willing to advance further and write stronger story beats because by design, this entire game is too much like Breath Of The Wild and tries to do the same thing but ends up falling apart with some of it's core design.
Can I be one to say that I'm honestly getting sick of Breath Of The Wild? Yes, it was a good game but it was fresh back when it came out in 2017 and Tears Of The Kingdom just feels like a worse replica of that game. It's definitely not way worse than Breath Of The Wild but I actually think that even compared to a game like that, it doesn't quite have all of it's charm.
I'm not a big fan of Tears Of The Kingdom's story. I think it's honestly just a ripoff of Breath Of The Wild's story but also fanfiction writing the origin of Hyrule and failing. I think there was a lot of missing potential for one of the darkest games ever made and it just didn't have enough thought and focus put into it. I think it's characters are shallow, 1-Dimensional, and the story fails because it tries too much to keep the same formula as Breath Of The Wild which holds the story back from breathing air more and focusing on more ideas better.
Please let me know what your take on this games story is. I'm curious. I'm always up for a friendly discussion. Stay tuned for more posts and have a good day.

Hello, kpopthoughts! Originally this was posted in twice but one of my friends said I should crosspost it here — so here this album review is.
​

Intro

To preface the review, I just need to say that this is going to be a very long read. Going through it myself for the fun of it takes around 30 minutes — it's almost 7k words, including lyrical references. So for the best experience, listen to the album beforehand to understand what the hell I was thinking when I wrote this, play the album while reading, and set a good amount of time aside.
And yes, this is 9 months late 😭 I'm not sorry — when I find an album review online it's always around a paragraph per song or even shorter. It makes sense from a journalistic perspective, but I want to do this album justice, hence taking 7 months to write out all my thoughts.
This shit is comprehensive and definitely overanalyzed, especially in Talk that Talk and Trouble. Each song review will compose of my commentary, noting the details I noticed through months of listening, then a conclusion. Also, mild swearing warning, I like implementing a touch of "French" when I'm very emotional about something. Anyway, onto the review!
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​

Between 1&2 💞

Album Review
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​
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TELL ME WHAT YOU WANT
TELL ME WHAT YOU NEED
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​

Talk that Talk 🎙

Producers by collapsedone and MRCH
​
One of the most perfect TWICE songs.
I think this is one of TWICE’s best-sounding title tracks. Warm modulated synths, a thrumming bass line, distant bells, shimmering synths — the purpose of this song is to be fun and my god is it excellent at it, like, Sana and Chaeyoung are saying knock-knock-knock and beep-beep-beep as if they’re some kind of car. So much fun.
Further along in the verse, Dahyun’s voice sounds so full and smooth with that layered harmony. Tzuyu coming with the Yes or Yes, Push & Pull, and 1 to 10 references — these are 5 years of song references. And Jeongyeon closes the pre-chorus accompanied by a rising synth to drop into chorus one. Jeongyeon slays pre-choruses.
The drums accelerate, the synths start blasting, and Jihyo opens to that party of a chorus with her godly vocals,
​

Tell me what you want
Tell me what you need
A to Z da malhaebwa
But shijageun ireoke have
Talk that Talk ttak han madi
Talk that Talk L-O-V-E
deullyeojweo ooh
Now now now now now yeah~

​
During Sana's Talk that Talk~ lines there’s this gentle ascending synth bell that rings with the descending melody and it sounds absolutely gorgeous. And the choreography during that part of the chorus is so so so so fun: the talking hands bit, spelling L-O-V-E, concluding with the deullyeojweo ooh! Oh my Jihyo the deullyeojweo ooh…
Have I mentioned this song is fun?
Speeding through verse 2; Chaeyoung’s part with the cat ears popping in the music video is adorable; Momo her stretching her arms out looks so damn cool; and Dahyun with her replay part sounds so lovely — although I think it sonically sounds a touch random, it makes sense thematically.
And now for this pre-chorus. Mina and Jihyo leading into it sound great BUT JEONGYEON… Now, she is my ult bias, and this pre-chorus sounds almost identical to the first one, but the way she holds that final note, inflecting and holding that now~ for one more beat before the chorus drops sounds so perfect — the song teeters on a cliff edge. Jeongyeon slays pre-choruses.
Dropping into the second chorus and man the way Nayeon delivers it just hits different. She has this indescribable “pop” voice (I promise this wasn't on purpose) that shouts out loud that this is THE chorus. This is especially apparent in how both lead their choruses where Jihyo starts at 120% power while Nayeon waits until [Tell me] WHAT YOU WANT to full-send it. The production also helps with this effect, cutting out during what you to emphasize Nayeon's voice before crashing back down, double the pause at Jihyo's intro.
Another deullyeojweo ooh! Nayeon travels to Narnia, and Mina the engineer strikes again in this heavenly, underwater-esque bridge,
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The simple words “I love you”
That’s all I wanna hear
Without hesitation, I’ll go up to you
I’ll make it simple
And just tell you I love you

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The word “love” is said for the first time in the song. There’s a funky keyboard instrument behind Chaeyoung’s part. Jihyo, Chaeyoung, and Nayeon take the initiative in their lyrics, professing their love before closing the bridge.
And now for the pièce-de-résistance: this final double chorus is exceptional — 40 seconds of crack-laced euphoria; Jihyo switches up the chorus and the choreo, Dahyun chimes in with her fluttery Talk that Talk, Momo comes out of nowhere with oh yeah it sounds so good! — you’re damn right it does, and this is where the song SOARS.
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han beon deo~ haejweo
geurae banggeum geu mal~

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Nayeon outright shouts Tell me what you need and then Jeongyeon sings the above lines in such an ethereal, warm way where the first line ascends while the second descends, causing a lull in the song before the finale with Tzuyu and Nayeon, finishing off the song with the final deullyeojweo ooh!
What a party. What a song.
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THE GOOD

• The synths of all time
• The chimes during Talk-that-talk~
• Jeongyeon’s pre-chorus going into Nayeon’s chorus
• Rich harmonies and fun ad-libs
• The entirety of that magical final chorus and outro

Needs Work

• The opening hook (Tell me what you want) and accompanying choreography could be “catchier”

Core Memory

• Singing (and dancing) my heart out when this song played at a K-pop club

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Lyrics and theme-wise, if this were to have been TWICE’s last comeback, they’ve once again built upon the theme they've been doing since debut: a Bildungsroman, a coming-of-age story.
This song’s chorus is honest yet simple; it asks the listener, in this case, the other half of the relationship, to be more upfront and open with their love (never be scared of love), that before the relationship can continue and flourish, there has to be a foundation and commitment of love between each other.
TWICE debuted with a song about making your crush go ooh ahh. Years later, they started pondering What is Love? and imagining their crush responding with Yes when asking them out — and now concluding with the phrase Talk that Talk, [Talk that] L-O-V-E, being upfront with the relationship, wishing their partner to also be happy, to commit to them, to feel the love that they want to impart on them. From gawking like ooh-ahh to talking out your shared love like adults — to having a true relationship between (one and) two.
And can I just say before finishing off Talk that Talk's review that this is such a fun and repeatable song with many little intricacies hidden in the nonet’s vocals and the song's production. This is the third draft I’m writing about Talk that Talk and its original word count pretty much quadrupled.
Harkening back to TWICE’s roots by combining mature thinking with youthful character, an incredible ending to look forward to, and just simply being a club-banger that’s easy to listen to, TTT is an easy 10/10.
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WATCH ME GO WATCH ME GO
RULE THE WORLD
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Queen of Hearts 👑

Produced by LDN Noise
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If there was one B-side to promote in a live clip, this was a solid choice.
Helmed by LDN Noise going headlong into the Western boy-group rock-band aesthetic, Queen of Hearts is a boom-boom-clap song through and through. The drums are very prominent throughout the song, only giving room to riffs of electric guitar in the chorus to drive and continue the momentum of the music.
And speaking of the chorus, vocal line each got a chorus to flex and they did not fuck around,
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You ain’t ready for it
Watch me go~ watch me go~
Rule the world
Know you never doubted baby
I’mma go run the whole universe~

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Cymbals crashing, drums booming, and 3MIX belting all just so sound so good.
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Baby I was born to rule~~
Yeah I’m the Queen, I’m the Queen
And it’s all because of you~~
That I’m the Queen of Hearts

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These long, held-out notes performed by Jihyo and Nayeon are simply exquisite. Along with the shredding guitar, the drum set coming in full, and the interludes by Dahyun, Momo, and Chaeyoung, this is the part of the song that always, always, gives me goosebumps — it sounds so visceral, so energetic, so fun, so triumphant. Boom-boom-clap songs can be hit or miss with people, but there's no denying the payoff from the first part of the chorus to the second part is worth the wait.
The theme of the song so far has been kind of spread around the song. The chorus alludes to it with the line And it’s all because of you. But Mina shows more sides of it in the second verse, especially with the phrase,
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And now that I’m surrounded by all my girls
We be shining bright like diamonds and pearls

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It sounds really lovely — in a very cheesy and affectionate kind of way, as it rightfully should — the song is about the girls and their fans. But the bridge is where the song indeed shows its colours
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Screaming out my name
See it in the stage lights
Feel so lucky just to have ya
Cause I know deep down I was meant for something bigger! Greater!
I know you’re seeing what I see
Yeah I’ll be everything you need
I know I’m gonna walk the walk
And talk the talk to be~ [the Queen of Hearts]

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This is a song CONCEIVED TO BE PERFORMED FOR THE FANS. It’s meant to be loud. It’s meant to be unapologetic. It’s meant to be sappy. And it’s all the more wonderful for it.
This is the TWICEiest shit ever.
Like Talk that Talk, Queen of Hearts also has a killer closer. The production already started to grow from the bridge, but now the guitarist finally went Super Saiyan and instead of supporting the drums, they both take the centre stage in tandem.
Then finally, the closing moments of the song even manage to squeeze in some more sappiness.
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So thank you for the memories
You’re all the ones who made me~
So thank you for the memories
That I’m the Queen of Hearts

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I still can’t believe that this banger is a FAN SONG out of all things. Truly, the TWICEiest shit ever.
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THE GOOD

• Adorable fucking lyrics
• Unrelenting, roaring chorus
• English and vocal flex
• Intoxicating guitar riffs

Needs Work

• Chaeyoung rapping in English in their Korean songs somehow slaps harder than her English rapping in their English songs, nonetheless, in QoH, it fits with the sound of the song

Core Memory

• Walking home from a K-pop festival with this song playing, felt like a Queen of Hearts

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I love these types of rock songs with how grunge and head-bang-able they are, there is just a certain nostalgic and cheesy quality to them that feels so cozy. I don’t love putting them on repeat, because in this case, I do believe there is such a thing as too much of a good thing. Perhaps more shredding, maybe a guitar solo to rock out to, or an accompaniment(!) of ad-libs from 3MIX to support Jihyo’s final chorus? A ONCE can dream of a truly bombastic rock song from TWICE. But then again that distracts from the core of what this song is: a fan song disguised as a rock song.
Queen of Hearts has so much sweetness in its lyrics and message that it's overflowing. The drums, guitar, and vocals can be as loud and intricate as they can, but the theme of this song is what makes it special from TWICE’s other rock songs — it’s a 9/10 for me.
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I WANNA WANNA WANNA
TAKE YOU TO THE BASICS
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Basics 🌈

Lyrics by Chaeyoung
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Quite possibly the jammiest (pun intended) song of the album.
A song written by the Strawberry Princess herself — an event similar in frequency to other artists' releases with her last song being 2020’s silky Handle It — Basics first starts with an understated and dreamy delivery. After the first stanza, however, a bouncy Miami bass line emerges, revealing the true nature of the song: this is a classic summer bop! Especially in the first rap,
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dareun aedeulgwaneun dalla
Ain’t beggin’ for love
nappeun geon anijana ige naraseo
eodiro twilji molla
Like rainbow bubble gum
geureoni nal kkwak butjabadweo

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Syllables are pronounced in a relaxed nature, bars often starting with an "ah" sound, flirty lines in English — this rap features a production full of pop with R&B flourishes and, in my opinion, this is Chaeyoung’s bag. Also, the line rainbow bubblegum is so adorable and so Chaeyoung.
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I wanna wanna wanna take it to the Basics
da weonhae weonhae weonhae? seodureuji ma Baby
ppeonhae ppeonhae malhae mweohae da al tende
Ah yeah ah yeah ah yeah ah yeah

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That chorus is pure pop with a Miami bass backing; you better be bopping your head to the melody, if not booty poppin' to the bassline. Chaeyoung loves rhyming in the first half of the chorus to enhance its catchiness and it's damn incredible: wanna, weonhae, and ppeonhae all create these imperfect rhymes that continue momentum without feeling repetitive.
After the very Boy With Luv-sounding ah yeah ah yeah, ah yeah ah yeah comes an 8-bar split half and half between Chaeyoung and Momo. Coming from the chorus, the production completely cuts out for the first 2 bars. This adds tension; the song yearns to have that bass beat thumping again and all we have in the audio space in those 2 bars is Chaeyoung spittin' and she delivered.
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taneun deut tteugeoun samak wie
yeppeuge pieonan jangmi gata
joshimseure naege dagaol ttae
nado moreuge jjilleobeoril tende

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Translating to:
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Above the hot, burning desert
It’s like a rose that bloomed beautifully
When you come to me slowly
I will prick you unconsciously

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The rap feels slick, effortless, and confident. Her diction remains sharp when enunciating each syllable but she doesn’t let the flow of her rap waver or build as her 4 bars go by, it’s just smooth consistency throughout. Even the lyrics possess an aura of laid-back collectedness that is just so her. The things Chaeyoung can do when given her pen.
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THE GOOD

• That sweet summer vibe of a chorus
• The spaceship post-chorus is killer
• Chaeyoung devoured this song
• Sure-footed, confident lyrics

Needs Work

• Perhaps an alteration of that ah yeah ah yeah line
• The way Jihyo did her pre-chorus line is good, but Mina’s is great

Core Memory

• After donating my hair, walking down the rainbow-coloured areas of downtown Toronto with this song playing was very… fitting

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This song is summer bliss distilled into 2:56. It’s dreamy, the raps are satisfying, and the ending is charming. I will say that although the second half of the song adds the stunning spaceship post-choruses and a floaty bridge with an incredible drumbeat drop into the final chorus, the raps of the song make it feel a bit front-loaded. And in an album stacked with awesome finishers, it feels more apparent.
With that said, it’s an 8/10 bop for me. This song is so easy to put on and it feels exactly what Chaeyoung would make if given the reins to produce a pop song all on her own. The lyrics are nonchalant but full of conviction, the wordplay is intricate, and the production playful but not too bombastic — it's just a nice vibe. Songs like Basics are the standard for good, simple, repeatable pop music and I’m happy that Chaeyoung got to test her pen in this genre.
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BABY WE’RE IN
TROUBLE TROUBLE
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Trouble 💃

Lyrics, vocal direction, and background vocals by Jihyo
Produced by Jihyo and earattack
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One of the most enjoyable songs I’ve heard in a while.
There is an underlying tension within the first 4 bars of the song, Jihyo and Nayeon confidently open it to a nondescript array of synths and then the stanza ends, Momo announces Let’s go, the beat drops and it hits you: this is a club song.
Dahyun's relaxed delivery contrasting with Jeongyeon's staccato flow, the wobbly synth beat mixed with a sprinkle of house piano, Sana dramatically slowing down the song only for Tzuyu to build it back up until the chorus drops,
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• Nayeon opens it using a breathy tone, with vocal chops serving as harmonies
• The blooming of the house piano takes centre stage and the song ascends into euphoria
• A random drum roll capped off by a cymbal crash
• Jeongyeon’s growling pronunciation of the word Trouble
• Chaeyoung slyly admitting I like this Trouble
• The entirety of Tzuyu’s tro~oh~oh~ouble yeah~
• Sana using her deep voice for the na~na~na~na
• Jihyo leading the vocals during the synchronized T W I C E chant

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This chorus is perfect. Toronto’s residential market needs this song injected into its veins because god damn this song has SO much house in it. And then, ANOTHER KILLING PART: this rap fucking slaps.
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gamchweo bwatja geugeon Fake
ppajin hamjeongeun Sweet cake

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During the first 2 bars, Chaeyoung is keeping it calm because that trip of a chorus just ended and the song needs a breather, but I don't think anyone expected her to SNAP this hard afterwards:
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You cannot resist this
Cannot miss this, such a bliss
Ima put it down down
Oh yeah, better kiss kiss

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Below is the structure of her this portion of the rap, I’m not that well versed in this technical aspect of music theory but I digress, this is all in the span of around 5 seconds where it’s:
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Triplet-triplet
Quadruplet-triplet
Quadruplet-doublet
Doublet-quadruplet

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Now, 25/5 = 5 syllables per second isn’t groundbreaking, but goddamn it these 2 bars sound so nice — if there is one part in this album that I always repeat, it’s this. The addition of that first quadruplet for cannot miss this in the midst of the triplets sticks out and accelerates the flow of the rap while the following doublets and quadruplets destabilize and slow the rap down as the verse closes. And can I just point out:
THE MAIN VOCALIST WROTE, DIRECTED, AND COMPOSED THIS SONG ‼
Chaeyoung of course delivered the fuck out of her verse but THIS is what you get when you have a member not only write the words they’re saying but also the melody and flow with which they sing it, when that member knows the others so well that when they write a song they know how to make the group exceed. This is what you get when the artists you stan love doing artist shit.
And. AND. That's not all — with how much I mentioned I love a good outro to close a song, this outro slaps as well:
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Woo wee woo wee woo
I like this Trouble be-be
Woo wee woo wee woo
I like this Trouble bay-be
Woo wee woo wee woo
I like this Trouble bay-beh
Woo wee woo wee woo
I like this Trou-ble

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Like, come on, Nayeon’s imitating a police siren for crying out loud. And this is all after her ad-libs in the final post-chorus; after the pianist going full tilt and playing that piano as if it was their last chance to ever play; after that final T W I C E chant by all the members come these blissful 20 seconds at the very end. What a song.
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THE GOOD

• The theme of relishing in an uncontrolled love
• Sana and Mina’s melody in the pre-chorus
• Whole neighbourhoods full of house
• You cannot resist this, cannot miss this, such a bliss
• Wees and woos

Needs Work

• Mina’s line of falling down, falling down, falling down low in verse 2 feels a bit too abrupt of a change

Core Memory

• While writing Trouble's review I had this song on repeat for my whole subway commute and I must've been so distracting, just head-bopping and being so invested in my enjoyment

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Need I say more, easy 9/10. The only reason I place Talk that Talk above Trouble is because of what that song represents but besides that, this is one of the best “international” sounds they’ve put out. Actually, I haven’t listened to Eyes wide open in a while but this song is up there with one of the most sonically pleasing pieces of work they’ve done.
Clubbing TWICE has always been a thing since TT was birthed in 2016, and has been a staple of their discography since 2019’s Fancy You and Feel Special mini albums, but Trouble unapologetically dives into and fits the house genre so well you’d think that this is TWICE’s bread and butter sound.
Trouble is Jihyo’s magnum opus. What a song.
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BRAVE BRAVE BRAVE
FOR YOU
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Brave 💖

Produced by Slow Rabbit
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I first thought this was just a good song, then I read the lyrics.
Gentle guitar plucks, shimmering synths, a distant keyboard in the right ear, in the left a glockenspiel, the melodic oohs from the members — this song is PRETTY.
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The night that was unusually dark
Above this terrifying world, felt so lonely
The world has grown in the time of wandering
So hard to breathe

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Mina and Chaeyoung open the song with how they feel lonely, that it's hard to breathe and now suddenly the song feels bittersweet — I was not expecting the song to become this emotional. Brave describes a situation where the singer is in a darker place in life and it isn't until another person gives them hope by calling them Brave that they find the drive to keep going.
Once the chorus hits, the melodies pick up, more guitars get added — there’s even an electric guitar hidden in the mix somewhere, and the song drops the emotional front to reveal a mid-tempo pop song to dance to while crying in the club. The song as a whole still carries this melancholy feeling, but now with the added support of the chorus, acting as a light amongst the gloom.
Continuing on in the second verse there's this gorgeous, well-placed break in the song that just lets it settle after that chorus. Only a seasoned producer would risk this much empty space in a song and Slow Rabbit went to fill those shoes.
Back to the chorus, I'll take this moment to once again commend Slow Rabbit with the mixing of the song, because 4MIX undoubtedly sounds good in the chorus, and the interludes from Dahyun, Chaeyoung, and Mina also sound really good, but the clear highlight of the choruses are these lines:
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Oh na na na neon nal naige hae
On and on and on
Brave Brave Brave for ya
Oh na na na neon nal sum shwige hae
On and on and on oh trust me babe

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Momo, Sana, and Tzuyu form this beautiful, surprisingly catchy, second half of the chorus accompanied by a guitar drop. It should not turn out this well with how conflicting the "na"s are with the guitar melody but it creates this gentle bopping ebb and flow that feels so lush and mellow.
Diving into the bridge reveals that the listener of the song is revealed not only capable of supporting the singer through direct words but also through their thoughts and dreams. As can be discerned, this can be a song interpreted to be about ONCEs, about how they push TWICE to be their best selves despite the breathless hardships they face. It's a very sweet and touching song.
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THE GOOD

• Special lyrics
• Pleasant sound to vibe out to
• That gentle break after the first chorus
• 3MIX poppin' off at the end
• Just very pretty vocals throughout

Needs Work

• Potentially hard to comprehend without translating the Korean lyrics

Core Memory

• Form of Therapy’s life motto revolves around the word “brave” — I don’t know where I got that from, but I remembered it right before watching his album reaction (yes, this is very random)

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I’m actually spoiled with the TWICE members’ easy-to-understand songwriting that when a song like this pops up where it's not written by a member and the thematic bits are mostly in Korean, I tend to put it aside in favour of the other songs on the album. And, especially for a song focusing on a theme like this where the English phrases don’t do the Korean lyrics enough justice, it does place a bit of a barrier on the listening experience, dropping it down to a 7/10 from an 8/10.
With that anecdote out of the way, this song is just such a vibe, man. I know that sounds super hippy to say but Brave is so mellow and smooth that I can’t help but sway a little when that chorus hits. And then I remember what the lyrics say and I tear up a bit on the inside. This song is so pure, raw, and full of heart — we need more songs like these where they just reminisce about life while putting up an upbeat front. Don't mind me just crying while dancing the night away.
With that said, this isn't the first time this theme has been sung by TWICE either, they've long trodden this path of supportive, confiding, up-lifting songs with Young & Wild, Rainbow, Queen, Go Hard, Depend on You, even this album's Queen of Hearts, and, of course, Feel Special. Brave just adds another on top of an already stacked lineup, unique with its mellow somberness.
Also now feels like a good time to get into my rating system:

• 7/10s are songs are ones that are simply good throughout or great songs with apparent flaws
• 8/10s are great songs with distinct killing parts
• 9/10s are borderline perfect songs where I sometimes can't comprehend how great they are
• And 10/10s are the best of an artist's discography, songs that encapsulate their ethos perfectly or expand upon them in a meaningful way

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I SEE THE LIES
ON THE TIP OF YOUR TONGUE
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Gone 💨

Lyrics by Dahyun
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Who the fuck pissed off Dubu this time??
It’s getting quite rare to see TWICE pull off brand new sounds because, with now 190 original songs under their belt as of this review, they’ve done so many genres and sub-genres varying from hyper pop, to bossa nova, to whatever 2020’s Go Hard is. So it’s surprising to see they’ve still got tricks up their sleeves and Gone is one of them.
The song starts with strings swinging back and forth and vocal chops dancing from ear to ear, teasing what’s yet to come. Jihyo enters the song with a whisper and the song sets its pace. A stagnant drum pad moves the song along and typical song progression would have Mina continue the build, but — it doesn’t. The song simmers, adding a hint of high hat to the pot. And then Sana and Tzuyu come on and surely the buildup must boil over right?
Silence, until…
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I see the LIES on the top of your tongue

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The strings emerge again on full blast, the simmer rolls to a boil, and the anger of the song is revealed,
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All the fate I had towards you
Fades like a fog, Gone, Gone
Your flipping mind of doing this and that
I’m tired of it, it’s meaningless
In the beginning, it was hard to believe
With that, hatred increases

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The singer is so scorned and burned from this relationship that they reminisce about all the effort they’ve put in since the beginning, but their “partner” is so unconcerned that they’ve just about had enough of the relationship altogether.
This has been Dahyun’s thing since 2020’s Bring It Back, 2021’s Cruel, 2022’s That’s all I’m saying, and even 2023's Don't Blame It On Me — emotionally charged breakup songs that make you feel as if she’s survived through a dozen bad relationships. Dispatch, do try to do your job better.
Another highlight of the song is the post-chorus going into the bridge. This segment reiterates the structure from the first post-chorus — a barrage of drums supported by the rhythmic strumming of a bass guitar along with a consistent synth filling out the soundscape. But this time, it’s Dahyun and Chaeyoung on the rap:
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I can’t stand it anymore
My patience, invisible
I can’t find it, it’s all Gone
Even if I try to turn back, it’s too late
There’s no use anymore
It has left, it’s long Gone
You, with flipping mind, you are out
I know that you know what I’m talking about
Nothing you could say that could turn this around
I’m Gone

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Building upon the disrespected theme of the song, Dahyun notes that she’s finally had enough with Chaeyoung adding that there’s no point salvaging what love was once there. Momo and Dahyun round it off by telling the listener that there’s no point trying to reason with them or playing naive, they fucked up and there’s no coming back.
Can I just say, it's a bit of a shame that Chaeyoung’s rapping popped off in this album while Dahyun only has this one verse that she shares with Chaeyoung, but it just sounds so good how Dahyun eases in after the chorus with her light rapping tone transitioning into her singing. She even holds the Gone in a little crescendo for some added pizzazz.
And, there’s no way I’m not going to talk about Momo’s vocals in this bridge. Damned if she only got 1 line to use it in, her lower register is incredible. She sounds so smooth singing in this tone. All of TWICE do in particular and there is nary a weak vocal performance in this album.
To close the song off, a wash of synths gets to have their shine in the spotlight, showered with Nayeon’s belting, signifying the dramatic and drawn-out conclusion of this partnership.
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THE GOOD

• They’ve still got their surprises
• Thundering chorus
• 2nd rap and bridge combo
• A bitter, crumbling relationship theme

Needs Work

• I’m not a huge fan of the mixing during the first post-chorus, where Momo's vocals were fighting with the production, which is disappointing because Momo is capable of an insane flow
• The post-chorus in general, specifically the first one, can be a bit tiring on repeat listens

Core Memory

• Actually, I think this song sounds like a mix between GOT7's Not By The Moon, BLACKPINK’s Love To Hate Me, and Dahyun’s Bring It Back. I don’t know where I got this thought came from, but it stuck

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Going back to that point about the first post-chorus as a whole; songs that have the production continue unchanged into the post-chorus/2nd verse are very hit or miss for me — see TWICE's Don't Call Me Again for an overbearing example. The post-chorus going into the bridge contrasts Dahyun’s light tone nicely with the hard-hitting production, continuing the energy until it slowly fades into silence at the end of the bridge.
Back to the song as a whole, as much as TWICE has been experimenting with their sound for the past 4 years now, I’m happy they’re still finding new ways to explore what they’re capable of. And for that alone, even though I’m not a big fan of songs like these where they rely on sounding “big”, Dahyun’s lyricism and the thrill I receive every time I indulge myself in this song elevates it to an 8/10. Keep on breaking hearts, Dubu.
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INVINCIBLE
SUPERHEROES
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When We Were Kids 🧸

Lyrics by Dahyun
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Press play to reminisce, pull up lyrics to cry.
This song is so beautiful. I’m totally not writing this song review, crying on the bus reminiscing about my childhood, while just having turned 21. I don’t know if these are happy or sad tears but this song is so beautiful either way.
Warm synths, muted piano, a gentle high hat, the younger members starting off the song — this has to be up there for one of the softest TWICE songs ever. And as it should, it’s one of the TWICEiest songs ever. And then Nayeon comes in:
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Invincible superheroes, we wanted to be adults
To the higher, clearer world

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The chords start swelling, the high hat keeps pace, and the harmonies pour in.
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Remember When We Were Kids
When We Were Kids, we didn’t know
If we could go back
I will love it even more
Remember When We Were Kids

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Jihyo takes up the second half of the chorus as it drops, trading the strings for an almost R&B synth production — if choir R&B takes off, this song started it. The song relishes in this cacophony of warm sounds until returning to its sparse and peaceful verses.
This time, the hints of piano are louder, little twinkling synths begin to shimmer, the drum buildup comes and Jeongyeon drives the song straight into the chorus. No time for the strings to build like in Nayeon’s — this song loves its chorus so much.
And I'll just take this time to appreciate the amount and range of Jeongyeon vocals in this album. Her voice is so textured, stable, and projected — but also more tender and soft compared to the more pronounced tones of Nayeon and Jihyo.
The bridge comes in, repeating the phrase:
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I wish that I could meet
Could meet the younger me

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Giving the song time to rest, before building back up to the last chorus — this time led by Jihyo, completing the 3MIX trifecta. And interestingly enough, Chaeyoung follows up in the second half of the chorus, rather than another member of the vocal line. She really did pop off in this album.
As the last chorus begins to close, the percussion at its strongest, the harmonies on blast, the background vocals cranked up to their Sunday best, is the song going to end? Of course not! This is an album full of banger endings as if the songs don’t want to end, and When We Were Kids being the album closer very much indulges in that feeling.
After a brief refrain, accented by Nayeon’s high note with a touch of vibrato, the song almost dives back into a fourth chorus. Nayeon and Jeongyeon harmonize — a rare and heavenly moment. And the song repeats the bridge, reiterating that they want to meet their younger selves, this time with the lush chorus production before closing with silence, a few piano notes, and Tzuyu singing the last line of the song:
​

Oh, we were kids

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Reflection, acceptance, hope. What a song.
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THE GOOD

• Heavenly vocals throughout
• Relatable, heartfelt lyrics
• Euphoric chorus
• Great closer to the album

Needs Work

• Refrain after the last chorus, Back When We Were Kids, could’ve been executed better

Core Memory

• For an album titled Between 1&2, I don’t think anything hits harder than finishing the song reviews, with this song in particular, during your 21st birthday

​
I wrote the first part of this review in November 2022. Then university, life, and other things got in the way of my headspace for me to feel confident about wrapping all of this up. In a way, I felt like I just didn’t want this review to end because of the joy that writing gives me — I didn’t want the happiness to end. And then it hit me, after watching a YouTuber rank animated movies and them placing Spirited Away at the top and explaining 'why' reminded me of just how important growing up is, and by extension this song.
This theme is important for both the rookie TWICE members in 2015 and the teenagers who would follow their journey and grow up with them, facing life’s obstacles along the way. Hardships that used to only involve family, crushes, and social media, evolve into work, commitments and all the struggles that adult life brings. Being a kid and enjoying the simple things in life is one of the most sought-after moments we want to relive because we took growing up for granted. The only thing we can do now is look back on ourselves with fondness and rose-tinted lenses.
TWICE’s original meaning was to resonate with people through their senses and their hearts. That was during their debut, and I think it still holds up today. In my opinion, touching people through their emotions is what TWICE does best and makes them one of K-pop’s all-time greats. It was never about having the best numbers — it was about being the best idols. And to think that this journey of maturation and growth would occur from 2015 all the way to this song, being a fitting nod to TWICE’s 7th anniversary, I don’t think anyone at the company nor the group would ever imagine that they would get this far. It’s these nine women or none — 9/10.
This song honestly deserves a 10/10 with how much I noticed other people reminiscing their childhoods after I heard this song, it is such a widely-relatable message, but I am determined to limit myself to one 10/10 song per album and if I were to pick between TTT and WWWK, I'd give it to the one's that's more repeatable — Talk that Talk just has this electric energy about it.
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​
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Epilogue

And finally here is the end. If you made it in one sitting then I commend you, because I could not write this mess in one sitting. As alluded to, I started writing this album review sometime in October, after a series of edits the first draft was finished in March, and now here's the final draft in June.
I love this album. It got me through some important parts of my life, both good and bad, and it's just a wonderful listen throughout. Reliving this album again before finally completing the review has been an exciting journey. Brave hit me harder this time, after being overshadowed by the other gems of this album, and WWWK finally got me to tear up and not just be emotionally satisfied.
I feel like there's something for everyone on this album. From the exhilarating thrills of TTT to the anthemic euphoria of QoH, the clubbing dichotomy of Trouble and Brave to the blissful glee of Basics, and the sweet reminiscence of WWWK to the thundering anger that is Gone. Like Eyes wide open, I liken Between 1&2 to a pop music taste platter — there's such an eclectic mix of pop music in this album that there's bound to be a song that someone will love, like, and dislike.
Is this album perfect? I don't think so, but it's close — it was certainly my 2022 AOTY. Was this review biased? Absolutely. I've been a fan since 2019 and with the themes in this album, I also feel like it was biased towards me as a ONCE. And how would I rank the album in TWICE's catalogue? It's honestly at the top, at least with EPs — I also felt that way towards Feel Special but then this album was birthed so I'm excited for TWICE's future.
Ready To Be was also a stunning album and Eyes wide open frankly also deserved the spotlight that Formula of Love received so I might hit those next but no promises; this album took long enough to bake.
As for the performances, I've only seen Twitter clips (no fancams to not spoil myself) and I am SO EXCITED to finally see them in July. QoH was as glorious as expected, Brave was a delightful surprise, and WWWK, while not being the concert closer everyone expected it to be, paired up nicely with Crazy Stupid Love. And of course the bombastic addition of the dance break to TTT. But, this is not a concert review, and here is where this album review ends.
Feel free to comment with any thoughts regarding the album, other TWICE albums, and any suggestions for my writing in general. Congrats again on making it this far!
God, I love this album.

Looking for a lot of stuff, ranging from NES to PS2, so send me a list, but especially looking for the remaining NES games and PS1 longbox games on this list:
https://docs.google.com/spreadsheets/d/1-n0nVkLjNcHc5uxRqmgGfodGTADg3YMUrHk8JYlJzJU/edit?usp=sharing

HAVE:

NES

Batman
Battletoads (marker on cart and yellowing)
Bayou Billy
Blaster Master
Double Dragon
Double Dragon II
Fester's Quest
Sky Shark
Super Mario Bros.
Super Mario Bros. 2 (bad label damage)
Super Mario Bros. 3 (some label damage)
Super Mario Bros./Duck Hunt
Tetris (yellowing)
TMNT (some yellowing)
TMNT II

GBA

D&D: Eye of the Beholder
Final Fantasy Tactics Advance
Final Fight One
Kingdom Hearts: Chain of Memories
Mario & Luigi: Superstar Saga (Not For Resale)
Ripping Friends: The World's Most Manly Men
Tetris Worlds
Wario Ware: Mega Microgames
Zelda: Link to the Past/Four Swords (some label wear)

Gamecube

Animal Crossing (no manual; has memory card)
Interactive Multi-Game Demo Disc Version 13 (Disc Only)
Interactive Multi-Game Demo Disc Version 14 (Box Only)

Nintendo DS

Castlevania: Dawn of Sorrow (CIB)
Castlevania: Portrait of Ruin (CIB)
Death Jr. and the Science Fair of Doom (CIB)
Elite Beat Agents (CIB)
Kirby: Canvas Curse (CIB; cover art has some wrinkles)
Puzzle Quest: Challenge of the Warlords (CIB)
Super Princess Peach (CIB)

Sega Genesis

Grind Stormer (CIB)

Sega CD

Final Fight CD (CIB)

PS1

Raystorm (disc only)
Suikoden II (disc only)

PS2

Adventures of Darwin (CIB)
Arc the Lad: Twilight of the Spirits (CIB)
Backyard Football (CIB)
Backyard Wrestling 2 (CIB)
Gran Turismo 3 (CIB, Greatest Hits)
Grand Theft Auto: San Andreas (CIB)
Hot Shot Golf Fore (CIB)
Innocent Life (CIB)
Kingdom Hearts (CIB, Greatest Hits)
LEGO Star Wars (CIB; Greatest Hits)
Madden 2005 (CIB)
Myst III (CIB)
Pirates: Legend of the Black Buccaneer (CIB)
Shepherd's Crossing (CIB)
Wild Arms: Alter Code F (CIB w/bonus anime DVD)
Xenosaga 1,2,3 (all CIB)

PSP

Capcom Classics Collection Remixed (CIB)
Castlevania Dracula X Chronicles (CIB)
Dissidia Final Fantasy (CIB)
Grand Theft Auto: Vice City Stories (Greatest Hits; Sealed)
Puzzle Quest: Challenge of the Warlords (CIB)
Grand Theft Auto: Liberty City Stories (CIB)
Killzone Liberation (CIB)
Untold Legends: Brotherhood of the Blade (CIB)
Lumines (CIB)
Twisted Metal: Head-On (CIB)

Xbox 360

F.E.A.R. Files (CIB)
Green Day Rock Band (CIB)
Halo ODST (CIB)
Resident Evil 6 (CIB)

Controllers

Atari Driving controller
Atari WICO Command Control
NES Light Zapper - gray and orange
NES Quickshot QS-112 controller x4
NES Quickshot QS-126 controller x2
NES Quickshot QS-128N controller x2
NES Quickshot QS-130NL "Python 2" controller
NES Satellite with sensor
NES Zinger controller

Manuals/Art

Atari 2600 manuals (too many to list; ask for any you need)
Captain Skyhawk (NES) - manual only (some wear)
Culdcept (PS2) - manual only
Dark Cloud 2 (PS2) - manual only
Donkey Kong Country (GBA) - manual only (tear on the back)
Dragonball Z: Budokai 3 - cover art and manual only
Front Mission 4 (PS2) - cover art and manual only
Gex (PS1; jewel case version) - manual and rear art only
Grand Theft Auto III (PS2) - cover art and manual only
Harvest Moon DS (Nintendo DS) - manual only
Harvest Moon DS: Island of Happiness (Nintendo DS) - manual only
Harvest Moon DS: The Tale of Two Towns (Nintendo DS - manual only
IGPX: Immortal Grand Prix (PS2) - cover art and manual only
La Pucelle Tactics (PS2) - cover art and manual only; cover art wrinkly/damaged
Lord of the Rings Vol. 1 (SNES) manual only
Mega Man: Network Transmission (Gamecube) - cover art and manual only
Mega Man X5 (PS1) - rear art only
Need For Speed: Underground (PS2) - cover art only; some wear
NES (console) - manual only
NES Advantage - manual only
NES Light Zapper - manual only (gray and orange)
Pokemon Trading Card Game (Game Boy Color) - manual only
Resident Evil 2 (PS1) - Greatest Hits Rear Art only
Resident Evil: Revelations (Nintendo 3DS) - cover art and manual only
RPG Maker II (PS2) - cover art and manual only
SNES (console) - manual only
Soul Reaver 2 (PS2) - cover art only
Spyro: Ripto's Rage (PS1, black label) - manual and rear art only
Starfox Adventures (Gamecube; black label) - cover art and manual only
Star Wars: Battlefront II (PS2) - cover art only; some wear
Super Mario 64 DS (Nintendo DS) - manual only
Super Mario Bros./Duck Hunt (NES) - manual only x2
Super Mario Bros. 2 (NES) - manual only x2
Super Mario Strikers (Gamecube; black label) - cover art only
Super Mario Sunshine (Gamecube; black label) - cover art only; very worn/creased/stained
Trigger Man (PS2) - cover art and manual only
X-Files: Resist or Serve (PS2) - cover art and manual only
Xenosaga II (PS2) - manual only
Zelda: Link to the Past/Four Swords (GBA) - Manual only

Consoles

Game Boy DMG x2
Gamecube - Indigo, doesn't read discs
PS1 - regular and "audiophile"
PS2 fat
XBox original

Board Games

7 Wonders + Armada, Babel, Cities, Cities Anniversary pack, Leaders, Leaders Anniversary pack, Wonders Pack
Archipelago + War & Peace expansion
Castles of Mad King Ludwig + Secrets expansion
Cranium
King's Dilemma (few of the prologue scenarios played)
Mice & Mystics + Downwood Tales expansion
Paranormal Detectives
Puerto Rico
Saboteur + Saboteur 2 + promo
Silver + Silver Bullet
Wavelength

In a promotional era where we got so, so many different varieties of the dance challenge for Queencard and little bits of Allergy, this recap will go through the 6th mini-album promotional activities, with content that you may have missed. Past promotional recaps can be found in the Recap Archive. Any news and updates related to this promotion for this current week will also be updated to this recap. All dates and times are in KST, unless stated.
The most recent Neverland Hangout is available here, and the Announcement Megathread for the upcoming 2023 concert tour is here.

Music Videos

Allergy Total views @ 10am: 27m; 💬
퀸카 (Queencard) Total views @ 10am: 104m; 💬 / Performance Ver

Teasers & extras

Pre-release

💬 Image Teaser
Announcement : [I feel] New Episodes (Track List); 💬
💬 Concept Poster (Queen Concept)
💬 Casting Board (Cat Concept)
Character Introduction : [I feel]; 💬
💬 Character Map (Cat Concept)
Spoiler Alert : [I feel] #YUQI ("All Night" Track Preview); 💬
Spoiler Alert : [I feel] #SHUHUA ("어린 어른 (Adult)" Track Preview); 💬
💬 'Just be a #Queen' 👑 (Queen Concept)
Spoiler Alert : [I feel] #MINNIE ("Lucid" Track Preview); 💬
Spoiler Alert : [I feel] #MIYEON ("Paradise" Track Preview); 💬
💬 'Fly like a #Butterfly' 🦋 (Butterfly Concept)
Spoiler Alert : [I feel] #SOYEON ("Allergy" Track Preview); 💬
💬 'Crawl like a #Cat' 🐱 (Cat Concept)
💬 'Allergy' MV Pre-Release Poster
💬 'Allergy' MV Teaser Photos
Comeback Interview : [I feel]; 💬
💬 '퀸카 (Queencard)' Image Teaser

Post-release

"I feel" mini-album on Spotify / Apple Music / Youtube Music
💬 Mini-album B-side Discussion
💬 Melon Magazine: 'I feel' Album Jacket Shoot
💬 CUBE Naver Post: 'I feel' Album Jacket Shoot ' BTS
💬 Moving Poster
💬 CUBE Naver Post: 'Allergy' & 'Queencard' MV Shoot BTS

Cube exclusive content

Date	Title	Extra info
230515	퀸카 (Queencard) Special Performance Video	💬
230516	퀸카 (Queencard) Fanchant Guide	💬
230517	(G)I-DLE Original Series [I feel] Production Presentation	Mini-album Press conference
230520	(G)I-DLE 6th Mini Album [I feel] UNBOXING	💬
230521	퀸카 (Queencard) Choreography Practice	💬
230522	#HASHTALK EP.23	Yuqi's plane room tour 🙌; 💬
230523	I-TALK #124	'I feel' Album Jacket Shoot BTS; 💬
230524	#HASHTALK EP.24	You wanna be the 퀸카 (Feat. Soyeon's Queencard Box Making 👑🎀);💬
230526	'퀸카 (Queencard)' Recording Behind the scenes	💬
230529	'Allergy' (Live Clip)	💬
230530	6th Mini Album [I feel] Audio Snippet Shoot Behind the scenes	💬
230603	I-TALK #125	'Queencard' MV Shoot BTS Part 1; 💬
230604	'Allergy' Special Performance Video; 💬
230605	M/V Bloopers : [I feel]; 💬

Music show performances

Date	Show	Song	Extra info
230518	M Countdown	Allergy + Queencard	Comeback stage
230519	Music Bank	Queencard	Comeback stage
230520	Music Core	Queencard	Comeback stage
230521	Inkigayo	Queencard	Comeback stage
〃	The Seasons: Choi Jung Hoon’s Night Park	TOMBOY (Live Band ver) + Queencard	Miyeon, Minnie, Yuqi cover of Jannabi's 주저하는 연인들을 위해 (for lovers who hesitate)
230523	The Show	Queencard	Comeback stage; #Queencard1stWin🏆
230524	Show Champion	Queencard	Comeback stage; #Queencard2ndWin🏆
230525	M Countdown	Queencard	#Queencard3rdWin🏆
230526	Music Bank	Queencard	#Queencard4thWin🏆
230527	Music Core	Queencard	#Queencard5thWin🏆
230528	Inkigayo	Queencard	#Queencard6thWin🏆
230601	M Countdown	Queencard	-
230602	Music Bank	Queencard	-
230603	Music Core	Queencard	#Queencard7thWin🏆
230604	Inkigayo	Queencard	#Queencard8thWin🏆

Variety / Specials

Date	Show	Extra info
230515	Melon Station Spotlight Interview	Commemorating the release of 'I feel'
〃	MisTaery	Ongoing Google Play Korea series feat Miyeon
230516	Dingo Music Killing Voice
〃	BTOB's Kiss The Radio	Live studio performance of Queencard / Queencard Challenge practice & attempt
230517	Lee Eunji's Gayo Plaza	Miyeon, Minnie & Soyeon. Queencard Challenge practice & attempt
230518	MMTG - Civilization Express	Ep.291
〃	MISUN:IMPOSSIBLE	Yuqi
〃	Yongjinho Health Center	Ep.10
〃	1theKILLPO Performance
230519	SHUHUA of (G)I-DLE Answers 21 Questions	Ongoing Mindset collab
〃	M2 Relay Dance
〃	Bam House	Ep.14 feat Minnie
230520	Music Core mini-fanmeeting
〃	LeoJ Makeup	Soyeon
230521	The Seasons: Choi Jung Hoon’s Night Park	Choi Jung Hoon’s Queencard twerking practice & attempt / Choi Jung Hoon & Miyeon's MC skit
230522	Park Myung Soo's Radio Show	Miyeon, Minnie & Yuqi. Performance of Queencard
〃	Begin Again Open Mic	Performance of Die For You (duet with Onestar) & Paradise (Minnie solo ver)
230523	LeeMujin Service	Ep.64 feat Miyeon
230524	Thumbnail Scramble
〃	Dongguk University Spring Festival	Full set fancam
230525	MMTG - Civilization Express	Ep.292
〃	Eunchae's Star Diary	Ep.9 feat Shuhua
〃	Workdol	New weekly web variety series feat Shuhua
230526	Cosmopolitan Korea Zoomterview	Monthly featured special feat Soyeon
〃	Korea University IPSELENTI Festival	Full set fancam. Stage cams: TOMBOY / Queencard
〃	Kyung Hee University Spring Festival	Full set fancam. Stage cams: LATATA / TOMBOY
〃	Hanyang University RACHIOS Festival	Full set fancam. Stage cams: LATATA / MY BAG / Allergy
230527	The Kstar Next Door	Season 3, Ep.6 feat Miyeon, Minnie & Yuqi
〃	Amazing Saturday	Ep.265 feat Miyeon, Minnie & Yuqi. Highlights / Queencard fancam
230529	Begin Again Open Mic	Performance of beside you
〃	MisTaery	Ongoing Google Play Korea series feat Miyeon
230530	1theK BE-RIC VIDEO	1theKILLPO BEHIND the scenes
230531	Cultwo Show	Miyeon, Soyeon & Yuqi Queencard dance performance
〃	Kookmin University Festival	Full set fancam. Stage cams: TOMBOY / Allergy / Queencard
230601	Workdol	New weekly web variety series feat Shuhua
230602	Singles Korea INSTA TOUR	Monthly featured special feat Yuqi
〃	M2 DOPE CLUB	Minnie & Shuhua Queencard (DOPE CAM ver)
230603	Knowing Bros	Miyeon. Highlights
230604	Ask Anything Chat	Collab feature with iHeartRadio's Most Requested Live

News / Interviews / Highlights

Date	Title
230514	📈 Pre-orders for the 6th mini-album, I feel, have broken its own record, exceeding 1.1 million copies
230516	📰 'I feel' ranked 1st across 18 regions globally on the iTunes Top Album category†
230520	📈 (G)I-DLE records over 1 million copies sold from 'I feel' on Hanteo
230521	🎉 'Queencard' M/V hits 50,000,000 views!‡
230522	📰 (G)I-DLE breaks its own opening week album sales record with 'I feel', achieving a career high & ranking 4th overall in girl group history
〃	🎉 'Queencard' M/V hits 60,000,000 views!‡
230523	🎉 'Queencard' M/V hits 70,000,000 views!
〃	📰 ELLE Korea: Princess's arrival, Jill Stuart Beauty and Miyeon's meeting
230524	📰 Weverse Magazine: SOYEON, (G)I-DLE’s leader - Five songs where the idol’s skills as a producer shine
〃	📰 Weverse Magazine: (G)I-DLE’s Playlist - (G)I-DLE Sing about Self-esteem and Love
〃	📰 Singles Magazine: The freedom of Yuqi
230526	📰 Cosmopolitan Korea: Jeon Soyeon's passionate love story with herself
230527	📰 (G)I-DLE, sells out all seats for the world tour in Seoul within 5 minutes
〃	🎉 'Queencard' M/V hits 80,000,000 views!‡
230530	📈 'Queencard' achieves a Realtime All-Kill
〃	🎉 'Queencard' M/V hits 90,000,000 views!‡
230531	📈 'I feel' debuts on the Billboard 200 at #41
〃	📰 I-DLE ‘Queencard’ insane music power…3 consecutive chart all-kill
230601	📰 Billboard: (G)I-DLE Hits No. 1 on Emerging Artists Chart for First Time
230603	🎉 'Queencard' M/V hits 100,000,000 views!

† - At time of announcement
‡ - Delayed announcement

Follow-up to my last post:
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An Attenborough documentary on dinosaurs with the same CGI that made The Jungle Book so lifelike? I couldn't think of a greater sell. But was it worth it? Would it give me the same sense of wonder that I felt when Walking with Dinosaurs came out 22 years earlier?
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The first episode, "Coasts", is overall the strongest episode of season 1. Starting immediately with a swimming t-rex (Tyrannosaurus rex) leading his children to an island where he smelled a dead archelon (species unknown, as no Maastrichtian-age archelon was ever found in the fossil record), that first scene showed the promise of the show as a whole. Seeing CG baby t-rexes interacting with live-action baby turtles is both concerning (as sea turtles are currently endangered) and entertaining, as they are demonstrated pretty goofily. But after that, we are done with dinosaurs for the rest of the episode.
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We cut to the one scene that, while endearing with a riveting soundtrack by power couple Anže Rozman and Kara Talve, does give me pause. The pterosaurs featured in that episode were based on bones so fragmentary that they couldn't be diagnosed. How can we be sure that Barbaridactylus was a member of the antlerwing family, Phosphatodraco a member of the simurgh family, or even Tethydraco a member of the pteranodon family? How do we even know what Alcione even looked like? Also, the score doesn't really match the slower, less urgent movements of the pterosaurs.
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The next scene was described as "the sunken continent of Zealandia", which is a refresher to see the lost continent bearing recognition for a change. Here, a family of plesiosaurs (Tuarangisaurus keyesi) comes to the coast to gulp themselves on anti-buoyant rocks, while the males ceremoniously poke their long, heavy necks up to the surface, the only good moment in an otherwise generic sequence.
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After a quick focus on coral, we get treated to a Hoffmann's mosasaur (Mosasaurus hoffmanni) relying on fish and shrimp to give him a good, proper scratch, only to be pushed out of turn by a younger male. This sequence sticks out to me because it shows mosasaurs being portrayed as animals, not as monsters to shadow Nigel Marven or kaijuified Blackfish bootlegs.
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The next scene shows a dazzling, mesmerizing mating ceremony of ammonites ("scaphitids", they were called, but that doesn't determine specific species, as it was a very huge family). They glow in the dark and mate very particularly. If the male's flashes don't sync with those of the female, he'd be rejected. Complimenting this alien but still soothing scene is Rozman and Talve's equally alien and soothing score.
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Back in Zealandia, we end with plesiosaur pod mentality, as the whole group defends a pregnant mother from a kaika taniwha (Kaikaifilu hervei). As with the previous plesiosaur scene, it wasn't a scene that I got too crazy about.
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The next episode, "Deserts", isn't really as impactful as the Planet Earth episode of the same name, both in regards to execution and the musical score, and it was riddled with confusing scene decisions. The first scene demonstrates a lek of dreadnoughts (Dreadnoughtus schrani) acting like a combination of elephant seals and frigatebirds, right down to the pops on their necks. The score in that sequence is definitely memorable, as it (literally) highlights the weights that the males take to demonstrate their fitness to attract the gaggle of girls in the audience. Though I'm left wondering--did the upstart beat the veteran because he was stronger, or because he popped one of the veteran's neck balloons, as male frigatebirds would do to ditch the competish?
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Once the sauropod show is over, we now move to what was presumed to be Nemegtia, but it was portrayed to be as dry as Djadochta, which leads to the next problem. While there was evidence of Maastrichtian-age velos in Central Asia, calling them "Velociraptor" is just wrong. I grew up watching Walking with Dinosaurs, which means I watched "Giant of the Skies", which featured Utahraptor in the wrong place at the wrong time. And while the American cut justifies this with a demonstration of a land bridge that connected North America to Europe, I don't know how much water that holds, and that doesn't seem to be relevant anyway, for the damage has already been done. So having in Velociraptor, a genus of velos that went extinct 71 million years ago, in Nemegtia, which was set 66 million years ago, is just a rehash of that previous mistake. In short, Prehistoric Planet has Utahraptor'd the Velociraptor. And besides, hasn't the picture of pack-hunting raptors already been discarded?
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The next scene, the one with the Nemegtian mononych (Mononykus olecranus), is cute but not top-notch memorable, and its color choice is teetering way close to the point of plagiarism.
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Afterwards, the brief but violent rains have created a watering hole in the middle of the desert, luring in dinosaurs and pterosaurs from miles around, including a wandering khan (Tarbosaurus bataar). The reason that scene is so low was that it was just a near-identical rotoscope of the Water Truce sequence from The Jungle Book, right down to the herbivores making a clearing for the khan.
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Then we go high up to see more Barbaridactylus. This scene I wasn't aware was a problem until Unnatural History Channel brought it up in his video, but the females were shown to be oddly consensual towards the similar-looking sneaky males, who use their feminine appearances to sneak past the larger, more impressive males. This is a problem, apparently, because the more extreme the sexual dimorphism, the more likely the sneaky male will be rejected and therefore resort to assaulting the females.
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The last scene is an interesting one, albeit one that suffered an unmemorable score in the soundtrack. Apparently, salty southern duckbills (Secernosaurus koerneri) can thrive on dunes of gypsum, but when rains hit the coast, they rely on both their tenacity and their know-how of the sky to get to more productive grazing. This scene stands out to me because I question why any large animal would choose to thrive on such a taxing environment. It'd make sense for an animal as small as the cryptile, the scrofa and the gryken from The Future is Wild, but not for a duckbill bigger than 16 feet long.
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It is unanimously agreed upon that "Freshwater" is the weakest episode in the first season. Apart from the humpbacked false duckbill (Deinocheirus mirificus) getting a scratch in the swamps of a more accurate Nemegtia and the devil frog (Beelzebufo ampinga) making a snack out of a baby whacktooth (Masiaksaurus knoplferi), the habitat itself has been relegated to the backseat, which is why the mating scene of the t-rex and the laying magnificent simurgh (Quetzalcoatlus northropi) are on the C tier, good scenes that have been damaged by simply being in the wrong episode. Speaking of the latter, memes have popped up in which the faces of dinosaurs have been pasted over two shots of Monty Python and the Holy Grail, with either Masiakasaurus or the Planet Dinosaur model of Majungasaurus being Galahad and the Quetzalcoatlus being the French taunter ("What are you doing in Africa?" "MIND YOUR OWN BUSINESS!") when, really, that meme is more applicable to Velociraptor being in the Maastrichtian. On that topic, not only is it STILL in the wrong time, there is another problem, one I didn't pay attention to until Unnatural History Channel brought it up on his video. Instead of showing audiences raptor prey restraint (or "RPR"), the storytellers relied instead on mountain cats to show the velos hunting the pterosaurs (species unknown). Like the Deserts episode, Planet Earth has a far stronger "Freshwater" episode.
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"Ice Worlds" didn't excite me as much as "Spirits of the Ice Forest" did, which is a shame, because dinosaurs in the snow is a refresher by default. We start at Prince Creek, which I couldn't ask for a worse place to start because the cast list is very fragmentary. In the opening scene, a pack of raptors (species unknown, though modeled after the pitbull raptor), shadows a herd of ugrunaaluk (Edmontosaurus sp.) for a long-delayed meal. Again, the picture of raptors hunting in packs has been debunked for a very long time now. Why insist on resorting to old cliches?
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The Ornithomimus scene (can't think of a vernacular for them), while the designs look cool and add distinction to overall character, is still just a rotoscope of the Adelie penguin sequence from "Frozen Planet". Next.
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The sequence with the swanneck (Olorotitan arharensis) is even less impressive. Are horsetails really more nutritious than grass? If so, then why have grasslands been the dominant plains since the Miocene?
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The reason the scene with the tro-o is relatively low on the tier list is that it should have been longer, because a dinosaur with the intellect of a fire hawk is a very interesting prospect. But the final scene was just too short and too bland to show off any real gold.
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We have spent so much time in the north that I question the necessity of a quick detour to Antarctica, rendering the scene with the polar macahutiul (Antarctopelta oliveroi) my least favorite of the series.
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The final scene demonstrates the predator-prey dynamic between the northern boss (Pachyrhinosaurus perotorum) and the nanook (Nanuqsaurus hoglundi). The scene is great, the score has some very rhythmic moments, but what puts it low on the B tier are the nanooks themselves. From a distance, they look as good as most of the others. But in closeup, they look kind of fake, especially when they're running. Which brings up to the next problem--the story is based on fossil footprints of different lines pointing in the same direction. But how do we know that those parallel tracks were made at the same time and not separated within hours, days or even weeks of each other? And while it is true that nanooks were smaller than t-rexes, their portrayals in the show were just too small. More recent consensus shows that one nanook could easily match a boss in size, if not overtop it.
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"Forests" is an everywhere kind of episode. The opening scene with the austroposeidon (Austroposeidon magnificus) is not long enough to get me invested.
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Then a herd of trikes (Triceratops, species unknown) visits a cave to visit a clay lick to neutralize the poisons from their plant food. But why clay? Why not salt? Herbivores can clearly deal with poisonous plants without problem, but plants lack sodium, which is why the elephants of Mount Elgon (the inspiration behind that scene) scrape the caves not for clay, but for salt.
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This next scene has gotten everyone talking. A male minotaur (Carnotaurus sastrei) clears the stage to wave his arms around to impress an impossibly stoic female. Everything about that scene--from the choreography to the score--is very goofy, and that is what makes it work so well.
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While it is nice to finally see the Pinocchio-rex (Qianzhousaurus sinensis) in the flesh, its hunt for bright blue corythoraptors (Corythoraptor jacobsi) is not a scene I'd be in a hurry to revisit.
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The fire scene is oddly slow, the only memorable moment in the whole sequence being my first official introduction to Atrociraptor marshalli...literally just one short week before Jurassic World: Dominion predictably ruined it.
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The scene with the baby Therizinosaurus is passable. While it is cute to imagine babies having a taste for honey, it just wasn't executed memorably.
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The final scene, the one set on Hateg Island, slogs on in pace, with the greatest focus being a bunch of odd-looking baby zalmos (Zalmoxes robustus) running and hiding from the real star of the episode, the robust simurgh (Hatzegopteryx thambena), looking more proper than how it looked in Planet Dinosaur. One question, though--weren't pterosaur wings supposed to be rounded at the tip? Sure, they've got the hands pointing backwards, but the pointed wingtips is now believed to be an outdated picture.
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So it goes without saying that years of watching a moderate quantity of Attenborough documentaries has made the watching experience of Prehistoric Planet, at least in comparison to the original Walking with Dinosaurs, a bit numb. The creature designs are good, the CGI has not faltered in its photorealism from The Jungle Book, and even the soundtrack has enough of a score to make it memorable. But it's the stories that amount to the overall numbness of the first season. They hadn't opened my eyes in the way that Walking with Dinosaurs did.
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When season 2 was announced literally one year after season 1, I had my doubts. Planet Earth 2 came out literally a decade after the first Planet Earth, and the differences in filming technology and musical score clearly show that. Same for the 16 years that separate The Blue Planet from Blue Planet 2. Dynasties 2, by contrast, came way too soon after the first Dynasties, and the end result is sloppy, from the stories being set at the tedious start rather than at the steady prime to the score from the first Dynasties being reused so often that the only episode to have any new music was "Meerkat". So to find Prehistoric Planet 2 come out literally one year after Prehistoric Planet, I was concerned that it'd be as shorthanded as Dynasties 2 was. The opening episode, "Islands", kind of suffered that, but it thankfully wasn't as severe a problem.
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The first segment of that episode struck me as odd because the adult zalmo looks weirdly identical to the baby model from last episode.
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While it is cool to see the robust simurgh being expanded upon, I personally wish we'd stayed at Hateg Island, where they'd hunt the Transylvanian dwarf duckbill (Telmatosaurus transylvanicus) and not the funky combbill (Tethyshadros insularis).
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One of season 1's most recurring complaints is "no crocodiles", which is pretty apt when you consider how diverse they were during the Cretaceous period. So to see the Malagasy armadillo (Simosuchus clarki) at all, let alone stand up against a mahjong (Majungasaurus crenatissimus), is one to remember for the ages.
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This next scene is actually pretty interesting, in which we see Adalatherium, which wasn't a true mammal, but rather something hovering closely outside the taxonomic boundaries. It's a long sequence, which is just as well, because this is as new a clade to me now as the cynodont was when Walking with Dinosaurs came out.
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As with in "Ice Worlds", a quick detour to Antarctica doesn't seem necessary to me, as the hunt between the Imperobator and the Morrosaurus feels more like a skim.
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The last scene in the episode is my personal favorite, in which a male robust simugh stands on a sandbar to do whatever it takes to impress a mate.
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"Badlands" stands out in that there are only two settings. The first one is the strongest because of how the Deccan Traps, long reputed to be the co-culprit to the fall of the dinosaur empire, has been repurposed into prime nesting estate for a herd of sauropods (Isisaurus colberti). The journey seems reckless, but volcanic sand is hot and toasty, something that a modern species of dinosaur, the megapode, also exploits as it lays its egg in the hot volcanic sand of the Solomons.
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The next scene hasn't fixed on last year's problems, in which Velociraptor is still there and it still hasn't performed RPR--it just kicks an herbivore off a cliff, and that was that.
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The nesting Corythoraptor scene didn't interest me, but what really bugged me was that the antagonist of that sequence was a kuru (Kuru kulla), a raptor who, like the pterosaurs on the "Coasts" episode, was based on incomplete, fragmentary specimens.
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The sequence with the tarchias (Tarchia, species unknown), is a refreshing detour from the previous sequence because we have a better idea as to what they would have looked like. And to see them slog around for an oasis is a second highlight (next to the Deccan nursery).
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This next scene has nothing new added from either "Time of the Titans" or "Alpha's Egg", in which a herd of baby sauropods gets picked on by larger predators on their way to the safety of the forest.
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The majority of the "Freshwater" sequences I feel fit better in "Swamps". The same unnamed pterosaurs from "Freshwater" have reappeared, this time trying to fly past an approaching population of alligators (Shamosuchus djadochtaensis).
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The next episode features a grizzly bear gathering of austroraptors (Austroraptor cabazai) hunting gar. It stands out as highly as it does because it shows a species of raptor that looks and acts differently from the usual velo or nych. Plus, we know many miles more about austroraptors than we do about Spinosaurus, so that is a relieving plus.
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The devil frog stands out in this episode, and to see a grumpy male try to fight off a herd of goavambe (Rapetosaurus krausei) is humorous. It also deviates from the usual picture of "the frog that eats dinosaurs".
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This next sequence I was very concerned the moment I saw it in the ads. Thanks to Jack Horner, the poorly-known family Pachycephalosauridae has been under very hot fire with the notion of bone sponginess being a taxonomically viable method of identification, which it really isn't because all amniotes have spongy bones in their teens. But very thankfully, this sequence does not resort to Hornerism. It shows that older males do get longer horns on the backs of their heads, not the other way around. Also, new evidence has shown that the domes may have been covered in shiny skin, so this has me asking--is the dome a boys-only trait? Could that dracorex (Pachycephalosaurus hogwartsia) skull that I saw at the Black Hills Museum just be a girl entering her sweet 16 when she died? Could those stygimoloch (Pachycephalosaurus spinifer) skulls just be those of high school footballers?
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"Swamps" ended on a high note with a couple of t-rexes hunting an anatotitan (Edmontosaurus annectens) in the dark. One just walks to the duckbill, and the animal, in its panic, goes right in the direction of the other t-rex in hiding. This perfectly reflects the current understanding that t-rexes exchanged fast running for better walking. Now can we see some duckbills fighting back, please?
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On May 26, The Little Mermaid came out in theaters. A day earlier, "Oceans" came out. If I were to choose, I'd stick to the latter, simply because we're treated to fresh new stories with a wider variety of mosasaurs and ammonites than any of the Walking with programs ever did. The scene with the hesperorns chasing bait fish only to have themselves be chased by bulldog fish (Xiphactinus) is a classic, but a good one. However, "X-fish"? What's wrong with "bulldog fish"? But the highlight, no doubt, is the final sequence, in which a Hoffmann's mosasaur killed a juvenile plesiosaur simply by ramming it great white style.
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"Freshwater" was weak due to being sorely unfocused. "North America", by contrast, is even weaker for being too rushed. Also, the "scars make the man" narrative with the trikes bugs me the most. What justification is there for that?
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This has been a very exhaustive review of Prehistoric Planet, and it's way too early for me to worry about a season 3 coming out, if there is going to be one.

Obviously Tennessee’s most direct route to the championship series would have been to beat OU. But I bet the coach saw that the route with better odds of success was to go through the other side of the bracket, as long as their best pitchers were still fresh. And this would give Stanford / Washington a chance to beat OU before the finals.
So if the TN coach’s goal was to get TO the finals, then the most likely path was to lose to OU, by throwing only the backup pitchers and then win through the other side of the bracket.
If the goal was to WIN the championship, then I don’t know that beating OU in the winners bracket 2nd round actually helps all that much, because OU would be very likely to come back through the other side of the bracket as well.
Am I making any sense saying that TN’s most likely path to the finals relies on them basically throwing the game to OU? And that this was the intended strategy?

I never really cared about it in the past. Most of the time I would put luck at 1 so I’d have more points for the others. I decided to do a max luck run on new Vegas after I had just beat it with 1 luck. Dude.
Bankrupting the casinos was cake, I was like level 8 and had 38,000 caps. That’s more than double what I had at level 19 on my previous play through and I was a pack rat for selling shit, I didn’t even have to have a big carry weight with 10 luck. It didn’t matter. I don’t really know how else to say it, but it makes the game more fresh. I played the game mostly identical to how I would play otherwise, but I had the most fun with that one.
Now I’m level 47 replaying Fallout 4, with 1 Strength, 4 Perception, 3 Endurance, 6 Charisma, 4 Intelligence, 5 Agility and 10 luck. My goal is to reach level 68, the level of my other character, to see which one is better overall and which one is more overpowered, as with which one was harder to build. So far, I’m thinking it’s probably going to go to the luck build for all 3. I have 4.5 days in my level 68, I have 1 day and 7 hours on this level 47, but the level 47 was much more difficult although much faster until around level 25.
I currently have 19/47 skill points in luck, with basically all of my skill points focused around criticals in vats. Scrounger 3, Idiot Savant 3, Better Criticals 3, Critical Banker 3, Grim Reapers Sprint 3, Four Leaf Clover 3, Ricochet 1, Action Boy 3, Gunslinger 5, using mainly Kellogg’s Pistol.
I can practically live in VATS if I want to. In earlier levels I used the deliverer just for a chance at a critical, then switch to the right weapon and finish the job. After level 32 you don’t have to with Four Leaf Clover, you get a critical from like every 3 shots. At level 46 with Grim Reapers Sprint, you are just simply overpowered, it makes very hard like easy as far as damage output goes. I can fire 4 shots and get 4 criticals sometimes, there’s no reason to not use them on every enemy.
It does have its downside though. I don’t have strength and I decided to use the ridiculous amount of fusion cores that I find for money instead of using power armor. I take far more damage than my other playthroughs, so it’s essentially running a glass tank. I couldn’t use Lone Survivor or the game would be painful, so I use Ada to combat the low carry weight I have and ever since finding her I haven’t had any issues with cw I can still go a long time without putting junk away at the settlements.
Still, I’ve killed 7 enemies in a row with criticals. Killed a legendary sentry with 1 shot using the salvaged assaultron head, a legendary deathclaw 1 shot with Kellogg’s pistol and legendary mirelurk queen 1 shot using a missile launcher. As well as killed the institute courser with 1 mini nuke and a few shots from Kellogg’s Pistol. Point being you do quite a bit of damage.
If you loot religiously, it more than rewards you. I haven’t been short on anything the entire game. If I want it, it’s there at some point.
So yeah I recommend the 10 luck build it’s a fun time.

Sorry for the break in posting I had to take a break due to writers block and school
Captain Alderson, Selkath Empire Docean City
——————————————————————————— I groaned and raised my head slightly. Just raising my head sent shockwaves of pain coursing through my body. I heard a door open and a female voice called out.
“Oh good, you’re awake.”
I closed my eyes and said, “Where am I?”
There was a pause then she answered, “Docean city, sir. You're in Ivyheath. You had to be treated for burns but luckily for you we have one of the best doctors in Docean”
I swore softly. Docean was at least a three-day’s ride from Tartalus Fields. But, THE PIGEON!
“Wait, this is very important. Did a messenger pigeon come to this city recently?”
“Well gee’ sir I don’t know, but if it had bad news that would explain all the messengers riding in and out. Plus there are a lot more guard patrols out as of late.”
I closed my eyes and breathed a sigh of relief. So my message had made it.
“Oh on that topic, Lord Genwald wishes to speak to you at the Castle.”
“Sure. Just give me a bit longer to rest up.”
“Of course, we can’t have you leaving before paying your inn fee as well.”
“What???”
“Well, sir. You didn’t expect the accommodation to just be free, did you?”, she said as she frowned putting her hands on her hips.
“Well…no,” I mumbled.
“Good, now should I charge you now or later?” She inquired back to her happy self.
Well, I mean now was a better time than any to lean on my noble blood. I winced at the thought of the shouting and stomping from the grown up man child who was my father. However my family had grown quite wealthy over the years due to his mercantile prowess. But my father was a weak man who loved nothing more than his coffers being full. He loved that even over his own sons, or more specifically, me.
*”HOW DARE YOU, HOW DARE YOU TAKE FROM YOUR OWN FATHER!”
I sat quivering on the floor starring up at the large man who was my father. The golden crown on his ring lifted and fell with a terrible certainty. I smashed into the ground.
I screamed, “NO I DIDN’T DO IT I SWEAR, PLEASE BELIEVE ME.”
He roared back, “SHUT UP, YOU STUPID CHILD, HOW DARE YOU TAKE ME FOR A FOOL!”
He raised his hand again.
“Papa?” Called a small voice from the door. My little brother stood there hugging the stuffed wildebeast he had gotten as a present from my uncle. My father halted his beating midway and turned, a wide smile on his face.
Jonathan stood there holding the ring. The exact ring I was being beaten for. My father froze when he saw the ring.
Jonathan said, “Sorry Papa is this why your shouting?”
Father looked at him in disbelief and I braced to take a beating to protect Jonathan but then Father simply smiled.
“Hello there son, don’t about it if you want to play with it or keep it you can, don’t worry about it I can always get another one.” he said and without another look at my bruised body he picked up Jonathan and sweped out the room with Jonathan in his arms.*
I shivered in the memory, then responded, “You can bill it to House Arcasus.”
She stared at me for a second.
“You think I’m joking?”
She started at the sudden statement and squeaked, “No sir.”
I sighed, I should have known that my family name would have a provocative reaction. My father had been growing his power and businesses out here, by the border. Nobody was looking out here which allowed his many businesses to thrive without dealing with the empire’s tax obligators. He was quite smart that way.
I jerked up reaching for my hidden knife as a door down the hallway slammed open and I heard men shouting. Then my door slammed backward and open as my sergeant burst in.
“Sir! Your okay,” he exclaimed in relief.
I nodded, “Yes, yes I am soldier.”
“Good, I’ll have you know those useless attendants tried to stop me from seeing you, can you believe that!” He snorted in indignation.
“Well I certainly heard you making your case,” I replied dryly.
He nodded his head vigorously at me, “Yes sir, I did.”
I chuckled then asked, “Tell me your name soldier.”
He nodded and said ruefully, “Well sir, you see, I’m a ward, don't have a last name, but I go by, Karean ward.”
“Very well, Karean, any news from the front?”
He hesitated before saying, “The fort was overrun sir, no survivors, I’m sorry.”
I closed my eyes as a wave of grief hit me for a second time. I shuddered before pushing my brother’s face from my mind and I looked at Karean as I stood up.
He eyed me as I wobbled unsteadily, “Ummmm, sir are you ok?”
“Yes, now out while I put on clothes.”
He saluted and strode out of the room leaving me alone in the silence. I shuddered, drawing in a breath. I thought about my brother. He had been kind and caring. He never understood why I hated father so much, because he could never understand.I thought about my brother. He had never understood why I had wanted to leave home so bad. Father was kind to him, his little intellectual prowess. Unlike me whose grades had fallen flat in every single class I took. Jonathan had the best marks in every class, Father’s pride and joy.
I clothed myself slowly, pants then shirt, knife in belt, second knife in conceal shoe spot.
I stepped out of the room and was greeted by the back of a soldier. He spun around raising his sword, he paused when he saw me.
“Sir your awake!”
I nodded, glancing at the armor which was embroidered with the royal coat of arms. I headed downstairs with the man at arms and met my sergeant who was sitting at a table. He shifted over to make room for me, and the soldier stood in front of the table to stop any bystanders from getting too close.
“Well, Sir how your nap?” He said through a mouthful of bread and stew.
I waved a hand as he pushed the bowl of stew towards me, “Thank you but no, and my ‘nap’ was very sleep heavy.”
He snorted in amusement, before stopping and drawing his sword. The reason for his discomfort was the small gaggle of rough looking men approaching.
They stopped a short way away from the two blades eying them warily. They leader stepped forward, braver or dumber than the rest as two gleaming swords turned directly towards him.
“I just want to talk to the cap’in,” he said.
“The cap’in doesn’t want to speak to you, you back alley scum,” the soldier snarled.
The gang leader looked between us a dark look on his face before saying, “So thats how it is?”
An angry murmur came from the crowd and they started to move forward. I shoved back my chair and stood up. The innkeeper watched in terror, at the violence which might occur. Then I thought again. He was watching in terror imagining the damage that could be done to his inn.
As I watched the innkeeper dragged his wife over, he began whispering in her ear then she nodded and ran back into the kitchen. I assumed she was going through a backdoor to get the watch.
I turned back to see one of the gang members swing a fist at the sergeant who dodged and contemptuously smashed the flat of his sword into the offender who promptly crumpled to the ground in a heap. The rest of the gang roared and surged forward.
Fortunately for us, the layout of the inn only allowed the gang to come at us one at a time. I moved up to my first opponent, a huge man. As he stepped into the light, I saw that his skin was a greenish tone. I let out a string of vulgar curses which would have made any wellbred nobleman faint. My opponent was a brute.
Brutes were Orc-Human half breeds. Brutes were often conscripted into the army due to their great skillsets. Brutes inherited Human intelligence and Orcish strength allowing them to have great combat abilities. Brutes were also often orphans from a young age - due to the fact that Orc mothers don’t accept weaklings and Humans aren’t exactly designed to give birth to a 30 pound, 4 foot baby - allowing them to be molded by whatever army took them in.
As my opponent took the first swing at me I dodged and swiftly moved to counter attack. At least, thats what I had planned to do, my body, still recovering from my wounds did not help. My knee gave out and as I went down my opponent swung his fist, and have sent me sailing. When I hit the ground stars burst in my eyes. As I struggle to recover, my opponent, walked up and grinned. He lifted me up, cocking his fist. Then a look at surprise over took his face. He got yanked backwards, and I heard the sounds of shouting.
I stood up and looked around and grabbed a chair to steady myself. I gazed around the inn, overturned chairs, smashed tables and cutlery, watchmen everywhere wandering through the inn swinging wooden clubs with menacing iron heads. There was a small chandelier was swinging.
The innkeeper walked up to me red faced and opened his mouth but quickly backed away as someone approached me from behind. I turned and was face to face with a towns watchman, he had a red band tied around his forearm, which indicated him to be the head of the watch.
He stared hard at me for a second and I thought he would comment on the state of the inn. But then he simply said, “Lord Genwald wishes to speak with you.”
I nodded and gestured at the sergeant and soldier, “May these two accompany me?”
The watchman nodded and said, “That is acceptable,” before moving towards the door gesturing me to follow him.
First Prev

My best friend and I talked about this last night and they mentioned things that I had forgotten, probably as a trauma response. I get so angry that he has found success when he deserves nothing. I was young at the time of dating him and didn’t know how much he harmed me at the time. To start, I was 14 when I met him online. He was a little older, I think 16. When he turned 18, he told me he wanted to move to the same state as me and go to school. At the time I didn’t think it could happen, but sure enough he got accepted into a school 10 minutes from my house. He moved from Los Angeles to Pennsylvania with his entire family, including his schizophrenic father. Over the course of the first two years he was here his father would go on tangents about mass murder in front of me. I was horrified and I think this was the point I realized I made a mistake. Before I knew it, my ex (we will call him R), was describing in graphic detail how he planned to murder his father. I remember one time in specific where we went for a walk at a lake and he said “I wonder how many dead people are in this lake. Bet no one will ever find them.” When I turned 18, I started to make friends my age, who naturally wanted to party and have a good time. This was when the first set of “rules” were put into place. I wasn’t allowed to go out without him and I would never be allowed to drink alcohol or smoke marijuana in my life. If I chose to do so, he would retaliate against me. I had not intended to drink prior to 21, but he quickly informed me I would NEVER be allowed to. I mentioned that I had planned a trip to Las Vegas for my 21st (at this point, it was very far away) and he told me I would not be going. I agreed and let him convince me that it was for my own good. When I turned 21, my best friend, G, had came from where they now lived to visit. G warned R ahead of time that he smokes marijuana for anxiety (legal in his state) and planned to bring me some to help me with mine. R lost it and told me if I participated I would be “punished”. I ended up trying it, which resulted in him screaming at me in a hotel lobby and threatening to turn me into the police. My friend immediately began worrying about my safety and told me I needed to leave. Naturally, I ignored it. Then it got really bad. I discovered he was talking to a girl behind my back and was actively making plans to meet up with her for sex. She messaged me to tell me it was happening and promised me she didn’t know he was in a relationship. When I brought it to him, he told me he could not show me their chat because his phone “factory reset” and erased it, but he never tried to arrange their meet up. I told him that I knew what he was doing and he shoved me for the first time. Naturally, I kept quite and never told anyone. Overtime it progressed, until eventually he thrown me to the floor in my parents house and stood over top of me as I tried to stop him from killing his dad. For a moment I thought “this is when he kills me”. He raised his hand to me and stopped before bringing it down on me. To this day I will never know if he would have if my parents weren’t there. Finally he admitted to me he thought he was a psychopath. I didn’t know what to say, so I just asked him if he even loved me, as psychopaths typically aren’t capable of love. He said “I don’t know. Probably not”. That was the point that I planned my exit. I started seeing him less, which must have triggered something in him. Our entire relationship I remained a virgin. We had agreed to wait until marriage, though I do not personally hold that sentiment, it was a conservative belief of his. He bought me a “plan B” pill and told me that I owed him my virginity for staying with me. He came to my house unannounced (he stood in bushes near my house until I got home and followed me inside) and told me that I would be giving it to him. I was scared and I let him abuse me. Right as he was intending to complete the action, I told him no and I was not allowing him to go through with it. I don’t remember anything else about that night, but my friend recalls me calling afterwards crying saying that he had attempted to force me and was unsuccessful. He stormed out of my house and I thought I would never see him again. This was around the time I made a new friend. My friend and I were hanging out when I got a call from R’s dad telling me that R went missing and it was my fault, so I needed to help find him. I left my friend and immediately went looking with my mom. While we were out searching, I got a call to my cell phone from my grandparents home phone. It was R. He told me that I needed to go there “right now”. The ominous tone and the fact he has explicitly told me how he would kill people horrified me. We rushed there to find him sobbing on the couch. I didn’t know what to do and to this day I can’t help but to think that he was going to kill my grandmother and couldn’t go through with it. Eventually, we got him to leave with his dad and I never saw him again. What followed was text messages depicting how he would beat his parents with bats, trying to guilt me into meeting up with him and having sex, and other things of that nature. The last time we talked before I blocked him, he told me that he quit his job and threw knives at the workers, calling the homosexual manager he had a derogatory name and walked out. Skip to now, he is a big name in the Prog metal scene. A lot of my friends know who he is and love him and his music. I have friends that worship him not knowing what he had done. He told them all I cheated on him and treated him poorly, and says this to a lot of people he meets. I suppressed so much of it for so long. I want to come clean to everyone, but I know it would destroy Rs reputation and potentially result in him coming after me to harm me. He stole close to $5,000 of music gear bought for mutual use that he was supposed to give me half of (I bought it all, but didn’t want to enforce it and get injured.) I still live in a degree of fear of him as he knows everything about my family still. I just needed to vent after someone told me he was working with a member of the band “Of mice and men” and asked me if I regretted ending the relationship. He is a horrible person and deserves nothing. I hate that everyone he meets thinks that I am the bad guy when he abused me over the course of most of my youth and I just needed to talk about it.

We hope you had a great weekend! It's Sunday, which means it's time to announce our weekly competition winners. As usual, thank you to everyone who took part in the competition! This competition wouldn't be possible without your input, so if you find a playlist you enjoy, make sure to give it an upvote.

First Place Winner: u/emravemusic "House Tunes"

Welcome back, to all of our playlist curators!
Introducing this round's sensational winning playlist: House Tunes. Get ready to immerse yourself in a world of lively beats and infectious dance hits. From the moment you press play, you'll be transported to a realm where the pulse of house music reigns supreme. With carefully curated tracks that effortlessly keep the vibes pumped up, this playlist promises to be your sonic sanctuary. Let the euphoric melodies and irresistible basslines guide your every move as you surrender to the rhythm. There are some straight bangers in here, so don't miss out!
Spotify Link
Original Post

Second Place Winner: u/Apvnkye "Melodic Trap Beats"

This round's second-place playlist, Melodic Trap Beats, brings you a fresh twist on trap music. Prepare to be captivated by irresistible beats and enchanting melodies that command your attention. These tracks are carefully selected to give you a mix of emotions, stirring something inside. The playlist creates a space where melody takes the spotlight, giving you a unique blend of sounds that will ignite your imagination. Whether you're a writer, an artist, or someone who loves to daydream, this mix will inspire you to unleash your creativity.
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Original Post
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Cassette.Tech
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Hi guys, I got notified about a permanent ban a while back that I feel terrible about and wanted to share my thoughts just in case any of you have any inputs. The notification had the following note from moderators:

Alt accounts/ban evasion/evading CCIP-30/karma farming/content theft/vote manipulation is not allowed.

I'm not sure if this is because my recent comments have slightly more upvotes than previous ones but I can guarentee I haven't indulged in any vote manipulation.
For full disclosure, I'm obviously not new here and have been a reddit user much longer than this account has existed. I stopped using my previous account since I wanted to remove associations with some of my past activity. I had earned close to 1.5k moons on my previous account and had an overall karma very close to 6 digits. One of the reasons I wanted to stop using that account was because I wanted to start getting more active on here and I didn't want that with all other details that account had from the past. Even though I deleted most recent content that I didn't want to stick around, I figured I might as well start fresh. I also transitioned from working to being a student again as I just started my masters (in CS) and figured I could use the luxury of some spare time I didn't have earlier to get more involved on here.
So i created this account and got the special membership so i could engage despite not meeting the age required otherwise. Ever since I created this account, I haven't used the account that I abandoned and haven't engaged in farming on multiple accounts. I haven't used that account for browsing/upvoting either and that account has been dead ever since.
All was well and I had a streak of a few comments that got a fair bit of upvotes earlier today that must've likely drawn notice from the mod who banned me. Even though most of last 10-15 comments have 3 upvotes at the least, I'd like to clarify again that I haven't engaged in vote manipulation using other account(s).
I'm not even sure what exactly got me banned and am waiting to hear back from the mods but I wanted to share my thoughts in case anyone had any input that'd calm my nerves. I also suspect that I could've possibly been flagged for evading CCIP30 since I've had a fair bit of upvotes for a few comments despite a new account, but the multiplier on the account where I had earned 1.5k moons wasnt the reason i stopped using it after having it sed for around 2 years. I got involved with the sub only fairly recently over the last few months. I can share details of my other account with the mods to verify since I wouldnt want to post it publicly here as that'd beat the purpose of why I wanted a fresh account in the first place. Also, I wasn't banned on the other account so this is not an attempt around that either.
I've gained a karma of about 600-800 on cc as per ccmoons over the last 2 weeks after this account was created and the equivalent moons would likely roughly amount to half of what I earned in total on the other account where I was nowhere as active. I'm hoping the karma is indicative of atleast a fair bit of value addition that'd spare me from this ban.

Welcome to Camp Redwood! The feel-good camp for ALL AGES.
We toast marshmallows around the fire, tell spooky ghost stories, and hide in random secret military bunkers under the campgrounds! Because SOMETHING IS HERE WITH US.
Camp Redwood is the PERFECT PLACE for a summer getaway where we start EVERY DAY with a CAMP REDWOOD SMILE. Where our counselors disappear every five minutes, and our campers disembowel us for funsies! Did I forget to mention our littles aren’t actually eight years old, but fully grown adults?
We hope you enjoy your fucking stay!
We are also not responsible for any counselors revealing they are not who they said they are—and not who they appear to be.
...
So. There’s a LOT to tell you and not a lot of time to tell it.
Right now, I suppose you could say we are under lockdown—if that is the word. I want to go over the last several days to get you up to date. That’s all I can do right now. I can hope and pray the thing with Teddy’s voice does not get in here, and once again cry out for help—that I know is not coming. Not from the authorities, at least. But hey, if any of you fancy coming to rescue us, we’re in the middle of the Canadian wilderness. The closest rest-stop is maybe three fucking hours away. So have fun. Has it really almost been a week since I posted? Well, we’re still here!
And surprise, surprise, help is not coming. So, please excuse the salt. I am seventeen years old and I have been abandoned by the adults who were supposed to be looking after us.
Who were supposed to act under protocol if something like this happened. I know they were waiting for it—there are specific fucking guidelines on an emergency evacuation for counselors if this ever happened. But then the little shits took over before we could do anything. I guess I’ll start by letting you know that there are two of us left. (three, if we count Rowan, but I’m not). What I thought was going to be a quiet summer getaway with kids my age has turned into a nightmare.
For one, we have been cornered inside the head counselor’s underground secret bunker. If you want to know why she has a secret military bunker, I guess you should keep reading.
Because shit gets weirder than animal crackers having the power to turn adults into kids, and vice versa. When I made my first post, I thought that was it for us. I thought for sure there must have been a self-destruct somewhere—which meant whoever was running this camp was waiting for something like this. I was sure we were going to die, so after making the post, I have to admit with ya’ll—I just slept. I curled up, tried to ignore Harry and Carmel calling our names through childish laugher, and went to sleep with the thought in my head that I was completely at peace with what I had done with my life.
Sure, I was young. Seventeen years old is too young to be ripped apart by littles who are in fact grown adults. But as I was falling into slumber and allowing myself to fall, with my head resting in my lap, my head turned towards a separate pile of files on the other side of the room—I realized I really wanted to know how this was possible. There was so much I needed to know. Why did eight-year-old Eleanor Summers have a file where here birthday dated back to 1979? Why had supposedly innocent sugary snacks turned our adorable littles into mini psychopaths?
These kids were not kids, somehow. But how? How was that even possible? Could it be that the files were wrong?
1979 was definitely 45.
But Eleanor Summers couldn’t be 45 years old. I knew what 45 looked like. I knew that they thought like. They spent half of their time on Facebook laughing at outdated memes, and the other half… I don’t know, working? They have job’s! They’re happily married with kids, maybe soon grandkids! That was not Eleanor Summers. Because Eleanor Summers was most definitely eight years old. I had played several rounds of teddy-bears picnic, and spent hours reassuring her that Harry's ghost stories were in fact not real, enough times for me to know that this little kid was little—and a kid.
But something was bothering me. More than the secret military bunker, and magic age-regressing animal crackers. When I first signed up to Camp Redwood, one of the tag-lines to gain attraction had been, “Solve mysteries in the woods in the dead of night, with nothing but a flashlight and your fellow campers!” I had no idea I would be solving this thing on my own, trapped inside a bunker.
“What are you doing?” Rowan, who was still looking through Allison’s dinosaur laptop, turned to me with half lidded eyes, when I slowly got to my feet, careful not to make too much noise, and crept over to the pile of separate files which seemed to be crumbling apart from age. He kept his voice low, but it sounded almost like a whine. He could have been scared, but from the way he was sitting, cross-legged with a frowny face, I figured something must have been going on with him. The guy looked tired. More tired than normal.
The bags under his eyes were practically shadowing his face, and were an odd contrast to unusually ashy colored cheeks and slightly dilated eyes. Still though, Rowan refused to look vulnerable. I caught glimpse of Harry’s raybans sitting on his head, pinning back thick dark brown curls from falling in front of sleepy eyes. Maybe he was finally losing his cool and breaking out of the well-constructed façade he had been hiding behind since Teddy disappeared.
We had just narrowly escaped a crowd of psycho littles high on age-regressing sugary snacks who were doing who-the-fuck knows to the other counselors who had been captured, so I didn’t blame him looking like that. I guess he couldn’t look me in the eye, because in Rowan’s mind, he was the reason why this happened. He was the leader, and the camp had fallen to psychopathic little eight year olds who had taken half of the counselors hostage, and the other half—most likely taken apart in the physical sense, after what we had witnessed in Cassie’s cabin. Still though, it wasn’t Rowan’s fault. He could sit there and pull a face all he wanted, it’s not like I was going to blow up at him for getting us stuck down here. He actually saved us.
And trapped us, judging from the footsteps upstairs, Carmel and Harry still bouncing around looking for us.
It was a game in their heads. The little’s thought it was cat and mouse. Harry and Carmel were the oblivious cats prowling, while we were the mice, hoping to fucking GOD we weren’t caught and eaten. Ignoring Rowan, I glimpsed what looked like a box full of DVD’S—all of which were labelled with dates and names. I saw familiar ones, my heart racing into my throat. Phoebe. Eli. Cassandra.
Each DVD had one of the kid’s names scribbled on the front, as well as a date.
I found Eleanor’s right at the back of the box.
Eleanor Summers.
08/05/2021. (PM)
Before I could hesitate and think what I was doing, I slid the DVD into the portable player attached to the MacBook. Rowan, to my surprise, didn’t move. But he did make an acknowledging noise when the screen flickered to what looked like video footage. Peering at the screen, I found myself staring at a small white room. There was no door. Only a wooden desk and a chair, and sitting on it was a middle aged woman with dark blonde curls tied into a strict ponytail. She was wearing what looked like a prison jumpsuit.
Her eyes were eerily glued to the camera, unblinking. Her wrists were cuffed in front of her. Though from the look on her face, she saw the restraints as a game. Her eyes lit up with intrigue and I could practically see the cogs in her mind starting to turn as she struggled with them.
As soon as I saw this woman, I felt all of my nerve endings set alight. I wanted to turn the screen off, or look away. But once I was looking at the screen, I couldn’t bring myself to tear my eyes away. “Let’s try this again.” There was a woman offscreen. She sounded young. Too young to be in that kind of authority. I figured there was no way teenagers were being hired as special ops agents, but I guessed I was wrong. She cleared her throat. “It is 4:35 exactly. August 5th 2021. My name is Agent Lemrac,” she stated. “I am asking once again for you to comply with us. As I have said several times, the court are willing to lessen your sentence if you plead guilty with insanity.”
The woman surprised me with a snorting laugh. She seemed to come alive, leaning forward with animated features, her brow reaching her hairline. She was acting like a child, bouncing up and down in the seat, her lips stretching into a wider grin. “What did you just say?”
There was a pause. I could tell the woman was intentionally antagonising the interviewer.
“It means you have been legally declared insane,” the interviewer stumbled over her words slightly. “Mrs Summers, it would be in your best interest to work with us to lessen your current sentence which at the moment is standing at,” the sounds of shuffling paper crackled through the speakers. The interviewer cleared her throat again rustling paper. “Thirty six years. Without parole.”
The woman didn’t speak, only continued to smile—and the interviewer delved further into the sentence. “If you do in fact plead guilty with declared insanity, you will be sentenced to a program which is in the process of supporting and rehabilitating people with your…” she caught herself for a moment. I could tell this interviewer had a biased opinion and it was definitely showing through her interviewing style. I could hear the rapid intakes of her breath as she hurried through what seemed to be a script she was reading from. “Conditions.” She finished. “The Redwood program aims to help people exactly like you.”
Redwood? I thought.
Like… Camp Redwood?
Rowan whistled behind me. I guess I could call that a reaction. The guy was probably still in shock after seeing Café de Teddy splattered all over little Cassie’s cabin floor. I should have known those little bitches weren’t playing Operation for eight hours straight. Turning my attention from Rowan and back to the screen, the woman in the jumpsuit appeared to have changed tactics. Her expression twisted into nonchalance. She leaned back in her chair. “I am not pleading insane because I am not insane.”
“Mrs Summers—”
The woman cut her off. “I am not crazy.” She raised her hands “I am doing what needs to be done.” She leaned forward. “Humanity suffers in the skin. We age and die— and how is that fair? What if we want to see the next millennium? And the next two millennia after that? Why should our bodies dictate our lifespan? Why should we sit here and wait to rot and wither and die when we have the intelligence and mindset to do it? If nobody else is willing to throw ethics aside to take a step forwards in human evolution, I should do it myself.” She folded her arms across her chest, again, like a child. “I did what was to be done.”
“Dr. Summers.” The interviewer’s tone grew stiff. “You and your colleagues conducted illegal and unethical procedures on your family and friends—as well as four other victims.”
The woman inclined her head. “You have a daughter, am I correct? I have a son.”
“A child you killed, Dr Summers.” The interviewer retorted in a hiss which was definitely expressing emotion. She ignored the mention of her daughter, but I could tell it had rattled her to her core. Her voice had cracked. This case was close to her.
That was obvious. Without seeing the interviewer herself, I could sense how uncomfortable she was, shuffling in the chair. Every so often I would hear the sound of her rubbing her hands on her knees and tapping her shoe against the chair leg. She oozed anxiety, not just from her tone of voice, but the way the frame seemed to move with her. “Dr. Summers, you used your son in your research, along with several of his friends. This was not science.” Her voice shook. I heard her sharp inhale. Unprofessional, but very human. Instead of staying stoic and keeping to script, this agent was cracking apart. “It was murder.”
“Agent Lemrac, concentrate on the interview only.” An official voice crackled through what sounded like an intercom on screen.
“Got it.” She spoke through her teeth.
The woman was finding wounds and pressing on them. She was scanning the interviewer for vulnerabilities and preying on every insecurity. She leaned back speaking through a sigh. “Without my son’s sacrifice we wouldn’t have created an answer to death. To growing old and dying, and leaving loved ones behind.” Her voice softened into a murmur, but I didn’t trust it.
After identifying the shattering pieces of this interviewer which were very clear visible in her view, the woman was taking advantage.
“Agent Lemrac, you have a daughter. Am I correct in saying her name is Mari?
“That… that is not relevant.”
“Glioblastoma.” Dr. Summers lips curved into a sickening smile hidden behind mocking sympathy. “A sickness of the brain--which, unfortunately, I cannot fix. If your daughter’s brain was in my hands, I would try. However, not even a brand new body would help her. One which would never age or grow sick. And for that, I am deeply, deeply sorry.” She reached her cuffed hands forwards. “My condolences, Agent Lemrac. Honestly. I have to hand it to you. You are incredibly brave for coming here today and talking to me while abandoning your sick child.” She shook her head.
“Your daughter is dying of an incurable illness, suffering inside fragile skin which will break and fall apart and be unable to keep her standing for much longer. While my son will live on forever. He will see every millennia, a planet which will crumble and build itself back together. And maybe the end of the universe itself.” There was a twitch in her expression and a glitter in her eye I did not recognise. Insanity.
She was fucking insane. I was seeing the pure of it, the depraved and disgusting gleam in eyes empty of remorse and regret. This woman did not care what she had done. I could tell from the look on her face. If she had the chance, she would do this again.
But there was no way they were trying to say her cruelty and complete disregard for her son’s life was due to insanity.
“You are sick, Dr. Summers.” The interviewer said after a moment of gathering herself.
The woman shook her head with a chuckle. “I told you. I am not sick--”
“Sick in the head!” The interviewer’s voice exploded through the speakers in a shriek—a terrified cry she had been trying to hold in. I finally saw her—or at least the back of her. She was a young woman with light blonde hair falling loose on her shoulders. She was trembling. Slamming her hands down on the table, she screamed at the orange jumpsuit woman.
“You are psychologically fucked in the head! You psycho bitch! That is my sister!” She spoke through strangled sobs rattling her whole body. “Mari is my little sister. She is not my child.”
Her breaths were strangled and harboured. I noticed figures looming in the background, but she was continuing. “You killed your own fucking son,” she spat. “You are not legally insane, you are sick!” she shrieked. “You planned and put this together! You sit there and you talk about your son like he’s a… like he’s a tool! You deserve to rot. Do you hear me?” I noticed the orange jumpsuit woman was still smiling, satisfied with the interview’s reaction. Her words were spoken in a vicious poison as she leaned forward and spat directly in orange jumpsuit’s face.
“Agent Lemrac!” Whoever her superiors were—were panicking. “I told you not to turn it off. I knew this was going to happen. Can we stop the demonstration, please? Human emotions present inside an Aceville soldier are too powerful—"
Voices were murmuring in the background, and Agent Lemrac raised her hands. “I want to stop.” She choked out, her hands trembling. She spoke like she still had control over the situation and wasn’t being apprehended. “I want to stop. Do you hear me?” The interviewer was crying, I realized. “Stop the recording! I can’t do this. Oh god, I think I’m going to be sick—”
When the footage ended in a burst of static, I found myself backing away, something slimy creeping its way up my throat.
The woman in the orange jumpsuit who had murdered her son and countless others in what sounded like an attempt at playing god, was Eleanor Summers. I thought back to Teddy’s corpse, and the surgical precision of every organ’s removal. The young interviewer had mentioned colleagues of Eleanor.
Was it possible that Camp Redwood was in fact nothing more than a rehabilitation camp for murderous criminals? There was a loud bang from above, and I was torn from my thoughts.
I turned to Rowan, who had been unusually quiet. And I realized why, when I twisted around to find him three inches from my face, his laboured breath tickling my cheek.
The boy jumped back with a chuckle—like me noticing him was some kind of game, before diving back into the chair. I did notice something odd, as my thoughts spiralled. Rowan couldn’t sit still. Slumped in the leather spinning chair, he fingers tapped a rhythm on the armrests while his feet jumped up and down. In the dim light of the bunker, I glimpsed a sheen of sweat glistening on his forehead and the flesh of his neck. He looked to be… feverish—and now that I was looking at him properly, all of my attention on the boy, I noticed small things which seemed… off about him.
For one, he wasn’t coming up with a plan. Rowan always had a plan. Even if he wasn’t completely sure of it, or was completely winging it. This time though, he was strangely quiet. I found my voice when he stuck out his tongue at me. “What are you looking at?”
“Rowan.” I spoke softly, careful not to garner attention from above us where Harry and Carmel were still clamouring around, playing games. “Are you… feeling okay?” I asked, when he turned back to the laptop, manically biting his fingernails.
“I dunnnooooo, Josie! Am I feeeeeeling okaaaaaayyyyy?” He surprised me with an uncharacteristic laugh.
But I did know it.
I knew it from earlier when he reacted to Allison’s bunker and I had been too freaked out to realize that I was dragging along the enemy with me.
Because the fucking idiot had consumed animal crackers. I had seen him for myself earlier, pouring a pack into his mouth for a snack. Which meant either the ‘kids’ had intentionally dosed him with mind altering sugary snacks, or the more likely, he could not resist those preservatives which was the equivalent of caffeine. It’s not like I could blame him when he harboured the weight of an entire camp, but come on, did he really have to sacrifice his own fucking mind to keep himself awake?
Rowan wasn’t just biting. His nails. He was gnawing. Which he previously thought was a filthy habit. He had yelled at a camper for chewing on her nails a few days earlier.
Now that I was noticing it, I couldn’t… stop noticing it. The boy’s whole demeanour had changed; the way he was sinking into the chair, instead of sitting up straight like usual—- I used to call it having a stick up his ass. The boy started typing on the laptop, ignoring me. But when I watched the pattern of his fingers, he was just typing gibberish. Footsteps pounded above us, Harry and Carmel acting as the kid’s’ brainwashed foot-soldiers. Or, more likely somehow, if the animal crackers had caused the littles, or I guess, the fully grown forty year old criminals, to relapse in age-- then maybe it was possible for the same thing to happen to us. To Rowan.
I could feel myself starting to back away, but there was nowhere to run. I just slammed into a cupboard. My gaze flicked to Rowan again, who was tapping a beat on the laptop tracking pad, swaying back and forth, his eyes elsewhere before his gaze found mine. “Marcoooooo!” Harry shouted from above, giggling with Carmel.
I had to guess their mental age had to be at least 8-10 years old. Which meant I wasn’t just dealing with a camp full of forty-year-old psycho’s, I was also dealing with mentally relapsed counselors acting like toddlers.
Rowan seemed to jolt in the chair, twisting his head around, his eyes suddenly incredibly childlike and playful, and very Un-Rowan, were finding the ceiling, his mouth stretching into a smile, like he was seeing butterflies. His eyes flashed to me, and I caught a twitch in his lip. I knew that look. It was the look on my seven year old sister, who knew mom was mad at me, and wanted to make it even worse.
His cheeks were starting to blossom scarlet from what must have been the overwhelming urge to laugh. Rowan pressed his lips together and held in a breath like a hamster, and the asshole was fucking with me. Waiting for me to beat him to it by accident. Kids were fucking ruthless, but there was something terrifying about an 18 year old with a little kid’s mind.
I lifted my index to my lips, miming for him not to even try, but the boy just mimicked me, bugging out his eyes and pressing his finger to his grinning mouth. “Don’t you fucking dare.” I managed to whisper. The boy was definitely playing his own game, moving in twitching movements, baiting me. When he cupped his mouth, I almost let out a cry, but then he dropped his arms with a giggle, as if to say, “I’m just kidding!”
Slowly, I turned around, grabbed the salt I’d found in Allison’s cupboard, and a flat can of soda. Without making too much movement, I poured a handful of salt into the can. But Rowan seemed to know exactly what I was doing. Because in the time it was taking me to advance towards him with the can of salty soda, one arm shakily ready to grab hold of him, and put him into a headlock, he was cupping his mouth, all logic and everything adult, everything he had been as our leader, igniting in playful eyes, leaving me the last one standing.
“Pollloooooo!”
By the time Rowan had managed to reveal our hiding place in a spluttered laugh, I had hold of the squirming boy, one arm wrapped around his neck, my other forcing the can of soda into his mouth. I had definitely miscalculated his strength. During camp Redwood activities, he was always the last one to come back from the trail, holding his knees and panting. I figured he was unfit. However, I was wrong. Underneath his shirt, the guy had some serious muscles.
It was like attacking a brick wall. However, Rowan was mentally a kid. So, I had my intelligence and logic on my side. When it became obvious I wasn’t going to get anywhere with brute strength, I resorted to tickling him, which made him squirm, squeaking out a laugh. When he opened his mouth to yell at me to stop, I took my chance, thrusting the can into his lips and holding his nose so he swallowed it down.
“No!” His laughter turned into muffled yelling, as he batted his fists at my chest. “No, no, no! Get off, get off!”
His body convulsed as the salt did its job, causing the boy to lurch to his knees and choke up forbidden animal crackers in a gooish sludge which turned my stomach. By the time Rowan seemed half himself and half not, still kneeling, his head pressed against the floor, Harry was poking his head through the door with a goonish grin. “Found you!” He giggled, before forcing the door open, allowing Carmel and Callen, freshly caught and mentally turned into littles, to advance down the stairs with equally terrifying grins. There was something wrong with Harry’s face, and I only realized it when the guy himself was hauling me from the bunker, Carmel dragging a barely responsive Rowan. There was nothing in Harry’s expression, only blind childish excitement at winning the game. When he dragged me out of Allison’s cabin and threw me to the ground, I realized he too had insane strength I had not been expecting. But that thought quickly retracted when I was seeing his face in the light of a crescent moon lighting up the sky an eerie glow. Harry’s cheeks were puffy and swollen, his right eye way bigger than it should have been.
When he spoke, his voice was more of a lisp. This was something far more realistic than magical animal crackers fucking with his brain.
“He needs help!” I managed to choke out when Carmel wrapped jump-rope around my wrists. Next to me, Rowan was refusing to get up, still choking up salty soda, groaning into his hands. Every time Callen tried to restrain him, he hissed out like an animal.
“Do you hear me?!” I struggled violently. “Harry needs—”
BANG.
Is what it felt like. The feeling of something—what felt and sounded like a toy car—colliding with my temples, sent me onto the ground, my head spinning itself off of its axis. I remember lying on my back and frowning at the moon which almost looked like it was getting closer to me, blurring into a white ball of light—before reality sunk in, and it was in fact Carmel’s converse coming down to finish me off. I didn’t stay knocked out for long. But I did dream.
I think you can call it a dream? I was lying in bed at home; my room drowned in the dark. I was cosy, curled up in my blankets, when a clammy hand slammed over my mouth, rousing me from slumber. There were two figures in my room. They didn’t have faces. They just existed as shadows, silhouettes. Before one of them raised something above their head, and… impact.
It was the same impact as the toy car hitting me, snapping me back to that night. It wasn’t a dream. Because I remembered his clammy fingers over my mouth, and his hisses for me to shut up as he dragged me from my room.
My parents stood in front of me with expressions of sympathy. Basked in warm light, my mom and dad looked almost otherworldly. “For the best.” Was what they mouthed when my own phantom screams slammed into me. I asked them why, and they didn’t reply, allowing him to pull me further and further from what I knew, from my life as I knew it. But.. that couldn’t be real. I had memories of getting on the bus to camp Redwood. I could recall the whole journey. So, why… why was my tangled mind saying otherwise?
When I gathered myself, the first thing I realized was I was sitting down. I was outside, cool night air grazing my bare arms. There was something attached to me, jerking violently, And it took me several disorienting blinks to understand that I was tied back to back with Rowan. My head pounded, and something wet and warm dripped down my temple. Great. I could add head injury to the long list of things to worry about.
“Let me go you little fucking witch.”
Rowan was back to himself, though from the muffled hissing and the sound of choking—I had to guess he was being force-fed animal crackers.
“Let me—mpphmmm. little…. fucking… mphmmphhmhppmm!”
“Rowan.” I managed to get out in a croak. Through flickering eyes, I caught glimpse of a familiar figure dancing around us. Shivers rocketed down my spine, and I wrenched at the jump-rope restraints, but they did a surprisingly job of restraining my arms behind my back.
Eleanor was with Rowan, while Eli was knelt in front of me. Looking at him, the boy had definitely aged in the face—and I couldn’t help wondering what exactly he had done as a forty something year old to be sent to this place.
“Josie!” Rowan responded in a wail. “Josie. Wake the FUCK up.”
“Stop swearing.”
Eleanor spoke with the cold tone of her actual age.
“Oh, yeah?” Rowan spluttered. “Fuck you.” The boy’s laugh was still rough from almost vomiting his insides out from too much salt intake. “I’m sorry, you were a fucking boomer all along?!” He wriggled in the restraints, lunging forwards, which sent me backwards.
“Stop swearing, Rowan.” Was all the girl responded with calmly.
“Like I’m going to listen to you!” He sneered. “Fuck, fuck, fuckity, fucking fuck!” What are you going to do, huh? Bite me with your false teeth?” The sound of saliva hitting skin made me wince. He was pissed. I had no doubt his completely rational anger was going to get us killed. Rowan was also somehow getting mixed up between forty and eighty. Though he was unwillingly snacking on mind bending sugary goodness.
“Fudge, Rowan.” Eleanor spoke in a giggle.
“What?!”
“Say fudge. Not fuck.”
“No.”
His hiss of pain caught me off guard. I don’t know what she was doing to him, but it was hurting him.
“You fudging fudge! I’m going to fudging kill you when I get out of these fudging ropes—“ his manic cursing became a muffled yell.
“Say fudge,” Eleanor hummed, followed by his hiss when the palm of her hand skinned his cheek. “Fuck is a bad word. You even said so yourself and you’re my favourite counselor.”
He heaved out a breath.
“You fudge,” Rowan spat. “When I get out of this, I am going to fudging kill you, you fudging—” His manic ranting morphed, once again, into muffled yelling, after another fistful of animal crackers were forced into his mouth. When I risked twisting around, I could see his rebellion slowly starting to simmer out as he relaxed slightly. I wanted to yell at him to keep a clear head before cold fingers were dipping under my chin and forcing my head around where I found myself face to face with Eli.
“I like you, Josie,” he said, before untying me and pulling me to my feet. Now at the age of nine or ten, he was a lot stronger. When I tried to pull away, the cruel blade of a knife grazed my gut. I caught his grin. “But we don’t need you.” Eli pointed to Rowan.
“We just want them.”
I followed his pointer finger which went from Rowan to Harry and Carmel, who were just standing there like fucking idiots, probably awaiting the next game. Harry’s face was getting redder. It looked like he was suffocating, and yet his grin was growing wider and wider, splitting his lips apart. “Rowan Atlas.” Eleanor said, dragging him to his feet. Something was stapled to his forehead head, which caused him to howl in pain, hissing another strangled line of “Fudge”. but I couldn’t read what it was.
“Camp leader. Intelligent, and problem solving skills.”
“Harry Carlisle.” Eli nodded his head with a smile. “Quick thinker. Strong minded.”
“Carmel Locke.” Cassie spoke behind me. She had her arms folded, a wry smile on her lips. “Smarter than she makes out—- an independent learner, and can work well under pressure.”
Looking at these kids, I felt sick to my stomach. They were planning something—and had the intelligence of renowned scientists, which was what I gathered from the footage on the MacBook. “What?” was all I could hiss out, as Eli prodded the blade of the knife into my back, ushering me to walk. “What are you talking about?”
“Duh.” He spoke in a more tweeny giggle. “Like I said, Miss Josie. You’re my favorite counselor but we don’t need you, so I’m going to use you for parts.” He laughed when a shiver spiderwebbed down my spine. “See! I told you I was going to show you my collection!”
“But… what do you need them for?”
Eli pressed his index finger to his lips with a laugh before forcing me to face forwards. “That’s a secret!”
When I didn’t, or couldn’t move, he shoved me into a stumbling power-walk, and I managed to turn my head quickly, making feverish eye contact with Rowan.
“Rowan.” I said calmly through the gutter in my throat. “Get…. Get help.”
If I was going to die, I needed him to get a hold of himself and somehow alert the outside world what was going on.
“From whom, Josie?!” He wailed back—and as I was dragged away, I could once again sense the childish undertones in his voice.
I had no choice but to obey Eli’s orders. If I didn’t want a knife in my back. He took me to the main lunch cabin, which, when I set foot inside, almost sent me to my knees.
Something lurched inside me, and I was screaming with no voice, staggering backwards, only to be shoved onto my face. In front of me was what had been the lunch hall, fully converted into the beginning of a laboratory.
What had been cafeteria tables were fashioned into makeshift gurney’s and beds, and I was looking at all of the missing counselors. Yuri and Noah had been skinned completely, their faces laid out on a makeshift surgical table. Joey had been ripped open, his heart and brain removed, a glittering metallic substance creeping its way across his forehead. It was then when I remembered Eleanor Summers words.
She wanted to prevent death and preserve the human mind. Looking at what was in front of me, this was the start of it. There was equipment I had never seen before. Lily’s body was empty, carved out completely, tubes forced inside her. When I glimpsed her fingers move and begin to ball into a fist, I saw red. I saw fucking red. The exit was so close and yet Eli, fucking Eli, wielded his knife. I think that is when part of me gave up. My brain just stopped. It short circuited. Seeing my friends murdered and yet somehow being kept alive through playing god, my body slumped to the ground. I was numb. Completely numb.
I’m not sure what would have happened if those bloody saws and instruments which had been used on my friends were used on me too.
Luckily, that did not happen. Before Eli could get his slimy hands on me, he crumpled to the ground in an almost cartoon-like fashion, and standing over me was Harry. Who was looking better. When he grasped hold of me and helped me up, I only had one word. “Out.” And he was nodding, his eyes glistening as he drunk in our friends’ fate.
“How?” I managed to sputter out, when we made it out of the cabin, ducking behind a tree. Harry turned to me, motioning for me to shut up. There was a group of now ten to eleven year olds already running around, searching for what I guessed was him.
“I’m allergic to peanut butter,” Harry murmured, his grasp tightening on my wrist as he led me across the camp, the two of us stumbling.
“What, and you just magically healed?”
He didn’t respond to that, which bothered me.
“The bunker is our best shot,” I hissed out. “I think we can get in contact with someone down there.” I paused, unable to stop myself. “What makes you so important?”
“Dunno. Maybe I’m their favorite.”
When we found Allison’s cabin, which was more of a safehouse (an exposed safehouse) I found Rowan sitting on the wooden porch with his legs swinging over the side. “Rowan!” Harry groaned. I found it hard to believe their roles had been switched. Now he was the one yelling at the camp-leader. “I told you to stay inside!”
He ushered the boy inside, before barricading the door with some hefty looking equipment. I could tell from the grin on his face that our so-called leader was once again no longer himself.
I had to bite back a groan. “You’re kidding.” I said, pointing to Rowan, who buried his head in his knees and blew a raspberry. “Does he look and act like our leader right now?!”
“It’s Rowan, Josie.”
“He’s a liability.”
“He’s our friend! Wouldn’t Rowan do the same?”
Yes, he would. But. He would also realize we’re lost causes.
“Gag him with something.” I said. “If he makes any more noise, we’re dumping him.”
“He’s a kid!”
“Just the mind of one.”
I don’t know how animal crackers worked, but his age seemed to be progressively younger. This time he just sat with wide eyes watching us.
Harry almost tore apart the place looking for means of communication, before an old fashioned ringing sound made me jump.
“What was that?” Harry turned to me with his lip curled.
“How am I supposed to know?!” I hissed. “Keep looking!” But when I ducked under the table, my hands crawled under the desk, finding a wire—and attached to that, an ancient looking phone which looked straight out of a 1940’s movie, a bright green rotary phone.
Hesitantly, I answered it, lifting the phone to my ear. “Hello?”
“Did you awaken the subjects, Agent Salta?"
The voice on the other end was a woman, an oldish sounding woman with the tinge of a British accent.
“What?” I shot a look at Harry before shaking my head. “No. My name is Josie Greenfield. We’re at Camp Redwood, and we need help.”
The woman paused.
“Where is Agent Salta?” She cleared her throat. “This line is reserved for communication with agents only.”
“I don’t know who the fuck you’re talking about!" I squeaked out. “My name is Josie, and whatever is happening here, we need help!”
“Josie. Did you awaken the subjects?”
I paused after a moment, shooting Harry a look when he tried to take the phone off of me. “Yes.”
“And… are our agents unavailable?”
“I don’t understand.”
“When a health and safety breach is activated, our agents are awakened to deal with the Project Spearhead subjects if they were to ever go rogue, or become conscious enough to think. Josie, can you tell me what is in front of you? Describe it to me.”
I held my breath. Next to the hidden phone under the desk was what looked like mismatched wires, all of which had been severed. I lowered myself slowly, poking at mess. “Wires. I see… cut up wires.” I whispered. “Does this mean they know about you?”
She hummed. “Ah…That makes sense. The only way to activate our sleeper handlers would be to send out the signal. You appear to have been sabotaged. Unless activated manually, our agents cannot help you. I am sorry. They are your problem now.” The woman paused.
“If I were you, I would hope and pray they have not sabotaged the self-destruct. If you find that, then you may be able to save yourselves and find peace.” She cleared her throat. “Thank you for your service, Josie Greenfield.”
“Wait.” I managed to get out. “Wait, no! You can’t just… you can’t leave us! We need help!”
I found myself yelling at nothing when the phone went dead. The dull tone of the dead ringtone was clanging in my ears before footsteps from up above. “Fuck this.” Harry picked up a lead pipe. “They’re still little kids, right? I mean, their head must still be partly kids—- so let’s fucking beat their heads in.”
He noticed something, then, starting forwards towards the mess of files I had left earlier. Harry knelt on the ground and picked up Eli’s file, his eyes wide. But he wasn’t staring at the dates confirming the little boy’s age.
Instead, Harry pointed at the bottom of the file. “I don’t want to freak you out, Josie,” he whispered. Initially, I didn’t know what he was trying to show before I glimpsed notes scrawled at the bottom of the file, followed by a signature. “But I’m pretty sure that is my fucking writing.”
Harry was right.
I pulled the paperwork off of him, flicking through each file before turning my eyes to him. “Who the fuck are you?”
A clanging sound from above broke the tension, and whatever Harry was about to reply with was strangled in his throat. He slammed a hand over his mouth.
“Guys?”
The voice twisted me up inside, threatening to release a shriek from my mouth I had managed to clamp shut.
Teddy.
“Are you down here?” His voice was strained, and had an odd tone to it. “I can’t… I can’t see you.”
…
Can someone please tell me what the fuck is going on?! It’s been a blur of a week. We’ve managed to stay down here, surviving off of Allison’s rations. Rowan isn’t getting any better. He seems to have stopped mentally de-ageing at the age of maybe six. Harry has spent the last few days trying to get in contact with anyone, but it’s like they are IGNORING US.
I’ve been looking through everything I can find on Project Spearhead, but nothing points to Harry being involved. So. How is his signature all over the files? How is it possible that two friends I thought I knew several days ago, are now complete strangers?
Teddy keeps coming back.
He’s crying out to us.
I think he’s… in pain.
My god, I can’t stand this anymore. Please. CAMP REDWOOD NEEDS HELP.

Notes:

• I am EXTREMELY busy, but I check my messages and DMs at least ONCE per day. Please be patient and wait at least 24 hours for my response if I don't get back to you immediately.
  
• I buy only in Unrevealed Key Link Format or Plain Steam Keys. No gift links.
  
• For PayPal, I am in the US region and I only send via G&S. Please note there will be PayPal fees (including international/conversion and purchasing fees) to consider.
  
• All games that you sell to me should ideally be REGION-FREE. Please ensure the games are not region-locked/bound to a specific country.
  
• You must be willing to fill a spreadsheet with steam keys.
  

 
I pay with the following:
TF2 & PayPal
 

I BUY HB Games	with TF2	with PayPal	Currently Active Humble Bundle?
- Ratz Instagib -	0.9 TF2	$1.72 PP	-
20XX	0.4 TF2	$0.88 PP	-
5D Chess With Multiverse Time Travel	2.6 TF2	$5.19 PP	-
60 Parsecs!	0.8 TF2	$1.5 PP	-
7 Billion Humans	1.5 TF2	$2.91 PP	-
7 Days to Die	1.1 TF2	$2.16 PP	-
A Game of Thrones: The Board Game - Digital Edition	1.4 TF2	$2.78 PP	-
A Hat in Time	4.5 TF2	$8.98 PP	-
A Juggler's Tale	0.5 TF2	$1.07 PP	-
A Plague Tale: Innocence	1.9 TF2	$3.81 PP	-
AMID EVIL	0.6 TF2	$1.18 PP	-
AO Tennis 2	0.7 TF2	$1.3 PP	-
Absolver	1.8 TF2	$3.51 PP	-
Aeterna Noctis	1.6 TF2	$3.15 PP	-
Age of Empires Definitive Edition	1.2 TF2	$2.46 PP	-
Age of Empires III: Definitive Edition	1.3 TF2	$2.6 PP	-
Age of Wonders III Collection	0.9 TF2	$1.86 PP	-
Age of Wonders: Planetfall - Deluxe Edition	0.4 TF2	$0.88 PP	-
Age of Wonders: Planetfall	0.8 TF2	$1.6 PP	-
Airport CEO	2.8 TF2	$5.62 PP	-
Alan Wake Collector's Edition	0.8 TF2	$1.68 PP	-
Alien: Isolation	1.8 TF2	$3.52 PP	-
Aliens: Colonial Marines Collection	1.2 TF2	$2.45 PP	-
Aliens: Fireteam Elite	1.0 TF2	$1.99 PP	-
Amnesia: The Dark Descent	1.1 TF2	$2.25 PP	-
Among Us	1.2 TF2	$2.42 PP	-
Ancestors Legacy	0.6 TF2	$1.24 PP	-
Ancestors: The Humankind Odyssey	2.0 TF2	$4.07 PP	-
Aragami	0.5 TF2	$0.9 PP	-
Arizona Sunshine	2.1 TF2	$4.21 PP	-
Arma 3 Apex Edition	1.6 TF2	$3.24 PP	-
Arma 3 Contact Edition	2.4 TF2	$4.84 PP	-
Arma 3 Jets	0.9 TF2	$1.77 PP	-
Arma 3 Marksmen	0.9 TF2	$1.74 PP	-
Arma 3	1.9 TF2	$3.78 PP	-
Assetto Corsa Competizione	2.9 TF2	$5.83 PP	-
Assetto Corsa Ultimate Edition	5.0 TF2	$9.93 PP	-
BATTLETECH - Mercenary Collection	2.4 TF2	$4.79 PP	-
BIOMUTANT	1.6 TF2	$3.12 PP	-
BPM: BULLETS PER MINUTE	0.9 TF2	$1.75 PP	-
BROFORCE	1.1 TF2	$2.17 PP	-
Baba Is You	1.5 TF2	$3.01 PP	-
Back 4 Blood	3.0 TF2	$5.96 PP	-
Bad North: Jotunn Edition	0.9 TF2	$1.77 PP	-
Baldur's Gate II: Enhanced Edition	0.5 TF2	$1.01 PP	-
Baldur's Gate: Enhanced Edition	0.4 TF2	$0.83 PP	-
Bang-On Balls: Chronicles	2.6 TF2	$5.14 PP	-
Banished	2.2 TF2	$4.34 PP	-
Barotrauma	6.5 TF2	$12.95 PP	-
Batman - The Telltale Series	1.0 TF2	$1.9 PP	-
Batman Arkham Collection	1.2 TF2	$2.44 PP	-
Batman: Arkham Knight	0.4 TF2	$0.85 PP	-
Batman: The Enemy Within - The Telltale Series	1.1 TF2	$2.18 PP	-
Batman™: Arkham Knight Premium Edition	1.3 TF2	$2.55 PP	-
Batman™: Arkham Origins Blackgate - Deluxe Edition	0.4 TF2	$0.85 PP	-
Batman™: Arkham Origins	0.8 TF2	$1.67 PP	-
Batman™: Arkham VR	0.8 TF2	$1.5 PP	-
Battle Chasers: Nightwar	0.6 TF2	$1.21 PP	-
Battlefleet Gothic: Armada II	2.1 TF2	$4.17 PP	-
Battlefleet Gothic: Armada	0.9 TF2	$1.72 PP	-
Battlezone Gold Edition	2.2 TF2	$4.3 PP	-
Bendy and the Dark Revival	0.4 TF2 Refer To My Other Thread	$0.88 PP Refer To My Other Thread	Humble Choice (May 2023)
Besiege	1.5 TF2	$2.92 PP	-
Beyond Blue	2.5 TF2	$4.94 PP	-
Beyond Two Souls	1.9 TF2	$3.83 PP	-
BioShock Collection	1.1 TF2	$2.18 PP	-
BioShock Infinite	0.9 TF2	$1.78 PP	-
BioShock Remastered	0.9 TF2	$1.78 PP	-
Bioshock Infinite: Season Pass	0.7 TF2	$1.34 PP	-
Blade of Darkness	1.2 TF2	$2.47 PP	-
Blair Witch	1.2 TF2	$2.3 PP	-
Blasphemous	1.3 TF2 Refer To My Other Thread	$2.58 PP Refer To My Other Thread	Must-Play Metroidvanias Bundle
Blood Bowl 2 - Legendary Edition	0.7 TF2	$1.48 PP	-
Blood: Fresh Supply	0.4 TF2	$0.78 PP	-
Bloodstained: Ritual of the Night	1.7 TF2 Refer To My Other Thread	$3.37 PP Refer To My Other Thread	Must-Play Metroidvanias Bundle
Boomerang Fu	0.6 TF2	$1.2 PP	-
Borderlands 2 VR	5.5 TF2	$10.93 PP	-
Borderlands 3 Super Deluxe Edition	3.1 TF2 Refer To My Other Thread	$6.19 PP Refer To My Other Thread	May Multiplayer Bundle
Borderlands 3	1.6 TF2	$3.23 PP	-
Borderlands 3: Director's Cut	1.3 TF2	$2.51 PP	-
Borderlands: The Handsome Collection	3.4 TF2	$6.76 PP	-
Borderlands: The Pre-Sequel	0.6 TF2	$1.18 PP	-
Brutal Legend	0.8 TF2	$1.51 PP	-
Bus Simulator 18	2.1 TF2	$4.18 PP	-
CHUCHEL Cherry Edition	0.5 TF2	$0.97 PP	-
Call of Cthulhu	1.1 TF2	$2.25 PP	-
Call of Juarez: Gunslinger	0.5 TF2	$0.96 PP	-
Call to Arms - Gates of Hell: Ostfront	9.2 TF2	$18.38 PP	-
Carcassonne - Tiles & Tactics	0.6 TF2	$1.22 PP	-
Celeste	1.8 TF2	$3.6 PP	-
Chess Ultra	0.6 TF2	$1.25 PP	-
Children of Morta	0.7 TF2	$1.43 PP	-
Chivalry 2	3.7 TF2	$7.45 PP	-
Chivalry: Medieval Warfare	0.7 TF2	$1.37 PP	-
Cities: Skylines Deluxe Edition	1.6 TF2	$3.18 PP	-
Cities: Skylines	1.4 TF2	$2.73 PP	-
Clone Drone in the Danger Zone	4.2 TF2	$8.32 PP	-
Cloudpunk	1.0 TF2	$2.02 PP	-
Code Vein	1.7 TF2	$3.3 PP	-
Coffee Talk	2.5 TF2	$4.98 PP	-
Company of Heroes 2 - The Western Front Armies	1.0 TF2	$1.94 PP	-
Company of Heroes 2	0.5 TF2	$1.0 PP	-
Company of Heroes	1.9 TF2	$3.79 PP	-
Conan Exiles	1.6 TF2	$3.26 PP	-
Construction Simulator 2015	1.2 TF2	$2.48 PP	-
Contagion	0.6 TF2	$1.11 PP	-
Control Ultimate Edition	2.0 TF2	$3.93 PP	-
Crash Bandicoot™ N. Sane Trilogy	9.6 TF2	$19.06 PP	-
Creed: Rise to Glory™	2.2 TF2	$4.47 PP	-
Crusader Kings II: Imperial Collection	9.9 TF2	$19.73 PP	-
Crusader Kings III	5.9 TF2	$11.73 PP	-
CryoFall	0.5 TF2	$0.92 PP	-
Cultist Simulator Anthology Edition	1.4 TF2	$2.79 PP	-
Cultist Simulator	0.6 TF2	$1.22 PP	-
DEATH STRANDING DIRECTOR'S CUT	2.6 TF2	$5.21 PP	-
DEATHLOOP	2.7 TF2	$5.47 PP	-
DIRT 5	4.2 TF2	$8.44 PP	-
DMC - Devil May Cry	1.0 TF2	$1.93 PP	-
DRAGON BALL FIGHTERZ - Ultimate Edition	9.9 TF2	$19.74 PP	-
DRAGON BALL XENOVERSE 2	1.9 TF2	$3.81 PP	-
DRAGON BALL XENOVERSE	0.6 TF2	$1.18 PP	-
DRAGONBALL XENOVERSE Bundle Edition	1.1 TF2	$2.16 PP	-
DRIFT21	0.6 TF2	$1.12 PP	-
Dark Deity	0.4 TF2	$0.85 PP	-
Dark Souls II: Scholar of the First Sin	8.7 TF2	$17.31 PP	-
Dark Souls III	12.5 TF2	$24.91 PP	-
Darkest Dungeon	0.7 TF2	$1.37 PP	-
Darksiders Genesis	1.3 TF2	$2.67 PP	-
Darksiders II Deathinitive Edition	1.1 TF2	$2.17 PP	-
Darksiders III	0.6 TF2	$1.26 PP	-
Darkwood	0.6 TF2	$1.16 PP	-
Day of the Tentacle Remastered	0.4 TF2	$0.88 PP	-
DayZ	7.6 TF2	$15.03 PP	-
Daymare: 1998	0.4 TF2	$0.79 PP	-
Dead Estate	1.0 TF2	$1.99 PP	-
Dead Island - Definitive Edition	0.8 TF2	$1.66 PP	-
Dead Island Definitive Collection	1.7 TF2	$3.3 PP	-
Dead Island Riptide - Definitive Edition	0.7 TF2	$1.4 PP	-
Dead Rising 2: Off the Record	1.2 TF2	$2.42 PP	-
Dead Rising 3 Apocalypse Edition	1.9 TF2	$3.7 PP	-
Dead Rising 4 Frank’s Big Package	2.5 TF2	$4.96 PP	-
Dead Rising 4	0.9 TF2	$1.73 PP	-
Dead Rising	1.0 TF2	$1.96 PP	-
Dead Rising® 2	1.1 TF2	$2.26 PP	-
Death Road to Canada	2.4 TF2	$4.84 PP	-
Death's Gambit	0.6 TF2	$1.15 PP	-
Deep Rock Galactic	3.3 TF2	$6.63 PP	-
Descenders	0.6 TF2	$1.15 PP	-
Desperados III	1.0 TF2	$1.93 PP	-
Destroy All Humans	0.7 TF2	$1.41 PP	-
Deus Ex: Human Revolution - Director's Cut	1.1 TF2	$2.25 PP	-
Deus Ex: Mankind Divided	1.1 TF2	$2.16 PP	-
Devil May Cry HD Collection	1.8 TF2	$3.5 PP	-
Devil May Cry® 4 Special Edition	1.6 TF2	$3.13 PP	-
DiRT Rally 2.0	5.1 TF2	$10.11 PP	-
Dinosaur Fossil Hunter	0.5 TF2	$0.9 PP	-
Distant Worlds: Universe	0.6 TF2	$1.29 PP	-
Doom Eternal	2.5 TF2	$4.94 PP	-
Door Kickers	1.9 TF2	$3.84 PP	-
Dorfromantik	2.0 TF2	$3.93 PP	-
Dragon Ball FighterZ	1.9 TF2	$3.81 PP	-
Dragons Dogma - Dark Arisen	0.8 TF2	$1.57 PP	-
Drake Hollow	0.5 TF2	$0.91 PP	-
Drone Swarm	0.4 TF2	$0.81 PP	-
Dungeon Defenders	2.7 TF2	$5.47 PP	-
Dungeon Defenders: Awakened	2.8 TF2	$5.59 PP	-
Dungreed	0.9 TF2	$1.81 PP	-
Dusk	2.0 TF2	$3.91 PP	-
EARTH DEFENSE FORCE 4.1 The Shadow of New Despair	2.2 TF2	$4.28 PP	-
ELEX	1.1 TF2	$2.18 PP	-
EVERSPACE™	1.6 TF2	$3.16 PP	-
Elite: Dangerous	1.3 TF2	$2.67 PP	-
Empire of Sin	1.3 TF2	$2.55 PP	-
Endzone - A World Apart	0.5 TF2	$1.04 PP	-
Euro Truck Simulator 2	1.1 TF2	$2.19 PP	-
Exanima	2.6 TF2	$5.24 PP	-
FTL: Faster Than Light	1.0 TF2	$1.92 PP	-
Fable Anniversary	3.7 TF2	$7.32 PP	-
Fallout 76	2.1 TF2	$4.22 PP	-
Fantasy General II	0.6 TF2	$1.25 PP	-
Farming Simulator 17	0.6 TF2	$1.13 PP	-
Firefighting Simulator - The Squad	3.8 TF2	$7.47 PP	-
First Class Trouble	0.6 TF2	$1.12 PP	-
Forager	1.3 TF2	$2.6 PP	-
Forts	2.3 TF2	$4.52 PP	-
Friday the 13th: The Game	2.9 TF2	$5.86 PP	-
Frostpunk	1.0 TF2	$2.07 PP	-
Full Metal Furies	0.6 TF2	$1.15 PP	-
Furi	0.8 TF2	$1.62 PP	-
GRID - Ultimate	2.0 TF2	$3.97 PP	-
GRID™	0.9 TF2	$1.81 PP	-
GRIS	0.5 TF2	$0.92 PP	-
Gang Beasts	3.0 TF2	$5.89 PP	-
Garden Paws	1.0 TF2	$2.05 PP	-
Gas Station Simulator	1.8 TF2	$3.68 PP	-
Gears 5	11.6 TF2	$23.1 PP	-
Gears Tactics	4.5 TF2	$8.93 PP	-
Generation Zero®	1.5 TF2 Refer To My Other Thread	$2.93 PP Refer To My Other Thread	May Multiplayer Bundle
Goat Simulator	0.4 TF2	$0.88 PP	-
Godlike Burger	1.1 TF2	$2.1 PP	-
Golf With Your Friends	0.8 TF2	$1.69 PP	-
Gordian Quest	1.8 TF2	$3.58 PP	-
Gotham Knights	5.4 TF2	$10.83 PP	-
GreedFall	0.8 TF2	$1.54 PP	-
Grim Dawn	5.2 TF2	$10.28 PP	-
Grim Fandango Remastered	0.5 TF2	$1.09 PP	-
Guacamelee! 2	0.6 TF2	$1.19 PP	-
HITMAN™2 Gold Edition	3.1 TF2	$6.16 PP	-
HIVESWAP: Act 2	2.1 TF2	$4.18 PP	-
HOT WHEELS UNLEASHED™	1.8 TF2	$3.66 PP	-
HROT	1.9 TF2	$3.7 PP	-
Haiku, the Robot	1.3 TF2 Refer To My Other Thread	$2.56 PP Refer To My Other Thread	Must-Play Metroidvanias Bundle
Hard Bullet	1.2 TF2	$2.38 PP	-
Hearts of Iron IV: Battle for the Bosporus	1.8 TF2	$3.53 PP	-
Hearts of Iron IV: Cadet Edition	2.7 TF2	$5.3 PP	-
Hearts of Iron IV: Death or Dishonor	0.9 TF2	$1.74 PP	-
Hearts of Iron IV: Waking the Tiger	1.8 TF2	$3.68 PP	-
Heave Ho	0.6 TF2	$1.1 PP	-
Heavy Rain	2.1 TF2	$4.15 PP	-
Hell Let Loose	5.2 TF2	$10.32 PP	-
Hellblade: Senua's Sacrifice	1.1 TF2	$2.26 PP	-
Hello, Neighbor!	0.5 TF2	$0.91 PP	-
Hellpoint	0.4 TF2	$0.75 PP	-
Hero's Hour	0.5 TF2	$0.92 PP	-
Heroes of Hammerwatch	0.6 TF2	$1.13 PP	-
Hitman Absolution	0.4 TF2	$0.79 PP	-
Hitman Game of the Year Edition	1.3 TF2	$2.61 PP	-
Hollow Knight	2.8 TF2 Refer To My Other Thread	$5.48 PP Refer To My Other Thread	Must-Play Metroidvanias Bundle
Homefront: The Revolution	0.8 TF2	$1.68 PP	-
Homeworld: Deserts of Kharak	0.4 TF2	$0.77 PP	-
Horizon Chase Turbo	0.4 TF2	$0.72 PP	-
Hotline Miami 2: Wrong Number Digital Special Edition	0.7 TF2	$1.46 PP	-
Hotline Miami 2: Wrong Number	0.6 TF2	$1.15 PP	-
Hotline Miami	0.8 TF2	$1.56 PP	-
House Flipper VR	0.9 TF2	$1.73 PP	-
House Flipper	2.8 TF2	$5.5 PP	-
Human: Fall Flat	0.9 TF2	$1.88 PP	-
HuniePop	0.4 TF2	$0.89 PP	-
Huntdown	1.3 TF2	$2.6 PP	-
Hurtworld	2.0 TF2	$4.07 PP	-
Hyper Light Drifter	1.6 TF2	$3.11 PP	-
Hypnospace Outlaw	0.8 TF2	$1.55 PP	-
I Expect You To Die	1.3 TF2	$2.68 PP	-
I-NFECTED	6.3 TF2	$12.5 PP	-
INSURGENCY	1.6 TF2	$3.16 PP	-
Icewind Dale: Enhanced Edition	0.4 TF2	$0.73 PP	-
Imperator: Rome Deluxe Edition	1.1 TF2	$2.09 PP	-
Imperator: Rome	0.8 TF2	$1.6 PP	-
Injustice 2 Legendary Edition	0.9 TF2	$1.76 PP	-
Injustice 2	0.7 TF2	$1.46 PP	-
Injustice: Gods Among Us - Ultimate Edition	0.7 TF2	$1.32 PP	-
Into the Breach	1.5 TF2	$2.93 PP	-
Into the Radius VR	2.9 TF2	$5.84 PP	-
Ion Fury	1.6 TF2	$3.12 PP	-
Iron Harvest	1.4 TF2	$2.74 PP	-
Jalopy	0.9 TF2	$1.87 PP	-
Job Simulator	6.5 TF2	$13.01 PP	-
Jurassic World Evolution 2	2.4 TF2	$4.81 PP	-
Jurassic World Evolution	0.7 TF2	$1.43 PP	-
Just Cause 2	0.5 TF2	$1.06 PP	-
Just Cause 3 XXL Edition	1.3 TF2	$2.63 PP	-
Just Cause 4: Complete Edition	2.0 TF2	$3.97 PP	-
KartKraft	3.2 TF2	$6.3 PP	-
Katamari Damacy REROLL	1.1 TF2	$2.24 PP	-
Katana ZERO	1.1 TF2	$2.23 PP	-
Keep Talking and Nobody Explodes	2.7 TF2	$5.42 PP	-
Kerbal Space Program	0.8 TF2	$1.6 PP	-
Killer Instinct	8.8 TF2	$17.49 PP	-
Killing Floor 2	0.6 TF2	$1.2 PP	-
Killing Floor	0.8 TF2	$1.69 PP	-
Kingdom Come: Deliverance	1.5 TF2	$2.93 PP	-
Kingdom: Two Crowns	1.0 TF2	$1.95 PP	-
LEGO Batman 3: Beyond Gotham Premium Edition	0.5 TF2	$0.9 PP	-
LEGO Batman Trilogy	1.5 TF2	$3.07 PP	-
LEGO Harry Potter: Years 1-4	0.4 TF2	$0.79 PP	-
LEGO Harry Potter: Years 5-7	0.6 TF2	$1.11 PP	-
LEGO Lord of the Rings	0.4 TF2	$0.83 PP	-
LEGO Star Wars III: The Clone Wars	0.5 TF2	$1.05 PP	-
LEGO Star Wars: The Complete Saga	0.6 TF2	$1.13 PP	-
LEGO® City Undercover	0.7 TF2	$1.34 PP	-
LEGO® DC Super-Villains Deluxe Edition	1.6 TF2	$3.28 PP	-
LEGO® DC Super-Villains	0.4 TF2	$0.78 PP	-
LEGO® Jurassic World™	0.4 TF2	$0.71 PP	-
LEGO® MARVEL's Avengers	0.4 TF2	$0.78 PP	-
LEGO® Marvel Super Heroes 2 Deluxe Edition	0.9 TF2	$1.83 PP	-
LEGO® Marvel Super Heroes 2	0.7 TF2	$1.34 PP	-
LEGO® Star Wars™: The Force Awakens - Deluxe Edition	1.1 TF2	$2.25 PP	-
LEGO® Star Wars™: The Force Awakens	0.6 TF2	$1.15 PP	-
LEGO® Worlds	1.1 TF2	$2.12 PP	-
LIMBO	0.4 TF2	$0.71 PP	-
Labyrinth City: Pierre the Maze Detective	0.7 TF2	$1.47 PP	-
Labyrinthine	1.9 TF2	$3.76 PP	-
Lake	0.8 TF2	$1.51 PP	-
Last Oasis	1.6 TF2	$3.11 PP	-
Layers of Fear 2	6.3 TF2	$12.52 PP	-
Layers of Fear	0.6 TF2	$1.12 PP	-
Legion TD 2	1.7 TF2	$3.33 PP	-
Len's Island	4.2 TF2	$8.26 PP	-
Lethal League Blaze	1.5 TF2	$3.06 PP	-
Lethal League	0.8 TF2	$1.58 PP	-
Library Of Ruina	3.2 TF2	$6.42 PP	-
Life is Feudal: Your Own	0.7 TF2	$1.39 PP	-
Life is Strange 2 Complete Season	0.7 TF2	$1.33 PP	-
Life is Strange Complete Season (Episodes 1-5)	4.5 TF2	$8.95 PP	-
Little Misfortune	2.2 TF2	$4.47 PP	-
Little Nightmares Complete Edition	1.6 TF2	$3.22 PP	-
Little Nightmares	1.0 TF2	$2.06 PP	-
Lobotomy Corporation Monster Management Simulation	5.0 TF2	$9.99 PP	-
Loot River	3.3 TF2	$6.47 PP	-
Lost Ember	1.4 TF2	$2.76 PP	-
Luck be a Landlord	2.4 TF2 Refer To My Other Thread	$4.77 PP Refer To My Other Thread	Luck of the Draw: Roguelike Deckbuilders Bundle
METAL GEAR SOLID V: The Definitive Experience	1.5 TF2	$2.89 PP	-
MONSTER HUNTER RISE	4.1 TF2	$8.09 PP	-
MORTAL KOMBAT 11	1.8 TF2	$3.53 PP	-
MX vs ATV Reflex	0.4 TF2	$0.71 PP	-
Mad Max	1.2 TF2	$2.32 PP	-
Mafia II: Definitive Edition	3.6 TF2	$7.11 PP	-
Mafia III: Definitive Edition	2.1 TF2	$4.21 PP	-
Mafia: Definitive Edition	2.2 TF2	$4.36 PP	-
Magicka 2 - Deluxe Edition	0.8 TF2	$1.69 PP	-
Magicka 2	0.6 TF2	$1.18 PP	-
Maneater	0.8 TF2	$1.63 PP	-
Manhunt	1.1 TF2	$2.18 PP	-
Mars Horizon	0.8 TF2	$1.53 PP	-
Mass Effect™ Legendary Edition	7.7 TF2	$15.36 PP	-
Max Payne 2: The Fall of Max Payne	0.6 TF2	$1.22 PP	-
Max Payne	1.0 TF2	$2.06 PP	-
MechWarrior 5: Mercenaries	2.5 TF2	$5.02 PP	-
Medal of Honor	2.1 TF2	$4.24 PP	-
Mega Man Legacy Collection	0.5 TF2	$0.9 PP	-
Men of War: Assault Squad 2 - Deluxe Edition	0.8 TF2	$1.69 PP	-
Men of War: Assault Squad 2 War Chest Edition	0.8 TF2	$1.6 PP	-
Men of War: Assault Squad 2	0.8 TF2	$1.6 PP	-
Metro Exodus	1.4 TF2	$2.79 PP	-
Metro Redux Bundle	1.1 TF2	$2.17 PP	-
Metro: Last Light Redux	1.1 TF2	$2.26 PP	-
Middle-earth: Shadow of Mordor Game of the Year Edition	0.9 TF2	$1.71 PP	-
Middle-earth™: Shadow of War™	0.9 TF2	$1.8 PP	-
Middleearth Shadow of War Definitive Edition	1.2 TF2	$2.37 PP	-
Midnight Ghost Hunt	2.5 TF2 Refer To My Other Thread	$4.93 PP Refer To My Other Thread	May Multiplayer Bundle
Mini Ninjas	0.5 TF2	$1.05 PP	-
Mirror's Edge	2.2 TF2	$4.36 PP	-
Miscreated	1.4 TF2	$2.87 PP	-
Monster Hunter: World	3.5 TF2	$6.89 PP	-
Monster Sanctuary	0.6 TF2	$1.26 PP	-
Monster Train	0.5 TF2	$0.92 PP	-
Moonlighter	0.4 TF2	$0.85 PP	-
Moons of Madness	1.7 TF2	$3.48 PP	-
Mordhau	1.7 TF2	$3.32 PP	-
Mortal Shell	1.4 TF2	$2.77 PP	-
Motorcycle Mechanic Simulator 2021	0.8 TF2	$1.58 PP	-
Motorsport Manager	1.3 TF2	$2.55 PP	-
Move or Die	0.7 TF2	$1.46 PP	-
Moving Out	1.4 TF2	$2.82 PP	-
Mutant Year Zero: Road to Eden - Deluxe Edition	1.5 TF2	$3.01 PP	-
My Friend Pedro	1.0 TF2	$1.91 PP	-
My Time At Portia	0.7 TF2	$1.43 PP	-
NARUTO SHIPPUDEN: Ultimate Ninja STORM 4 Road to Boruto	2.6 TF2	$5.23 PP	-
NARUTO SHIPPUDEN: Ultimate Ninja STORM Revolution	0.8 TF2	$1.5 PP	-
NASCAR Heat 5 - Ultimate Edition	0.6 TF2	$1.1 PP	-
NBA 2K13	4.8 TF2	$9.52 PP	-
Naruto Shippuden: Ultimate Ninja Storm 4	1.6 TF2	$3.14 PP	-
Naruto to Boruto Shinobi Striker - Deluxe Edition	1.6 TF2	$3.13 PP	-
Naruto to Boruto Shinobi Striker	0.4 TF2	$0.83 PP	-
Necromunda: Hired Gun	0.7 TF2	$1.45 PP	-
Neon Abyss	0.5 TF2	$1.01 PP	-
Neverwinter Nights: Complete Adventures	3.7 TF2	$7.33 PP	-
Nine Parchments	2.1 TF2	$4.27 PP	-
No Time to Relax	2.9 TF2	$5.75 PP	-
Northgard	3.8 TF2 Refer To My Other Thread	$7.64 PP Refer To My Other Thread	May Multiplayer Bundle
Not For Broadcast	0.7 TF2	$1.36 PP	-
ONE PIECE BURNING BLOOD GOLD EDITION	2.0 TF2	$3.91 PP	-
ONE PIECE BURNING BLOOD	0.7 TF2	$1.46 PP	-
ONE PIECE PIRATE WARRIORS 3 Gold Edition	1.2 TF2	$2.38 PP	-
Observer	0.4 TF2	$0.74 PP	-
Oddworld: New 'n' Tasty	0.4 TF2	$0.72 PP	-
One Step From Eden	0.5 TF2	$1.03 PP	-
Operation: Tango	0.4 TF2 Refer To My Other Thread	$0.8 PP Refer To My Other Thread	Humble Choice (May 2023)
Opus Magnum	1.1 TF2	$2.13 PP	-
Orcs Must Die! 3	1.9 TF2	$3.69 PP	-
Outlast 2	0.6 TF2	$1.17 PP	-
Outlast	0.5 TF2	$1.06 PP	-
Outward	1.5 TF2	$2.94 PP	-
Overcooked	1.0 TF2	$2.02 PP	-
Overcooked! 2	1.3 TF2	$2.59 PP	-
Overgrowth	0.8 TF2	$1.53 PP	-
Overlord II	0.4 TF2	$0.85 PP	-
Owlboy	1.0 TF2	$2.04 PP	-
PC Building Simulator	0.7 TF2	$1.32 PP	-
PGA TOUR 2K21	0.6 TF2	$1.24 PP	-
Paint the Town Red	2.4 TF2	$4.73 PP	-
Parkitect	5.5 TF2	$10.98 PP	-
Party Hard 2	0.4 TF2	$0.71 PP	-
Pathfinder: Kingmaker - Enhanced Plus Edition	0.6 TF2	$1.25 PP	-
Pathologic 2	0.5 TF2	$1.04 PP	-
Pathologic Classic HD	0.4 TF2	$0.85 PP	-
Per Aspera	0.7 TF2	$1.39 PP	-
Phantom Doctrine	0.4 TF2	$0.85 PP	-
Pillars of Eternity Definitive Edition	1.3 TF2	$2.66 PP	-
Pillars of Eternity II: Deadfire	1.0 TF2	$2.07 PP	-
Pistol Whip	6.2 TF2	$12.33 PP	-
Plague Inc: Evolved	1.6 TF2	$3.23 PP	-
Planescape: Torment: Enhanced Edition	0.4 TF2	$0.78 PP	-
Planet Coaster	1.8 TF2	$3.55 PP	-
Planet Zoo	2.0 TF2	$3.93 PP	-
Planetary Annihilation: TITANS	6.0 TF2	$11.91 PP	-
Portal Knights	1.3 TF2	$2.62 PP	-
Power Rangers: Battle for the Grid	2.8 TF2	$5.48 PP	-
PowerBeatsVR	1.0 TF2	$1.99 PP	-
PowerSlave Exhumed	1.4 TF2	$2.79 PP	-
Praey for the Gods	0.6 TF2	$1.16 PP	-
Prehistoric Kingdom	1.5 TF2	$2.93 PP	-
Prison Architect	0.4 TF2	$0.76 PP	-
Pro Cycling Manager 2019	1.3 TF2	$2.61 PP	-
Project Hospital	2.4 TF2	$4.82 PP	-
Project Wingman	2.6 TF2	$5.21 PP	-
Project Winter	1.1 TF2	$2.17 PP	-
Propnight	0.7 TF2	$1.32 PP	-
Pumpkin Jack	0.4 TF2	$0.84 PP	-
Quantum Break	2.0 TF2	$4.0 PP	-
RESIDENT EVIL 3	2.3 TF2	$4.49 PP	-
RUGBY 20	1.3 TF2	$2.58 PP	-
RWBY: Grimm Eclipse	3.3 TF2	$6.62 PP	-
Ragnaröck	3.5 TF2	$6.93 PP	-
Rain World	1.1 TF2 Refer To My Other Thread	$2.19 PP Refer To My Other Thread	Must-Play Metroidvanias Bundle
Raw Data	1.1 TF2	$2.17 PP	-
Re:Legend	1.1 TF2	$2.13 PP	-
Red Faction Guerrilla Re-Mars-tered	0.5 TF2	$0.95 PP	-
Red Matter	4.5 TF2	$8.95 PP	-
Resident Evil / biohazard HD REMASTER	1.1 TF2	$2.23 PP	-
Resident Evil 0 / biohazard 0 HD Remaster	1.2 TF2	$2.35 PP	-
Resident Evil 5 GOLD Edition	1.8 TF2	$3.53 PP	-
Resident Evil 5	1.1 TF2	$2.16 PP	-
Resident Evil 6	1.4 TF2	$2.81 PP	-
Resident Evil: Revelations 2 Deluxe Edition	2.5 TF2	$4.88 PP	-
Resident Evil: Revelations	0.8 TF2	$1.5 PP	-
Retro Machina	0.5 TF2	$1.02 PP	-
Risen 2: Dark Waters Gold Edition	1.4 TF2	$2.88 PP	-
Risen 3 - Complete Edition	1.0 TF2	$2.07 PP	-
Risen	0.9 TF2	$1.82 PP	-
Rising Storm 2: Vietnam	0.7 TF2	$1.34 PP	-
River City Girls	1.4 TF2	$2.87 PP	-
Roboquest	0.5 TF2	$1.06 PP	-
RollerCoaster Tycoon Deluxe	1.1 TF2	$2.09 PP	-
Rollercoaster Tycoon 2: Triple Thrill Pack	1.6 TF2	$3.28 PP	-
Rubber Bandits	0.8 TF2	$1.52 PP	-
Ryse: Son of Rome	1.7 TF2	$3.38 PP	-
SCP: Pandemic	2.2 TF2	$4.28 PP	-
SCUM	3.0 TF2	$5.96 PP	-
SOMA	2.4 TF2	$4.8 PP	-
SONG OF HORROR Complete Edition	0.7 TF2	$1.42 PP	-
STAR WARS® THE FORCE UNLEASHED II	0.8 TF2	$1.62 PP	-
STAR WARS™: Squadrons	1.6 TF2	$3.23 PP	-
SUPERHOT VR	2.3 TF2	$4.51 PP	-
SUPERHOT	0.8 TF2	$1.59 PP	-
SUPERHOT: MIND CONTROL DELETE	0.5 TF2	$1.02 PP	-
Saint's Row The Third Remastered	2.3 TF2	$4.5 PP	-
Saints Row 2	0.6 TF2	$1.16 PP	-
Saints Row IV Game of the Century Edition	1.1 TF2	$2.25 PP	-
Saints Row IV	1.0 TF2	$2.05 PP	-
Saints Row the Third - The Full Package	1.0 TF2	$1.93 PP	-
Saints Row: The Third	0.6 TF2	$1.27 PP	-
Salt and Sanctuary	1.1 TF2	$2.15 PP	-
Sanctum 2	0.5 TF2	$1.06 PP	-
Satisfactory	6.5 TF2	$13.01 PP	-
Second Extinction	2.1 TF2	$4.11 PP	-
Secret Neighbor	0.9 TF2	$1.85 PP	-
Serious Sam 2	0.8 TF2	$1.58 PP	-
Serious Sam 3: BFE	1.0 TF2	$1.99 PP	-
Serious Sam 4	4.0 TF2	$7.94 PP	-
Serious Sam: Siberian Mayhem	2.3 TF2	$4.51 PP	-
Shadow Man Remastered	1.0 TF2	$2.0 PP	-
Shadow Tactics: Blades of the Shogun	0.4 TF2	$0.85 PP	-
Shadow Warrior 2	0.9 TF2	$1.76 PP	-
Shadow of the Tomb Raider	3.2 TF2	$6.37 PP	-
Shenmue 3	1.3 TF2	$2.58 PP	-
Shenmue I & II	1.3 TF2	$2.58 PP	-
Shining Resonance Refrain	0.5 TF2	$0.96 PP	-
Sid Meier's Civilization VI : Platinum Edition	3.0 TF2	$6.03 PP	-
Sid Meier's Civilization VI	0.7 TF2	$1.47 PP	-
Sid Meier's Civilization® V: The Complete Edition	1.9 TF2	$3.76 PP	-
Sid Meiers Civilization IV: The Complete Edition	0.8 TF2	$1.6 PP	-
Siege of Centauri	0.6 TF2	$1.16 PP	-
SimCasino	1.3 TF2	$2.56 PP	-
SimplePlanes	1.9 TF2	$3.78 PP	-
Skullgirls 2nd Encore	1.2 TF2	$2.47 PP	-
Slap City	1.1 TF2	$2.25 PP	-
Slay the Spire	3.6 TF2	$7.17 PP	-
Sleeping Dogs: Definitive Edition	1.0 TF2	$1.93 PP	-
Slime Rancher	1.7 TF2	$3.32 PP	-
Sniper Elite 3	1.1 TF2	$2.14 PP	-
Sniper Elite 4	1.3 TF2	$2.53 PP	-
Sniper Elite V2 Remastered	1.3 TF2	$2.5 PP	-
Sniper Elite V2	1.0 TF2	$2.05 PP	-
Sniper Ghost Warrior 3	0.8 TF2	$1.58 PP	-
Sniper Ghost Warrior Contracts	0.9 TF2	$1.88 PP	-
Sonic Adventure DX	0.5 TF2	$0.92 PP	-
Sonic Adventure™ 2	0.9 TF2	$1.86 PP	-
Sonic Mania	1.3 TF2	$2.6 PP	-
Soul Calibur VI	1.6 TF2	$3.24 PP	-
Source of Madness	0.6 TF2	$1.13 PP	-
Space Engineers	2.7 TF2	$5.3 PP	-
Space Haven	0.6 TF2	$1.15 PP	-
Spec Ops: The Line	0.9 TF2	$1.81 PP	-
SpeedRunners	0.5 TF2	$1.04 PP	-
Spellcaster University	0.5 TF2	$0.9 PP	-
Spelunky	1.1 TF2	$2.23 PP	-
Spirit Of The Island	1.3 TF2	$2.59 PP	-
Spiritfarer	1.1 TF2 Refer To My Other Thread	$2.18 PP Refer To My Other Thread	Humble Choice (May 2023)
SpongeBob SquarePants: Battle for Bikini Bottom - Rehydrated	1.3 TF2	$2.51 PP	-
Spyro™ Reignited Trilogy	4.8 TF2	$9.65 PP	-
Star Renegades	3.0 TF2	$5.94 PP	-
Star Trek: Bridge Crew	4.3 TF2	$8.62 PP	-
Star Wars Republic Commando™	0.4 TF2	$0.71 PP	-
Star Wars: Battlefront 2 (Classic, 2005)	1.4 TF2	$2.7 PP	-
Star Wars: Knights of the Old Republic	0.4 TF2	$0.85 PP	-
Star Wars® Empire at War™: Gold Pack	1.2 TF2	$2.39 PP	-
Starbound	1.1 TF2	$2.24 PP	-
Starpoint Gemini Warlords	1.7 TF2	$3.48 PP	-
State of Decay 2: Juggernaut Edition	3.0 TF2	$5.92 PP	-
Staxel	0.6 TF2	$1.15 PP	-
SteamWorld Quest: Hand of Gilgamech	0.9 TF2	$1.83 PP	-
Steel Division: Normandy 44	1.5 TF2	$2.91 PP	-
Stellaris Galaxy Edition	1.8 TF2	$3.56 PP	-
Stellaris	1.6 TF2	$3.24 PP	-
Stellaris: Lithoids Species Pack	0.7 TF2	$1.49 PP	-
Stick Fight: The Game	0.6 TF2	$1.1 PP	-
Strategic Command WWII: World at War	2.1 TF2	$4.26 PP	-
Street Fighter 30th Anniversary Collection	1.5 TF2	$2.94 PP	-
Streets of Rogue	0.6 TF2	$1.24 PP	-
Stronghold 2: Steam Edition	2.0 TF2	$4.0 PP	-
Stronghold Crusader 2	0.9 TF2	$1.84 PP	-
Stronghold Crusader HD	0.6 TF2	$1.24 PP	-
Stronghold Legends: Steam Edition	0.9 TF2	$1.76 PP	-
Styx: Shards Of Darkness	0.9 TF2	$1.76 PP	-
Subnautica	3.6 TF2	$7.15 PP	-
Summer in Mara	0.5 TF2	$1.09 PP	-
Sunless Sea	0.4 TF2	$0.76 PP	-
Sunless Skies	0.7 TF2	$1.34 PP	-
Sunset Overdrive	1.0 TF2	$2.01 PP	-
Super Meat Boy	0.5 TF2	$1.08 PP	-
Superliminal	1.9 TF2	$3.84 PP	-
Supraland Six Inches Under	1.5 TF2	$2.89 PP	-
Supreme Commander 2	0.8 TF2	$1.62 PP	-
Supreme Commander Forged Alliance	2.0 TF2	$4.02 PP	-
Surgeon Simulator: Experience Reality	1.8 TF2	$3.5 PP	-
Survive the Nights	0.8 TF2	$1.69 PP	-
Surviving Mars	0.5 TF2	$0.92 PP	-
Surviving the Aftermath	0.7 TF2	$1.41 PP	-
Sword Art Online Fatal Bullet - Complete Edition	3.2 TF2	$6.45 PP	-
Sword Art Online Hollow Realization Deluxe Edition	1.5 TF2	$3.01 PP	-
Syberia: The World Before	1.2 TF2	$2.32 PP	-
Synth Riders	3.5 TF2	$6.96 PP	-
TEKKEN 7	1.5 TF2	$2.9 PP	-
THE KING OF FIGHTERS '98 ULTIMATE MATCH FINAL EDITION	0.4 TF2	$0.85 PP	-
THE KING OF FIGHTERS 2002 UNLIMITED MATCH	0.6 TF2	$1.18 PP	-
Tales from the Borderlands	3.4 TF2	$6.83 PP	-
Tales of Berseria	1.1 TF2	$2.12 PP	-
Tales of Zestiria	0.9 TF2	$1.72 PP	-
Talisman: Digital Edition	0.5 TF2	$0.94 PP	-
Tank Mechanic Simulator	1.1 TF2	$2.17 PP	-
Telltale Batman Shadows Edition	1.0 TF2	$1.9 PP	-
Terraforming Mars	0.6 TF2	$1.15 PP	-
Terraria	2.1 TF2	$4.26 PP	-
The Ascent	1.1 TF2	$2.26 PP	-
The Battle of Polytopia	0.4 TF2	$0.85 PP	-
The Beast Inside	0.4 TF2	$0.77 PP	-
The Blackout Club	0.6 TF2	$1.17 PP	-
The Dark Pictures Anthology: Little Hope	1.6 TF2	$3.12 PP	-
The Dark Pictures Anthology: Man of Medan	2.2 TF2	$4.42 PP	-
The Darkness II	0.5 TF2	$0.99 PP	-
The Dungeon Of Naheulbeuk: The Amulet Of Chaos	0.8 TF2	$1.69 PP	-
The Escapists	0.6 TF2	$1.13 PP	-
The Henry Stickmin Collection	0.7 TF2	$1.46 PP	-
The Incredible Adventures of Van Helsing Final Cut	1.3 TF2	$2.67 PP	-
The Intruder	2.2 TF2	$4.28 PP	-
The Jackbox Party Pack 2	2.0 TF2	$4.02 PP	-
The Jackbox Party Pack 3	2.9 TF2	$5.76 PP	-
The Jackbox Party Pack 4	2.1 TF2	$4.14 PP	-
The Jackbox Party Pack 5	3.1 TF2	$6.15 PP	-
The Jackbox Party Pack 6	2.8 TF2	$5.58 PP	-
The Jackbox Party Pack	1.1 TF2	$2.18 PP	-
The LEGO Movie 2 Videogame	0.4 TF2	$0.8 PP	-
The Last Campfire	0.4 TF2	$0.78 PP	-
The Legend of Heroes: Trails in the Sky	1.8 TF2	$3.57 PP	-
The Long Dark	2.0 TF2	$4.0 PP	-
The Long Dark: Survival Edition	0.4 TF2	$0.78 PP	-
The Mortuary Assistant	2.4 TF2	$4.82 PP	-
The Red Solstice 2: Survivors	0.4 TF2	$0.78 PP	-
The Surge 2	0.9 TF2	$1.83 PP	-
The Survivalists	0.7 TF2	$1.36 PP	-
The Talos Principle	1.0 TF2	$2.06 PP	-
The Walking Dead: A New Frontier	0.4 TF2	$0.71 PP	-
The Walking Dead: The Final Season	0.5 TF2	$0.92 PP	-
The Walking Dead: The Telltale Definitive Series	2.2 TF2	$4.41 PP	-
The Witness	3.7 TF2	$7.29 PP	-
The Wolf Among Us	1.4 TF2	$2.83 PP	-
This Is the Police	0.4 TF2	$0.85 PP	-
This War of Mine: Complete Edition	0.7 TF2	$1.36 PP	-
Titan Quest Anniversary Edition	0.6 TF2	$1.22 PP	-
Torchlight II	0.6 TF2	$1.19 PP	-
Total Tank Simulator	0.4 TF2	$0.74 PP	-
Total War SHOGUN 2	3.5 TF2	$7.03 PP	-
Total War Shogun 2 Collection	1.7 TF2	$3.48 PP	-
Total War: ATTILA	2.1 TF2	$4.19 PP	-
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this is a prototype Yugen Glyph (hunt for my previous post lol or my medium article here ). Magic is not yet ready, this is just a prototype for capturing full concepts, I think instead of making it it's own language, it should act as a wrapper for all existing languages.
Put numbers where the text in the example is, put that numbered up version of the graph, on the front page of a document or sub-document, and then use bulleted paragraphs, or bulleted hyperlinks to parallel documents, and in each paragraph or parallel document: be as detailed or vague as is your accurate impression of the subject.
for example someone who really loves mathematics, will have a very detailed and huge document tree centered around this graph about their impression of math, and what is the opposite of math? for some folks the opposite is literal Nothingness with a capital N because math is Everything with a capital E. For others, the opposite of math is social studies, or art (people who think math and art are opposites, I mean I'd like to have a word with them, and would like to impress upon you that I think they are WRONG!! because perspective and symmetry and even the chemistry of the optics of our perceptions and neurochemistry of our impressions- all of art, is just layers... and layers... of math, but at the same time I feel why they may be misguided into that perception, because math not as a subject but as discipline is rather rigid whereas art is like Bob Ross' TV persona, it embraces mistakes as a part of the process whereas math as a discipline sternly rejects them! but math the subject and math the discipline are two different animals, math the subject is just pattern recognition and construction taken into the furthest reaches of human capacity as an elevated artform. so math the discipline is a bit like professor Snape from Terfy/Harry Potter, math the subject is a friggin kaleidoscopic rainbow of infinite imagination and possibilities, math professors create worlds with the best of em man. Like portraits of possibility written out like the rules to an otherwise inconceivable game! I love math! I hate being taught it, but I LOVE exploring it!!!! Just as much as I love a good anime or trip to the art museum or a fun creative novel or cool visual patterns on cute clothing Math Art what's the difference really, art is just math with fun inaccuracies, math with wiggle room, but they'll always be two heads attached to the same Demogorgon)
I rambled... where was I.... Yes, I may disagree with someone who thinks art and math are opposites but disagreement, truckloads of it, all of the disagreement that is physically capable of existing in the same place at once without collapsing into a blackhole, none of it will invalidate their experience and that's what this linguistic wrapper is about. It's about...
...Dreams Nightmares The Holy Spirit, Trips to the depths of Hell, good days and bad days, weird experiences that last only a fleeting instant and leave a deep impression. All of that.
Doesn't matter if you believe in it or not, because the it as it was perceived may not exist, whilst at the same time (and read this maybe a few times) the it as a perception is irrefutable.
Peoples WRONG >-( feelings are still valid man... I mean you may think drinking your own pee kept you hydrated in the desert and drinking alcohol kept you warm in the tundra, you'd be oh so very wrong (to the point of nearly killing yourself) but that comfort you felt when you thought you were surviving in the wilderness like a pro, that was real, the way misinformation was munched on by your brain like it was the good stuff, that was also very real and you, yourself are valid no matter what.
Like what is reality? that's a linguistic question more than a scientific one.
If you define it as what is felt to be real, then hey, people who remember shit vividly, even when it's factually incorrect, like how myself among many others remember the Bearenstein Bears, whom according to all outside stimuli I generally trust, were actually historically always the Bearenstain Bears, and likely because of the cartoon introduction pronouncing it with a thick accent, and me reading them when my trained mental optical character recognition skills for the english language were at a fledging capacity because I was very very VERY young, my ears hear the woman with the thick accent call them Bearenstein, my eyes were not yet trained to strongly discriminate between "a" and "e". I can safely conclude I remembered it wrong and was the victim of multimodal confusion.
However a good deal of people have come to a much cooler set of conclusions; ready?!
They believe that either A) they are from a parallel history that was destroyed by something and their souls migrated here; B) that a bunch of very skilled book ninjas replaced every book with an identically weathered copy of itself except for small changes to the print, or C) that God did like the ninjas in the previous example did, and either physically changed history but left some of us with a spiritual memory of our alternate history for whatever reason, or to the same effect God just did as the ninjas in the previous example did and used God power to rearrange the ink on every page of the books.
Hey those conclusions are wild, and sometimes when I'm feeling fanciful I do indeed like to imagine or even convince myself I am from a parallel earth where minor details about things are definitely different because I remember them "wrongly" so vividly, it would be MORE fair of a world if my memory was flawless and thus proof that I am a world wrangler of some kind. I don't believe that. that's not my reality.
But that's my point, from an evidentiary perspective trying to prove you are from a parallel universe is like trying help Sisyphus take a break, or trying to reconstruct the 'original' ship of Theseus even whilst the ship is still arguably here. it's not impossible per se, but what does it even mean man? is it even possible? does it even make sense to say outloud? ...or is it just some gnome chopsky meaninful gibberish type stuff?
mind-blown... but whilst they might not be from a alternate universe, because that would imply that evidentiarily there would be some kind of coordinate to visit where they come from... is it really wrong to say they're from an alternate reality? I'd argue no, reality is a word that linguists bitch about, because in English we use the same word and spread it over a couple of separate concepts, the physical present as the arithmetic mean of measurers' consensus has it, and then present internal personal experience. both are reality.
I mean if you stick something friggin cold on my skin, I might experience an internal reality of paradoxical heat, whilst someone peeping through a thermal imaging cam would experience a physical external measurement of me being exposed to extreme cold.
which one is "true"?
well for us, "us" the cold is true, but for me, myself, I, alone; the hot was what I felt most vividly, that's "my truth" as the south of the USA annoyingly puts it. (the idea that truth isn't singular still annoys me).
(TRUTH is singular, but I'd argue TRUTH is also beyond the perceptual capacity of mortals)
we don't converge on truth we converge on measurable contemporary consensus about our perceived external reality, which as luck would have it is practically the same as truth but slightly different. We'll never know if the universal constants we take for granted are just one click away from some cosmic teenager tweaking a couple setting on their screensaver and erasing us from existence, and since we can't measure this cosmic teenager, we don't bother about them, but hey, maybe someday they'll get bored of their current screensaver, we'll all just kind of disintegrate like when Thanos Snapped in the Marvel End Game event.
Just minding our own business and then atoms all over the world turn to jelly when exposed to sunlight or something. not likely according to what we know, but we know we can't know everything, so just be grateful it isn't our current reality and continue taking thing for what they appear to be for now I guess.
As for internal reality, that's what's driving me to write this. that's what drove you here for whatever reason. we have more direct contact with internal reality, external reality is just some consistent pattern pattern we or you or I feel internally as if we have less control over it than we do over our thoughts, so it feels external, whether or not reality warpers that can bend reality just as easily as you can choose to compose a naughty joke in your head exist, that's a matter for science fiction writers and philosophers and fringe bio-physics researchers.
And subtractively some people have more intrusive thoughts than controlled thoughts, some people have and other people don't have inner voices; some people have high resolution internal imaging software for pictures and sounds that they vividly hallucinate at will, other people have very delicate and subtle to no imagination capacity, if we can subtract from inner reality it makes sense to imagine that adding to it is not out of the question.
is control and perception of your limbs inner reality? yes, but does it have some small interference effect on this external reality we feel exposed to... (rather than as familiar with as a bodily or mental sensation) ...sometimes, not if you're percieving the movement of a severed or paralyzed limb though.
what about dreams, they can feel just as external as the waking world, but with this weird capacity to exist on a scale of externality to internality, a lucid dream, is basically what the external world would be like if your thoughts could reshape it at will. I find that depressing, so maybe my soul if you believe in that sort of thing cordoned off its godlike powers to enter a simulation (this place) willing so that it could feel the comfort of a world that is managed by relatively firm seeming laws, rather than one where my intrusive thoughts might erase things from history or change the people I love without their consent, maybe this "external"/"physical" universe is like a mental hospital for reality warpers who have intrusive thoughts, and we belong to some hive mind species from an external universe, but we're in therapy right now, to learn to tell the difference between concepts that are important to our ilk, and or to just be allowed to safely be ourselves without accidentally committing super powered crimes against our ilk unintentionally.
for most people under most circumstances in this world a thought does not immediately cause an action, our mind subconsciously proposes several possible actions and we analyze them come to a few conclusions pit those conclusions against eachother, and then let the winner lead us to the most victorious action/behavior chain, and then immediately after doing all of that subconsciously we become consciously aware of our behaviors, make up some random likely rationale for why we chose those behaviors, and then we sit back and enjoy the show as the consequences of our conscious and subconscious choices roll in, which we consciously and subconsciously react to and mull over to lead to hopefully better decisions in the future, or atleast that's my understanding of the gist of it.
now what if that whole automatic suggestion of possible actions we could take, which we you know, think of as a good thing, is actually a mental illness in some culture we don't know we belong to, and when combined with our mental reflexive power to warp reality, makes us basically their cultures version of violently reactive psychopaths, but because they can read minds they don't harbor ill will towards us, they just know we're not put together correctly, so they've made us a new type of external reality that neutralizes our bad nature and allows us to live with this incurable mental illness in a safe environment with the opportunity to seize happy lives for ourselves?
If our minds were wiped after the simulation box was activated around us, I mean it's just a scifi twist on the allegory of the cave, and the matrix did pretty much it similarly.
but what this does illustrate besides my urge to do creative writing, is that internal and external reality are separated by a fuzzy line, if there's even a line there at all.
Yet whilst on one hand the boundary is so ill defined it looks more like a continuum.
On the other hand the boundary is night and day.
I don't live in your fricken head, and if you live in mine you've been really respectful cos I haven't noticed ya.
and people get hurt because the way they think things works is proven wrong the hard way and it sends them to the hospital all the time.
Like oh, petting this bear is a smart decision... ...3 hours later, wakes up on the hospital bed feeling drowsy and with strange sensations in random parts of the body, nurse leans over face: "your lucky to be alive" says the nurse.
because guess what, weirdly it's obvious what's part of your reality and what's part of our reality, until you try to give a fuck, then it's nonobvious again.
circling back around, are people whom genuinely feel as though they are from alternate realities crazy? maybe.
Are they actually experiencing what it is like to be from an alternate reality? yes, absolutely, they know how strange it feels, to them it is real, their experience is valid, and their feelings matter!!
No I speculated about meta-realities a couple times here (realities that are outside "the matrix" as the kids say). but I haven't like vividly experienced a meta-reality, infact most people want "out" I want in deeper, I'm a gamer and a dreamer, I want more of the good stuff, and for me that's a machine of my own making within the machine we all call home, If I were Plato in the cave, and I escaped my shackles, I'd go spelunking for a deeper cave and a better fire, I wouldn't worry about what the sun was on about or how fresh feels superior to grimey cave air, I'd be ALL about my shadow puppets man, and differently colored fires, pretty much the only way that I'd be bothered to leave the cave, would be to get supplies to pimp out my cave. That's just my perception of myself, and it's valid.
You wanna leave, well, don't kill yourself illegally, but when you die of natural causes, for find a legally sanctioned way to off yourself under the supervision of the law and behind a lot of red tape to ensure that you are just clinically depressed and trying to fix temporary problems with permanent solutions... ...like, leave, you're not my hostage. I care. I want you to be happy. but my cave's not for everybody and I respect if you've had enough of this ride man. #love by the way please really don't kill yourself without asking your local family and municipalities for permission, suicide is like vigilante justice mixed with self harm, it might seem cool if you're emotionally stunted in some way, but Pheonix Jones ("the only real life superhero" look him up.) allegedly (and I use that word mostly to avoid being sued) allegedly turned out to be a drug dealer, that's how he got money for his cool hero cave and his bullet proof armor and stun sticks and fancy form fitting outfit and probably a lot of the stuff that made him seem cool... drug dealer... "I'm gonna save people can't swim" he says, jumping into the pool, without knowing how to swim.
Beating up people for the minor crime of being drunken assholes, meanwhile secretly a hardcore drug dealer.
Don't idolize the people who beat people up for fame, idolize the people who give food to homeless people and money to shelter programs.
Likewise don't idolize suicide, your valuable, and I know you don't know anymore about the afterlife than I do, nobody has measured it thus far so your playing bingo and Russian roulette at the same time when you die, is Shiva the master of all things? Is Santa clause? AM I GONNA BECOME AN ELF WHEN I DIE!? Who the fuck knows, it's a bad idea to fuck around and find out. So step back from that ledge my friend. maybe we're all just shopping mall mannequins who dream of being alive and each time we die we wake up paralyzed and faceless and powerless trapped in our own bodies and ignored by everyone save those whom want to vandalize us and dress us up in clothes we're not allowed to pick for ourselves, and maybe we're even telepathically subjected to the thoughts of every soul in the mall from the others like us to the selfish shoppers to the rats in the ventilation shafts, and then these moments of fleeting life our the most precious things to our existence until our plastic bodies gradually get buried beneath the earth or overgrown of abandoned malls and country dumps and thousands of years later we enter the geological cycle and are crushed and melted by the powers of the earth into unrecognizable forms and our minds will be set back to the carefree lives of amorphous inorganic formless chemical floating across the universe as we once were before some chemist in a lab trapped us into the form of a plastic press fit human sculpture... ...you don't know man... you may only get to live like us in your dreams and who knows what schedule a mannequin dreams on... most people think you're inanimate and you only get to feel the pleasures and pains of life for yourself when you have blessed dreams like these. So don't throw this dream way.
If you are in a dark place, and want to kill yourself to fix it, I find that to be a kind of paradoxical optimism. you really think that it'll be better on the outside? when has anyone ever said, "man I am so glad I have to go to work and stop playing my favorite videogame." NEVER (unless they meant in hindsight because they met their future romantic partner during an otherwise normal work day, but aside from uncommon exceptions nobody says that!) life is a game, you're stuck on a hard part right now, don't press the quit button, because the haters are invading, and the world needs more good people like you alive in it, so that other good people can live comfortable lives, and possible share that happiness with you down the road once they find out what a cool person you are!!
Now that I've gotten the "who knows what's out" the "are they really crazy" and the "please don't commit suicide willy nilly" out of the way, let's get back to wrapping things up, this is a quasi-conlang, it's like a framework that any written language can squeeze into to augment itself.
It's a graph that you can put pictures numbers petroglyphs or ideograms on, whatever is your speed.
If you write really small you can fit all of the information on the graph and then just use A FRIGGIN MAGNIFYING GLASS (or microscope honestly) to read back what you wrote to yourself, alternatively you can make citations that lead elsewhere wherehaps there is more writing space :-)
then you fill out the glyph with your maximum literary capacity, take a break, comeback, read everything again and internalize it and mentally partition it to each aspect of the Yugen Glyph, then you stand back and look at the Yugen Glyph one last time fully appreciating it by picturing all of the aspects of this particular version of the glyph, in simultaneity and symmetric juxtaposition. this isn't just the concept in some idealized platonic form, this is much much cooler than that; it's your inner world's platonic atomic unit of that concept, albeit, you're now able to reflect and express full perception that your past self had...
....and sadly as a state cannot fully observe itself without changing and thus getting caught in one of those nasty infinite polymorphic loops, the moment you fill this graph out in whatever languages of your choice... (I'm gonna mix english with my emoglyphs with this graph/wrapper because english is my native language and my emoglyphs depict other important aspects of the inner reality in great detail) ...is the moment you confront this concept in its truest form as you are currently capable of perceiving it. Some things like to change the moment you observe them. You may go, "oh wait I can add more details now..." or "oh wait, it suddenly feels different to me now that I've gotten a good look at the way I'm looking at it". and that's okay, this sort of pulls the concept out of your body.
I forgot whether it was Sophie's world (a book I read a long time ago) or an actual philosopher who gave this example, but basically rivers are always flowing, their only constant is change, humans are much the same way. When a person is standing in a river they are in sync with the river they are closely acquainted with this river, they are one with the flow and the flow has become one with them. Then when that same person steps out of the river to go dry off and get a snack, they are obviously no longer one, but when that person eventually comes back to that river, even if they stand in the same map coordinate as before, them and the river have to get reacquainted, as they have fallen out of sync, it's a new river, there are new grains of sand under this person's feet, and this person isn't quiet as young as the last person, even if they are technically "the same person" according to the memory and experiences of this new person.
These concepts are like people standing in the river of your mind, and my Yugen Glyph is like some mystical force that can eject them from you, so that you can get reacquainted with them in your own right, or distribute them to other rivers to help you propagate and introduce some concepts native to you into the public zeitgeist.
Some of these concepts are like people who have entered you by force and then become one with your flow, others are like the local wildlife that has been a part of your flow in a flowing away eversince your flow first formed, either way the intent of these Yugen Glyphs is to empower you to control the ecosystem of your flow and the flows around you better, because everything is connected and power of concepts is itself a powerful concept.
The YugenGlyph filled with placeholder text that you might need to zoom in on super closely to read in some parts... lol XD.
​
​
The Blank conceptogram for you to save and print out and draw on. If you ask me nicely, I'll make a printer friendly version, but you have to beg and make me feel like royalty XD JK lol, nah, if any body is interested in printer friendly just ask I'll simplify the design add some patterns to compensate for the lack of color (black and white no gray) and then I'll be like \"K, here, you can play with it now.\" :-)
---------------------------
the end that's it you made it
---------------------------
postamble: remember this is a prototype I may adopt more than one thing as my "Yugen Glyphs" before I settle on a final design.
This is MK1 of an unknown incoming number of Yugen glyphs, please offer creative stirrings to me.
I'm not really open to criticism at the moment as I'm, just doing this to get steam out and hence don't care for advice on how to do it right, it's an energy sponge project, it's here to capture my excess energy and channel it into something non-destructive and it is doing its job very well I can attest to that. if it bothers you that I don't care, no one is making you hang out with me, just leave, stop torturing yourself it encourages my evil side to laugh at you. (rightfully so since you coming here to complain would be self inflicted psychic slapstick comedy in a way)

My Breakfast: Day 1177
This is my take on a Vietnamese Breakfast Bánh Mì and it hit every spot I had this morning and then some. I do love this breakfast so much. It’s not fully traditional, so don’t holler at me. It’s my take.
It’s also “my take” because I do sort of create a mash up of various Asian foods, which may or may not annoy some people. Since I’m still on a Bánh Mì high, it’s okay. I’ve posted the “Not Really A Recipe” Recipe a bunch of times, but here it is again.
🥖 Get a Crusty French Baguette. Spread with Sriracha Mayo. (Side “not really a recipe” - just mix sriracha and mayo.) 🥚 Make a Tamagoyaki Omelet. A Tamagoyaki “omelet” is a Japanese thing. Beat two eggs with a little sugar – about ½ tsp per egg, some salt, mirin if you have, I add some white pepper too. I also add some sliced scallions and some Lap Cheong Sausage.
Cook like a crepe or flat omelet. You can be very proper and use a rectangular Tamagoyaki pan, but you don’t have to.
Put together on the baguette with: 🥕 Julienned Carrots- Quick Pickled in rice wine vinegar, salt and mirin. 🍖 Paté, my house was paté-less this morning so (quelle horreur!) I used ham. 🥢 Mandolined Daikon – Those are the things that look like egg white rounds. 🌶 Sliced Fresh Jalapeños, or omit if you’re spice averse. 🌿 Fresh Herbs: Mint / Cilantro / Basil or whatever combo you like.
Layer all the above however you like. Then eat and be content. Even if you make it all wrong, you’ll still be all right.
Not 100% traditional, but 100% delicious.Damn. Now I want this for dinner.

https://minimalfreaks.co/2023/06/beatport-after-hour-essentials-2023-indie-dance/

1. Maze DJ – Science Lesson (Full Lesson Mix) 06:02 130bpm D
2. JGR, Yahaira DJ – Pulso Electromagnético (Original Mix) 06:26 121bpm C
3. Joyce Muniz – Joy Toy (Original Mix) 04:40 121bpm Fm
4. Jorkes – Super Fun Lover (Alinka Remix) 05:59 130bpm Am
5. Headman – Live120 (Original Mix) 04:27 120bpm Gm
6. Kalipo, Local Suicide, Dina Summer – Mars (Mountains of Dust Edit) 05:36 124bpm Am
7. TERR – Tale Of Devotion (Sunny Version) 04:25 120bpm Eb
8. &ME, Rampa, Adam Port, Keinemusik, Bell Towers – Pay To Play (feat. Bell Towers) (Reznik & Mikesh Remix) 06:18 125bpm A
9. Sarab, MONTA (TN), Ann Epi – Passion (Original Mix) 06:05 122bpm F
10. Jesper Dahlback, Tiga, Faxid – Acid In My Head (Original Mix) 04:12 125bpm Cm
11. Accent (ofc) – Changes (Andrew DRUM Remix) 07:21 122bpm G
12. Daddy Issues, Who is Kiks – Alterados (Cosmosolar Remix) 06:09 122bpm F
13. Samer Soltan – Unknown Me (Original Mix) 05:31 123bpm C
14. Amensol. – Bam Bam Bam (Original Mix) 06:56 123bpm Gb
15. Squire – My Name Is Bob (Original Mix) 06:03 124bpm D
16. Rams – Holding Time (Radondo Remix) 06:25 116bpm Gbm
17. Mollono.Bass, Kuoko – Finally Dancing (feat. KUOKO) (Club Version) 07:07 122bpm Db
18. Esprit Divers – Sanasana (Theus Mago & Moisees Remix) 07:03 127bpm Bm
19. Panthera – End (Original Mix) 06:30 124bpm Ab
20. Cannibal Coconuts – Lunar Mission (Original Mix) 08:45 117bpm C
21. Moscoman – Rob The Plants (Original Mix) 07:24 120bpm E
22. Joyce Muniz – Arrivederci Bella (Instrumental Version) 04:59 123bpm E
23. Giza Djs – Rogue One (Original Mix) 05:16 123bpm G
24. Gab Rhome – Alter He-Go (Moscoman & OMRI. Remix) 07:14 120bpm D
25. Alex Rossi, Jo Wedin – Tutto va bene quando facciamo l’amore (feat. Jo Wedin) (FakeFunk Remix) 04:50 120bpm Cm
26. Azaria – At the Gates (Massimiliano Pagliara Remix) 07:00 120bpm F
27. I Promised Mom – Android by Nature (Original Mix) 05:51 123bpm G
28. Rhode & Brown – Let Yoself Go (Original Mix) 06:06 121bpm Dm
29. Paresse – Meat Robots (Curses Remix) 07:01 122bpm Bb
30. DJ Chus, Tosz, Olly Klars – To The Moon feat. Tosz (Dub Mix) 06:32 124bpm G
31. O.P.S. – Malena (Original) 04:25 119bpm Dm
32. Franz Matthews – As I Am (Vhyce Remix) 05:51 117bpm Dbm
33. Sapoz – Four (Original Mix) 05:22 120bpm Ab
34. Nico Raibak – Ashes To Ashes (Original Mix) 05:26 119bpm E
35. Genish (Tel-Aviv) – Like A Dream (Original Mix) 06:30 120bpm C
36. Giza Djs – Ray of Light (Original Mix) 07:11 122bpm Em
37. Amarcord, Altutt – A New Light (Extended Dance Version) 07:45 130bpm Cm
38. Mr Morek – Hungry (Malandra Jr. remix) 07:50 124bpm C
39. Reda Saiarh – Ego Slave (Original Mix) 06:32 118bpm Em
40. Max Freeze – Fresh Beat (Original Mix) 05:48 122bpm Ab
41. ZK Bucket – Volcano Dance (Original Mix) 05:26 118bpm C